Singer ASHLEY MAHER (her surname, pronounced the real Irish way, rhymes wit… Read Full Bio ↴Singer ASHLEY MAHER (her surname, pronounced the real Irish way, rhymes with “star”) is an original. Against all odds, she has created and safeguarded the kind of personal style that seems to elude so many musical artists – including many of the best in the world – when they take liberties across genre boundaries, or explore musical traditions into which they have not been born.
Anything but facile, Maher’s music approaches the gold standard set by the likes of Paul Simon, Peter Gabriel, or Youssou N’Dour for an engagement with “world music” at once challenging, thoughtful, respectful, and exuberant.
Born in Canada to British parents who relocated to Los Angeles when she was five, Maher has, as a performer and songwriter, been truly at home within African popular music traditions for many years, dating back even further than her intense exposure to those traditions through her label-mates Gabriel and N’Dour at Virgin Records in the late 1980’s, when she was living in London.
Maher had grown up listening to a wide range of music – American and British rock and pop, classical music, and a variety of Latin and especially Brazilian styles. Having begun formal vocal training at sixteen, she was soon singing jazz, choral music, and medieval music in school. She later concentrated on opera in Italy for an entire year, but although her voice was well-suited to the classical repertoire, she says her soul was not transported by it. Then, while still an undergraduate at the University of California, Berkeley, she happened upon on a class led by C.K. Ladzekpo, a master drummer from Ghana. “I felt as though I had been hit by lightening. Every cell in my body lit up like a candle,” she remembers. “In that doorway, it was an epiphany. I felt I had found my life’s path.” Maher studied polyrhythms with Ladzekpo for two years, feeling her way into expressing sounds and rhythms that had felt uncannily natural to her from day one.
Upon graduating from Berkeley, Maher embarked upon a pilgrimage to London’s flourishing music scene. She joined a pan-African/jazz band called Backlash (formed with members of the iconic Afro-rock band Osibisa), while also collaborating with other resident and touring African musicians. While Maher cites N'Dour, Baaba Maal, Salif Keita, King Sunny Ade, and Nusrat Fateh Ali Khan as artists who have most influenced her own style, Simon, Gabriel, Sting, and Joni Mitchell have also inspired her. Her first demos (recorded with one of London’s premier dance and drumming ensembles, Adzido) reflected this creative duality. They featured Ghanaian drums interwoven with her trademark, scat-laced vocals and silky harmonies. These demos led to bids from five labels and she ultimately signed with Virgin. She went on to release a pair of well-received albums for Virgin –“hi” (1990) and “Pomegranate” (1992) – solidifying her reputation as an eclectic, warmly inclusive musical thinker and a singer of rare empathy.
When EMI bought Virgin, Maher left the label and continued to record and perform in Europe. She sang back-up on recordings by Youssou N'Dour, Myriam Mursal, and The Afro-Celt Sound System. Her third, independently-produced CD, “The Blessed Rain” (1997), featured the same roster as “Pomegranate” and kept her fans on notice that hers was a continuing voyage of discovery.
After twelve years in London, Maher relocated to Los Angeles to nurse her mother through her final illness. Since her mother’s passing, she has been busy working and performing with the city’s bourgeoning community of West African and Latin musicians, dancers, and drummers. Her fourth CD, “Flying Over Bridges” (2006), was produced by Cameroon’s Andre Manga and features a stellar assembly of world jazz players from Cameroon, Senegal, Brazil, Venezuela, Uruguay, and the United States.
Maher’s profound artistic involvement with the diverse musical cultures of Senegal was kindled by her decades-old friendship with Youssou N’Dour and but has recently grown into a vital nourishing component of her musical personality. In 2007, N’Dour released a song Maher co-wrote, “Boul Bayekou”, on his Nonesuch Records/Warner Music CD “Rokku mi rokka (Give and Take)”. As a remarkably accomplished Senegalese sabar dancer, Maher has since shared the stage with N’Dour both in Dakar and at N’Dour’s “Great African Ball” at Paris’ Bercy Arena.
