Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto
Antonín Leopold Dvořák (1841–1904) was a Czech composer of romantic music, … Read Full Bio ↴Antonín Leopold Dvořák (1841–1904) was a Czech composer of romantic music, who employed the idioms and melodies of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his symphonic works (above all "New World Symphony"), Slavonic Dances, String Quartets, Concertos for cello (Concerto in B minor) and violin, oratorial compositions Requiem, Stabat Mater and Te Deum.
Dvořák was born on 8th September 1841 in Nelahozeves, Czechia, near Prague, where he spent most of his life. He studied music in Prague's only Organ School at the end of the 1850s, and slowly developed himself as an accomplished violinist and violist. Throughout the 1860s he played viola in the Bohemian Provisional Theater Orchestra, which was from 1866 conducted by Bedřich Smetana. The need to supplement his income by teaching left Dvořák with limited free time, and in 1871 he gave up the orchestra in order to compose. He fell in love with one of his pupils and wrote a song cycle, Cypress Trees, expressing his anguish at her marriage to another man. However, he soon overcame his despondency, and in 1873 married her sister, Anna Čermáková.
In 1891 he wrote the famous Requiem Mass, similarly as Stabat Mater and Te Deum his major sacred work. Composition is a reflection of generally alarming questions of human being. The opus shows much of the tonal colour, original instrumentation, impressiveness and purity of composer´s mature work.
From 1892 to 1895, Dvořák was the director of the National Conservatory of Music in New York City. The Conservatory was founded by a wealthy socialite, Jeannette Thurber, who wanted a well-known composer as director in order to lend prestige to her institution. She wrote to Dvořák asking him to accept the position, and he agreed, providing that she were willing to meet his conditions: talented native American and black students, who could not afford the tuition, had to be admitted for free. She agreed to his conditions, and he sailed to America.
It was during this time as director of the Conservatory that Dvořák formed a friendship with Harry Burleigh, an African-American, who became an important composer. Dvořák taught Burleigh composition, and in return, Burleigh spent hours on end singing traditional Negro spirituals to Dvořák. Burleigh went on to compose settings of these spirituals.
In the winter and spring of 1893, while in New York, he wrote his most popular work, his ninth symphony "From the New World". Following an invitation from his family, he spent the summer of 1893 in the Czech-speaking community of Spillville, Iowa. While there he composed two of his most famous chamber works, the string quartet in F major ("The American"), and the string quintet in E flat major.
Also while in the United States he heard a performance of a cello concerto by the composer Victor Herbert. He was so excited by the possibilities of the cello and orchestra combination displayed in this concerto that he wrote a concerto of his own, the cello concerto in B minor (1895). Since then the concerto, considered one of the greatest of the genre, has grown in popularity and is frequently performed today. He also left an unfinished work, the cello concerto in A major (1865), which was completed and orchestrated by the German composer Günter Raphael between 1925 and 1929, and by Jarmil Burghauser in 1952.
He eventually returned to Prague where he was director of the conservatory from 1901 until his death on 1st May 1904. At the end of his life, Dvořák was in serious financial straits, as he had sold his many compositions for so little he had hardly anything to live on. He is buried in the Vyšehrad cemetery in Prague.
Dvořák was born on 8th September 1841 in Nelahozeves, Czechia, near Prague, where he spent most of his life. He studied music in Prague's only Organ School at the end of the 1850s, and slowly developed himself as an accomplished violinist and violist. Throughout the 1860s he played viola in the Bohemian Provisional Theater Orchestra, which was from 1866 conducted by Bedřich Smetana. The need to supplement his income by teaching left Dvořák with limited free time, and in 1871 he gave up the orchestra in order to compose. He fell in love with one of his pupils and wrote a song cycle, Cypress Trees, expressing his anguish at her marriage to another man. However, he soon overcame his despondency, and in 1873 married her sister, Anna Čermáková.
In 1891 he wrote the famous Requiem Mass, similarly as Stabat Mater and Te Deum his major sacred work. Composition is a reflection of generally alarming questions of human being. The opus shows much of the tonal colour, original instrumentation, impressiveness and purity of composer´s mature work.
