Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque … Read Full Bio ↴Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later.
Antonio Lucio Vivaldi was born on 4 March 1678 in Venice, then the capital of the Venetian Republic. He was baptized immediately after his birth at his home by the midwife, which led to a belief that his life was somehow in danger. Though the reasons for the child's immediate baptism are not known for certain, it was done most likely due either to his poor health or to an earthquake that shook the city that day. In the trauma of the earthquake, Vivaldi's mother may have dedicated him to the priesthood. The ceremonies which had been omitted were supplied two months later.
Vivaldi's parents were Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora. Vivaldi had eight siblings: Iseppo Santo Vivaldi, Iseppo Gaetano Vivaldi, Bonaventura Tomaso Vivaldi, Margarita Gabriela Vivaldi, Cecilia Maria Vivaldi, Gerolama Michela Vivaldi, Francesco Gaetano Vivaldi, and Zanetta Anna Vivaldi. Giovanni Battista, who was a barber before becoming a professional violinist, taught Antonio to play the violin and then toured Venice playing the violin with his young son. Antonio was probably taught at an early age, judging by the extensive musical knowledge he had acquired by the age of 24, when he started working at the Ospedale della Pietà. Giovanni Battista was one of the founders of the Sovvegno dei musicisti di Santa Cecilia, an association of musicians.
During his lifetime, Vivaldi was popular in many countries throughout Europe, including France, but after his death his popularity dwindled. After the end of the Baroque period, Vivaldi's published concerti became relatively unknown, and were largely ignored. Even his most famous work, The Four Seasons, was unknown in its original edition during the Classical and Romantic periods.
In the early 20th century, Fritz Kreisler's Concerto in C, in the Style of Vivaldi (which he passed off as an original Vivaldi work) helped revive Vivaldi's reputation. This spurred the French scholar Marc Pincherle to begin an academic study of Vivaldi's oeuvre. Many Vivaldi manuscripts were rediscovered, which were acquired by the Turin National University Library as a result of the generous sponsorship of Turinese businessmen Roberto Foa and Filippo Giordano, in memory of their sons. This led to a renewed interest in Vivaldi by, among others, Mario Rinaldi, Alfredo Casella, Ezra Pound, Olga Rudge, Desmond Chute, Arturo Toscanini, Arnold Schering and Louis Kaufman, all of whom were instrumental in the revival of Vivaldi throughout the 20th century.
In 1926, in a monastery in Piedmont, researchers discovered fourteen folios of Vivaldi's work that were previously thought to have been lost during the Napoleonic Wars. Some missing volumes in the numbered set were discovered in the collections of the descendants of the Grand Duke Durazzo, who had acquired the monastery complex in the 18th century. The volumes contained 300 concertos, 19 operas and over 100 vocal-instrumental works.
The resurrection of Vivaldi's unpublished works in the 20th century is mostly due to the efforts of Alfredo Casella, who in 1939 organized the historic Vivaldi Week, in which the rediscovered Gloria (RV 589) and l'Olimpiade were revived. Since World War II, Vivaldi's compositions have enjoyed wide success. Historically informed performances, often on "original instruments", have increased Vivaldi's fame still further.
Recent rediscoveries of works by Vivaldi include two psalm settings of Nisi Dominus (RV 803, in eight movements) and Dixit Dominus (RV 807, in eleven movements). These were identified in 2003 and 2005 respectively, by the Australian scholar Janice Stockigt. The Vivaldi scholar Michael Talbot described RV 807 as "arguably the best nonoperatic work from Vivaldi's pen to come to light since […] the 1920s". Vivaldi's 1730 opera Argippo (RV 697), which had been considered lost, was rediscovered in 2006 by the harpsichordist and conductor Ondřej Macek, whose Hofmusici orchestra performed the work at Prague Castle on 3 May 2008—its first performance since 1730.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later.
Antonio Lucio Vivaldi was born on 4 March 1678 in Venice, then the capital of the Venetian Republic. He was baptized immediately after his birth at his home by the midwife, which led to a belief that his life was somehow in danger. Though the reasons for the child's immediate baptism are not known for certain, it was done most likely due either to his poor health or to an earthquake that shook the city that day. In the trauma of the earthquake, Vivaldi's mother may have dedicated him to the priesthood. The ceremonies which had been omitted were supplied two months later.
