Born Arthur Cortes Verocai in Rio de Janeiro, Brazil on 17/6/1945, he studi… Read Full Bio ↴Born Arthur Cortes Verocai in Rio de Janeiro, Brazil on 17/6/1945, he studied music with Lô Soares, Darci Villaverde, Nair Barbosa da Silva, Roberto Menescal and Vilma Graça. In 1966 Leny Andrade included his song "Olhando o Mar" ("Looking at the Sea") on her "We Are There" album. Two years later Verocai participated in Musicanossa an event that brought together composers, musicians and singers in presentations to play live in the Santa Rosa Theater in Rio de Janeiro, for which he wrote his first arrangements. The live recording of the event included the songs "Madrugada" and "Nova Manhã", composed in partnership with Paulinho Tapajós.
By 1968 his main gig was working in Civil Engineering in Rio de Janeiro. He still managed to perform and participate as a composer at many of Brazilian famous Music Festivals. He was working with artists like Paulinho Tapajós, Elis Regina, Creuza Maria, the Golden Boys, and Evinha. In 1969 Arthur Verocai began his professional career as musician and arranger. He scored the music for the theater show "Is The Greater", and wrote his first arrangements for orchestra. He arranged records by the Terço, Jorge Benjor, Elizeth Cardoso, Gal Costa, Quarteto em Cy, MPB 4, Célia, Guilherme Lamounier, Nelson Gonçalves, Marcos Valle, and others. His music also appeared in the musical "The Life of Braguinha", alongside Elizeth Cardoso, Quarteto em Cy, MPB4 and Sidney Magal. By 1970 he was writing for other groups and regularly composing music for multiple TV shows and incidental music for TV series.
The 1972 self-titled album allowed Verocai to take his interest in instrumental music even further. "I always wanted to compose soundtracks in great style, as in the cinema, but this wasn't possible with television work," he says. "My opportunity came when I was recording this album. I created a rhythmic cell in the acoustic guitar with the harmonic line. I added bass and the non-conventional drums and the percussion with a very smooth orchestration in blocks (four trumpets and a flute) plus the delicate touch of the strings (12 violins, 4 violas and 4 cellos). At the end of the song, Oberdan Magalhães played and sang with his flute." The resulting track is "Sílvia".
"Presente Grego" is perhaps the funkiest track on the album. "This song was influenced by American soul and funk," says Verocai. "By 1972 many of the musicians of my generation were feeling the same influences. Because of our exposure to all many musical influences, we put a distance between us and the conventional recording styles. "Presente Grego" means "Greek gift." It is an expression that comes from the horse of Troy, a gift from the Greeks that hid the warriors that defeated the Troyans. Likewise, the military dictatorship, under the appearance of a good government, practiced censorship and oppression", he explains.
In addition to the funky soul elements the album features many solos from artists obviously well schooled in Jazz. Check the soloing in "Pelas Sombras" or "Karina", where saxes blow hard and true against the backdrop of Brazilian rhythms. "My musical preferences go from J.S. Bach and Villa-Lobos, to jazz musicians like Tom Jobim, Milton Nascimento, Miles Davis, Herbie Hancock, Oscar Peterson, Wes Montgomery and Bill Evans," explains Verocai. "I remember Edson Maciel, was invited to a studio session at 9 AM and was to perform a solo on "Karina." He asked us to wait for a while because he wanted to be inspired by some Cachaça (a Brazilian liquor made from distilled sugar cane juice). While rehearsing, he asked for a little more Cachaça to bring on some more inspiration. This happened twice until he found his inspiration and performed a tremendous solo!" remembers Verocai.
In the years after the album release Arthur Verocai became a music advertising executive, creating and producing albums for customers like Brahma, Fanta, Petrobra's, South America, Souza Cruz and was even honored with the Colunistas Prize in Advertising. Since 1983 he is the main proprietor of Studio "V" - House of the Sound and in 2002 he released a solo album "Arthur Verocai - "Saudade Demais" featuring a collection of his work as composer, including some unreleased songs.
Arthur Verocai's musical peer Ivan Lins has this to say about his great friend, "Arthur is a very dedicated musician. He has always been. Not only dedicated but very talented also. He made this record years ago just for the fun of it without much publicity. And now will strike back. That's great!"
