Ashanti (born Ashanti Shequoiya Douglas on October 13, 1980 in Glen Cove, N… Read Full Bio ↴Ashanti (born Ashanti Shequoiya Douglas on October 13, 1980 in Glen Cove, New York, United States), is a Grammy Award-winning singer, songwriter, record producer, actress, model & fashion designer who has been performing since 2000.
Ashanti is most famous for her eponymous Grammy Award-winning debut album Ashanti which featured the hit song Foolish. The album set a Soundscan record as the most albums sold by any first-time female artist in the chart's history, outselling debuts by Alicia Keys and Lauryn Hill. Later that year, she was acclaimed as the "Princess of Hip-Hop & R&B" by the media and capped off her successful debut by winning eight Billboard awards and two American Music Awards.
Ashanti cites Mary J. Blige and Ella Fitzgerald as her musical influences. Praised as a gifted songwriter by her peers and critics alike, Ashanti has written/co-written the bulk of all her music. She is currently an independent artist on her own record label entitled Written Entertainment.
It was when she was noticed by Murder Inc. mastermind Irv Gotti that Ashanti began to blossom. Gotti noted her dancing and acting abilities in addition to her vocal skills. In 2001, Ashanti was first featured as a background vocalist on rapper Big Pun's song How We Roll. In the same year, Ashanti was featured on fellow labelmate Caddillac Tah's singles Pov City Anthem and Just Like A Thug. She also appeared on the 2001 The Fast and the Furious soundtrack as a featured artist on Vita's 2001 hip hop remake of Madonna's Justify My Love and on the solo track When a Man Does Wrong. She appeared as a background vocalist on I'm Real (Murder Remix), a collaboration by labelmate Ja Rule and Jennifer Lopez (she also appeared in the music video for Ain't It Funny (Murder Remix), the 2nd duet between Lopez & Rule), and was featured on Fat Joe's What's Luv? and Ja Rule's Always on Time. What's Luv? and Always on Time were released simultaneously and became two of the biggest hit songs of 2002. Ashanti became the first female to occupy the top two positions on the U.S. Billboard Hot 100 chart when Always on Time and What's Luv? were number-one and number-two respectively.
Following the success of her collaborations with Ja Rule and Fat Joe, Ashanti released her debut single, Foolish, which contained a sample of the 1983 song Stay With Me by DeBarge (also utilized by Notorious B.I.G. in his 1995 hit One More Chance). She became the second artist (after the The Beatles) to have their first three chart entries in the top ten of the Hot 100 simultaneously. Ashanti's self-titled debut album, Ashanti, was released on Irv Gotti's Murder Inc. record label in April 2002. It debuted at number-one on the U.S. Billboard 200 albums chart, selling over 503,000 copies in its first week (the most successful first week sales for a debut R&B female artist up through that point--record later broken by Mary J. Blige's The Breakthrough). The album has been certified 3x platinum in the U.S and platinum (300,000 copies) in the UK. The album has sold over 6.5 million copies worldwide. Ashanti penned all 12 songs on the album, most written on-the-spot in the studio.
Ashanti's follow-up singles, Happy and Baby, were not as successful as her debut single but did peak in the top ten and top twenty in the U.S. respectively. During the summer of 2002, Ashanti appeared on Ja Rule's Down 4 U with labelmates, female rappers Vita and Charli Baltimore. The song appeared on a Murder Inc. compilation titled Irv Gotti Presents The Inc. Ashanti's debut album earned her many awards including eight Billboard Music Awards, two American Music Awards, a Lady of Soul Award for "Aretha Franklin Entertainer of the Year," and a Grammy Award.
