At The Drive In
At the Drive-In Lyrics
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Got to get in front of a line
Take it like a man
Take it like a man
Take it like a man
Got to get to the front of the line
Take it like a man
Take it like a man
Take it like a man
Well I know something I won't brag about
Painted and useless
Laughing immortal
Call me soul for sixty four then
Cubicle movement
Cubicle
A movement
Got to get to the head of the crowd
Got to get to the front of the line
Take it like a man
Take it like a man
Take it like a man
Got to get to the head of the crowd
Got to get to the front of the line
Take it like a man
Take it like a man
Take it like a man
Watch right we're the hordes that lenin failed
Gonna take a debt so don't tell me it's over
Who is going to make things over
Cubicle movement
Cubicle
A movement
Now trigger pull
We have a crying little people disaster
Now trigger
Yeah do it
Little bit little bit little bit yeah yeah
Now trigger
Yeah yeah yeah
At The Drive-In's song "Ludvico Drive-In" contains many elements of frustration and powerlessness in the face of social systems. The repetition of "Got to get to the head of the crowd/Got to get to the front of the line" suggests how we are conditioned to think that success requires us to put ourselves first and climb to the top, even if it means stepping over others. This is the message of the chorus, "Take it like a man," which largely means "take what you're given." There's a sense that the singers are trying to escape their own lives by climbing up to the front, but they're stuck in the same rut as everyone else, unable to break out of the endless cycle.
The second verse of the song, "Well, I know something I won't brag about," is filled with abstract imagery that is difficult to parse without context. It seems to allude to something larger, as the "immortal" laughter is followed by "Call me soul for sixty-four then." This could be a reference to the 1964 Civil Rights Act or a nod to the year 1964 being a turning point for civil rights. The "cubicle movement," which is repeated throughout the song, suggests a sense of entrapment, being confined to a certain way of living through the cubicle work culture.
The last verse, "Watch right we're the hordes that Lenin failed," brings a political message into the song, which continues to push the theme of powerlessness. The singers declare that they will "take a debt" and that "who is going to make things over" suggests that they are not the ones who hold control. The song ends with the repeated "Now trigger" and the "little bit yeah yeah," which seems to suggest that the singers are waiting for something radical to happen, either to trigger their own movements or to start a more significant revolution.
Line by Line Meaning
Got to get to the head of the crowd
I need to be at the front of the crowd
Got to get in front of a line
I need to jump ahead in line
Take it like a man
I must face obstacles without complaint
Take it like a man
I must face obstacles without complaint
Take it like a man
I must face obstacles without complaint
Well I know something I won't brag about
I have a secret that I won't boast about
Painted and useless
Artificial and unproductive
Laughing immortal
Immortal memories that evoke laughter
Call me soul for sixty four then
Nickname me as 'Soul' in the year 1964
Cubicle movement
A movement to break away from the monotony of office life
Cubicle
An enclosed workspace
A movement
A campaign or push for change
Watch right we're the hordes that lenin failed
We are a large group that will succeed where Lenin failed
Gonna take a debt so don't tell me it's over
We are ready to take a risk, so don't say it's already finished
Who is going to make things over
Who will fix or change things for the better?
Cubicle movement
A movement to break away from the monotony of office life
Cubicle
An enclosed workspace
A movement
A campaign or push for change
Now trigger pull
The moment to act has arrived
We have a crying little people disaster
There is a dire crisis affecting the weak and vulnerable
Now trigger
Take action now
Yeah do it
Yes, do it
Little bit little bit little bit yeah yeah
Slowly and steadily making progress
Now trigger
The moment to act has arrived
Yeah yeah yeah
Yes, yes, yes
Lyrics © O/B/O APRA AMCOS
Written by: ADAM AMPERAN, CEDRIC BIXLER, JIM WARD, OMAR RODRIGUEZ, RYAN SAWYER
Lyrics Licensed & Provided by LyricFind