From 1892 to 1895, Dvořák was the director of the National Conservatory of Music in New York City. The Conservatory was founded by a wealthy socialite, Jeannette Thurber, who wanted a well-known composer as director in order to lend prestige to her institution. She wrote to Dvořák asking him to accept the position, and he agreed, providing that she were willing to meet his conditions: talented native American and black students, who could not afford the tuition, had to be admitted for free. She agreed to his conditions, and he sailed to America.
It was during this time as director of the Conservatory that Dvořák formed a friendship with Harry Burleigh, an African-American, who became an important composer. Dvořák taught Burleigh composition, and in return, Burleigh spent hours on end singing traditional Negro spirituals to Dvořák. Burleigh went on to compose settings of these spirituals.
In the winter and spring of 1893, while in New York, he wrote his most popular work, his ninth symphony "From the New World". Following an invitation from his family, he spent the summer of 1893 in the Czech-speaking community of Spillville, Iowa. While there he composed two of his most famous chamber works, the string quartet in F major ("The American"), and the string quintet in E flat major.
Also while in the United States he heard a performance of a cello concerto by the composer Victor Herbert. He was so excited by the possibilities of the cello and orchestra combination displayed in this concerto that he wrote a concerto of his own, the cello concerto in B minor (1895). Since then the concerto, considered one of the greatest of the genre, has grown in popularity and is frequently performed today. He also left an unfinished work, the cello concerto in A major (1865), which was completed and orchestrated by the German composer Günter Raphael between 1925 and 1929, and by Jarmil Burghauser in 1952.
He eventually returned to Prague where he was director of the conservatory from 1901 until his death on 1st May 1904. At the end of his life, Dvořák was in serious financial straits, as he had sold his many compositions for so little he had hardly anything to live on. He is buried in the Vyšehrad cemetery in Prague.
Symphony No. 9 in E Minor Op. 95 B. 178 "From the New World": I. Adagio
Antonín Dvořák Lyrics
We have lyrics for these tracks by Antonín Dvořák:
Song to the Moon Mesiku na nebi hlubokem Svetlo tve daleko vidi, Po svete blo…
X.Quando corpus morietur Quando corpus morietur, Fac, ut animae donetur paradisi glor…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@josecarvajal8226
II. Largo: 10:07
Choral of Trombone: 10:07
English Horn Solo: 10:59
Bassoon solo: 12:15
Clarinete solo: 12:31
Choral of Winds: 12:49
Strings Choral: 13:18
English Horn Solo: 14:17
Bassoon Solo: 14:31
Horn Choral: 15:00
Chora of Oboe and Flute: 15:26
Choral of Winds: 16:04
Clarinete Solo: 18:00
Strigns choral: 18:00
Oboe solo: 19:19
Choral of Winds : 19:23
Theme of the 4th movement: 19:44
English Horn Solo: 20:16
Strings Choral: 20:46
Violin Solo: 21:33
Cello Solo: 21:33
Winds Choral: 22:02
Choral of trombone: 22:51
Last Chord: 23:49
@robinraisch
Sorry, these time stamps are for my class
0:07 opening theme cello
2:02 theme 1 in horn
3:08 2nd theme in flute
4:23 3rd theme in flute
5:15 theme 3 echo in horn and piccolo
5:37 theme 3 in trumpet and theme 1 in trombone
6:01 recap
7:23 theme 2 returns in flute solo
8:36 theme 3 develops in flute solo
10:07 brass chorale
12:51 woodwind chorale
15:26 theme 2
18:00 heartfelt melody
19:19 theme 3 in oboe (just play through and scroll to extended oboe solo)