Maher calls her new album release, “Amina” (her fifth, also produced by Andre Manga), “my love song to Senegal.” It is, by any measure , one of the most graceful attempts ever by a Western musician to enter the Senegalese musical ethos and confront it on its own terms. “Amina” is the work of a mature artist passionate about applying her lyrical gifts (in English) to rhythms, harmonies, and colors inimitably Senegalese in just the perfect ways, and compassionate about the delicacy of the task. This – and her rare skills as a singer and songwriter – allowed her to carry out the task with verve.
Today's popular music in Senegal, known in the Wolof language as mbalax, developed as a blend of the country's traditional griot percussion and praise-singing with the Afro-Cuban arrangements and flavors which made “the return trip” from the Caribbean to West Africa in the 1940’s, 1950’s and 1960’s and have flourished in West Africa ever since. Beginning in the mid-1970’s the resulting mix was modernized with a gloss of more complex indigenous Senegalese dance rhythms, roomy and melodic guitar and saxophone solos, chattering talking-drum soliloquies and, on occasion, Sufi-inspired Muslim religious chant. This created a new music which was at turns nostalgic, restrained and stately, or celebratory, explosively syncopated and indescribably funky.
The Ashley Maher of “Amina” is, in all ways that should matter, an important inheritor of the mbalax tradition, even as she is obviously an innovator, extending the tradition beyond any previous boundaries. For years an ardent student of the intricate polyrhythmic vocabularies of Senegalese percussion and dance (both contemporary and traditional), Maher’s dance sensibilities have afforded her a sure hand in the overall composition of “Amina” and producer Manga’s sympathetic touch never overpowers the mbalax heartbeat running through nearly the entire album. Key members of N’Dour’s legendary Super Etoile band were on hand for Maher’s critical recording sessions in Dakar, including guitarist Jimi Mbaye and three of the Super Etoile percussionists –talking drummer Assane Thiam, bougarabou (sabar) drummer Thio Mbaye, and trap drummer Abdoulaye Lo.
Significantly, the response to Maher’s daring effort with “Amina” in Senegal itself (and in the burgeoning worldwide Senegalese Diaspora) has already begun to raise eyebrows and garner for Maher the respect she deserves. Senegalese radio personality Badou Boussou considers “Amina” one of the best mbalax-based albums “in a long, long time,” and believes “it is going to be good for mbalax as a whole.” Over the past decade, says Boussou, “mbalax has been dominated and plagued by overproduced marimba-filled offerings lacking proper harmony and inspiration. ‘Amina’ will be a wake-up call for mbalax artists and producers, and they will be compelled to go back to the roots of the music. Mbalax artists used to make ballads like [Maher’s] ‘Amazing Grace’ [the lead track on ‘Amina’], with well-arranged percussion parts, like [Youssou N’Dour’s] ‘Africa Remembers’, but now that seems to be passé. I hope ‘Amazing Grace’ changes that. What ‘Amina’ does, in addition to being world-open but mbalax-specific, is take mbalax back to its core, although not noting the jazz undertones in ‘Amina’ would be rather unpardonable.”
In addition to her live cameos with Youssou N’Dour, Ashley Maher has performed extensively both in America and internationally and has a long history of playing live. She has opened for Mali’s Salif Keita, Senegal’s Baaba Maal and Orchestra Baobab, Zap Mama, South Africa’s Vusi Mahlasela, and Côte d’Ivoire’s Dobet Gnahore, among other African music luminaries. A “cult figure for a discerning few,” as one British critic has called her, Maher is hoping to see, with the release of “Amina”, a swell in the ranks of her fans worldwide, particularly if recognition in Senegal is as forthcoming as the early signs would indicate.
Ashley Maher is revealing herself as an artist to watch in African music.
Anything but facile, Maher’s music approaches the gold standard set by the likes of Paul Simon, Peter Gabriel, or Youssou N’Dour for an engagement with “world music” at once challenging, thoughtful, respectful, and exuberant.
Born in Canada to British parents who relocated to Los Angeles when she was five, Maher has, as a performer and songwriter, been truly at home within African popular music traditions for many years, dating back even further than her intense exposure to those traditions through her label-mates Gabriel and N’Dour at Virgin Records in the late 1980’s, when she was living in London.