In July 2003, Ashanti released her second album, Chapter II, which debuted at number one on the Billboard 200 with first week sales of 326,000 copies in the U.S.. The album went Platinum, selling 1.5 million copies in U.S. The album's success was somewhat eclipsed, however, by all the negative drama surrounding the Murder Inc. camp at the time (i.e., the FBI investigation and the G-Unit feuding). Chapter II's first single, Rock wit U (Awww Baby), became a hit, peaking at number two on the Billboard Hot 100. Its video, which showed Ashanti in a bikini frolicking on a beach and riding an elephant named Bubbles, was nominated for two 2003 MTV Video Music Awards. A remix of the song contains interpolations of Michael Jackson's Rock with You. The second single, Rain on Me, reached the number-seven spot on the Hot 100 and number two on the Hot 100 R&B Songs chart. Chapter II was nominated for a 2004 Grammy Award for Best Contemporary R&B Album, and Rock wit U (Awww Baby) and Rain on Me were nominated in the categories of Best R&B Song and Best Female R&B Vocal Performance, respectively. At the end of 2003 in November, Ashanti performed at The American Music Awards and was nominated in two categories.
In November 2003, Ashanti's Christmas album, Ashanti's Christmas was released. The album containing 10 Christmas songs, six classic covers and four she wrote herself. To coincide with the release Ashanti premiered a Christmas Medley video for the album. While on BET's 106 & Park, Ashanti said the concept of the Christmas Album came from a guest spot she did on Steve Harvey's radio show. While playing a game with Stevie Wonder, he began playing Christmas medleys on the piano and Ashanti began singing them, giving her label head the idea to push for a Christmas Album. Ashanti went into the studio to record the album during the summer of 2003. According to soundscan, the album sold just around 100,000 units in the U.S.
Before Concrete Rose was released, Ashanti did some major promotion for her single Only U, when she premiered it at the 2004 Vibe Music Awards. In 2004, Ashanti was invited back to perform at VH1's Divas 2004. She appeared on stage with Patti LaBelle, Gladys Knight, Jessica Simpson, and others. She performed Diana Ross' single "I'm Coming Out", and she performed a soul-influenced rendition of Chaka Khan's funk driven "Ain't Nobody. Later that year Ashanti collaborated with male R&B newcomer and labelmate Lloyd on the song Southside, which was released as his debut single and was a moderate hit. Wonderful—with Ja Rule and R. Kelly—peaked at number five in the U.S. and at number one in the UK, and Jimmy Choo with rapper Shyne reached number fifty-five on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. Alongside artist such as Wyclef Jean, Mary J. Blige, Eve, Brandy, Fabolous, Jadakiss, Missy Elliott, and many others, Ashanti participated in a cover of "Wake Up Everybody" in support of ACT, the left-leaning political action committee.
In December 2004, Ashanti released her third studio album, Concrete Rose, the title of which took on Tupac Shakur's pseudonym "The Rose That Grew from Concrete". The album debuted at number seven in the U.S with first week sales of 254,000 copies, and eventually became her third platinum certified album; according to Nielsen SoundScan, it has sold 871,000 copies. The first single, the gold-certified Only U, reached number thirteen on the Billboard Hot 100 and became her biggest hit in the United Kingdom, peaking at number two. A second single, the ballad Don't Let Them, garnered little chart success after Def Jam refused to fund a music video due to Irv Gotti's legal troubles during his money laundering trial. Ashanti used her own money to deliver the second video to her fans, with Gotti acting as director. The single was released only in the U.S., where it failed to chart, and the UK, where it reached the lower end of the top forty. In 2005, Ashanti graced the stage at the MTV Japan Music Awards, where she performed her hit single, Only U. She also won a Style award during the show. She performed alongside huge acts like Mariah Carey and Korean star Rain.
In December 2005, Ashanti released a remix album of Concrete Rose titled Collectables by Ashanti. It features six remixes of previously released tracks and four newly recorded songs, including the single Still on It, which features rappers Paul Wall and Method Man. The album was an opportunity for her to fulfill her contract with Def Jam (and have the option of working with another label), and did not fare well on the charts.
Her fourth studio album, The Declaration, was released on June 3, 2008. Ashanti ventured out and acquired producers and collaborators primarily outside The Inc. for the first time. She said the album was a representation of the freedom she felt she had at that time in her career. "I'm steering my own ship and taking the lead on everything. You can definitely hear the growth; I'm working with producers I've never worked with before". Irv Gotti was quoted as saying, "she's having her little Janet Jackson Control moment. Every artist has their moment when they feel they need to take over their own music and this is hers".