By 1968 his main gig was working in Civil Engineering in Rio de Janeiro. He still managed to perform and participate as a composer at many of Brazilian famous Music Festivals. He was working with artists like Paulinho Tapajós, Elis Regina, Creuza Maria, the Golden Boys, and Evinha. In 1969 Arthur Verocai began his professional career as musician and arranger. He scored the music for the theater show "Is The Greater", and wrote his first arrangements for orchestra. He arranged records by the Terço, Jorge Benjor, Elizeth Cardoso, Gal Costa, Quarteto em Cy, MPB 4, Célia, Guilherme Lamounier, Nelson Gonçalves, Marcos Valle, and others. His music also appeared in the musical "The Life of Braguinha", alongside Elizeth Cardoso, Quarteto em Cy, MPB4 and Sidney Magal. By 1970 he was writing for other groups and regularly composing music for multiple TV shows and incidental music for TV series.
The 1972 self-titled album allowed Verocai to take his interest in instrumental music even further. "I always wanted to compose soundtracks in great style, as in the cinema, but this wasn't possible with television work," he says. "My opportunity came when I was recording this album. I created a rhythmic cell in the acoustic guitar with the harmonic line. I added bass and the non-conventional drums and the percussion with a very smooth orchestration in blocks (four trumpets and a flute) plus the delicate touch of the strings (12 violins, 4 violas and 4 cellos). At the end of the song, Oberdan Magalhães played and sang with his flute." The resulting track is "Sílvia".
"Presente Grego" is perhaps the funkiest track on the album. "This song was influenced by American soul and funk," says Verocai. "By 1972 many of the musicians of my generation were feeling the same influences. Because of our exposure to all many musical influences, we put a distance between us and the conventional recording styles. "Presente Grego" means "Greek gift." It is an expression that comes from the horse of Troy, a gift from the Greeks that hid the warriors that defeated the Troyans. Likewise, the military dictatorship, under the appearance of a good government, practiced censorship and oppression", he explains.
In addition to the funky soul elements the album features many solos from artists obviously well schooled in Jazz. Check the soloing in "Pelas Sombras" or "Karina", where saxes blow hard and true against the backdrop of Brazilian rhythms. "My musical preferences go from J.S. Bach and Villa-Lobos, to jazz musicians like Tom Jobim, Milton Nascimento, Miles Davis, Herbie Hancock, Oscar Peterson, Wes Montgomery and Bill Evans," explains Verocai. "I remember Edson Maciel, was invited to a studio session at 9 AM and was to perform a solo on "Karina." He asked us to wait for a while because he wanted to be inspired by some Cachaça (a Brazilian liquor made from distilled sugar cane juice). While rehearsing, he asked for a little more Cachaça to bring on some more inspiration. This happened twice until he found his inspiration and performed a tremendous solo!" remembers Verocai.
In the years after the album release Arthur Verocai became a music advertising executive, creating and producing albums for customers like Brahma, Fanta, Petrobra's, South America, Souza Cruz and was even honored with the Colunistas Prize in Advertising. Since 1983 he is the main proprietor of Studio "V" - House of the Sound and in 2002 he released a solo album "Arthur Verocai - "Saudade Demais" featuring a collection of his work as composer, including some unreleased songs.
Arthur Verocai's musical peer Ivan Lins has this to say about his great friend, "Arthur is a very dedicated musician. He has always been. Not only dedicated but very talented also. He made this record years ago just for the fun of it without much publicity. And now will strike back. That's great!"
