Tú No Amas
Anuel AA Lyrics

Yo siempre me pregunto ¿por qué tú no estás aquí? (Está' aquí)
The artist misses the person and wonders why they are not present.

Y soy un infeliz desde que te perdí (Te perdí)
The artist is unhappy since the person they are referring to is no longer with them.

Tú tienes lo que me enloquece a mí (Mí)
The person being referred to has something that drives the artist crazy.

Y desde que te fuiste por dentro morí (Morí)
Since the person left, the artist feels dead inside.

Y el tiempo nunca das pa' atrás (No va pa' atrás)
Time cannot be reversed to undo what has already been done.

Y si vienes hoy, mañana mismo tú te vas (Ah ah)
The person may leave as suddenly as they came.

Baby, qué novedad
The artist is accustomed to the person leaving.

Yo no creo en la casualidad
The artist does not believe in coincidences.

Y si no te tengo, esto se pone intenso (-tenso)
The artist experiences emotional intensity in the absence of the person they are referring to.

Y es un suspenso, siempre que te pienso (Te pienso)
The artist is always in suspense when they think of the person.

Tú eres mala, mala, mala, eh, eh (Eh, eh)
The person being referred to is not good.

Tú no amas, amas, amas, no, no (No, no, no)
The person being referred to does not love the artist.

Baby, dame la luz (Luz)
The artist wants to be enlightened about the situation.

Tú no quieres amor (-mor)
The person being referred to does not want love.

Y eso lo sabes tú (Tú)
The person being referred to is aware of this fact.

Baby, tú siempre me confundes
The person being referred to constantly confuses the artist.

Y en la soledad tú a mí me hundes, eh (Hundes)
The person being referred to makes the artist feel unwell when they are alone.

Y ya yo no te quiero amar, no
The artist no longer wants to love the person being referred to.

Quiero darte calor, sí
The artist wants to give warmth to the person being referred to.

Yo me dejo llevar, ya
The artist is letting things happen naturally.

Siempre va a ser así
Things will always be this way.

Y no se vale, vale, vale (Vale)
It's not fair.

Tú estás llena de males, males, males (Males)
The person being referred to is full of faults.

Mi Harley Quinn (Quinn, Quinn)
The person being referred to is being compared to the fictional character named Harley Quinn.

De este cuento yo no quiero un fin (Un fin)
The artist does not want the story to end.

Sólo sexo en los San Valentín (Uah)
The artist is only interested in having sex on Valentine's day.

Yo te lo hago bien rico en Medellín (Medellín)
The artist is suggesting that they can have a good sexual experience in the city of Medellín.

Y es un suspenso, siempre que te pienso (Ey) (Te pienso)
The artist is always in suspense when they think of the person.

Tú eres malo, malo, malo, eh (yeah, yeah) (yeah, yeah)
The person being referred to is not good.

Y te domino
The artist feels like they dominate the person being referred to.

Cuando te hablo cosas sucias en el oído
The artist speaks dirty things in the person's ear.

Y encima de ti gritando que tú eres mío (Eres mío)
The artist screams that the person belongs to them.

Y yo sé que bien rico la pasas conmigo (Ey, oh)
The person is having a good time with the artist.

Y dime tú qué vamos a hacer (Ey)
The artist is asking the person what they are going to do.

Un día me quieres pero al otro no sabes qué hacer (Ey)
Sometimes the person wants the artist, but at other times they don't know what they want.

Te gusta verme para luego desaparecer
The person likes to see the artist but then disappears.

¿Cuál es el truco?, dímelo, bebé (-melo, bebé)
The artist wants to know what the person's trick is.

Quieres jugar pero vas a perder
The person wants to play, but they will lose.

Y te domino (Te domino)
The artist feels like they dominate the person being referred to.

Cuando te hablo cosas sucias en el oído (Oído)
The artist speaks dirty things in the person's ear.

Y encima de ti gritando que tú eres mío
The artist screams that the person belongs to them.

Y yo sé que bien rico la pasas conmigo (Yo')
The person is having a good time with the artist.

Baby, te necesito (Austin, baby)
The artist needs the person.

Sólo espero que, no te arrepientas
The artist hopes that the person will not regret their decision.

Para mí tú eres tremenda infeliz (Yes)
To the artist, the person is a great source of unhappiness.

Tu tiempo pasó y no te diste cuenta (Bye)
The person's time is up, and they were unaware.

Ahora te toca verme feliz sin ti (Okay)
The artist will be happy without the person.

Cómo quisiera (Oh)
The artist wishes that things were different.

Que bien te fuera (Yes)
It would be good for the person.

Para que vieras
So that you could see.

Cómo curo mi corazón (Ajá)
How the artist fixes their heart.

Tú sabes que como yo nadie te amaba (Baby)
The person knows that no one loved them like the artist did.

Amaneciendo contigo me curaba, yeah
Being with the person healed the artist.

Pasó el tiempo y todo parece que fallé (Fallé)
Time passed, and it seems like the artist failed.

Acariciaba tu piel con criterio (Con criterio), yeah
The artist touched the person with intention.

Aunque no fui yo el que te hizo mujer
The artist did not make the person into who they are.

Fui el más que te pudo encender, eso era en serio (Auh), yeah
The artist was the one who could turn the person on, and it was serious.

Tú eres mala, mala, mala, eh, eh (Eh, eh, eh)
The person being referred to is not good.

Tú no amas, amas, amas, no, no (No)
The person being referred to does not love the artist.