The album debuted at number six on the Billboard 200 with sales of 86,000 copies, Ashanti's lowest first-week sales for a studio album. As of September 2008, The Declaration had sold 230,000 copies in the U.S., according to Nielsen SoundScan. Two singles released during 2007 in advance of the album's release—Switch featuring Nelly, and Hey Baby (After the Club) featuring Mario Winans—did not chart on the Billboard Hot 100. Hey Baby (After the Club) reached number eighty-seven on the Hot R&B/Hip-Hop Songs chart, and the third single, the L. T. Hutton-produced The Way That I Love You, reached number two on the Hot R&B/Hip-Hop Songs chart and peaked at number thirty-seven on the Billboard Hot 100 chart. The final single, the Jermaine Dupri-produced Good Good, became a minor urban hit, peaking at number thirty on the Hot R&B/Hip-Hop Songs. Also featured on The Declaration is the Nelly collaboration Body on Me, which is the third single from his 2008 album Brass Knuckles.
In May 2009, Irv Gotti announced that he was officially releasing Ashanti from The Inc. Records, stating that "The relationship has run its course. The chemistry of what's needed — we're in two totally different places. You're talking to somebody that took her and shaped and molded her and put her out there for the world, and it blew up. We [hold the record] for the [fastest] selling debut by a female R&B artist — 503 [thousand]. We did it! My views and philosophies and her views and philosophies are not meeting up." Gotti also admitted that he and Ashanti have not spoken to each other in a long time. A rep for Ashanti did not respond.
BraveHeart, her fifth album on March 4, 2014. Upon release, the album garnered favorable reviews, with music critics describing Braveheart's sound as an "evolution of R&B" and praising the themes of empowerment, but criticizing the romantic clichés and lack of interesting moments on the album. On the charts, Braveheart opened at number ten on the U.S. Billboard 200, becoming Ashanti's fifth consecutive top-ten album, as well as her first Independent Albums chart topper. It also debuted in the top-thirty of the UK R&B Albums Chart and top-forty of the UK Indie Albums Chart.
In 2017, she announced her seventh studio album, set to be released in 2018 or 2019. On November 6, 2017, she released the first single, “Say Less” feat. Ty Dolla $ign.
Ashanti is most famous for her eponymous Grammy Award-winning debut album Ashanti which featured the hit song Foolish. The album set a Soundscan record as the most albums sold by any first-time female artist in the chart's history, outselling debuts by Alicia Keys and Lauryn Hill. Later that year, she was acclaimed as the "Princess of Hip-Hop & R&B" by the media and capped off her successful debut by winning eight Billboard awards and two American Music Awards.
Ashanti cites Mary J. Blige and Ella Fitzgerald as her musical influences. Praised as a gifted songwriter by her peers and critics alike, Ashanti has written/co-written the bulk of all her music. She is currently an independent artist on her own record label entitled Written Entertainment.
It was when she was noticed by Murder Inc. mastermind Irv Gotti that Ashanti began to blossom. Gotti noted her dancing and acting abilities in addition to her vocal skills. In 2001, Ashanti was first featured as a background vocalist on rapper Big Pun's song How We Roll. In the same year, Ashanti was featured on fellow labelmate Caddillac Tah's singles Pov City Anthem and Just Like A Thug. She also appeared on the 2001 The Fast and the Furious soundtrack as a featured artist on Vita's 2001 hip hop remake of Madonna's Justify My Love and on the solo track When a Man Does Wrong. She appeared as a background vocalist on I'm Real (Murder Remix), a collaboration by labelmate Ja Rule and Jennifer Lopez (she also appeared in the music video for Ain't It Funny (Murder Remix), the 2nd duet between Lopez & Rule), and was featured on Fat Joe's What's Luv? and Ja Rule's Always on Time. What's Luv? and Always on Time were released simultaneously and became two of the biggest hit songs of 2002. Ashanti became the first female to occupy the top two positions on the U.S. Billboard Hot 100 chart when Always on Time and What's Luv? were number-one and number-two respectively.