Maher had grown up listening to a wide range of music – American and British rock and pop, classical music, and a variety of Latin and especially Brazilian styles. Having begun formal vocal training at sixteen, she was soon singing jazz, choral music, and medieval music in school. She later concentrated on opera in Italy for an entire year, but although her voice was well-suited to the classical repertoire, she says her soul was not transported by it. Then, while still an undergraduate at the University of California, Berkeley, she happened upon on a class led by C.K. Ladzekpo, a master drummer from Ghana. “I felt as though I had been hit by lightening. Every cell in my body lit up like a candle,” she remembers. “In that doorway, it was an epiphany. I felt I had found my life’s path.” Maher studied polyrhythms with Ladzekpo for two years, feeling her way into expressing sounds and rhythms that had felt uncannily natural to her from day one.
Upon graduating from Berkeley, Maher embarked upon a pilgrimage to London’s flourishing music scene. She joined a pan-African/jazz band called Backlash (formed with members of the iconic Afro-rock band Osibisa), while also collaborating with other resident and touring African musicians. While Maher cites N'Dour, Baaba Maal, Salif Keita, King Sunny Ade, and Nusrat Fateh Ali Khan as artists who have most influenced her own style, Simon, Gabriel, Sting, and Joni Mitchell have also inspired her. Her first demos (recorded with one of London’s premier dance and drumming ensembles, Adzido) reflected this creative duality. They featured Ghanaian drums interwoven with her trademark, scat-laced vocals and silky harmonies. These demos led to bids from five labels and she ultimately signed with Virgin. She went on to release a pair of well-received albums for Virgin –“hi” (1990) and “Pomegranate” (1992) – solidifying her reputation as an eclectic, warmly inclusive musical thinker and a singer of rare empathy.
When EMI bought Virgin, Maher left the label and continued to record and perform in Europe. She sang back-up on recordings by Youssou N'Dour, Myriam Mursal, and The Afro-Celt Sound System. Her third, independently-produced CD, “The Blessed Rain” (1997), featured the same roster as “Pomegranate” and kept her fans on notice that hers was a continuing voyage of discovery.
After twelve years in London, Maher relocated to Los Angeles to nurse her mother through her final illness. Since her mother’s passing, she has been busy working and performing with the city’s bourgeoning community of West African and Latin musicians, dancers, and drummers. Her fourth CD, “Flying Over Bridges” (2006), was produced by Cameroon’s Andre Manga and features a stellar assembly of world jazz players from Cameroon, Senegal, Brazil, Venezuela, Uruguay, and the United States.
Maher’s profound artistic involvement with the diverse musical cultures of Senegal was kindled by her decades-old friendship with Youssou N’Dour and but has recently grown into a vital nourishing component of her musical personality. In 2007, N’Dour released a song Maher co-wrote, “Boul Bayekou”, on his Nonesuch Records/Warner Music CD “Rokku mi rokka (Give and Take)”. As a remarkably accomplished Senegalese sabar dancer, Maher has since shared the stage with N’Dour both in Dakar and at N’Dour’s “Great African Ball” at Paris’ Bercy Arena.
Maher calls her new album release, “Amina” (her fifth, also produced by Andre Manga), “my love song to Senegal.” It is, by any measure , one of the most graceful attempts ever by a Western musician to enter the Senegalese musical ethos and confront it on its own terms. “Amina” is the work of a mature artist passionate about applying her lyrical gifts (in English) to rhythms, harmonies, and colors inimitably Senegalese in just the perfect ways, and compassionate about the delicacy of the task. This – and her rare skills as a singer and songwriter – allowed her to carry out the task with verve.
Today's popular music in Senegal, known in the Wolof language as mbalax, developed as a blend of the country's traditional griot percussion and praise-singing with the Afro-Cuban arrangements and flavors which made “the return trip” from the Caribbean to West Africa in the 1940’s, 1950’s and 1960’s and have flourished in West Africa ever since. Beginning in the mid-1970’s the resulting mix was modernized with a gloss of more complex indigenous Senegalese dance rhythms, roomy and melodic guitar and saxophone solos, chattering talking-drum soliloquies and, on occasion, Sufi-inspired Muslim religious chant. This created a new music which was at turns nostalgic, restrained and stately, or celebratory, explosively syncopated and indescribably funky.
