Born as Riley B. King, he began broadcasting his music live on a Memphis radio station called WDIA. At first, he used the name The Peptikon Boy on air, which later was changed to The Beale Street Blues Boy, and then further shortened to just Blues Boy or B.B.
King's first hit on the R&B charts was "Three o'Clock in the Morning" in 1951. He first found success outside the blues market with the 1968 remake of the Roy Hawkins tune, "The Thrill Is Gone", which became a hit on both pop and R&B charts, a rare feat. King's mainstream success continued throughout the 1970s with songs like "To Know You Is to Love You" and "I Like to Live the Love". From 1951 to 1985, King appeared on Billboard's R&B charts seventy-four times.
King continued to record until his 80's, compilations of classic songs with other top artists, and new collaborative material with artists like Eric Clapton.
Further facts:
Early life
King was born in a cabin on a cotton plantation outside of Berclair, Mississippi, to Albert King and Nora Ella Farr on September 16, 1925. In 1930, his father left the family, and his mother married another man. King was raised by his maternal grandmother Elnora Farr in Kilmichael, Mississippi.[8]
As a kid, King sang in the gospel choir at Elkhorn Baptist Church in Kilmichael. It seems that at the age of 12, he purchased his first guitar for $15.00,[8] although another source indicates he was given his first guitar by Bukka White, his mother's first cousin (King's grandmother and White's mother were sisters).[9] In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John's Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.
In 1946, King followed Bukka White to Memphis, Tennessee. White took him in for the next ten months. However, King shortly returned to Mississippi, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948. He performed on Sonny Boy Williamson's radio program on KWEM in West Memphis, where he began to develop an audience. King's appearances led to steady engagements at the Sixteenth Avenue Grill in West Memphis and later to a ten-minute spot on the Memphis radio station WDIA. King's Spot became so popular, it was expanded and became the Sepia Swing Club.
Initially he worked at WDIA as a singer and disc jockey, gaining the nickname Beale Street Blues Boy, which was later shortened to Blues Boy and finally to B.B. It was there that he first met T-Bone Walker. "Once I'd heard him for the first time, I knew I'd have to have [an electric guitar] myself. 'Had' to have one, short of stealing!", he said.
Career
1949–2005
In 1949, King began recording songs under contract with Los Angeles-based RPM Records. Many of King's early recordings were produced by Sam Phillips, who later founded Sun Records. Before his RPM contract, King had debuted on Bullet Records by issuing the single "Miss Martha King" (1949), which did not chart well. "My very first recordings [in 1949] were for a company out of Nashville called Bullet, the Bullet Record Transcription company," King recalls. "I had horns that very first session. I had Phineas Newborn on piano; his father played drums, and his brother, Calvin, played guitar with me. I had Tuff Green on bass, Ben Branch on tenor sax, his brother, Thomas Branch, on trumpet, and a lady trombone player. The Newborn family were the house band at the famous Plantation Inn in West Memphis.
Performing with his famous guitar, Lucille
King assembled his own band; the B.B. King Review, under the leadership of Millard Lee. The band initially consisted of Calvin Owens and Kenneth Sands (trumpet), Lawrence Burdin (alto saxophone), George Coleman (tenor saxophone),[17] Floyd Newman (baritone saxophone), Millard Lee (piano), George Joyner (bass) and Earl Forest and Ted Curry (drums). Onzie Horne was a trained musician elicited as an arranger to assist King with his compositions. By his own admission, he cannot play chords well[18] and always relies on improvisation. This was followed by tours across the USA with performances in major theaters in cities such as Washington, D.C., Chicago, Los Angeles, Detroit and St. Louis, as well as numerous gigs in small clubs and juke joints of the southern US states.
In the winter of 1949, King played at a dance hall in Twist, Arkansas. In order to heat the hall, a barrel half-filled with kerosene was lit, a fairly common practice at the time. During a performance, two men began to fight, knocking over the burning barrel and sending burning fuel across the floor. The hall burst into flames, which triggered an evacuation. Once outside, King realized that he had left his guitar inside the burning building. He entered the blaze to retrieve his beloved instrument, a Gibson hollow electric. The next day, King learned that the two men were fighting over a woman named Lucille. King named that first guitar Lucille, as well as every one he owned since that experience, as a reminder never again to do something as stupid as run into a burning building for a replaceable guitar.
King meanwhile toured the entire "Chitlin' circuit" and 1956 became a record-breaking year, with 342 concerts booked. The same year he founded his own record label, Blues Boys Kingdom, with headquarters at Beale Street in Memphis. There, among other projects, he produced artists such as Millard Lee and Levi Seabury.
