Renowned for her voice range and often credited for her versatility, Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung Hindi, Assamese, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.
In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. The World Records Academy, an international organization which certifies world records, recognized her as the "Most Recorded Artist" in the world, in September 2009. The Government of India honoured her with the Dadasaheb Phalke Award in 2000 and the Padma Vibhushan in 2008.
Baat Koi Matlab Ki Hai Zaroor
Asha Bhosle Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
क्यू हो जी घबराए सर झुकाए शरमाये
क्यू हो जी घबराए सर झुकाए शरमाये
हम ग़रीबो मे आए तुम्हे तो था बड़ा गरूर
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
कुछ करते ओर कुछ कहते हम कभी ऐसे नही थे
हा जी उल्टे तुम ही थे दिलबर एक नज़र मे चूर
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
कोई जीते कोई हारे ये तो दुनिया है प्यारे
कोई जीते कोई हारे ये तो दुनिया है प्यारे
पास आओ हमारे कहे बैठे हो इतने दूर
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर हू हू या हू हू
The lyrics of Asha Bhosle's song "Baat Koi Matlab Ki Hai Zaroor" convey a mixture of longing, irony, and a subtle critique of superficial relationships. The recurring phrase "बात कोई मतलब की है ज़रूर" suggests that there is an underlying reason behind the actions and interactions between the singer and the person they are addressing—even if it is not explicitly stated. The singer reflects the incongruity of the addressee arriving when they have previously maintained a distance, questioning the sincerity of their intentions. The repeated invocation of "हुज़ूर" gives the conversation a formal and teasing tone, hinting that the singer desires a deeper connection while simultaneously feeling a sense of mockery towards the addressee's sudden affection or attention.
In the next stanza, the singer—with a hint of vulnerability—expresses emotions of feeling overlooked or belittled. The use of words like "घबराए," "सर झुकाए," and "शरमाये" depicts the addressee as hesitant and shamefaced, indicating that they might have felt guilty or awkward about their past behavior, particularly given the contrast with the singer's more straightforward demeanor. The singer positions themselves as humble and genuine, instilling a sense of pride despite economic or social hardships. The mention of "गरूर" paints the addressee as once arrogant, suggesting that the balance of power has shifted, and now they may seek forgiveness or reconnection, enriching the narrative with themes of vulnerability and redemption.
The lyrics further delve into the idea of authenticity versus pretense. The lines “कुछ करते ओर कुछ कहते” encapsulate the disconnect between one's actions and words—a common human experience. The singer emphasizes a history of honesty, contrasting it with the duplicity that they perceive in the addressee. There is an implied accusation that the addressee may have been insincere or changed, leaving the singer to wonder if their feelings are truly valued or if they are merely being toyed with. This tension between disappointment and a longing for genuine connection elevates the emotional stakes of the song, allowing listeners to resonate with the complex dynamics of love and trust.
In the final stanza, the lyrical pivot to acceptance of life's unpredictability is evident through the phrases "कोई जीते कोई हारे." Here, the singer acknowledges the inherent game nature of relationships and life itself, inviting the addressee to bridge the emotional gap that divides them. By addressing the discrepancy of distance—both physical and emotional—the singer encourages openness and reconciliation, pleading for closeness. The repetition of “बात कोई मतलब की है ज़रूर” at the end reinforces the notion that beneath whatever games are played, there is often a significant reason behind every interaction, challenging both parties to confront their feelings rather than shrink from them. The overall tone is one of bittersweet yearning, encapsulating the intricate dance of love, pride, and the need for authentic connection amidst the complexities of human relationships.
Line by Line Meaning
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
There must be a significant reason behind your presence; otherwise, why would you come here, dear?
क्यू हो जी घबराए सर झुकाए शरमाये
Why are you so anxious, lowering your head in shyness, dear?
हम ग़रीबो मे आए तुम्हे तो था बड़ा गरूर
We, who are humble, have come to see you, who once held an air of superiority.
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
There must be a significant reason behind your presence; otherwise, why would you come here, dear?
कुछ करते ओर कुछ कहते हम कभी ऐसे नही थे
Our actions and words have never been contradictory; we have always been sincere.
हा जी उल्टे तुम ही थे दिलबर एक नज़र मे चूर
Oh yes, it was you who became enamored at a glance, my beloved.
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
There must be a significant reason behind your presence; otherwise, why would you come here, dear?
कोई जीते कोई हारे ये तो दुनिया है प्यारे
In this world, dear, some will win while others will lose; that's just how life is.
पास आओ हमारे कहे बैठे हो इतने दूर
Come closer, for you are sitting so far away—why the distance, dear?
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर
There must be a significant reason behind your presence; otherwise, why would you come here, dear?
बात कोई मतलब की है ज़रूर नही तो कब आते इधर हुज़ूर हू हू या हू हू
There must be a significant reason behind your presence; otherwise, why would you come here, dear? The repetition reinforces the sentiment.
Lyrics © O/B/O APRA AMCOS
Written by: Majrooh Sultanpuri, Salil Chowdhury
Lyrics Licensed & Provided by LyricFind
@ravikrish2
what a lovely peppy song form Salilda. Trambone flute are all riot in the ist interlude and double base n sax in second interlude. classic.
@VinodSingh-wm4mi
Kudos to Majroohsaheb for your writing, music composition of Salilda, music wizard & Of course velvety, send voice of Ashatai. I m completely flat by this creation.
@sumitbiswas585
Gem of a song 💞.... Salute to the entire music team 🙏🙏
@harungouri-g9n
Bohat hi badiya main abhi 19saal ka hun orr ye gaana pta nhi prr sunne ko maan karta hai kuch toh hai🤔 but jo bhi hai acha hai🥴 i like it😂♥️
@naushsid4874
Wow !
@shailendrasingh2016
So few people appreciate
@bubu345
TWO MANY IDIOTS IN THIS DOONIYAAAAAA
@jaykala1958
So sweet ! Lilian
@shailendrasingh2016
Bassist is awesome
@minar1963
Amazing ❤