Following the success of her collaborations with Ja Rule and Fat Joe, Ashanti released her debut single, Foolish, which contained a sample of the 1983 song Stay With Me by DeBarge (also utilized by Notorious B.I.G. in his 1995 hit One More Chance). She became the second artist (after the The Beatles) to have their first three chart entries in the top ten of the Hot 100 simultaneously. Ashanti's self-titled debut album, Ashanti, was released on Irv Gotti's Murder Inc. record label in April 2002. It debuted at number-one on the U.S. Billboard 200 albums chart, selling over 503,000 copies in its first week (the most successful first week sales for a debut R&B female artist up through that point--record later broken by Mary J. Blige's The Breakthrough). The album has been certified 3x platinum in the U.S and platinum (300,000 copies) in the UK. The album has sold over 6.5 million copies worldwide. Ashanti penned all 12 songs on the album, most written on-the-spot in the studio.
Ashanti's follow-up singles, Happy and Baby, were not as successful as her debut single but did peak in the top ten and top twenty in the U.S. respectively. During the summer of 2002, Ashanti appeared on Ja Rule's Down 4 U with labelmates, female rappers Vita and Charli Baltimore. The song appeared on a Murder Inc. compilation titled Irv Gotti Presents The Inc. Ashanti's debut album earned her many awards including eight Billboard Music Awards, two American Music Awards, a Lady of Soul Award for "Aretha Franklin Entertainer of the Year," and a Grammy Award.
In July 2003, Ashanti released her second album, Chapter II, which debuted at number one on the Billboard 200 with first week sales of 326,000 copies in the U.S.. The album went Platinum, selling 1.5 million copies in U.S. The album's success was somewhat eclipsed, however, by all the negative drama surrounding the Murder Inc. camp at the time (i.e., the FBI investigation and the G-Unit feuding). Chapter II's first single, Rock wit U (Awww Baby), became a hit, peaking at number two on the Billboard Hot 100. Its video, which showed Ashanti in a bikini frolicking on a beach and riding an elephant named Bubbles, was nominated for two 2003 MTV Video Music Awards. A remix of the song contains interpolations of Michael Jackson's Rock with You. The second single, Rain on Me, reached the number-seven spot on the Hot 100 and number two on the Hot 100 R&B Songs chart. Chapter II was nominated for a 2004 Grammy Award for Best Contemporary R&B Album, and Rock wit U (Awww Baby) and Rain on Me were nominated in the categories of Best R&B Song and Best Female R&B Vocal Performance, respectively. At the end of 2003 in November, Ashanti performed at The American Music Awards and was nominated in two categories.
In November 2003, Ashanti's Christmas album, Ashanti's Christmas was released. The album containing 10 Christmas songs, six classic covers and four she wrote herself. To coincide with the release Ashanti premiered a Christmas Medley video for the album. While on BET's 106 & Park, Ashanti said the concept of the Christmas Album came from a guest spot she did on Steve Harvey's radio show. While playing a game with Stevie Wonder, he began playing Christmas medleys on the piano and Ashanti began singing them, giving her label head the idea to push for a Christmas Album. Ashanti went into the studio to record the album during the summer of 2003. According to soundscan, the album sold just around 100,000 units in the U.S.
Before Concrete Rose was released, Ashanti did some major promotion for her single Only U, when she premiered it at the 2004 Vibe Music Awards. In 2004, Ashanti was invited back to perform at VH1's Divas 2004. She appeared on stage with Patti LaBelle, Gladys Knight, Jessica Simpson, and others. She performed Diana Ross' single "I'm Coming Out", and she performed a soul-influenced rendition of Chaka Khan's funk driven "Ain't Nobody. Later that year Ashanti collaborated with male R&B newcomer and labelmate Lloyd on the song Southside, which was released as his debut single and was a moderate hit. Wonderful—with Ja Rule and R. Kelly—peaked at number five in the U.S. and at number one in the UK, and Jimmy Choo with rapper Shyne reached number fifty-five on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. Alongside artist such as Wyclef Jean, Mary J. Blige, Eve, Brandy, Fabolous, Jadakiss, Missy Elliott, and many others, Ashanti participated in a cover of "Wake Up Everybody" in support of ACT, the left-leaning political action committee.
