Na Boca do Sol
Arthur Verocai Lyrics
Na minha cidade do interior
Tudo que chegou, chegou de trem
Minha mãe olhava pra estação
E vendo viagens dentro de mim
Desenhou no ventre mais um irmão
Na minha cidade do interior
Pra quem mora lá, o céu é lá
Lembro da manhã na boca do sol
Vou da avenida à estação
Toda a minha vida eu vi passar
No brilho dos trilhos de um trem
Que me vem e parte toda manhã
Engolindo túneis que a gente tem
E a preguiça não deixou fechar
Na minha cidade do interior
Perto da manhã, na boca do sol
Pra quem mora lá, o céu é lá
Compositor: Arthur Verocai
Writer(s): Arthur Cortes Verocai, Vitor Martins
Contributed by Stella C. Suggest a correction in the comments below.
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Born Arthur Cortes Verocai in Rio de Janeiro, Brazil on 17/6/1945, he studied music with L?o Soares, Darci Villaverde, Nair Barbosa da Silva, Roberto Menescal and Vilma Gra?a. In 1966 Leny Andrade included his song "Olhando o Mar" ("Looking at the Sea") on her "We Are There" album. Two years later Verocai participated in Musicanossa an event that brought together composers, musicians and singers in presentations to play live in the Santa Rosa Theater in Rio de Janeiro, for which he wrote his first arrangements. Read Full BioBorn Arthur Cortes Verocai in Rio de Janeiro, Brazil on 17/6/1945, he studied music with L?o Soares, Darci Villaverde, Nair Barbosa da Silva, Roberto Menescal and Vilma Gra?a. In 1966 Leny Andrade included his song "Olhando o Mar" ("Looking at the Sea") on her "We Are There" album. Two years later Verocai participated in Musicanossa an event that brought together composers, musicians and singers in presentations to play live in the Santa Rosa Theater in Rio de Janeiro, for which he wrote his first arrangements. The live recording of the event included the songs "Madrugada" and "Nova Manh?", composed in partnership with Paulinho Tapaj?s.
By 1968 his main gig was working in Civil Engineering in Rio de Janeiro. He still managed to perform and participate as a composer at many of Brazils famous Festivals of Music. He was working with artists like Paulinho Tapaj?s, Elis Regina, Creuza Maria, the Golden Boys, and Evinha. In 1969 Arthur Verocai began his professional career as musician and arranger. He scored the music for the theater show "Is The Greater", and wrote his first arrangements for orchestra. He arranged records by the Ter?o, Jorge Benjor, Elizeth Cardoso, Gal Costa, Quarteto em Cy, MPB 4, C?lia, Guilherme Lamounier, N?lson Gon?alves, Marcos Valle, and others. His music also appeared in the musical "The Life of Braguinha", alongside Elizeth Cardoso, Quarteto em Cy, MPB4 and Sidney Magal. By 1970 he was writing for other groups and regularly composing music for multiple TV shows and incidental music for TV series.
The 1972 self-titled album allowed Verocai to take his interest in instrumental music even further. "I always wanted to compose soundtracks in great style, as in the cinema, but this wasn't possible with television work," he says. "My opportunity came when I was recording this album. I created a rhythmic cell in the acoustic guitar with the harmonic line. I added bass and the non-conventional drums and the percussion with a very smooth orchestration in blocks (four trumpets and a flute) plus the delicate touch of the strings (12 violins, 4 violas and 4 cellos). At the end of the song, Oberdan Magalh?es played and sang with his flute." The resulting track is "S?lvia".
"Presente Grego" is perhaps the funkiest track on the album. "This song was influenced by American soul and funk," says Verocai. "By 1972 many of the musicians of my generation were feeling the same influences. Because of our exposure to all many musical influences, we put a distance between us and the conventional recording styles. "Presente Grego" means "Greek gift." It is an expression that comes from the horse of Troy, a gift from the Greeks that hid the warriors that defeated the Troyans. Likewise, the military dictatorship, under the appearance of a good government, practiced censorship and oppression", he explains.
