Vocalist Eddie Argos (an ex-goth obsessed with Jonathan Richman and Vincent Van Gogh) had previously been in a band, The Art Goblins, in his hometown of Bournemouth. Their stage show would see him “playing a vacuum cleaner” and escaping from a sack. They sounded not unlike cult Glaswegians The Yummy Fur and had songs such as I Wanna Be Johnny Dean and Disco.
Another ‘project’ was The Welsh Elephant, who penned the should-be-classic Fuck The MSP (which contains the catchy refrain “Nicky Wire can suck my cock!”). Having moved to London and determined to be in another band, Argos found himself at a party in Mornington Crescent and set about hassling everyone there to join him. A webzine-editor and guitarist called Chris Chinchilla (a ska fanatic) thought this sounded like a good idea – after all, it was a good way to impress girls. Argos was more concerned about getting on ‘Top Of The Pops’. Chinchilla talked his German flatmate Freiderike Feedback (grunge fan) into playing bass, and thus they got a bass guitar for her off eBay. Argos had a friend from Bournemouth who’d also just moved to London. Ian Catskilkin (thinks he’s in Led Zeppelin, but with better hair) used to be in a heavy rock band called Orco and he agreed to join the new band. Another friend then overheard a German man (who NME would later say looks like “he should be in Interpol”) on a bus telling someone how he played drums and worked in Merc, the shop on Carnaby Street selling cut-price mod clothing. Determined to hunt him down, Argos and Chinchilla went to the shop. He wasn’t working that day, so they left him a note. Mikey Breyer (listens to nothing but Weezer) would then join the band, and that was it – May 2003, Art Brut was born.
Much like Bloc Party, Art Brut’s first gig was an independently promoted show at the Kentish Town Verge. Chinchilla had booked it before the band was ready, at which there was much complaining by his fellow bandmates. Mike’s drumkit had yet to be imported, so he played sitting down (he usually stands up to play). After a number of other gigs round London they recorded a demo named Brutlegs, containing early versions of Formed A Band, Modern Art and Moving To LA, and made it available on their website. Formed A Band first saw the light of day on the debut Angular Records compilation album. After a journalist came across this recording, he sent an MP3 to the label Rough Trade. Within an hour of getting it, the label’s A&R man was in touch offering to release Formed A Band as a single.
Suddenly the band were all over the music press, picking up fans and haters with ease. Many people expected it to be nothing more than a one-off novelty single. They played a triumphant Swedish festival where a guy interviewed them and got confused, thought they were from Manchester (and had all his questions based around the city), and compared them to The Sultans Of Ping. They were also offered the main tour support for Razorlight but had to turn it down due to lack of funds.
Formed A Band was released as a single at the end of March 2004. A gleeful call to arms of sorts, Argos shouts “formed a band! We formed a band! Look at us, we formed a band!” before going on to proclaim how he’s going to “write a song as universal as Happy Birthday” and “play it eight weeks in a row on ‘Top Of The Pops’”. It reached No. 52, selling 5,000 copies, and cropped up in many end-of-year polls as the one of the best singles of the year, including ‘Blender’ – the USA’s second biggest music mag after ‘Rolling Stone’ - who proclaimed them the best unsigned band in the UK.
The rest of 2004 saw them playing numerous gigs from Brighton to Manchester, as well as a first anniversary show at the Tate Modern where they were joined by a couple of a Argos’ heroes – The Vessel (David Devant and His Spirit Wife) and Les ‘Fruitbat’ Carter (Carter USM). As a stop-gap between singles, they offered the new, shaky Brutlegs 2004, this time containing versions of Good Weekend (the one that goes “got myself a brand new girlfriend… I’ve seen her naked TWICE!”), Bang Bang Rock And Roll and an acoustic version of Moving To LA.
The frenzied Top Of The Pops (not a Rezillos cover) was recorded with a number of bands guesting on vocals (including Ciccone, The Boyfriends, The Long Blondes, Abdoujaparov, Prozak, Rhesus and Luxembourg) for inclusion on the Angular Records compilation Rip Off Your Labels, while Moving To LA saw yet another recorded appearance, this time in live form from the Bath Moles on the compilation Bring Your Own Poison: The Rhythm Factory Sessions.
In December ’04, their second single finally saw the light. A double A-side of Modern Art and My Little Brother (with B-side These Animal Menswe@r), it was released on the Fierce Panda label and reached No. 49 – scoring the band a bigger hit than before and, perhaps surprisingly, the highest chart position Fierce Panda has ever had. All the sleeves of the 7” were hand-designed by the band and fans, including one messy session at a Queens Of Noize night at Camden Barfly which ended with the stage (and crowd) being covered in fluorescent pink paint.
The start of 2005 sees them having completed their debut album, pencilled in for release in March, and having picked up even more fans including Graham Coxon, British Sea Power, The Libertines, Hope Of The States and genius boy wizard Daniel Radcliffe. Even the Happy Mondays’ Bez has tried to get onstage at one point with them at the Barfly but was so wasted at the time he didn’t manage it, despite Catskilkin’s attempts at pulling him by his arm.
Sadly, they’ve yet to appear on ‘Top Of The Pops’. Perhaps ‘CD:UK’ will be more accommodating. It’s better, anyway.
In Late August 2005 Chris Chinchilla decided to leave the band for personal reasons and was replaced by former Art Goblin, Jasper Future.
Art Brut performed at the Coachella Valley Music and Arts Festival, on April 30, 2006, at Pitchfork Music Festival in June 2006, and at the Festival Internacional de Benicàssim and the Dour Festival in Belgium, in July 2006 and are due to headline the Two Thousand Trees Festival in July 2008. Art Brut also released a split 7" with We Are Scientists, which was only released in America. We Are Scientists returned the idea and covered Art Brut's song 'Bang Bang Rock & Roll' on the single. Their version of "Bang Bang Rock & Roll" is also available on their b-sides album Crap Attack.