In the 1950s, B.B. King became one of the most important names in R&B music, amassing an impressive list of hits including "3 O'Clock Blues",[14] "You Know I Love You," "Woke Up This Morning," "Please Love Me," "When My Heart Beats like a Hammer," "Whole Lotta Love," "You Upset Me Baby," "Every Day I Have the Blues", "Sneakin' Around," "Ten Long Years," "Bad Luck," "Sweet Little Angel", "On My Word of Honor," and "Please Accept My Love." King was extremely busy during this period and made 342 appearances and 3 recording sessions in 1956 alone. In 1962, King signed to ABC-Paramount Records, which was later absorbed into MCA Records, and this hence into his current label, Geffen Records. In November 1964, King recorded the Live at the Regal album at the Regal Theater in Chicago, Illinois.
King won a 1970 Grammy Award for the song "The Thrill Is Gone"; his version became a hit on both the pop and R&B charts, which was rare during that time for an R&B artist. It also gained the number 183 spot in Rolling Stone magazine's 500 Greatest Songs of All Time. He gained further visibility among rock audiences as an opening act on The Rolling Stones' 1969 American Tour. King's mainstream success continued throughout the 1970s with songs like "To Know You is to Love You" and "I Like to Live the Love".
King was inducted into the Blues Hall of Fame in 1980, and into the Rock and Roll Hall of Fame in 1987. In 2004 he was awarded the international Polar Music Prize, given to artists "in recognition of exceptional achievements in the creation and advancement of music."
B.B. King in concert in France 1989
From the 1980s onward he has continued to maintain a highly visible and active career, appearing on numerous television shows and performing 300 nights a year. In 1988, King reached a new generation of fans with the single "When Love Comes to Town", a collaborative effort between King and the Irish band U2 on their Rattle and Hum album. Also that year King played for the 1988 Republican National Convention at the behest of the notorious Republican operative Lee Atwater. King has remained friendly with the Bush Family ever since and in 1990 was awarded the Presidential Medal of the Arts by George H.W. Bush and the Medal of Freedom by George W. Bush in 2008. In 2000, King teamed up with guitarist Eric Clapton to record Riding With the King. In 1998, King appeared in The Blues Brothers 2000, playing the part of the lead singer of the Louisiana Gator Boys, along with Clapton, Dr. John, Koko Taylor and Bo Diddley.
2006–present: farewell tour and later activities[edit]
On 2006, King went on a "farewell" world tour, although he has been active ever since it ended. partly supported by Northern Irish guitarist Gary Moore, with whom King had previously toured and recorded, including the song "Since I Met You Baby". It started in the UK, and continued with performances in the Montreux Jazz Festival and in Zürich at the Blues at Sunset. During his show in Montreux at the Stravinski Hall he jammed with Joe Sample, Randy Crawford, David Sanborn, Gladys Knight, Lella James, Andre Beeka, Earl Thomas, Stanley Clarke, John McLaughlin, Barbara Hendricks and George Duke. The European leg of the Farewell Tour ended in Luxembourg on September 19, 2006, at the D'Coque Arena (support act: Todd Sharpville). In November and December, King played six times in Brazil.
In June 2006, King was present at a memorial of his first radio broadcast at the Three Deuces Building in Greenwood, Mississippi, where an official marker of the Mississippi Blues Trail was erected. The same month, a groundbreaking was held for a new museum, dedicated to King.[21] in Indianola, Mississippi.[22] The B.B. King Museum and Delta Interpretive Center opened on September 13, 2008. In late October 2006, he recorded a concert CD and DVD entitled B.B. King: Live at his B.B. King Blues Clubs in Nashville and Memphis. The four-night production featured his regular B.B. King Blues Band and captured his show as he performs it nightly around the world. It was his first live performance recording in 14 years.
B.B. King at Roy Thomson Hall, Toronto, Ontario (May 2007)
On 2007, King played at Eric Clapton's second Crossroads Guitar Festival (Parts of this performance were subsequently aired in a PBS broadcast and released on the Crossroads II DVD.), contributed the song "Goin' Home", to Goin' Home: A Tribute to Fats Domino (with Ivan Neville's DumpstaPhunk), and "One Shoe Blues" to Sandra Boynton's children's album Blue Moo, accompanied by a pair of sock puppets in the video.