In December 2004, Ashanti released her third studio album, Concrete Rose, the title of which took on Tupac Shakur's pseudonym "The Rose That Grew from Concrete". The album debuted at number seven in the U.S with first week sales of 254,000 copies, and eventually became her third platinum certified album; according to Nielsen SoundScan, it has sold 871,000 copies. The first single, the gold-certified Only U, reached number thirteen on the Billboard Hot 100 and became her biggest hit in the United Kingdom, peaking at number two. A second single, the ballad Don't Let Them, garnered little chart success after Def Jam refused to fund a music video due to Irv Gotti's legal troubles during his money laundering trial. Ashanti used her own money to deliver the second video to her fans, with Gotti acting as director. The single was released only in the U.S., where it failed to chart, and the UK, where it reached the lower end of the top forty. In 2005, Ashanti graced the stage at the MTV Japan Music Awards, where she performed her hit single, Only U. She also won a Style award during the show. She performed alongside huge acts like Mariah Carey and Korean star Rain.
In December 2005, Ashanti released a remix album of Concrete Rose titled Collectables by Ashanti. It features six remixes of previously released tracks and four newly recorded songs, including the single Still on It, which features rappers Paul Wall and Method Man. The album was an opportunity for her to fulfill her contract with Def Jam (and have the option of working with another label), and did not fare well on the charts.
Her fourth studio album, The Declaration, was released on June 3, 2008. Ashanti ventured out and acquired producers and collaborators primarily outside The Inc. for the first time. She said the album was a representation of the freedom she felt she had at that time in her career. "I'm steering my own ship and taking the lead on everything. You can definitely hear the growth; I'm working with producers I've never worked with before". Irv Gotti was quoted as saying, "she's having her little Janet Jackson Control moment. Every artist has their moment when they feel they need to take over their own music and this is hers".
The album debuted at number six on the Billboard 200 with sales of 86,000 copies, Ashanti's lowest first-week sales for a studio album. As of September 2008, The Declaration had sold 230,000 copies in the U.S., according to Nielsen SoundScan. Two singles released during 2007 in advance of the album's release—Switch featuring Nelly, and Hey Baby (After the Club) featuring Mario Winans—did not chart on the Billboard Hot 100. Hey Baby (After the Club) reached number eighty-seven on the Hot R&B/Hip-Hop Songs chart, and the third single, the L. T. Hutton-produced The Way That I Love You, reached number two on the Hot R&B/Hip-Hop Songs chart and peaked at number thirty-seven on the Billboard Hot 100 chart. The final single, the Jermaine Dupri-produced Good Good, became a minor urban hit, peaking at number thirty on the Hot R&B/Hip-Hop Songs. Also featured on The Declaration is the Nelly collaboration Body on Me, which is the third single from his 2008 album Brass Knuckles.
In May 2009, Irv Gotti announced that he was officially releasing Ashanti from The Inc. Records, stating that "The relationship has run its course. The chemistry of what's needed — we're in two totally different places. You're talking to somebody that took her and shaped and molded her and put her out there for the world, and it blew up. We [hold the record] for the [fastest] selling debut by a female R&B artist — 503 [thousand]. We did it! My views and philosophies and her views and philosophies are not meeting up." Gotti also admitted that he and Ashanti have not spoken to each other in a long time. A rep for Ashanti did not respond.
BraveHeart, her fifth album on March 4, 2014. Upon release, the album garnered favorable reviews, with music critics describing Braveheart's sound as an "evolution of R&B" and praising the themes of empowerment, but criticizing the romantic clichés and lack of interesting moments on the album. On the charts, Braveheart opened at number ten on the U.S. Billboard 200, becoming Ashanti's fifth consecutive top-ten album, as well as her first Independent Albums chart topper. It also debuted in the top-thirty of the UK R&B Albums Chart and top-forty of the UK Indie Albums Chart.
In 2017, she announced her seventh studio album, set to be released in 2018 or 2019. On November 6, 2017, she released the first single, “Say Less” feat. Ty Dolla $ign.