Preludio
Arthur Verocai Lyrics
We have lyrics for 'Preludio' by these artists:
Ataraxia Abscondo Sacra In Memoria Et Purpurea In Tremore Pervigil …
Baden Powell Eu sem você Não tenho porque Porque sem você Não sei nem cho…
Banda Eufrásia Se não for capaz de perceber Então, nunca será Nunca mais …
Boxead ¿Ves aquel hombre sentado? Lleva ya un tiempo ahí Sacude la …
Broilers Dunque, amici miei, voglio conduri lungo la mia strada. Un…
CAIO COUTO Prelúdio - Caio Couto A vida é uma viagem bela…
Caio Prado Nessa casa de vidros ancestrais Mora um sábio escondido dos …
Chris Caffery Innocence the horizon Temperatures reach the mark of the be…
Cleiton Saraiva Eu sempre acreditei que o primeiro passo pra superar as…
Darath Nah,nah, yeah Son la diez y por aqui sigue lloviendo Me mat…
Domingo/Obraztsova/Dir. R. Chailly - Massanet Si tú, te encuentras un diario Qué harías? Si te enteras de…
Duplat Llueve polvo sobre mí Se ha acumulado todos estos años Me es…
F. Moreno Tápame con tus manos Que tengo frío Que ya no…
fermo Tudo começou Espero te explicar Porque o amor parou O sol me…
IVO INCUERDO Yo no puedo confiar, no Yo no puedo confiar en quien Cree…
J. S. Bach Rachmaninoff Venire al mondo e morire dopo il primo respiro Ed ogni…
K.R.B. Si tú, te encuentras un diario Qué harías? Si te enteras de…
L.C.H. Pode colar aqui na cidade, e perguntar do bonde CH os verdad…
Leo Jundi Confia, ó alma! A hora vem chegando! Irás com Cristo,…
Luca J Venire al mondo e morire dopo il primo respiro Ed ogni…
Madame Rita Desangrándonos, me siento tan humano No te alejes de mí Desg…
Mahmundi Deixa abrir o coração Ao caminho que vem E vai seguir em…
Maria Callas CORO I Dell'invito trascorsa è già' l'ora Voi tardaste... C…
María José Diez, nueve, ocho Siete, seis, cinco, cuatro Tres, dos, uno…
Miasthenia O conselho das tribos pagós estñ reunido na Montanha da…
Ministério F4CES Cristo me deu fiel promessa, vem me buscar Meu coração está…
Novella Inc Más allá de mí, te veo a ti Mas allá del…
Orfeu Rebelde Reteso as cordas desta velha lira, Tonta viola que de mão…
Raul Seixas Sonho que se sonha só É só um sonho que se…
Sinombre Sinombre Prélude Porquoi faire de la musique? ¿Que quieres d…
Sollanza A Canção Sollanza Olha para mim, Senhor E veja se há algo …
Toca de Assis Para honra e Glória Do nosso grande Deus Do Senhor Jesus Cri…
V/H/S Pode colar aqui na cidade, e perguntar do bonde CH os verdad…
WOHNZIMMER - Broilers Ja Alle zusammen Zwo, vier, sechs, acht, ja Letzte Runde Wo…
Xur Soy un poco más que peculiar Cuesta aceptar que no es…
Zé Ramalho Sonho que se sonha só É só um sonho que se…
We have lyrics for these tracks by Arthur Verocai:
Amor Na Contra Mão Quando te vi a primeira vez, bateu mais forte o coração. Est…
Bis Bis, eu quero bis! Jamais cansei De ser feliz. Outra vez mai…
Caboclo Caboclo quando sai Acorda o sol pela manhã Planta algodão Pl…
Dedicada a Ela Ficou vazio o meu quarto A cama e o meu cobertor Não…
Dona das Meninas Quero a dona das meninas de se admirar Das duas contas…
Filhos Quando eu olho vocês Apressando as manhãs Semeando sonhos Co…
Na Boca do Sol Na minha cidade do interior Tudo que chegou, chegou de trem …
O Mapa Depois de sonhar no sofá Pescar minhas contas sem fim Se nad…
Pelas Sombras Quem Viaja Nas Sombras Por Detrás Dos Seus Ombros Por Detrás…
Presente Grego Debruçado na Grécia antiga Nas ruínas, homens ou tribos Ouço…
Que Mapa? Depois de sonhar no sofá Pescar minhas contas sem fim Se nad…
Seriado Molhado de suor e sal De crime e de paixão Feito um…
Tupã Tupi Urubuquara, Picê Tolori, Rudá Caramuru Tambatiá Ajuricaba Bo…
Velho Parente Um velho parente dormindo em paz Tomou uma barca mudou-se de…
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Anderson Quevedo
So beatiful! Verocai is a genius!