In the summer of 2008, King played at the Bonnaroo Music and Arts Festival in Manchester, Tennessee, the Chicago Blues Festival, and at the Monterey Blues Festival. On the winter, King was the closing act at the 51st Grammy Nomination Concert, and played at The Kennedy Center Honors Awards Show; his performance was in honor of actor Morgan Freeman. Also in 2008 he was inducted into the Hollywood Bowl Hall of Fame alongside Liza Minnelli and Sir James Galway, and Sirius XM Radio's Bluesville channel was renamed B.B. King's Bluesville.
European Tour 2009, Vienna, July 2009
In Summer 2009, King started a European Tour with concerts in France, Germany, Belgium, Finland and Denmark.
King performed at the Mawazine festival in Rabat, Morocco, on May 27, 2010.[23] In June 2010, King performed at 2010 Crossroads Guitar Festival with The Robert Cray Band, Jimmie Vaughan and Eric Clapton. In March 2010, King contributed to Cyndi Lauper's album Memphis Blues, which was released on June 22, 2010.
On 2011 King played at the Glastonbury Music Festival, and in The Royal Albert Hall, London, supported by Derek Trucks and Susan Tedeschi, Ronnie Wood, Mick Hucknall and Slash.
Barack Obama and B.B. King singing "Sweet Home Chicago" on February 21, 2012
On February 21, 2012, King was among the performers of "In Performance at the White House: Red, White and Blues", during which Obama sang part of "Sweet Home Chicago".[24] King recorded for the debut album of rapper and producer Big K.R.I.T., who also hails from Mississippi.[25] On July 5, 2012, King performed a concert at the Byblos Festival, Lebanon.
On May 26, 2013, King appeared at New Orleans Jazz Festival[26]
Over a period of 64 years, King has played in excess of 15,000 performances.
A feature documentary about B.B. King narrated by Morgan Freeman, and directed by Jon Brewer was released on October 15, 2012.
Equipment
For more information about King's guitar, see Lucille (guitar).
B.B. King uses simple equipment. He played guitars made by different manufacturers early in his career: he played a Fender Telecaster on most of his recordings with RPM Records (USA).[29] However, he is best known for playing variants of the Gibson ES-355. In 1980 Gibson Guitar Corporation launched the B.B. King Lucille model. In 2005 Gibson made a special run of 80 Gibson Lucilles, referred to as the "80th Birthday Lucille", the first prototype of which was given as a birthday gift to King, and which he has been using ever since.
King uses Lab Series L5 2x12" combo amp and has been using this amp for a long time. The amp was made by Norlin Industries for Gibson in the 1970s and '80s. Other popular L5 users are Allan Holdsworth and Ty Tabor of King's X. The L5 has an onboard compressor, parametric EQ, and four inputs. King has also used a Fender Twin Reverb.
He uses his signature model strings "Gibson SEG-BBS B.B. King Signature Electric Guitar Strings" with gauges: 10-13-17p-32w-45w-54w and D'Andrea 351 MD SHL CX (Medium .71mm, Tortoise Shell, Celluloid) Picks.
B.B. King's Blues Club[edit]
Sign outside B.B. King's Blues Club on Beale Street, Memphis
In 1991, B.B. King's Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal City Walk in Los Angeles. A third club in New York City's Times Square opened in June 2000. Two further clubs opened at Foxwoods Casino in Connecticut in January 2002 and another in Nashville in 2003. A club in West Palm Beach opened in the fall of 2009 and an additional one, based in the Mirage Hotel, Las Vegas, opened in the winter of 2009. In 2007, a B.B. King's Blues Club in Orlando opened on International Drive. The Memphis, Nashville, Orlando, West Palm Beach and Las Vegas clubs are all the same company.
Legacy
King is widely regarded as one of the most influential blues guitarists of all time, inspiring countless other electric blues and blues-rock guitarists.
Philanthropy
In 2001, King signed on as an official supporter of Little Kids Rock, a non-profit organization that provides free musical instruments and instruction to children in underprivileged public schools throughout the US. He sits on LKR's Honorary Board of Directors.
TV appearances
B.B. King has made guest appearances in numerous popular television shows, including The Cosby Show, The Young and the Restless, General Hospital, The Fresh Prince of Bel-Air, Sesame Street, Married... with Children, Sanford and Son, and Touched by an Angel. He has also made a cameo in the movie Spies Like Us. He voiced in the last episode of Cow and Chicken.
Personal life
King has been married twice, to Martha Lee Denton, 1946 to 1952, and to Sue Carol Hall, 1958 to 1966. Both marriages ended because of the heavy demands made on the marriage by King's 250 performances a year.It is reported that he has fathered 15 children and, as of 2004, had 50 grandchildren.He has lived with Type II diabetes for over 20 years and is a high-profile spokesman in the fight against the disease, appearing in advertisements for diabetes-management products along with American Idol season 9 contestant Crystal Bowersox.