Vivaldi's parents were Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora. Vivaldi had eight siblings: Iseppo Santo Vivaldi, Iseppo Gaetano Vivaldi, Bonaventura Tomaso Vivaldi, Margarita Gabriela Vivaldi, Cecilia Maria Vivaldi, Gerolama Michela Vivaldi, Francesco Gaetano Vivaldi, and Zanetta Anna Vivaldi. Giovanni Battista, who was a barber before becoming a professional violinist, taught Antonio to play the violin and then toured Venice playing the violin with his young son. Antonio was probably taught at an early age, judging by the extensive musical knowledge he had acquired by the age of 24, when he started working at the Ospedale della Pietà. Giovanni Battista was one of the founders of the Sovvegno dei musicisti di Santa Cecilia, an association of musicians.
During his lifetime, Vivaldi was popular in many countries throughout Europe, including France, but after his death his popularity dwindled. After the end of the Baroque period, Vivaldi's published concerti became relatively unknown, and were largely ignored. Even his most famous work, The Four Seasons, was unknown in its original edition during the Classical and Romantic periods.
In the early 20th century, Fritz Kreisler's Concerto in C, in the Style of Vivaldi (which he passed off as an original Vivaldi work) helped revive Vivaldi's reputation. This spurred the French scholar Marc Pincherle to begin an academic study of Vivaldi's oeuvre. Many Vivaldi manuscripts were rediscovered, which were acquired by the Turin National University Library as a result of the generous sponsorship of Turinese businessmen Roberto Foa and Filippo Giordano, in memory of their sons. This led to a renewed interest in Vivaldi by, among others, Mario Rinaldi, Alfredo Casella, Ezra Pound, Olga Rudge, Desmond Chute, Arturo Toscanini, Arnold Schering and Louis Kaufman, all of whom were instrumental in the revival of Vivaldi throughout the 20th century.
In 1926, in a monastery in Piedmont, researchers discovered fourteen folios of Vivaldi's work that were previously thought to have been lost during the Napoleonic Wars. Some missing volumes in the numbered set were discovered in the collections of the descendants of the Grand Duke Durazzo, who had acquired the monastery complex in the 18th century. The volumes contained 300 concertos, 19 operas and over 100 vocal-instrumental works.
The resurrection of Vivaldi's unpublished works in the 20th century is mostly due to the efforts of Alfredo Casella, who in 1939 organized the historic Vivaldi Week, in which the rediscovered Gloria (RV 589) and l'Olimpiade were revived. Since World War II, Vivaldi's compositions have enjoyed wide success. Historically informed performances, often on "original instruments", have increased Vivaldi's fame still further.
Recent rediscoveries of works by Vivaldi include two psalm settings of Nisi Dominus (RV 803, in eight movements) and Dixit Dominus (RV 807, in eleven movements). These were identified in 2003 and 2005 respectively, by the Australian scholar Janice Stockigt. The Vivaldi scholar Michael Talbot described RV 807 as "arguably the best nonoperatic work from Vivaldi's pen to come to light since […] the 1920s". Vivaldi's 1730 opera Argippo (RV 697), which had been considered lost, was rediscovered in 2006 by the harpsichordist and conductor Ondřej Macek, whose Hofmusici orchestra performed the work at Prague Castle on 3 May 2008—its first performance since 1730.
