She released her début album Somebody Outside in 2004. The Swedish Grammy jury awarded her as Best Newcomer of the year, and was nominated for Best Female Artist, Best Lyricist and Best Songwriter of 2005. She also won the P3 Gold award for Best Newcomer 2004.
For her second album, Separation Road released on September 27, 2006, she was awarded Best Female Artist and Best Lyricist of the Swedish Grammy jury, again she was nominated for Best Songwriter and Best Album. She received the award for Best Female Artist at the Swedish National Radio's P3 Gold Awards the same year.
Her début US album, Halfway to Fivepoints, was released on April 22, 2008.
"To Be Gone", "My Secret", "Girl Laying Down", "Today is A Good Day", and "Shoreline" (a Broder Daniel cover) remain her most popular songs.
Her song, "Quiet Night" was used in the second series of the Swedish version of Wallander starring Krister Henriksson.
''Words of Love'' featured in gameplay Silent hill:Downpour.
On December 18, 2009, her song "No, I Don't Remember" was featured on an episode of Dollhouse entitled "The Attic." This song was featured in July 2010 on a new DLC episode, for the Xbox 360 videogame Alan Wake, entitled "The Signal".
Her latest album, Leaving on a Mayday, was released on August 11, 2009. The album won Album of the Year at the 2009 Swedish Grammy Awards along with the award for Best Female Artist.
Come To Bed
Anna Ternheim Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Eyes of hate in a dream
Never seen so much blood
Red dark colored mud
On my hands down the street
Piles higher than a mind can reach
Come to bed if it's hard to believe
Broken windows, fallen trees
Walk in ashes to the knees
Filth and dust in our hair
The smell of ruin is everywhere
Get their toughs, leave the bones
Of anyone who comes close to our home
Rob from always on the run is so bad and copy paste is a sin
Count the dead if it's hard to believe
Count the dead if it's hard to believe
Day one there was light
Day two divided sky from the sea
Then came you and me
Some things are written in the stars
As we were always meant to be
We both know, you'll never leave
Come to bed if it's hard to believe
Come to bed if it's hard to believe
Come to bed if it's hard to believe
The lyrics to Anna Ternheim's song "Come To Bed" depict a post-apocalyptic world in which the singer and their lover are struggling to survive amidst the chaos and destruction. The opening lines, "Two black holes, eyes of hate in a dream," describe the singer's encounter with some kind of menacing force. The vivid image of blood and mud on the streets suggests violence and death.
As the song progresses, the lyrics paint a picture of a world in which order has broken down and the survival of the fittest is the only law. The imagery of broken windows and fallen trees, as well as the filth and dust in the singer's hair, convey a sense of desolation and despair. The reference to "Rob from always on the run" and "copy paste" being sins suggests a world in which theft and fraud are rampant, and where survival is more important than morality.
Despite this bleak situation, there is a sense of hope and longing in the chorus. "Come to bed if it's hard to believe" suggests an escape from the harsh reality of the world, and a return to a world where love and trust are possible. The final lines of the song, "We both know, you'll never leave," suggest a deep and abiding love that endures despite the chaos and destruction of the world.
Overall, the lyrics of "Come To Bed" paint a vivid picture of a dystopian world that is both starkly beautiful and deeply unsettling.
Line by Line Meaning
Two black holes
The singer sees hatred and negativity in the eyes of someone else, almost as if they're black holes sucking in all the light and positivity.
Eyes of hate in a dream
The hatred the singer witnesses feels so surreal, like a nightmare that they can't wake up from.
Never seen so much blood
The singer is surrounded by violence so intense that they've never seen this much blood before.
Red dark colored mud
The blood they're witnessing is mixing with dirt, creating a gruesome and somber scene.
On my hands down the street
The artist is so close to the violence, they can't help but feel complicit in the situation.
Piles higher than a mind can reach
The destruction, violence, and loss around them feels insurmountable and overwhelming.
Come to bed if it's hard to believe
The singer wants to seek comfort with someone they love, hoping that they can escape the harsh reality of their surroundings, even just for a moment.
Broken windows, fallen trees
The degradation and chaos around them is everywhere, like a warzone that nature itself is struggling to survive in.
Walk in ashes to the knees
The destructive aftermath of the violence is so intense that the artist is wading through the remains of the world they once knew.
Filth and dust in our hair
The impact of the destruction is so pervasive that not even the artist's body can escape the grit and grime left behind.
The smell of ruin is everywhere
Even the smell in the air is of decay and destruction, it's all-consuming and all-encompassing.
Get their toughs, leave the bones
There's a sense of protectiveness over their personal space and the people they care about - they will be fierce in defending themselves against others who may pose a threat.
Of anyone who comes close to our home
Their sense of protection will extend to their dwelling place, and they will guard it from anyone who comes too near.
Rob from always on the run is so bad and copy paste is a sin
The singer seems to be remarking on the cruelty and unfairness of situations, where some people seem to get ahead by doing wrong things, while others suffer the consequences of their actions.
Count the dead if it's hard to believe
The violent and catastrophic situation is so difficult to grasp that it seems like counting the dead - the physical evidence of the violence - is the only way to make sense of it all.
Day one there was light
The beginning of a relationship with someone they love - everything feels new and fresh.
Day two divided sky from the sea
As time goes on, their love only grows stronger, and they see the world around them in a new light that feels more magical and meaningful.
Then came you and me
The singer values their relationship so much that it feels like a turning point in their life - before and after they met their partner.
Some things are written in the stars
The singer believes that their love and connection is pre-destined, and that some things in life just can't be explained by chance alone.
As we were always meant to be
Their love feels so natural and right, like they were always destined to know each other and be together.
We both know, you'll never leave
There's such a strong bond between the artist and their partner that they both know they'll stand by each other through thick and thin - they're in it for the long haul.
Come to bed if it's hard to believe
The artist is overcome with all kinds of emotions - from the trauma of the violence around them, to the joy and wonder of their love - and they just want to be close to the one they love to help them make sense of it all.
Come to bed if it's hard to believe
Reinforcing the idea that sometimes, the best way to navigate a dark or difficult situation is just to connect and heal with the one you love.
Contributed by Lily R. Suggest a correction in the comments below.