King is an FAA licensed Private Pilot and learned to fly in 1963 at Chicago Hammond Airport in Lansing, IL (now Lansing Municipal Airport – KIGQ).He frequently flew to gigs, but under the advice of his insurance company and manager in 1995, King was asked to fly only with another licensed pilot; and as a result, King stopped flying around the age of 70.
External video
Oral History, B.B. King reflects on his greatest musical influences. interview date August 3, 2005, NAMM (National Association of Music Merchants) Oral History Library
His favorite singer is Frank Sinatra. In his autobiography King speaks about how he was, and is, a "Sinatra nut" and how he went to bed every night listening to Sinatra's classic album In the Wee Small Hours. King has credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white-dominated" venues; Sinatra got B.B. King into the main clubs in Las Vegas during the 1960s.
In The Dark
B.B. King Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Are you getting the spirit in the dark
People moving, ah, tell me we're grooving
Just getting the spirit in the dark
Tell me, sisters, how do you feel
Tell me, my brothers, my brothers
How do you feel
Get up there and let's start dancing
(Get up and let's start dancing)
Start getting in the spirit
Oh, getting in the dark
(Spirit in the dark)
Just like Sally Walker
Sitting in a saucer
That's how you do it
Just go on, get on up to it
Ride, Sally, ride
Put your hands on your hips
Cover your eyes, and move
(Come on get it)
Get in the spirit
(Move with the spirit)
Come on and move, get in the spirit
(Darling, move, move with the spirit)
Oh move, get in the spirit
Help me move
(Move)
With the spirit
(Spirit)
Are you getting the spirit
(Spirit in the dark)
I wanna know, are you getting the spirit
(Getting the spirit)
Getting it in the spirit
Are you getting the spirit
(Getting the spirit)
Keep moving
Oh hey, we're rocking and grooving
Just getting in the spirit
(Getting the spirit)
Oh in the dark
We're gonna do it one more time
It's just like Sally Walker
Sitting in that great big flying saucer
Hey, that's how you do it
Get down and get on up to it
(Come on and get it)
Ride, Sally, ride
Put your hands on your hips
Cover your eyes, and move
(Move, move on)
Move with the spirit
I'm telling you to groove
(Groove on)
Groove with the spirit
(On and on)
Go on and move
(Move)
With the spirit
(Spirit)
Come on and groove
(Move it)
Groove with the spirit
(Move on)
On and on
(Yeah)
Help me, help me, help me
Help me move, move, move, move
Move, move, move, move
Move, move, move, move
Move, move, move, move
Give it up, give it up
Give it up, give it up
Give it up, give it up
Give it up, give it up
(You got it, you got it)
(You got the spirit)
Spirit
Feel it
I feel it, baby.
You know what I mean, baby?
Yes, I do.
Oh baby. You gotta feel the motivation.
I feel it, honey, I feel it.
Feel the spirit
In the dark
Get ready
The song "In The Dark" by B.B. King is a song about getting into the groove, and allowing oneself to move and feel the rhythm in the midst of darkness. The lyrics describe people getting "the spirit", which is a metaphor for the feeling of being completely immersed in music and letting it take over. The chorus asks the listener if they are "getting the spirit in the dark", meaning if they are finding themselves lost in the music, and the verses encourage the listeners to let go of their inhibitions and dance. As the song progresses, it becomes clear that the darkness being described is a metaphor for the unknown and the uncertain, and the "spirit" is a way of finding comfort and joy amidst the chaos.
Line by Line Meaning
Are you getting the spirit in the dark
Are you feeling the soulful energy even in the darkness?
Are you getting the spirit in the dark
Are you feeling the soulful energy even in the darkness?