In addition to the funky soul elements the album features many solos from artists obviously well schooled in Jazz. Check the soloing in "Pelas Sombras" or "Karina", where saxes blow hard and true against the backdrop of Brazilian rhythms. "My musical preferences go from J.S. Bach and Villa-Lobos, to jazz musicians like Tom Jobim, Milton Nascimento, Miles Davis, Herbie Hancock, Oscar Peterson, Wes Montgomery and Bill Evans," explains Verocai. "I remember Edson Maciel, was invited to a studio session at 9 AM and was to perform a solo on "Karina." He asked us to wait for a while because he wanted to be inspired by some "cacha?a" (a Brazilian liquor made from distilled sugar cane juice). While rehearsing, he asked for a little more "cacha?a" to bring on some more inspiration. This happened twice until he found his inspiration and performed a tremendous solo!" remembers Verocai.
In the years after the album release Arthur Verocai became a music advertising executive, creating and producing albums for customers like Brahma, Fanta, Petrobra's, South America, Souza Cruz and was even honored with the Colunistas Prize in Advertising. Since 1983 he is the main proprietor of Studio "V" - House of the Sound and in 2002 he released a solo album "Arthur Verocai - "Saudade Demais" featuring a collection of his work as composer, including some unreleased songs.
Arthur Verocai's musical peer Ivan Lins has this to say about his great friend, "Arthur is a very dedicated musician. He has always been. Not only dedicated but very talented also. He made this record years ago just for the fun of it without much publicity. And now will strike back. That's great!"
By 1968 his main gig was working in Civil Engineering in Rio de Janeiro. He still managed to perform and participate as a composer at many of Brazils famous Festivals of Music. He was working with artists like Paulinho Tapaj?s, Elis Regina, Creuza Maria, the Golden Boys, and Evinha. In 1969 Arthur Verocai began his professional career as musician and arranger. He scored the music for the theater show "Is The Greater", and wrote his first arrangements for orchestra. He arranged records by the Ter?o, Jorge Benjor, Elizeth Cardoso, Gal Costa, Quarteto em Cy, MPB 4, C?lia, Guilherme Lamounier, N?lson Gon?alves, Marcos Valle, and others. His music also appeared in the musical "The Life of Braguinha", alongside Elizeth Cardoso, Quarteto em Cy, MPB4 and Sidney Magal. By 1970 he was writing for other groups and regularly composing music for multiple TV shows and incidental music for TV series.
The 1972 self-titled album allowed Verocai to take his interest in instrumental music even further. "I always wanted to compose soundtracks in great style, as in the cinema, but this wasn't possible with television work," he says. "My opportunity came when I was recording this album. I created a rhythmic cell in the acoustic guitar with the harmonic line. I added bass and the non-conventional drums and the percussion with a very smooth orchestration in blocks (four trumpets and a flute) plus the delicate touch of the strings (12 violins, 4 violas and 4 cellos). At the end of the song, Oberdan Magalh?es played and sang with his flute." The resulting track is "S?lvia".
"Presente Grego" is perhaps the funkiest track on the album. "This song was influenced by American soul and funk," says Verocai. "By 1972 many of the musicians of my generation were feeling the same influences. Because of our exposure to all many musical influences, we put a distance between us and the conventional recording styles. "Presente Grego" means "Greek gift." It is an expression that comes from the horse of Troy, a gift from the Greeks that hid the warriors that defeated the Troyans. Likewise, the military dictatorship, under the appearance of a good government, practiced censorship and oppression", he explains.
In addition to the funky soul elements the album features many solos from artists obviously well schooled in Jazz. Check the soloing in "Pelas Sombras" or "Karina", where saxes blow hard and true against the backdrop of Brazilian rhythms. "My musical preferences go from J.S. Bach and Villa-Lobos, to jazz musicians like Tom Jobim, Milton Nascimento, Miles Davis, Herbie Hancock, Oscar Peterson, Wes Montgomery and Bill Evans," explains Verocai. "I remember Edson Maciel, was invited to a studio session at 9 AM and was to perform a solo on "Karina." He asked us to wait for a while because he wanted to be inspired by some "cacha?a" (a Brazilian liquor made from distilled sugar cane juice). While rehearsing, he asked for a little more "cacha?a" to bring on some more inspiration. This happened twice until he found his inspiration and performed a tremendous solo!" remembers Verocai.