Saw Your Face
Ashanti Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah, Ashanti
This one straight out the vault
Kidd Kold, AJM Records, like this
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
As I stepped in the room I saw your face
Watching me and every move I made, oh
The way that you had your arms around her
I decided to look the other way, oh
It was killing me to think that I
Might have found something I like
And there was nothing I could do
'Cause she came here with you
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
As the night went on and I enjoyed the company
From all of the guys who tried to talk to me, yeah
In the back of my mind I knew there was nothing
That excited me till you passed by
You kind of rushed my shoulders and I grew a little bit warmer then
I remembered you came with her and I didn't want to offend her
But oh you turned around, grabbed my hand
And I did not let go, woah, woah
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
Let me know if this is wrong for me to feel this way
Let me know if I am really making a mistake
Let me know if this is wrong for me to feel this way
Let me know if I am really making a mistake
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
This one straight out the vault
Kidd Kold, AJM Records, like this
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
As I stepped in the room I saw your face
Watching me and every move I made, oh
The way that you had your arms around her
I decided to look the other way, oh
It was killing me to think that I
Might have found something I like
And there was nothing I could do
'Cause she came here with you
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
As the night went on and I enjoyed the company
From all of the guys who tried to talk to me, yeah
In the back of my mind I knew there was nothing
That excited me till you passed by
You kind of rushed my shoulders and I grew a little bit warmer then
I remembered you came with her and I didn't want to offend her
But oh you turned around, grabbed my hand
And I did not let go, woah, woah
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
Let me know if this is wrong for me to feel this way
Let me know if I am really making a mistake
Let me know if this is wrong for me to feel this way
Let me know if I am really making a mistake
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
The first time that I saw your face something told me I
Never be the same, never been the same
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
The first time that I saw your face something told me I
Never be the same, never been the same
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
In this song, Ashanti talks about the first time she saw a man who caught her eye, but unfortunately, he was already with another woman. She expresses her dilemma over her feelings, wondering if it was a mistake to feel such a strong attraction, knowing that he was not hers. The lyrics show how she was torn between her attraction to the man and her morals and respect for the other woman.
The lyrics paint a picture of Ashanti being at an event where she sees the man with his arms around another woman. As he sees her, he approaches her and touches her shoulders, and the chemistry between them is tangible. However, she is caught in a moral dilemma as she questions whether it's right for her to feel this way about someone who is already taken. She ultimately decides that something has to change, and the man's current partner should be replaced. The lyrics hint that Ashanti was willing to pursue the man, despite his relationship status.
Overall, the song offers insight into the inner turmoil faced by people when they fall for someone who is already taken. Despite the moral dilemma, they struggle to resist the pull of attraction.
Line by Line Meaning
The first time that I saw your face something told me I
Never be the same, never been the same
As soon as I saw you, I knew that I was going to be forever changed by the experience.
I'm thinking she should be replaced, I know that's not right
Something's gotta change, something's gotta change
Although it may not be right, I can't help but feel that the girl you came with should be replaced.
I've never been the type to wonder about what's not mine
Is it a mistake? Is it a mistake?
I'm not one to question things that don't belong to me, but I can't help but feel like maybe you were meant to be mine.
As I stepped in the room I saw your face
Watching me and every move I made, oh
The way that you had your arms around her
I decided to look the other way, oh
When I first entered the room, I saw you watching me and I noticed how comfortable you were with the girl you came with, so I tried to ignore it.
It was killing me to think that I
Might have found something I like
And there was nothing I could do
'Cause she came here with you
It was painful to think that I might have finally found something that I like, but there was nothing I could do because you were already with someone else.
As the night went on and I enjoyed the company
From all of the guys who tried to talk to me, yeah
In the back of my mind I knew there was nothing
That excited me till you passed by
Despite enjoying the company of the other guys who tried to talk to me, I knew that there was nothing exciting about them until I saw you.
You kind of rushed my shoulders and I grew a little bit warmer then
I remembered you came with her and I didn't want to offend her
But oh you turned around, grabbed my hand
And I did not let go, woah, woah
You touched my shoulders and I felt a warmth. I remembered that you were already with someone and I didn't want to upset her. But then, surprisingly, you turned around, grabbed my hand and we held on tight.
Let me know if this is wrong for me to feel this way
Let me know if I am really making a mistake
Let me know if this is wrong for me to feel this way
Let me know if I am really making a mistake
I can't help but wonder if what I'm feeling is wrong or if I'm making a mistake by giving in to these feelings.
Contributed by Callie C. Suggest a correction in the comments below.
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