People moving, ah, tell me we're grooving
I see people moving, hoping they are grooving with me
Just getting the spirit in the dark
Just feeling the soulful energy even in the darkness
Tell me, sisters, how do you feel
Ladies, let me know how you experiencing this vibe
Tell me, my brothers, my brothers
Gentlemen, tell me too
(Do you feel like dancing)
(Are you ready to dance)
Get up there and let's start dancing
Get up let's dance together
(Get up and let's start dancing)
(It's time to rise and dance)
Start getting in the spirit
Start feeling the soulful energy
Oh, getting in the dark
Even in the darkness
(Spirit in the dark)
(The soulful energy is here)
Just like Sally Walker
Just like the character Sally Walker
Sitting in a saucer
Sitting in a flying saucer
That's how you do it
That's how one should enjoy the moment
Just go on, get on up to it
Just move your body and feel the vibe
Ride, Sally, ride
Follow Sally's lead
Put your hands on your hips
Put your hands on your waist
Cover your eyes, and move
Cover your eyes and make your body move
(Come on get it)
(Let's do it)
Get in the spirit
Get absorbed in the soulful energy
(Move with the spirit)
(Dance with the soulful energy)
Come on and move, get in the spirit
Come on, let's dance together and feel the soulful energy
(Darling, move, move with the spirit)
(Baby, let's dance and absorb the soulful energy)
Oh move, get in the spirit
Oh, dance and feel the soulful energy
Help me move
Join me and let's dance together
(Move)
(Dance)
With the spirit
With the soulful energy
(Spirit)
(Soulful energy)
Are you getting the spirit
Are you feeling the soulful energy
(Spirit in the dark)
(The soulful energy is here)
I wanna know, are you getting the spirit
I want to know if you are feeling the soulful energy
(Getting the spirit)
(Feeling the soulful energy)
Getting it in the spirit
Feeling the soulful energy in the moment
Keep moving
Don't stop dancing
Oh hey, we're rocking and grooving
We are dancing and having fun
Just getting in the spirit
Just feeling the soulful energy
(Getting the spirit)
(Feeling the soulful energy)
Oh in the dark
Even in the darkness
We're gonna do it one more time
We're going to dance again
It's just like Sally Walker
It's going to be just like the previous experience of Sally Walker
Sitting in that great big flying saucer
Sitting in that big flying saucer just like Sally Walker did
Hey, that's how you do it
That is how it should be done
Get down and get on up to it
Bend down and get up again to catch the rhythm
(Come on and get it)
(Come on, let's do it)
Ride, Sally, ride
Follow Sally's lead
Put your hands on your hips
Put your hands on your waist
Cover your eyes, and move
Close your eyes and move your body
(Move, move on)
(Move, dance on)
Move with the spirit
Dance with the soulful energy
I'm telling you to groove
I'm asking you to catch the rhythm and dance
(Groove on)
(Dance on)
Groove with the spirit
Dance with the soulful energy
(On and on)
(Keep dancing)
Go on and move
Go on and dance
(Move)
(Dance)
With the spirit
With the soulful energy
(Spirit)
(Soulful energy)
Come on and groove
Come on and dance
(Move it)
(Keep moving)
On and on
The rhythm is continuously playing
(Yeah)
(Agreement or affirmation)
Help me, help me, help me
Join me, join me, join me
Help me move, move, move, move
Join me and continue dancing
Move, move, move, move
Dance, dance, dance, dance
Move, move, move, move
Dance, dance, dance, dance
Move, move, move, move
Dance, dance, dance, dance
Give it up, give it up
Lose yourself in the rhythm
Give it up, give it up
Lose yourself in the rhythm
Give it up, give it up
Lose yourself in the rhythm
Give it up, give it up
Lose yourself in the rhythm
(You got it, you got it)
(You have caught the rhythm)
(You got the spirit)
(You are feeling the soulful energy)
Spirit
Soulful energy
Feel it
Experiencing it
I feel it, baby.
I am experiencing it too
You know what I mean, baby?
Do you also understand what I'm experiencing?
Yes, I do.
Yes, I understand
Oh baby. You gotta feel the motivation.
You need to experience the inspiration
I feel it, honey, I feel it.
I am experiencing it, my love
Feel the spirit
Experience the soulful energy
In the dark
Even in the darkness
Get ready
Prepare yourself to catch the rhythm
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: GERTRUDE NEISEN, SAM COSLOW
Lyrics Licensed & Provided by LyricFind
Anonymous
on Always On My Mind
Here's BB King's Version - Lyrics
Maybe I didn't love you
Quite as often as I should have
Maybe I didn't treat you
Quite as good as I could have
If I made you feel second best
Girl I'm sorry I was blind
You were always on my mind
You were always on my mind
Maybe I didn't hold you
All those lonely, lonely times
I guess I never told you
That I am so happy that you're mine
Little things I should have said and done
I just never took the time
You were always on my mind
ou were always on my mind
If I made you feel second best
Girl I'm sorry I was blind
Tell me, tell me that your sweet love hasn't died
Give me, give me one more chance
To satisfied
I'll keep you satisfied
Musical Interlude
Tell me, tell me that your sweet love hasn't died
Give me, give me one more chance
To satisfied
I'll keep you satisfied