Born as Riley B. King, he began broadcasting his music live on a Memphis radio station called WDIA. At first, he used the name The Peptikon Boy on air, which later was changed to The Beale Street Blues Boy, and then further shortened to just Blues Boy or B.B.
King's first hit on the R&B charts was "Three o'Clock in the Morning" in 1951. He first found success outside the blues market with the 1968 remake of the Roy Hawkins tune, "The Thrill Is Gone", which became a hit on both pop and R&B charts, a rare feat. King's mainstream success continued throughout the 1970s with songs like "To Know You Is to Love You" and "I Like to Live the Love". From 1951 to 1985, King appeared on Billboard's R&B charts seventy-four times.
King continued to record until his 80's, compilations of classic songs with other top artists, and new collaborative material with artists like Eric Clapton.
Further facts:
Early life
King was born in a cabin on a cotton plantation outside of Berclair, Mississippi, to Albert King and Nora Ella Farr on September 16, 1925. In 1930, his father left the family, and his mother married another man. King was raised by his maternal grandmother Elnora Farr in Kilmichael, Mississippi.[8]
As a kid, King sang in the gospel choir at Elkhorn Baptist Church in Kilmichael. It seems that at the age of 12, he purchased his first guitar for $15.00,[8] although another source indicates he was given his first guitar by Bukka White, his mother's first cousin (King's grandmother and White's mother were sisters).[9] In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John's Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.
In 1946, King followed Bukka White to Memphis, Tennessee. White took him in for the next ten months. However, King shortly returned to Mississippi, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948. He performed on Sonny Boy Williamson's radio program on KWEM in West Memphis, where he began to develop an audience. King's appearances led to steady engagements at the Sixteenth Avenue Grill in West Memphis and later to a ten-minute spot on the Memphis radio station WDIA. King's Spot became so popular, it was expanded and became the Sepia Swing Club.
Initially he worked at WDIA as a singer and disc jockey, gaining the nickname Beale Street Blues Boy, which was later shortened to Blues Boy and finally to B.B. It was there that he first met T-Bone Walker. "Once I'd heard him for the first time, I knew I'd have to have [an electric guitar] myself. 'Had' to have one, short of stealing!", he said.
Career
1949–2005
In 1949, King began recording songs under contract with Los Angeles-based RPM Records. Many of King's early recordings were produced by Sam Phillips, who later founded Sun Records. Before his RPM contract, King had debuted on Bullet Records by issuing the single "Miss Martha King" (1949), which did not chart well. "My very first recordings [in 1949] were for a company out of Nashville called Bullet, the Bullet Record Transcription company," King recalls. "I had horns that very first session. I had Phineas Newborn on piano; his father played drums, and his brother, Calvin, played guitar with me. I had Tuff Green on bass, Ben Branch on tenor sax, his brother, Thomas Branch, on trumpet, and a lady trombone player. The Newborn family were the house band at the famous Plantation Inn in West Memphis.
Performing with his famous guitar, Lucille
King assembled his own band; the B.B. King Review, under the leadership of Millard Lee. The band initially consisted of Calvin Owens and Kenneth Sands (trumpet), Lawrence Burdin (alto saxophone), George Coleman (tenor saxophone),[17] Floyd Newman (baritone saxophone), Millard Lee (piano), George Joyner (bass) and Earl Forest and Ted Curry (drums). Onzie Horne was a trained musician elicited as an arranger to assist King with his compositions. By his own admission, he cannot play chords well[18] and always relies on improvisation. This was followed by tours across the USA with performances in major theaters in cities such as Washington, D.C., Chicago, Los Angeles, Detroit and St. Louis, as well as numerous gigs in small clubs and juke joints of the southern US states.
In the winter of 1949, King played at a dance hall in Twist, Arkansas. In order to heat the hall, a barrel half-filled with kerosene was lit, a fairly common practice at the time. During a performance, two men began to fight, knocking over the burning barrel and sending burning fuel across the floor. The hall burst into flames, which triggered an evacuation. Once outside, King realized that he had left his guitar inside the burning building. He entered the blaze to retrieve his beloved instrument, a Gibson hollow electric. The next day, King learned that the two men were fighting over a woman named Lucille. King named that first guitar Lucille, as well as every one he owned since that experience, as a reminder never again to do something as stupid as run into a burning building for a replaceable guitar.
King meanwhile toured the entire "Chitlin' circuit" and 1956 became a record-breaking year, with 342 concerts booked. The same year he founded his own record label, Blues Boys Kingdom, with headquarters at Beale Street in Memphis. There, among other projects, he produced artists such as Millard Lee and Levi Seabury.
In the 1950s, B.B. King became one of the most important names in R&B music, amassing an impressive list of hits including "3 O'Clock Blues",[14] "You Know I Love You," "Woke Up This Morning," "Please Love Me," "When My Heart Beats like a Hammer," "Whole Lotta Love," "You Upset Me Baby," "Every Day I Have the Blues", "Sneakin' Around," "Ten Long Years," "Bad Luck," "Sweet Little Angel", "On My Word of Honor," and "Please Accept My Love." King was extremely busy during this period and made 342 appearances and 3 recording sessions in 1956 alone. In 1962, King signed to ABC-Paramount Records, which was later absorbed into MCA Records, and this hence into his current label, Geffen Records. In November 1964, King recorded the Live at the Regal album at the Regal Theater in Chicago, Illinois.