The Ashley Maher of “Amina” is, in all ways that should matter, an important inheritor of the mbalax tradition, even as she is obviously an innovator, extending the tradition beyond any previous boundaries. For years an ardent student of the intricate polyrhythmic vocabularies of Senegalese percussion and dance (both contemporary and traditional), Maher’s dance sensibilities have afforded her a sure hand in the overall composition of “Amina” and producer Manga’s sympathetic touch never overpowers the mbalax heartbeat running through nearly the entire album. Key members of N’Dour’s legendary Super Etoile band were on hand for Maher’s critical recording sessions in Dakar, including guitarist Jimi Mbaye and three of the Super Etoile percussionists –talking drummer Assane Thiam, bougarabou (sabar) drummer Thio Mbaye, and trap drummer Abdoulaye Lo.
Significantly, the response to Maher’s daring effort with “Amina” in Senegal itself (and in the burgeoning worldwide Senegalese Diaspora) has already begun to raise eyebrows and garner for Maher the respect she deserves. Senegalese radio personality Badou Boussou considers “Amina” one of the best mbalax-based albums “in a long, long time,” and believes “it is going to be good for mbalax as a whole.” Over the past decade, says Boussou, “mbalax has been dominated and plagued by overproduced marimba-filled offerings lacking proper harmony and inspiration. ‘Amina’ will be a wake-up call for mbalax artists and producers, and they will be compelled to go back to the roots of the music. Mbalax artists used to make ballads like [Maher’s] ‘Amazing Grace’ [the lead track on ‘Amina’], with well-arranged percussion parts, like [Youssou N’Dour’s] ‘Africa Remembers’, but now that seems to be passé. I hope ‘Amazing Grace’ changes that. What ‘Amina’ does, in addition to being world-open but mbalax-specific, is take mbalax back to its core, although not noting the jazz undertones in ‘Amina’ would be rather unpardonable.”
In addition to her live cameos with Youssou N’Dour, Ashley Maher has performed extensively both in America and internationally and has a long history of playing live. She has opened for Mali’s Salif Keita, Senegal’s Baaba Maal and Orchestra Baobab, Zap Mama, South Africa’s Vusi Mahlasela, and Côte d’Ivoire’s Dobet Gnahore, among other African music luminaries. A “cult figure for a discerning few,” as one British critic has called her, Maher is hoping to see, with the release of “Amina”, a swell in the ranks of her fans worldwide, particularly if recognition in Senegal is as forthcoming as the early signs would indicate.
Ashley Maher is revealing herself as an artist to watch in African music.
Spring
Ashley Maher Lyrics
We have lyrics for 'Spring' by these artists:
*RMB The spring is my love, There is a spring rezzling in…
1 - Allegro 너와 내가 만나서 우리가 된 건 기적 다 꿈인 것만 같아…
2 - Largo I had watched you taking in the spring Through dusty sun-kis…
2AM How was your commute to work today? How were you in…
3 - Allegro It's cold inside, it's cold inside It's cold inside It's rea…
A.G.s Once I was a sentimental thing Threw my heart away each…
Abbie Gale Welcome the sunny days (x2) And the panic of spring runs…
Achim Yeah, yeah C'est la guerre, ici c'est la guerre Avec vue sur…
Ahn Hyo Seop feat. Z.HERA 오늘도 예쁘네 들리지 않게 혼잣말 해 너를 보면 매일 붉어진 얼굴에 애꿎은 날씨 탓을…