Morning has broken
Antonio Vivaldi Lyrics
We have lyrics for 'Morning has broken' by these artists:
- Cat Stevens Morning has broken like the first morning Blackbird has spok…
2nd Chapter Of Acts Morning has broken, like the first morning Blackbird has spo…
Aaron Neville Morning has broken like the first morning Blackbird has spok…
Acid Ranch Morning has broken again Morning has broken again Have you…
Angela Cameron Morning has broken like the first morning Blackbird has spok…
Angelis Morning has broken, like the first morning. Blackbird has s…
Anni-Frid Lyngstad (Frida) Morning has broken, like the first morning Blackbird has spo…
Art Garfunkel Schön ist der Morgen Schau' aus dem Fenster Ganz neu geboren…
Art Garfunkel Diana Krall Morning has broken Like the first morning Blackbird has spok…
Brad Prevedoros Shot gun, aim at my heart, you got one Tear me…
C. Stevens Morning has broken like the first morning Blackbird has spok…
Cat Stevens Morning has broken, like the first morning Blackbird has spo…
cat stevens - Harold & Maude Morning has broken like the first morning Blackbird has spok…
Dana Winner Morning has broken like the first morning Blackbird has spo…
Daniel O'Donnell Morning has broken, like the first morning Blackbird has s…
Dianne Reeves Morning has broken, like the first morning Blackbird has sp…
Dino And if I say to you tomorrow. Take my hand,…
Eleanor Farjeon Morning has broken like the first morning Blackbird has spok…
Eli Morning has broken, like the first morning Blackbird has spo…
Ellen Greene Morning has broken, like the first morning Blackbird has sp…
Esther Ofarim Morning has broken like the first morning. Blackbird has sp…
Hayley Westenra Music: Cat Stevens Lyrics: Eleanor Farjeon Morning has b…
Jheena Lodwick Morning has broken like the first morning, Blackbird has spo…
Joseph McManners Morning has broken, like the first morning Blackbird has s…
Judith Durham Morning has broken, like the first morning. Blackbird has sp…
Judy Collins Morning has broken like the first morning Blackbird has spok…
Kenny Rogers & The First Edition Morning has broken like the first morning, Blackbird has spo…
Michael Card Morning has broken like the first morning Blackbird has spok…
Mikel Erentxun Morning has broken, like the first morning Blackbird has sp…
Mormon Tabernacle Choir Morning has broken, like the first morning Blackbird has spo…
Morning Has Broken - Cat Stevens Morning has broken like the first morning Blackbird has spok…
Mouskouri Nana Morning has broken Like the first morning Blackbird has spok…
Music-Themes Morning has broken like the first morning; Blackbird has spo…
Nana Mouskouri Morning has broken Like the first morning Blackbird has spok…
Neil Diamond Oh yes, Say it now Morning has broken, Like the first morni…
Neil Diamond (Holiday) Oh yes, Say it now Morning has broken, Like the first m…
Órla Fallon Morning has broken like the first morning Black bird has spo…
Pam Tillis Morning has broken like the first morning Blackbird has spok…
Roger Whittaker Roger whittaker - Morning has broken Morning has broken, li…
Steven Curtis Chapman Morning has broken, like the first morning Blackbird has spo…
Stevens Morning has broken like the first morning Blackbird has spok…
Stevens (Cat) Morning has broken like the first morning Blackbird has spo…
Suzanne Prentice Morning has broken like the first morning, Blackbird has spo…
The Chieftains Morning has broken Like the first morning Blackbird has spok…
The Chieftains with Diana Krall & Art Garfunkel Schön ist der Morgen Schau' aus dem Fenster Ganz neu geboren…
The Eighties Matchbox B-Line Disaster He was born on the Christmas Day Says he's gonna get…
The Irish Tenors Morning has broken, like the first morning, Blackbird has sp…
The New Seekers Morning has broken, like the first morning Blackbird has spo…
Therion Wisdom of insight in bloom I thought I knew And still…
Third Day Morning has broken Like the first morning Blackbird has spok…
Third Day/DownCDsGospel.com Morning has broken Like the first morning Blackbird has sp…
Traditional Morning has broken, like the first morning Blackbird has spo…
Various Artists Morning has broken like the first morning, Blackbird has spo…
Yusuf Morning has broken like the first morning Blackbird has spok…
We have lyrics for these tracks by Antonio Vivaldi:
Laudamus te laudamus te (laudamus te) benedicimus Te (benedicumus te) ad…
Sposa son disprezzata Sposa son disprezzata Fida, son oltraggiata Cieli che feci m…
Vivaldi: Concerto in G Minor Op. 10 No. 2 RV. 104 'La notte': V. Allegro Малая в Америке зовёт меня Игорь Игорь крутой, Игорь Крутой …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@desmondschneider5397
00:01 - Spring Allegro - 1st
03:39 - Spring Largo - 2nd
06:02 - Spring Allegro Pastorale - 3rd
10:30 - Summer Allegro - 4th
15:52 - Summer Adagio e Presto - 5th
17:56 - Summer Presto - 6th
20:59 - Autumn Allegro - 7th
26:21 - Autumn Adagio Molto - 8th
29:07 - Autumn Allegro - 9th
32:48 - Winter Allegro Non Molto - 10th
36:17 - Winter Largo - 11th
38:36 - Winter Allegro - 12th
@Jasperdejongg
00:01 - Spring Allegro - 1st Movement
This movement is an energetic, joyful celebration of the arrival of spring. The bright, lively music is meant to evoke images of nature waking up after winter, with birds singing, brooks babbling, and gentle breezes.