King won a 1970 Grammy Award for the song "The Thrill Is Gone"; his version became a hit on both the pop and R&B charts, which was rare during that time for an R&B artist. It also gained the number 183 spot in Rolling Stone magazine's 500 Greatest Songs of All Time. He gained further visibility among rock audiences as an opening act on The Rolling Stones' 1969 American Tour. King's mainstream success continued throughout the 1970s with songs like "To Know You is to Love You" and "I Like to Live the Love".
King was inducted into the Blues Hall of Fame in 1980, and into the Rock and Roll Hall of Fame in 1987. In 2004 he was awarded the international Polar Music Prize, given to artists "in recognition of exceptional achievements in the creation and advancement of music."
B.B. King in concert in France 1989
From the 1980s onward he has continued to maintain a highly visible and active career, appearing on numerous television shows and performing 300 nights a year. In 1988, King reached a new generation of fans with the single "When Love Comes to Town", a collaborative effort between King and the Irish band U2 on their Rattle and Hum album. Also that year King played for the 1988 Republican National Convention at the behest of the notorious Republican operative Lee Atwater. King has remained friendly with the Bush Family ever since and in 1990 was awarded the Presidential Medal of the Arts by George H.W. Bush and the Medal of Freedom by George W. Bush in 2008. In 2000, King teamed up with guitarist Eric Clapton to record Riding With the King. In 1998, King appeared in The Blues Brothers 2000, playing the part of the lead singer of the Louisiana Gator Boys, along with Clapton, Dr. John, Koko Taylor and Bo Diddley.
2006–present: farewell tour and later activities[edit]
On 2006, King went on a "farewell" world tour, although he has been active ever since it ended. partly supported by Northern Irish guitarist Gary Moore, with whom King had previously toured and recorded, including the song "Since I Met You Baby". It started in the UK, and continued with performances in the Montreux Jazz Festival and in Zürich at the Blues at Sunset. During his show in Montreux at the Stravinski Hall he jammed with Joe Sample, Randy Crawford, David Sanborn, Gladys Knight, Lella James, Andre Beeka, Earl Thomas, Stanley Clarke, John McLaughlin, Barbara Hendricks and George Duke. The European leg of the Farewell Tour ended in Luxembourg on September 19, 2006, at the D'Coque Arena (support act: Todd Sharpville). In November and December, King played six times in Brazil.
In June 2006, King was present at a memorial of his first radio broadcast at the Three Deuces Building in Greenwood, Mississippi, where an official marker of the Mississippi Blues Trail was erected. The same month, a groundbreaking was held for a new museum, dedicated to King.[21] in Indianola, Mississippi.[22] The B.B. King Museum and Delta Interpretive Center opened on September 13, 2008. In late October 2006, he recorded a concert CD and DVD entitled B.B. King: Live at his B.B. King Blues Clubs in Nashville and Memphis. The four-night production featured his regular B.B. King Blues Band and captured his show as he performs it nightly around the world. It was his first live performance recording in 14 years.
B.B. King at Roy Thomson Hall, Toronto, Ontario (May 2007)
On 2007, King played at Eric Clapton's second Crossroads Guitar Festival (Parts of this performance were subsequently aired in a PBS broadcast and released on the Crossroads II DVD.), contributed the song "Goin' Home", to Goin' Home: A Tribute to Fats Domino (with Ivan Neville's DumpstaPhunk), and "One Shoe Blues" to Sandra Boynton's children's album Blue Moo, accompanied by a pair of sock puppets in the video.
In the summer of 2008, King played at the Bonnaroo Music and Arts Festival in Manchester, Tennessee, the Chicago Blues Festival, and at the Monterey Blues Festival. On the winter, King was the closing act at the 51st Grammy Nomination Concert, and played at The Kennedy Center Honors Awards Show; his performance was in honor of actor Morgan Freeman. Also in 2008 he was inducted into the Hollywood Bowl Hall of Fame alongside Liza Minnelli and Sir James Galway, and Sirius XM Radio's Bluesville channel was renamed B.B. King's Bluesville.
European Tour 2009, Vienna, July 2009
In Summer 2009, King started a European Tour with concerts in France, Germany, Belgium, Finland and Denmark.
King performed at the Mawazine festival in Rabat, Morocco, on May 27, 2010.[23] In June 2010, King performed at 2010 Crossroads Guitar Festival with The Robert Cray Band, Jimmie Vaughan and Eric Clapton. In March 2010, King contributed to Cyndi Lauper's album Memphis Blues, which was released on June 22, 2010.
On 2011 King played at the Glastonbury Music Festival, and in The Royal Albert Hall, London, supported by Derek Trucks and Susan Tedeschi, Ronnie Wood, Mick Hucknall and Slash.