In the years after the album release Arthur Verocai became a music advertising executive, creating and producing albums for customers like Brahma, Fanta, Petrobra's, South America, Souza Cruz and was even honored with the Colunistas Prize in Advertising. Since 1983 he is the main proprietor of Studio "V" - House of the Sound and in 2002 he released a solo album "Arthur Verocai - "Saudade Demais" featuring a collection of his work as composer, including some unreleased songs.
Arthur Verocai's musical peer Ivan Lins has this to say about his great friend, "Arthur is a very dedicated musician. He has always been. Not only dedicated but very talented also. He made this record years ago just for the fun of it without much publicity. And now will strike back. That's great!"
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Syner Juice
(here is a more accurate translation, tho I only speak spanish but portuguese is very similar to the former)
In my country town
Everything that arrived, arrived by train
My mother looked at the station
And seeing trips inside me
Drew another brother in her womb
In my country town
For those who live there, heaven is there
I remember the morning in the mouth of the sun
I go from the avenue to the station
Afraid of my parents or out of loneliness
I've seen my whole life go by
In the glow of the tracks of a train
That comes and leaves me every morning
Swallowing tunnels that we all have
And laziness didn't let them close
In my country town
Near the morning, in the mouth of the sun
For those who live there, heaven is there
Thomas Valencia
Here's a Google translation,
I was curious as well.
In my country town
Everything that arrived,
arrived by train
My mother looked at the station And seeing trips inside me
Drew another brother in the womb In my country town
For those who live there,
the sky is there
I remember the morning in the mouth of the sun
I go from the avenue to the station Afraid of parents or out of loneliness
All my life I've seen it go by
In the glow of a train tracks
That comes and leaves me every morning
Swallowing tunnels that we have And laziness didn't let it close
Marcelo Duarte
Na minha cidade do interior
Tudo que chegou, chegou de trem
Minha mãe olhava pra estação
E vendo viagens dentro de mim
Desenhou no ventre mais um irmão
Na minha cidade do interior
Pra quem mora lá, o céu é lá
Lembro da manhã na boca do sol
Vou da avenida à estação
Com medo dos pais ou por solidão
Toda a minha vida eu vi passar
No brilho dos trilhos de um trem
Que me vem e parte toda manhã
Engolindo túneis que a gente tem
E a preguiça não deixou fechar
Na minha cidade do interior
Perto da manhã, na boca do sol
Pra quem mora lá, o céu é lá
Syner Juice
In my country town
Everything that arrived, arrived by train
My mother looked at the station
And seeing trips inside me
Drew another brother in her womb
In my country town
For those who live there, heaven is there
I remember the morning in the mouth of the sun
I go from the avenue to the station
Afraid of parents or out of loneliness
I've seen my whole life go by
In the glow of the tracks of a train
That comes and leaves me every morning
Swallowing tunnels that we all have
And laziness didn't let them close
In my country town
Near the morning, in the mouth of the sun
For those who live there, heaven is there
Amir
So glad I've found this amazing song through Hip Hop.
Am I Cool Yet?
John Robinson - Black Gold
reny94
Thank you hip hop
YoungCreamBeatz
King L Chiraq Playaz used this sample
Coco Boys
@malcolm clyburn Ludacris
Ulrich Firelord
Emu by Nicholas F brought me here
Raymond Sims
Teaching my daughter this song, she's 3 years old and already knows the chorus word for word in the Brasilian Portuguese accent, being African American! She sounds awesome! I love this song, great lyrics and melodies. Muito obrigado meu mentor, Arthur Verocai!
Raymond Sims
@nathan rezende siqueira muito obrigado meu irmão!
nathan rezende siqueira
legal! respeito!
Cool! Respect!
Lucas Rosa
Brabo demais meu mano!!! Arthur Verocai the GOAT