03:39 - Spring Largo - 2nd Movement
The second movement is a more peaceful, serene expression of spring. It is meant to represent a sleepy goatherd with his faithful dog lying at his feet. This movement often uses slower tempos and longer note values to create a calm, dreamy atmosphere.
06:02 - Spring Allegro Pastorale - 3rd Movement
The final movement of "Spring" is a festive dance music, representing a pastoral dance by shepherds and nymphs celebrating the arrival of spring. The allegro tempo and the lilting rhythm of the music creates a feeling of happiness and celebration.
10:30 - Summer Allegro - 4th Movement
The first movement of "Summer" is an intense depiction of a hot, oppressive summer day. There are musical illustrations of a singing turtledove, a gentle zephyr breeze, and the harsh wind of the summer storm.
15:52 - Summer Adagio e Presto - 5th Movement
This movement describes the oppressive heat and the exhaustion it brings. The music alternates between slow (Adagio) and fast (Presto) tempos, representing the calm before the storm and the storm itself respectively.
17:56 - Summer Presto - 6th Movement
The final movement of "Summer" depicts a fierce summer storm with all of its dramatic, violent energy. It is a fast-paced, dynamic music full of rapid scales and arpeggios.
20:59 - Autumn Allegro - 7th Movement
The first movement of "Autumn" depicts the joy of the peasant with their rich harvest and their celebratory dances and songs. It is a merry, upbeat music full of energy and high spirits.
26:21 - Autumn Adagio Molto - 8th Movement
This movement represents the sleeping peasants after their celebrations. The music is slow and gentle, evoking a sense of peace and relaxation.
29:07 - Autumn Allegro - 9th Movement
The final movement of "Autumn" depicts a hunt complete with horns, dogs barking, and even a gunshot. It's a more vigorous, fast-paced section to conclude the concerto.
32:48 - Winter Allegro Non Molto - 10th Movement
The first movement of "Winter" represents a harsh winter storm. Despite the challenges of the cold weather, there's a sense of delight in the beauty of the snowy landscape. The music is energetic but with a slightly slower tempo (Allegro Non Molto).
36:17 - Winter Largo - 11th Movement
The second movement of "Winter" depicts the peace that comes after the storm. The music is slow and gentle, suggesting images of falling snow and the quiet of a winter evening.
38:36 - Winter Allegro - 12th Movement
The final movement of "Winter" is a lively representation of walking on ice, ending with the warmth of a cozy fire. It's energetic, almost dancing music, finishing the entire work on a high note.
@davidmeir9348
@@littlestonesadventures3939
Spring's first movement apart from also being excellent, is the most widely known part of the four seasons.
The number of movies and commercials where it appears is simply staggering.
I can't think of a single human being on earth who've never heard it, even without knowing what it is.
It's simply referenced absolutely everywhere.
@scrittoripergioco1385
Vivaldi, the virtuoso of classical artistry, holds a special place in the depths of my heart. As the first artist to grace my ears with his celestial melodies, he ignited a musical passion that still burns fervently within me. The serendipitous encounter with his compositions remains shrouded in mystery, but the fortuitousness of that moment is a gift I shall forever cherish.
With each passing note that cascades from Vivaldi's compositions, I embark on an auditory voyage that is nothing short of extraordinary. His masterful works possess an indomitable allure, for they wield the enchanting ability to feel refreshingly novel upon each listen. As if breathing life into dormant emotions, his music unveils new nuances with every melody, inviting me into a realm of perpetual wonder.
The marvel of Vivaldi's artistry lies in his unyielding capacity to transcend the constraints of time and remain eternally relevant. Despite the centuries that separate us, his compositions endure as timeless beacons of brilliance, beckoning me with their siren call to immerse myself in their ineffable charm.
