Arthur Arshawsky (23 May 1910 – 30 December 2004), better known as Artie Sh… Read Full Bio ↴Arthur Arshawsky (23 May 1910 – 30 December 2004), better known as Artie Shaw, was an accomplished jazz alto saxophonist, clarinetist, composer, arranger, bandleader, and author.
He was born in New York City (but grew up in New Haven, Connecticut) and began learning the saxophone when he was 15 and by age 16, had begun to tour with a band. He reached Hollywood the first time, as a sideman with Irving Aaronson's band in 1931, performing at the famous Orange Blossom Room (site of the first Academy Awards ceremony in 1929). Returning to New York City in1932, he became a highly in-demand session musician, working for example as one of just a handful of accompanists to Bing Crosby's first signature radio show for William S. Paley's already powerful and influential CBS radio network. Ultimately, Artie (who was known strictly as "Art" Shaw until his fortuitous Summer, 1938 contract with RCA Victor records' Bluebird label commenced) organized and led five, full-time touring orchestras that were all extremely popular -save the last, from 1949, with its be-bop oriented book. Ironically, that final Shaw-led big band (populated with players like Al Cohn), is considered by most jazz critics to have been Artie's best. With time out to lead a Navy service band (in the Pacific combat theater) during WWII, Shaw's actual big band- leading career lasted less than a decade overall -yet, it was a remarkably productive one, populated with some fourteen "Gold" records. These included such mega-hits as "Begin the Beguine", "Stardust", "Frenesi", "Moonglow", "Temptation", "Dancing In The Dark" and "Summit Ridge Drive" -the latter by his famous quintet billed as the Gramercy 5.

Shaw was known for being an innovator in the big band idiom, pioneering strings with jazz and using unusual instrumentations. His Summer, 1935 piece "Interlude in B-flat" was one of the earliest examples of what would be later dubbed "third stream". In 1938 he convinced Billie Holiday to be his band's vocalist, becoming the first white bandleader to hire a full-time black female singer. This 1938-1939 orchestra became phenomenonally successful and appeared in the movie "Dancing Co-ed" which also featured one of his future wives, Lana Turner, in the cast. Artie's clarinet playing, had by now reached a level that was arguably the greatest in jazz, easily rivaling that of Benny Goodman. Longtime Duke Ellington clarinetist Barney Bigard, himself a highly talented musician -cited Shaw (in 1940) as his "favorite" clarinet player. Literally abandoning his famous 1938-1939 band at the absolute peak of its' fame and earning power (Artie, just himself alone pulling down more than $10K per week) in late November, 1939, Shaw "abdicated" to Acapulco, Mexico. Returning to the U.S. he organized an entirely new orchestra, with full string section in the Summer of 1940. A truly stellar aggregation, it lasted until mid-1941, featuring stars Billy Butterfield, Johnny Guarneiri, Nick Fatool and Ray Conniff as principal arranger. This outfit can be prominently seen in the RKO film "Second Chorus" starring Fred Astaire and Paulette Goddard. The final pre-war Shaw band, started in late, 1941, had Davey Tough and Hot Lips Page and big hits on St. James Infirmary Blues and Blues In The NIght. Artie broke this outstanding unit up shortly after Pearl Harbor so he could "enlist" in the Navy -refusing an offered commission. Back from the Navy, Shaw put together a new band that featured Roy Eldridge and an ambitious library stocked with arrangements by Eddie Sauter, Buster Harding, Ray Conniff and others. Hit records for this band included "Little Jazz" and "S'Wonderful" and by now Artie was married to Ava Gardner. His final public performances (as a clarinetist) took place in 1954, including with a sublime quartet in an extended Las Vegas booking. Apparently, he last picked up and played his fabled clarinet in about 1960 at his beach house in Spain (as recounted in final wife actress Evelyn Keyes' autobiography) and resisted all lucrative offers to return to the stage until finally fielding a "ghost" band under the highly capable aegis of outstanding clarinetist Dick Johnson in 1985. For about the first year, Artie often appeared on stage with this very fine orchestra at certain, prestigious bookings, but soon tired of the "grind" -and not to Dick Johnson's dismay. This now true "ghost" band is still appearing during Summer seasons (with much of the original Shaw "books"), principally in the New England area (Johnson lives in Boston) and is well worth seeing. Although he had more wives (8) than bands, Artie fell one wife short of Charlie Barnet's record (for a famous bandleadrer) of nine.

Just You Just Me
Artie Shaw Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Just you, just me
Let's find a cozy spot
To cuddle and coo

Just us, just we
I've missed an awful lot
My trouble is you

Oh, gee!
What are your charms for?
What are my arms for?
Use your imagination!
Just you, just me

I'll tie a lover's knot
'Round wonderful you!

Overall Meaning

The lyrics of Artie Shaw's song "Just You Just Me" depict a couple who are deeply in love and seeking for a cozy spot where they can express their love for each other. The use of the words "Just you, just me" and "just us, just we" emphasizes the exclusivity of their relationship and the intimacy they share. The singer acknowledges that they have missed each other a lot, and his only trouble is his lover. The gravity of the singer's love for his partner is evident in the line "Oh, gee! What are your charms for? What are my arms for? Use your imagination!" which implies that the couple's love is so strong that it cannot be contained in words alone.

The final lines of the song "Just you, just me, I'll tie a lover's knot 'Round wonderful you!" is a beautiful way to express the depth of the singer's affection for his partner. This line implies that he is willing to make a lifelong commitment to her, and that his love for her is enduring and unchanging. Overall, the lyrics of "Just You Just Me" are a beautiful and poetic declaration of love.

Line by Line Meaning

Just you, just me
Only the two of us matter and we're all that we need.

Let's find a cozy spot
Let's locate a safe, intimate place where we can be alone.

To cuddle and coo
To embrace and whisper sweet nothings to each other lovingly.

Just us, just we
It's just the two of us and nothing else; we're a united force.

I've missed an awful lot
I've been deprived of your love and companionship significantly.

My trouble is you
You're all I care about, and you're my sole source of distress too.

Oh, gee!
Oh my!

What are your charms for?
What qualities do you possess to attract me to you?

What are my arms for?
What is the point of having arms if not to hold you?

Use your imagination!
Think about it creatively; picture the possibilities!

Just you, just me
Only the two of us matter and we're all that we need.