Ali T Lately I've been waking up, feeling just a little bit…
And You 봄이 오면 겨울이 지나가듯 짧았던 사랑은 떠나고 흩날리는 희뿌연 먼지 속에 그저 눈물…
Angel Olsen Don't take it for granted Love when you have it You might…
Antilopen Gang Wenn du springen willst, spring Spring vom Balkon Aus dem 16…
APRICITY She said We grow only to grow apart These branches are bare …
Atomique / P.tah / Con One, two, three, four There's no room for me with you I've…
atomique feat. p.tah & con Lock it down Overthrow all the pirates And get out of town…
B.E.A.R 우연히 내게 오나봐 봄 향기가 보여 너도 같이 오나 봐 저 멀리서 네…
B.M.P. One, two, three, four There's no room for me with you I've…
Baptiste Ventadour I will always be there, ′Cos we lost everything that dreary…
Beard and Music It's a simple perspective very few do know Sunlight is refle…
bedbug Funny how those string lights look Funny I can't remember Th…
Ben Watt You know this,have faith in spring And in above and everythi…
Biff Smith I'm as restless as a willow in a windstorm I'm as…
Big Scary I'm not like anybody else I am a new time You are…
Bill Callahan The wind is pushing the clouds along Out of sight A power…
BLCKK Head out the window Everything move slow When i’m alone with…
Boxtrod It's where you should've been The world you're living in And…
Brings Saach mir häss du Energie Jläuf mir, mer sin fit wie…
BrokenTeeth 길고도 길었던 돌고 돎 긴 밤 이해할 수 없던 날의 끝이…
CARTER. I've been here spring cleaning You've been back for weekends…
Cat Marina God I hate the city in the springtime Even though…
Cheryl Wheeler SPRING In a broken down apartment house Laid a woman in lab…
Choi 잡았던 두 손이 시려도 Spring will come With a strum 꺼졌던 온기가 그리워도 Spr…
common girl In the Dark Spring Stars are flowing Everywhere, endlessly …
concerto no. 1 너와 내가 만나서 우리가 된 건 기적 다 꿈인 것만 같아…
D-MAIN Down by the docks The weather was fine The sailors were drin…
D. Funk Era Is there a way to make you stay An equation I…
Dan Deacon Springgggggngngiggigiaiiaigngngigigngngngngnaigingng.…
Demon-K Der Boden vibriert und dein Herzschlag auf dem Beat Ich dreh…
DJ GER-MAN In the spring I'll take everything. Won't you come with…
Dub-Eden Sound the Flute! / Now it’s mute. / Birds delight…
e&d 우연히 내게 오나봐 봄 향기가 보여 너도 같이 오나 봐 저 멀리서 네…
EAST. Flowers blooming It's the sign Of the spring Just like when …
Ed Sheeran Where is my mind? I've lost the nerve This year flew…
Elegý Нежный поцелуй солнца Растопит замерзшее тело земли Хвалебны…
Ellen Page; Michael Cera; Jason Bateman; Jennifer Garner; Allison Janney; J.K. Simmons 나 아무렇지 않은 척 하고 있지만 지금도 너무 설레고 떨리는걸요 항상 바래왔었던…
Etienne Charry Break all my bones I'll learn to walk again Break all my…
Evan A. James When lonely feelings chill The meadows of your mind Just thi…
F.U.Z.Z. 봄이 오면 겨울이 지나가듯 짧았던 사랑은 떠나고 흩날리는 희뿌연 먼지 속에 그저 눈물…
Fading Colours Somebody's watching me from behind the clouds I lazily fai…
feathers-blue So long, theatre three where everything nice flops, Plays a …
Freddie Dredd Eu viajei o mundo todo Olha, puta que pariu Primeiro eu pass…
G. Once I was a sentimental thing Threw my heart away each…
G.S.D.X 꽃이 언제 피는지 그딴 게 뭐가 중요한데 날씨가 언제 풀리는지 그딴…
Georgia Ruth Spring is in me I am the spring I am the…
GGGOLDDD I didn't see it coming I shed some light on the…
Ghazi Abdel Baki تغلغل الربيع بأوراقه و أزهاره بكياني و النحل يدندن على مدى…
Gogi.Ge.Org Did you come out as a joke Or maybe out of…
Griffin Village I saw you kicking apple trees, I wondered why The…