To listen to Vivaldi is to discover a perpetual source of artistic rejuvenation. His music dances with the vivacity of spring, painting the seasons of my soul in vivid hues, and infusing every note with a vivacious vibrancy. With each crescendo and diminuendo, I am reminded that, like nature's ever-changing landscapes, life's symphony too is an ever-evolving melody.
As I revel in Vivaldi's harmonious tapestries, I find myself entranced by the kaleidoscopic emotions they evoke. It is as if his compositions are vessels of emotion, carrying me through the ebbs and flows of a sonic odyssey that resonates with the essence of my being.
In the gentle strains of his music, I rediscover the marvel of being captivated by art that transcends the boundaries of language and touches the core of the human experience. Each listening session becomes an intimate encounter with artistic brilliance, enriching my soul with its boundless beauty.
So, with gratitude and reverence, I treasure the ineffable impact of Vivaldi on my life. His compositions remain an unyielding testament to the enduring power of music, an eternal wellspring of inspiration that invigorates my spirit and serves as a constant reminder of the sheer wonder that exists within the realm of sound. For as long as I have the gift of hearing, Vivaldi's melodies shall continue to accompany me on this grand symphony of existence, forever fresh and forever cherished.
@karlag146
For each individual movement:
0:00 - Spring Allegro - 1st
3:39 - Spring Largo - 2nd
6:02 - Spring Allegro pastorale - 3rd
10:30 - Summer Allegro - 4th
15:52 - Summer Adagio e Presto - 5th
17:56 - Summer Presto - 6th
20:59 - Autumn Allegro - 7th
26:21 - Autumn Adagio molto - 8th
29:07 - Autumn Allegro - 9th
32:48 - Winter Allegro non molto - 10th
36:17 - Winter Largo - 11th
38:36 - Winter Allegro - 12th
@m_dnz
Each individual movement:
00:01 - Spring Allegro - 1st
03:39 - Spring Largo - 2nd
06:02 - Spring Allegro Pastorale - 3rd
10:30 - Summer Allegro - 4th
15:52 - Summer Adagio e Presto - 5th
17:56 - Summer Presto - 6th
20:59 - Autumn Allegro - 7th
26:21 - Autumn Adagio Molto - 8th
29:07 - Autumn Allegro - 9th
32:48 - Winter Allegro Non Molto - 10th
36:17 - Winter Largo - 11th
38:36 - Winter Allegro - 12th
Brisamar, Itaguaí, RJ.
28/11/2019, 10:00 am.
@scrittoripergioco1385
Summer, a season that holds a special place in my heart, unfolds like a symphonic journey of emotions. It commences with the sweltering heat, a little burst of happiness that lingers in the air. The pace of life slows down, mirroring the languid days of summer, as if savoring every fleeting moment.
Yet, as the season progresses, a subtle shift occurs, and the tempo quickens, reminiscent of the hastening pulse during the scorching days that may bring forth heat strokes and other tragic endings. The music reflects the rising tension and the burdens that accompany the soaring temperatures.
Among the myriad movements of summer, my favorite segment emerges: the Summer Presto. At the 17:56 mark, the music surges forward like a torrent of gushing currents, akin to the thunder and lightning that might grace a pleasant summer day. The rapid and relentless pace mirrors the constant stress that lingers during this season, often leaving one feeling irritated and overwhelmed.
Yet, amidst this tempestuous flurry, there is a brief respite in the "Center" of the storm, as marked at 18:49. The music momentarily eases its intensity, inviting a moment of calm before plunging back into the depths of dread at 19:06. This sequence encapsulates the rollercoaster of emotions that summer often brings, the interplay of tension and brief moments of solace.
The composition offers glimpses of hope and optimism, interspersed with intermittent pauses. It is as if the music reflects the unpredictable nature of summer, where heavy rains and sudden showers surprise us when least expected. This unpredictability becomes a canvas upon which the profound beauty of the season is painted.
The Summer Presto is a veritable masterpiece, a symphony that encapsulates the essence of summer's multifaceted nature. It is a testament to the power of classical music, which, like a mesmerizing narrative, draws us into its world, inviting us to decipher its meanings and unravel its complexities.