The band released their second album, It's a Bit Complicated, on Mute Records produced by Dan Swift , who has also worked with artists such as Help She Can't Swim, Victorian English Gentlemens Club, Kasabian and Snow Patrol. The first single to be taken from the album, "Nag Nag Nag Nag", was released on 20 November 2006, featuring the b-side "I Found This Song in the Road" and 5 live tracks from the Eurockéennes de Belfort Festival 2006. The song made Single of the Week in The Guardian's "The Guide" section. In 2007 they played on the American NME Rock and Roll Riot tour with The Hold Steady. In the United States, the album reached #14 on the Billboard Heatseekers chart and #32 on the Independent Albums chart.
On 1 March 2008 Argos revealed on his blog that Art Brut have amicably left EMI. In August 2008 Eddie Argos announced on his blog that the band have been recording songs for the third album. In late 2008 Art Brut returned to the studio to record their third LP Art Brut vs. Satan which was released on April 20th 2009. The album was produced by Frank Black formerly of the Pixies.
In September 2013 the band announced that long serving members Mikey Breyer and Jasper Future were retiring to be replaced with Toby Macfarlaine (guitar) and Stephen Gilchrist (drums).
2) Art Brut is a freejazz and improvisation group
Art Brut is:
Frank Wilke – trumpet
André D. – bass
Vasco Ribeiro Morais – percussions, voices
http://freemusicarchive.org/music/Art_Brut/art_brut/
André D. on Souncloud: http://soundcloud.com/darius-improvise/tracks?format=html&page=1
Other review: http://dariusimprovise.blogspot.fr/2013/06/art-brut.html
Clever Clever Jazz
Art Brut Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We rehearsed a sec in the back of the car
Fingers moving along with the tape
We made last night at the practice space
I hope my friends will come tonight
So they can see what I am really like
Sorry that doesn't sound like it's planned
Clever, clever jazz, man
Can't you see, we're doing the best that we can?
Stop shouting, play what you know
And let us get on with the show
Clever, clever jazz band
I'm sorry that it doesn't sound like it's planned
They say it's worse if
They can tell you're nervous
You can say 'amateure hour' but you'd be wrong
We played for nine minutes, we got two songs
Clever, clever jazz, man
I'm sorry it doesn't sound like it's planned
Clever, clever jazz, man
Can't you see, we're doing the best that we can?
Stop shouting, play what you know
And let us get on with the show
Clever, clever jazz band
We're working in a genre you don't understand
Clever, clever jazz, man
Sorry that it doesn't sound like it's planned
Clever, clever jazz, man
Can't you see, we're doing the best that we can?
Stop shouting, play what you know
And let us get on with the show
Clever, clever jazz band
We're working in a genre you don't understand
The song "Clever Clever Jazz" by Art Brut is a story about a nervous band making their way to a gig at a bar. They have rehearsed and practiced, but still feel on edge about their performance. The singer hopes his friends will come so they can see what he is really like. The band is playing a jazz number, but it doesn't quite sound like it's planned. The chorus repeats the phrase "clever, clever jazz man" to describe the band's effort to play as best as they can. The audience is being critical and yelling at them to play what they know. Despite the criticism, the band continues to play and tries to not let their nervousness get the best of them. They end up playing two songs in their nine-minute set time.
The song's tone is one of apprehension and uncertainty, with the lyrics describing the tension a band can feel before their performance. The lyrics also allude to the pressure of playing a specific genre of music, with the mention of jazz. The repetition of the words "clever, clever jazz man" can be interpreted as the band's attempt to justify their performance through humor, even when things aren't going well. Despite being in a vulnerable position, they try to maintain a sense of humor and resilience.
Line by Line Meaning
I'm still nervous on the way to the bar
I am feeling anxious as we are on our way to the bar
We rehearsed a sec in the back of the car
We quickly practiced a bit in the back of the car
Fingers moving along with the tape
My fingers are keeping up with the music on the tape
We made last night at the practice space
We created this music last night during practice
I hope my friends will come tonight
I am looking forward to seeing my friends at the show
So they can see what I am really like
I hope my friends can see my true self through my music
Clever, clever jazz, man
Our jazz style is innovative and creative
Sorry that doesn't sound like it's planned
Our music may not sound rehearsed, but that's because we're pushing boundaries
Can't you see, we're doing the best that we can?
We are trying our hardest to make good music
Stop shouting, play what you know
Don't interrupt us, let us play the music we know well
And let us get on with the show
Don't get in the way of our performance
We're working in a genre you don't understand
Our jazz is unique and may be difficult for some to comprehend
They say it's worse if
People say it's worse when
They can tell you're nervous
People can sense your anxiety
You can say 'amateure hour' but you'd be wrong
It's not fair to call us amateurs just because we're nervous
We played for nine minutes, we got two songs
We were able to play two songs in nine minutes
Clever, clever jazz band
We are a unique and creative jazz group
Lyrics © RESERVOIR MEDIA MANAGEMENT INC
Lyrics Licensed & Provided by LyricFind
Rebecca O'Neil
why isn't he on the top of the charts everywhere? He's fantastic.
Gary Little
A very good opening to the latest CD.
sibsrock
see them live and free on moshcam.com an ozzy channel for live concerts , they start with formed a band , and the sound gain is too low for the first half , but then all is awesome a really great live show cheers
WhiteBoy41
Cool !
gummiships
nobody cares...
WipesHandsOnPants
The record buying public shouldn't be voting!