23:46 ending with double bass
Play from beginning and let the cross rhythms happen
25:32 transition to theme 2
26:22 theme 1 comes back
26:53 transition to B
27:24 1st part of B theme (just let play into 2nd theme)
31:36 first theme of movement 1 (let play into movement 4)
33:35 theme 2 in violins
34:14 theme 3 in clarinet
35:08 theme 4 (let play into theme 5)
36:24 theme 1 returns from movement 4
37:08 theme 1 from movement 2
38:08 movement 1 theme
39:38 theme 6
42:13 chords like movement 2
@user-vv5dy9co1t
0:07 opening theme cello
2:02 theme 1 in horn
3:08 2nd theme in flute
4:23 3rd theme in flute
5:15 theme 3 echo in horn and piccolo
5:37 theme 3 in trumpet and theme 1 in trombone
6:01 recap
7:23 theme 2 returns in flute solo
8:36 theme 3 develops in flute solo
10:07 brass chorale
12:51 woodwind chorale
15:26 theme 2
18:00 heartfelt melody
19:19 theme 3 in oboe (just play through and scroll to extended oboe solo)
23:46 ending with double bass
Play from beginning and let the cross rhythms happen
25:32 transition to theme 2
26:22 theme 1 comes back
26:53 transition to B
27:24 1st part of B theme (just let play into 2nd theme)
31:36 first theme of movement 1 (let play into movement 4)
33:35 theme 2 in violins
34:14 theme 3 in clarinet
35:08 theme 4 (let play into theme 5)
36:24 theme 1 returns from movement 4
37:08 theme 1 from movement 2
38:08 movement 1 theme
39:38 theme 6
42:13 chords like movement 2
@user-qg9fl3mg2x
1 ч. Вступ 0:07
1 ч. ГП 2:03
1 ч. ПП 3:08
1 ч. ЗП 4:23
2 ч. Тема вступу 10:08
2 ч. Основна тема (1т.) 11:00
2 ч. 2т. середньої ч. 15:46
2 ч. 3т. середньої ч. 16:03
3 ч. Основна тема (1т.) 24:12
3 ч. Середина 1-го розділу (2т.) 25:35
3 ч. Тема спільної середини (тріо) 27:23
4 ч. ГП 32:34
@meistergesang
1 часть
2:01 ГП (призыв и ответ как эхо)
3:06 ПП (как повторный танец, лирически звучит)
2 часть
10:59 Тема (спокойствие, кларнет)
3 часть
24:01 Скерцо (як 9 симф, а потом сразу скачем на лошади в бой)
25:38 средний эпизод (что-то танцевальное)
27:27 Трио
4 часть
32:32 Тема (идем на войну)
@popularmusicrecords
[для 1фдт и себя любимого]
1 часть
ГП - 2:03
ПП - 3:08
ЗП-4:23
2 часть
Тема вступления - 10:08
Основная тема - 11:00
1 тема середины -15:46
2 тема середины - 16:03
3 часть.
Основная тема - 24:12
середина 1 раздела - 25:35
тема общ. середины - 27:23
Финал.
ГП - 32:35
СП - 33:33
ПП - 34:14
ЗП - 35:08
Тема 2 части в разработке - 37:08
в коде - 42:37
Тема 3 части в разработке - 37:30
в коде - 42:40
@Olga6328
0:10 І ч. вступ e
2:02 І ч. ГП e
3:07 І ч. ПП g
4:22 І ч. ЗП G
11:00 ІІ ч. ОТ Des
15:27 ІІ ч. СР 1 т. cis
16:06 ІІ ч. СР 2 т. cis
19:19 ІІ ч. СР 3 т. Сis
24:03 ІІІ ч. ОТ e
30:16 ІІІ ч. тріо E
32:34 IV ч. ГП e
34:18 IV ч. ПП G
35:10 IV ч. ЗП G
@PentameronSV
0:06 - I. Adagio— (2:03) Allegro molto
10:07 - II. Largo
24:01 - III. Scherzo: Molto vivace
32:16 - IV. Allegro con fuoco
@windmillwilly
This is accurate, and totally not a scam. Kudos to you for being so helpful.
@PentameronSV
@Windmill Willy Is that sarcasm I smell? Sorry if this comes across as rude.
@rgibeli
@Pentameron well i think it's not sarcasm because the time stamps are perfect. In the right second
@PentameronSV
@Rubén Gibeli Well, glad to know.
@windmillwilly
The joke is that it's completely accurate, and my tone makes it sound like it's not. I'm sorry I had to kill the frog.
@Macart25
First Movement
0:06 Introduction
2:02 Exposition - First Theme
3:08 Exposition - Second Theme
4:22 Exposition - Third Theme
5:02 Development
6:41 Recapitulation
9:12 Coda
@yiannoscyprus
Saviour!
@pietrogusso8211
Thanks very much
@Macart25
@Pietro Gusso You*re welcome!