As I immerse myself in the depths of this musical tapestry, I cannot help but marvel at the profound allure of classical music. It has rapidly become one of my favorite genres, captivating me with its ability to convey emotions that words alone cannot encompass. It is a journey of discovery, where the layers of meaning reveal themselves, and the heart is stirred by the harmony of sounds.
In the captivating "song" of Summer, I find a profound connection with the essence of life itself. It is a melody that resonates within me, mirroring the seasons of existence, with their highs and lows, their storms and their serenity. And within this symphony of life, I discover a newfound appreciation for the boundless beauty of classical music and the profound messages it conveys.
@scrittoripergioco1385
The allure of this music is simply enchanting, sweeping me away on a sublime journey of emotions. Its soothing cadence washes over me like a gentle caress, leaving a trail of goosebumps in its wake. The poignant melodies of the violin and the harmonious interplay of other instruments form an intricate tapestry that resonates deep within my soul.
In the timeless embrace of this symphony, I find myself transported back in time, as if the music becomes a portal to a bygone era. I envision myself amidst a captivated audience, witnessing a live concert where the air is thick with anticipation and awe. The collective hush of the audience, eagerly awaiting the music to weave its magic, intensifies the ambiance of this enchanting moment.
As the first notes fill the air, I am ensnared by the ethereal beauty that unfurls before me. The intensity of the violin weaves a tale of passion and emotion, and every note seems to breathe life into the very essence of the music. I become an ardent observer of this mesmerizing symphony, where time seems to stand still, and the boundaries between past and present blur into a harmonious union.
The music casts a spell upon me, rendering me breathless and captivated. Its beauty is nothing short of breathtaking, an artistic masterpiece that envelops me in a cocoon of tranquility and wonder. It is a sensory feast that leaves me utterly entranced, lost in its timeless embrace.
In this enraptured state, I become one with the music, my heart pulsating in rhythm with its every beat. The melodies dance around me, enveloping me in a cocoon of emotions. I am a participant in this enchanting symphony, connected to the music and to the souls of those who crafted it centuries ago.
In this intimate communion with the music, I feel a profound sense of belonging, as if I have been destined to experience this moment of auditory brilliance. The music becomes a conduit, bridging the gaps of time and space, uniting me with the essence of its creation and its enduring legacy.
In the midst of this captivating concert, I find myself lost in the magic of the music. It is a moment of sheer wonder, where the world around me fades into insignificance, and the only reality that matters is the symphony unfurling before me.
As the last notes reverberate into the ether, I am left with a heart brimming with gratitude. Gratitude for the timeless beauty of this music, for the sheer talent of the artists who brought it to life, and for the privilege of being a witness to such a transformative experience.
In this moment of musical transcendence, I am reminded of the boundless power of art to touch our souls and transport us to realms unknown. I carry this breathtaking memory with me, a treasured keepsake that shall forever be etched in the recesses of my heart, an ode to the profound impact of music's ethereal enchantment.
@cheesemanthe2nd
300 years ago people would probably only listen to these pieces once in a lifetime, now we can listen to it whenever we please.
@itsmemogul889
this needs more likes
@atheistconservative6211
Aaaaaand we're LOVING IT 👍
@idk-qc9zy
Abhhh feel bad for them
@masteroogway6339
But they were listening live by the literal Vivaldi 😔 we only hear the remakes any time we please. I guess it’s a win for people 300 yrs ago and us.
@benko5833
Yes
@desmondschneider5397
00:01 - Spring Allegro - 1st
03:39 - Spring Largo - 2nd
06:02 - Spring Allegro Pastorale - 3rd
10:30 - Summer Allegro - 4th
15:52 - Summer Adagio e Presto - 5th
17:56 - Summer Presto - 6th
20:59 - Autumn Allegro - 7th
26:21 - Autumn Adagio Molto - 8th
29:07 - Autumn Allegro - 9th
32:48 - Winter Allegro Non Molto - 10th
36:17 - Winter Largo - 11th
38:36 - Winter Allegro - 12th
@desmondschneider5397
I know this is a duplicate comment, I’m making an archive in case the OG’s account shuts down for whatever reason
@danielmoraleselijah6848
Thank you :)
@mortonwinner2397
Thank you so much for the details , and for sharing with us your expertise.