Born in Los Angeles, Blythe lived in San Diego, returning to Los Angeles when he was 19 years old. He took up the alto saxophone at the age of nine, playing R&B until his mid-teens when he discovered jazz. In the mid-1960s, Blythe was part of The Underground Musicians and Artists Association (UGMAA), founded by Horace Tapscott, on whose 1969 The Giant Is Awakened he made his recording debut.
After moving to New York in the mid-70s, Blythe worked as a security guard before being offered a place as sideman for Chico Hamilton (75–77). He subsequently played with Gil Evans' Orchestra (1976–78), Lester Bowie (1978), Jack DeJohnette (1979) and McCoy Tyner (also 1979). Blythe's group – John Hicks, Fred Hopkins and Steve McCall – played Carnegie Hall and the Village Vanguard in 1979.
Blythe began to record as a leader in 1977 for the India Navigation label and then for Columbia records from 1978 to 1987. Albums such as The Grip and Metamorphosis (both on the label) offered capable, highly refined jazz fare with a free angle which seemed "out there". Blythe played on many pivotal albums of the 1980s, among them Jack DeJohnette's Special Edition on ECM. Blythe was a member of the all-star jazz group The Leaders and, after the departure of Julius Hemphill, he joined the World Saxophone Quartet. Beginning in 2000 he made recordings on Savant Records which included Exhale (2003) with John Hicks (piano), Bob Stewart (tuba), and Cecil Brooks III (drums).
Discography
As leader
Year Title Label
1977 The Grip India Navigation
1977 Metamorphosis India Navigation
1977 Bush Baby Adelphi
1978 In the Tradition Columbia
1978 Lenox Avenue Breakdown Columbia
1980 Illusions Columbia
1981 Blythe Spirit Columbia
1982 Elaborations Columbia
1983 Light Blue: Arthur Blythe Plays Thelonious Monk Columbia
1984 Put Sunshine in It Columbia
1986 Da-Da Columbia
1987 Basic Blythe Columbia
1996 Calling Card Enja
1996 Synergy In + Out
1991 Hipmotism Enja
1997 Today's Blues CIMP
1997 Night Song Clarity
2000 Spirits in the Field Savant
2001 Blythe Byte Savant
2002 Focus Savant
2003 Exhale Savant
Collaborations
With Synthesis
Six by Six (Chiaroscuro, 1977), with Olu Dara, a.o.
Segments (Ra, 1979), with Olu Dara, David Murray, a.o.
With The Leaders
Mudfoot (Black Hawk, 1986)
Out Here Like This (Black Saint, 1987)
Unforeseen Blessings (Black Saint, 1988)
Slipping and Sliding (Sound Hills, 1994)
Spirits Alike (Double Moon, 2006)
With Roots
Salutes the Saxophone – Tributes to John Coltrane, Dexter Gordon, Sonny Rollins and Lester Young (In & Out, 1992)
Stablemates (In & Out, 1993)
Say Something (In & Out, 1995)
With Santi Debriano and Billy Hart
3-Ology (Konnex, 1993)
With Jeff Palmer, John Abercrombie, Victor Lewis
Ease On (AudioQuest Music, 1993)
With David Eyges and Bruce Ditmas
Synergy (In & Out, 1997)
With John Abercrombie, Terri Lyne Carrington, Anthony Cox, Mark Feldman, Gust Tsilis
Echoes (Alessa, 2005)
As sideman
With Joey Baron
Down Home (Intuition, 1997) with Ron Carter and Bill Frisell
We'll Soon Find Out (Intuition, 1999) with Ron Carter and Bill Frisell
With Lester Bowie
The 5th Power (Black Saint, 1978)
African Children (Horo, 1978)
With Jack DeJohnette
Special Edition (ECM, 1979)
With Gil Evans
Gil Evans Live at the Royal Festival Hall London 1978 (RCA, 1979)
The Rest of Gil Evans Live at the Royal Festival Hall London 1978 (Mole Jazz, 1981)
Parabola (Horo, 1979)
Live at the Public Theater, Vol. 1 & 2 (Trio (Japan)/Storyville (Sweden), 1980)
Priestess (Antilles, 1983)
Sting and Gil Evans – Strange Fruit (ITM, 1993), three tracks with Blythe rec. 1976 without Sting
With John Fischer
6 × 1 = 10 Duos for a New Decade (Circle, 1980)
With Chico Freeman
Luminous (Jazz House, 1989)
Focus (Contemporary, 1995)
With Chico Hamilton
Peregrinations (Blue Note, 1975)
Chico Hamilton and the Players (Blue Note, 1976)
With Craig Harris
Cold Sweat Plays J. B. (JMT, 1999)
With Julius Hemphill
Coon Bid'ness (Freedom, 1972)
With Azar Lawrence
Bridge into the New Age (Prestige, 1974)
With the Music Revelation Ensemble
In the Name of... (DIW, 1994)
Knights of Power (DIW, 1996)
With Woody Shaw
The Iron Men with Anthony Braxton (Muse, 1977)
With Horace Tapscott
The Giant is Awakened (Flying Dutchman, 1969)
With Gust William Tsilis & Alithea
Pale Fire (Enja, 1988)
With McCoy Tyner
Quartets 4 X 4 (Milestone, 1980)
44th Street Suite (Red Baron,1991)
With the World Saxophone Quartet
Metamorphosis (Elektra Nonesuch, 1990)
Breath of Life (Elektra Nonesuch, 1992)
Just Friends
Arthur Blythe Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just friends, but not like before
To think of what we've been and not to kiss again
Seems like pretending it isn't the ending
Two friends drifting apart
Two friends, but one broken heart
We loved, we laughed, we cried, and suddenly love died
The lyrics to Arthur Blythe's "Just Friends" speak to the heartache and sadness of two people who have realized that their romantic relationship has ended and they are now just friends. The song mourns the loss of what once was, and the difficulty of moving on when there are still feelings there. The lyrics are both poignant and melancholy, as the two former lovers try to navigate their new relationship as friends.
The first line, "Just friends, lovers no more" sets the scene for the rest of the song, as it establishes the fact that the two individuals are no longer romantically involved. However, the next line, "Just friends, but not like before" suggests that there is still a connection between them, albeit a different one. The line "To think of what we've been and not to kiss again" encapsulates the bittersweet nature of their situation, as they must accept that their relationship is over, but there are still intense feelings there. The final lines, "We loved, we laughed, we cried, and suddenly love died" is a poignant reminder of the painful truth that sometimes relationships end, even if the love was once strong.
Line by Line Meaning
Just friends, lovers no more
We were once in love, but now we are just friends.
Just friends, but not like before
Our relationship has changed, we are no longer intimate as we used to be.
To think of what we've been and not to kiss again
It's hard to imagine our past romance and not have the desire to kiss each other again.
Seems like pretending it isn't the ending
It feels like we're pretending that our relationship isn't over.
Two friends drifting apart
We used to be close, but now we're growing apart.
Two friends, but one broken heart
We are still friends, but one of us is still hurting from the breakup.
We loved, we laughed, we cried, and suddenly love died
We had many good times and bad times together, but our love suddenly came to an end.
Lyrics © BMG Rights Management, Kobalt Music Publishing Ltd.
Written by: JOHN KLENNER, SAM M. LEWIS
Lyrics Licensed & Provided by LyricFind