As the fever he caught during his tour grew stronger, he decided to pursue his artistic carrier and moved to France. His reputation as one of the best drummers in France spread very quickly. This allowed him to collaborate on numerous records and toured worldwide with several African artists such as Tshala Muana, Oliver Ngoma, Kanda Bongo Man just to name a few.
But Awilo’s ambition didn't stop there. In 1992 he decided to leave “Viva La Musica” and formed his own group “La Nouvelle Génération” of which he became the leader. This new band became very popular in Europe and produced several albums.
In 1995, the career of Awilo, the singer, took off and he left “La Nouvelle Génération”. He released his first solo album “Moto Pamba” in which he was the composer, the lead singer and of course the drummer. The Techno-Soukous star was born. His success couldn’t be ignored! He finally put the drums down and decided to concentrate on his singing and started touring in East Africa and in Europe. This first CD landed him the “Best Central Africa Artist Awards” at the KORA AWARDS 1996 and 1997 (All Africa Music Awards, held in Sun City, South Africa)
Since then, it has been non-stop for Awilo. His second round in the studio validated his popularity. He released “Coupé Bibamba”, in 1998 with the collaboration of Jocelyne Bérouard. The controversial title cut “Coupé Bibamba” that denounces poverty in Africa with catchy song lines: Comment tu t'appelles? Je m'appelle... Coupé Coupé Bibamba! The title hits the number 1 spot on the African and European charts very quick and stayed for several weeks. Several titles from the same CD followed.
In July 2000, Awilo released his third CD “Kafou Kafou” this CD sent him back to the KORA 2001 where Awilo was recognized for his outstanding contribution to African music and received “Judges Special Awards” during the KORA 2001.
Awilo is the MOST WANTED Congolese artists on the African continent and Europe. He has toured in African counties such as Nigeria, Cameroon, Uganda, Tanzania, Burkina Faso, Kenya, Côte d’Ivoire, Benin, Togo, Zambia, Gabon, Mali etc...). Awilo also has toured in Europe (Switzerland, Belgium, Great Britain etc…) as well as the United States.
His talent received notoriety when Sony music requested a remix funk version of his "Coupé bibamba" with James D-Train to be included in the compilation "Tribute to the Funk" released in June 2003 and became a summer hit. The remix will also be included in “African Dance Floor” compilation. Awilo also performed at Zenith concert hall in Paris with other American artists (Jocelyn Brown, Anita Ward, Imagination…) who were part of the compilation.
Awilo has once again demonstrated his talent by producing his latest CD “Mondongo”. It is an electrifying blend of kompas, rumba, R&B and soukouss... with the collaboration of other great African artists such as Lokua Kanza, "Mondongo" is a guaranteed success!.
Bundelele
Awilo Longomba Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
bundele bundele bundele bu bu bu2
zumba zumb zumba zumb
hey hey hey hey hey heeey
azumba zumb awilo long'omba
kwachu kwachu kwachu
bundele bundele bundele bu bu bu
The lyrics to Awilo Longomba's song Bundelele seem to be more of a fun chant than a deep, philosophical message. The repetitive use of "bundele" and "zumba" creates a catchy, upbeat rhythm that encourages dancing and having a good time. The addition of "heheheheehahaaaaaaa" adds to the playful nature of the song and the "kwachu kwachu kwachu" may be referencing the sound of dancing feet.
While the lyrics themselves may not hold a deeper meaning, the song as a whole represents an important aspect of African music and culture. The use of percussion instruments, such as drums and shakers, creates a lively and rhythmic sound that is typical of many African musical styles. The song also incorporates call-and-response vocals and chanting, which is a common element in African folk music and is used to create a sense of community and togetherness.
Overall, the lyrics to Bundelele may not be the most profound, but the song itself is an important representation of African musical traditions and is meant to be enjoyed and celebrated by all.
Line by Line Meaning
heheheheehahaaaaaaa
The song begins with a laugh, indicating a joyful and upbeat mood.
bundele bundele bundele bu bu bu
This is a repeated line in the chorus, which is a call to dance with energetic and lively movements.
zumba zumb zumba zumb
This line encourages people to join in a dance with a Latin American rhythm.
hey hey hey hey hey heeey
This is another exclamation that suggests the excitement and enthusiasm of the singer and his audience.
azumba zumb awilo long'omba
The singer's name is included in this line, indicating that he is leading the dance with his music.
kwachu kwachu kwachu
This line is likely an onomatopoeic representation of a sound or drumbeat, contributing to the overall rhythm and energy of the song.
bundele bundele bundele bu bu bu
Again, this is a call to dance with passion and liveliness.
Contributed by Elizabeth D. Suggest a correction in the comments below.
@andienzamaciwenzama2004
The Kabs family brought me here💃💃💃🔥 ... this is fire
Just saw our flag too🇿🇦 SA
@lesheawhite1870
Me too
@Wridachannel
me toooo hahahah
@himikouchiha5423
Same here.
@rachelkash6648
Y'all know Congolese music is on point right?
@thelmakapswara8130
Im watching this at work its making wanna just go ontop of my desk and shake that bootaayy its soo far omg its giving me socca vibes
@victoriaotabor1992
@@thelmakapswara8130 hot
@frankyamauten5478
💯👌for real
@sisis6395
how does this not have atleast a million views
@kipikol760
I was wondering