H. Brunner Few giant leaps of the astronauts has made our lives much be…
Hannes Loeschel Sound the Flute! / Now it’s mute. / Birds delight…
Hans-Günther Wagener Birds emerge from a sea of green As I stand outside…
Heather Rigdon I caught you looking, it took me by surprise Something bloss…
Henriette Linja Walking and staring out at the sky It's blue it's white…
Hikes I saw the forest for the trees when the scales fell…
Hunters Happy first day of spring semester Whatcha gonna do Whatcha …
Husband & Knife I plant some spring crops Not to feel hungry And not to…
Hwang Byung-Ki 마치 운명 같았던 그날에서야 우린 서롤 처음 만났고 같이 걸으면 봄이 내게…
II. Largo E Pianissimo I had watched you taking in the spring Through dusty sun-kis…
III. Danza Pastorale (Allegro) It's cold inside, it's cold inside It's cold inside It's rea…
Immune Μην ανοίγεσαι γιατί θα 'χουμε θέμα Μην ανοίξεις φυσάω και κά…
Irene Once I was a sentimental thing Throw my heart away each…
Ivory Tower She stops her movements And whispers to the trees Secrets of…
J. Reuben Silverbird 나 아무렇지 않은 척 하고 있지만 지금도 너무 설레고 떨리는걸요 항상 바래왔었던…
J.D. Roth とっくに出てった最終列車に 本気でまだ乗りたいと思っているの? だらしなく両足を 放り出して 誰も追いつけない スピー…
Jackle App I saw you kicking apple trees, I wondered why The apples…
Jason and Jane Once I was a sentimental thing Throw my heart away each…
Jen Cloher Spring was my honey For her I oozed As she sat back…
jesse montana April 18th 2018 I had a dream about you last night We…
Jo Black Welkom by jou eerste tree Welkom by die begin Hierdie is die…
Joe and Will Ask? (Good morning, VOGUE) Bin-bin-bin-bin-bin Fame Ich lass' mi…
John Butler So Spring is in her belly, It's sprouted in her soul, And…
John Taylor Spring is here! Why doesn't my heart go dancing? Spring is…
Joymainia (OST Knights And Merchants) Margaret, are you grieving Over Goldengrove unleaving? Leave…
K. Sabroso Der Boden vibriert und dein Herzschlag auf dem Beat Ich dreh…
K.Yamashita & L.Coryell In the wandering and waiting, You say, Come, follow Me Into…
Kame B-ri 그런 날 어릴적 꿈꾸던 나의 시간 맴돌아 나만 홀로 아직 제자리 걸음 괜찮은…
Ken-ichi Hirata Tomohiko Sakaida Yusuke Gotoh Ei Fujishima Marih Seishi 謝恩会のあとで 事件がありました 甘くてやるせない まさかの出来事が おうちに帰って 鏡を見てみたら 前よりも綺麗な女に…
Kim Jung Mi 빨갛게 꽃이 피는 곳 봄바람 불어서 오면 노랑나비 훨훨 날아서 그곳에 나래접누나 새파란 나무가지가 호수에…
Knights and Merchants Spring came and I left the trees For the glistening…
Kontra K Der Boden vibriert und dein Herzschlag auf dem Beat Ich dreh…
Kristin Hersh Nothing like chrome when it shines No better weather to driv…
Kurt Brecht They ravaged the land And polluted the seas They burned all…
L.O.U.D In the wandering and waiting, You say, Come, follow Me Into…
Lee Sang-Eun you need me and I think I'm gonna need you 우연히…
Lee WonSeok 오늘도 예쁘네 들리지 않게 혼자 말해 너를 보면 매일 붉어진 얼굴에 애꿎은 날씨 탓을…
Lee-tzsche Yeah 넌 나의 봄이야, 봄이야 나의 설렘이자 꽃이야 오 나의 별이야, 별이야 나의 세상이자,…
Leila Alcasid Just before you go I should tell you how I'm feeling I…
Little Milton I feel that spring is comin′ on I feel it ll…
Loveday Alan violin; Sir Neville Marriner; Academy of St Martin-in-the-Fields Late spring, I'll see you later Well you are, you are,…
M. Wivolin I wanna be fast, I wanna be slow, I want somewhere to…
M.A.H.I.B I remember when we first started You came to me and…
M.D.S I wanna be fast, I wanna be slow, I want somewhere to…
Madaila I can feel it now I can feel it now Watch the…
Maeve Kelly So, the spring comes And I'm unprepared I am restless, sleep…
Maor Shvartzberg SPRING In between clouds, the hidden sun Has heard the call…
Mark and the Argonauts Riding in the summer sun Drifting through the rain I wanna d…
Masakichi alt-J 나 아무렇지 않은 척 하고 있지만 지금도 너무 설레고 떨리는걸요 항상 바래왔었던…
Master Spring is here! Why doesn't my heart go dancing? Spring is…
MATTR & FRIENDS Now that you’re by my side At the edge of night Lying…
McKendree Spring Niemand moet me zeggen wat ik doen of laten moet Niemand…
MCND 눈치 볼 게 뭐가 있어 그냥 가보는 거지 Y.O.L.O 내 맘대로 직진하다…
Mia Doi Todd Break all my bones I'll learn to walk again Break all my…
Michael Seasons change And raindrops rearrange Oh my time has come D…
Miette Hope We were falling out of touch Maybe it was too much For…
Miriam Stockley Santa Ana sweeps the midday sand Crazy ripples for a mile …
Mirs Make out all night Kiss to forget how you taste, fuck…
Monako I cannot write how I feel All I see are plain…
Moose Blood I could′ve changed your mind If only you told me, you…
Mount Eerie 9. SPRING Mind like a flower, a flower falling. A candle in…
mr. boomjaxon No Lyrics only spring music by mr.Klauzer…
Mr. Jackson Baby, what you do to me I keep seeing you online…
mrs. baker I'm as restless as a willow in a windstorm I'm as…
My Morning Jacket Boy, I was ready Boy, I was ready for spring Its beauty…
N. Scott Robinson 네게 딱 어울리는 날이야 밤과 낮의 온도 차이가 널 설명하고 있단 말이야 조심을…
Nans & Nat Spring is here! Why doesn't my heart go dancing? Spring is…
Ned's Atomic Dustbin Could you mind be as shallow As my five o'clock shadow? Can…
Ned’s Atomic Dustbin Could you mind be as shallow As my five o'clock shadow? Ca…
Neethio 1st Verse: I thought I had heard how the end was…
NewDad I′ve been checking out Been sleeping in Been wasting days, w…
Nocturnal Depression One more time, I'm reborn through my suicide I clean my…
North/Gromowlandy I'm as restless as a willow in a windstorm I'm as…
Orisaka Yuta 確かじゃないけど 春かもしれない 確かじゃないけど 春かもしれない 留めておく手は ないかもしれない けど 波はた…
P A S T One, two, three, four There's no room for me with you I've…
p.tah Lock it down Overthrow all the pirates And get out of town…
pablø Here she comes Like a flame I´m to blame For the times I…
Park Bom Pull me down 끝없이 날 깊은 어둠 그 속으로 Baby lay me…
Paul the Neighbour As I saw myself riding by a street filled with…
Progress In Color February is here, its winter air still lingering through the…
R. Lee with A. Rigby Okay (Kevin O Chris) Kevin O Chris, Luck Muzik é nós…
Rammstein Auf einer Brücke ziemlich hoch Hält ein Mann die Arme auf Da…
Rammstein [waptorrent.ru] Auf einer Brücke ziemlich hoch Hält ein Mann die Arme auf …
RE-D Is there a way to make you stay An equation I…
Rebecca Parris I'm as restless as a willow in a windstorm I'm as…
RICH-MOND No contest, got the perfect view White t-shirt, I can see…
Richard Shindell The day will begin like any other Another sunrise in the…
Rites of Spring Caught in time so far away from where our hearts…
RMB The spring is my love, There is a spring rezzling in…
Rmb - Spring And though I never found it any more than what…
RMB and Friends Now that you’re by my side At the edge of night Lying…
RMB Feat. Talla 2XLC The spring is my love, There is a spring rezzling in…
RMB ft. Talla 2XLC the spring is my love, hear the spring rustling in the…
Roman Fischer The spring is cold And everywhere I can hear You breathin…
Root Mean Square You appeared and it felt just like spring Winter got away…
Ryan and alex I know that the time is never enough for us Three…
S.L.O.T. In the wandering and waiting, You say, Come, follow Me Into…
Saint Etienne Dry your eyes boy, there's no need to be sad Forget…
Sam Burchfield I must be a brave man to stand by your…
Sammy & Lesen I'm as restless as a willow in a windstorm I'm as…
Saturday Looks Good To Me Twelve bells call to wake us up Three more send us…
Schattenmann Der Anfang vom Ende Soll es das gewesen sein Ist es das,…
Seven24 & R.I.B. Okay (Kevin O Chris) Kevin O Chris, Luck Muzik é nós…
Shindell Richard The day will begin like any other Another sunrise in the…
Shock-M I wanna be fast, I wanna be slow, I want somewhere to…
Silly Wenn du großt und erfahren, wo wirst du hingeh´n und was…
Smallest Creature Friends say, send that witch away Friends say, turn and wal…
sora/ garland I'm as restless as a willow in a windstorm I'm as…
Sorry! Весна, весна, весна, я хочу тебя рядом Весна, весна, весна, …
Sphere UNIVERSE 始まりの刻(とき)は今 遥か時空も越えて来るの 落ちた雪解けの雫たち それは愛の羽根に変わるから 鳴り…
Spoonfull/D-Mitch Is there a way to make you stay An equation I…
Spring niemand die me zegt wat ik doen of laten moet niemand…
Stone I can't bear this lightness of life The first sunny day Ev…
Tanya Tucker In a broken down apartment house Lay a woman in labor She…
The Choir Hey, everybody out Let's play outside Ooh, that dreaded ea…
The Heartbeat Band I've been running for so long I've been freezing in the…
The Hunters Happy first day of spring semester What're you going to do W…
The Innocence Mission Look out for Spring, The life underground, The life undergro…
The John Butler Trio So Spring is in her belly, It's sprouted in her soul, And…
The Labra Brothers You baby, you mama Heart like snow before I met you…
The Strip Can't you see i'm calling love Won't you just pick up I…
The_John_Butler_Trio So Spring is in her belly, It's sprouted in her soul, And…
Tift Merritt Oh, it is a mystery like a lover’s touch, brings…
Tiger We're the rock stars We're the spring songs We're an everla…
Tim and Ryan O'Neill I WANDERED WAY BACK IN THE MOUNTAINS I WAS SEARCHING FOR…
Timbuktu Blodsmak i munnen, lungan känns som den kollapsar Två röda …
Tirill Waxing in strength, forgetful of itself and mindful of the s…
Toil 오려나봐 봄 내겐 차갑던 이 겨울 눈이 내리면 맘이 녹아가네 겨우 비가…
Tracy Chapman There's a cloud There's a cloud A blue sky darkening That ve…
Trust The Mask Fires on your cheeks Every spring Every spring Fires on you…
TWIGGY-POP I'm as restless as a willow in a windstorm I'm as…
Two Door I had watched you taking in the spring Through dusty sun-kis…
V.A. 街角を行くバスに揺られてる 君は今どこで何をしてるの 後悔はまだ僕の中で 胸をノックし続けている あの坂道の上に咲いてい…
Watt Ben You know this,have faith in spring And in above and everythi…
whxami Times rollin can I get a grip on it sick…
Wind I'm as restless as a willow in a windstorm I'm as…
Wolke Ich steh' auf und nichts zieht mich runter Du hast es…
Woodland Choir All the way on my journey so far I was searching…
Wy-i 톡 열린 꽃들은 봄이 왔다고 알려 수많은 사람들 다시 거리를 채워 멀리 떠나가 버린…
Younha 꽃이 피고 지는 순간을 당연하게 받아들이며 또 다시 봄이 왔다 가네 계절의…
Zoe Modiga Have you chosen a colour yet I don't know I don't…
[Lo.Leaf] The winter came and it went again It's all the same…
박봄 Pull me down 끝없이 날 깊은 어둠 그 속으로 Baby lay me…
플라워 외로워 질땐 그 시간속에 멈춰 서 있네 어느새 잊혀졌던 그 기억 떠올라 내…
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