Barack Obama and B.B. King singing "Sweet Home Chicago" on February 21, 2012
On February 21, 2012, King was among the performers of "In Performance at the White House: Red, White and Blues", during which Obama sang part of "Sweet Home Chicago".[24] King recorded for the debut album of rapper and producer Big K.R.I.T., who also hails from Mississippi.[25] On July 5, 2012, King performed a concert at the Byblos Festival, Lebanon.
On May 26, 2013, King appeared at New Orleans Jazz Festival[26]
Over a period of 64 years, King has played in excess of 15,000 performances.
A feature documentary about B.B. King narrated by Morgan Freeman, and directed by Jon Brewer was released on October 15, 2012.
Equipment
For more information about King's guitar, see Lucille (guitar).
B.B. King uses simple equipment. He played guitars made by different manufacturers early in his career: he played a Fender Telecaster on most of his recordings with RPM Records (USA).[29] However, he is best known for playing variants of the Gibson ES-355. In 1980 Gibson Guitar Corporation launched the B.B. King Lucille model. In 2005 Gibson made a special run of 80 Gibson Lucilles, referred to as the "80th Birthday Lucille", the first prototype of which was given as a birthday gift to King, and which he has been using ever since.
King uses Lab Series L5 2x12" combo amp and has been using this amp for a long time. The amp was made by Norlin Industries for Gibson in the 1970s and '80s. Other popular L5 users are Allan Holdsworth and Ty Tabor of King's X. The L5 has an onboard compressor, parametric EQ, and four inputs. King has also used a Fender Twin Reverb.
He uses his signature model strings "Gibson SEG-BBS B.B. King Signature Electric Guitar Strings" with gauges: 10-13-17p-32w-45w-54w and D'Andrea 351 MD SHL CX (Medium .71mm, Tortoise Shell, Celluloid) Picks.
B.B. King's Blues Club[edit]
Sign outside B.B. King's Blues Club on Beale Street, Memphis
In 1991, B.B. King's Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal City Walk in Los Angeles. A third club in New York City's Times Square opened in June 2000. Two further clubs opened at Foxwoods Casino in Connecticut in January 2002 and another in Nashville in 2003. A club in West Palm Beach opened in the fall of 2009 and an additional one, based in the Mirage Hotel, Las Vegas, opened in the winter of 2009. In 2007, a B.B. King's Blues Club in Orlando opened on International Drive. The Memphis, Nashville, Orlando, West Palm Beach and Las Vegas clubs are all the same company.
Legacy
King is widely regarded as one of the most influential blues guitarists of all time, inspiring countless other electric blues and blues-rock guitarists.
Philanthropy
In 2001, King signed on as an official supporter of Little Kids Rock, a non-profit organization that provides free musical instruments and instruction to children in underprivileged public schools throughout the US. He sits on LKR's Honorary Board of Directors.
TV appearances
B.B. King has made guest appearances in numerous popular television shows, including The Cosby Show, The Young and the Restless, General Hospital, The Fresh Prince of Bel-Air, Sesame Street, Married... with Children, Sanford and Son, and Touched by an Angel. He has also made a cameo in the movie Spies Like Us. He voiced in the last episode of Cow and Chicken.
Personal life
King has been married twice, to Martha Lee Denton, 1946 to 1952, and to Sue Carol Hall, 1958 to 1966. Both marriages ended because of the heavy demands made on the marriage by King's 250 performances a year.It is reported that he has fathered 15 children and, as of 2004, had 50 grandchildren.He has lived with Type II diabetes for over 20 years and is a high-profile spokesman in the fight against the disease, appearing in advertisements for diabetes-management products along with American Idol season 9 contestant Crystal Bowersox.
King is an FAA licensed Private Pilot and learned to fly in 1963 at Chicago Hammond Airport in Lansing, IL (now Lansing Municipal Airport – KIGQ).He frequently flew to gigs, but under the advice of his insurance company and manager in 1995, King was asked to fly only with another licensed pilot; and as a result, King stopped flying around the age of 70.
External video
Oral History, B.B. King reflects on his greatest musical influences. interview date August 3, 2005, NAMM (National Association of Music Merchants) Oral History Library
His favorite singer is Frank Sinatra. In his autobiography King speaks about how he was, and is, a "Sinatra nut" and how he went to bed every night listening to Sinatra's classic album In the Wee Small Hours. King has credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white-dominated" venues; Sinatra got B.B. King into the main clubs in Las Vegas during the 1960s.
Outside Help
B.B. King Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've said all of your affection is gone baby and your love is growing cold
Hey, I've got a new story to tell you this evening, baby
One that ain't never been told
I went to work the other day
But I thought that I would double back
And that car I saw sitting in front of my door
I ain't got none now baby
I think you've been cheating on me
I believe to my soul baby, that you've given me some outside help
That I don't think I really need
The iceman came by this morning
And you know he didn't leave no ice
The postman came by later baby
And he didn't even ring twice
I think you've been cheating on me
I think you're running out on me
I believe to my soul baby, that you've given me some outside help
That I don't think I really need
Now, I want you to tell the iceman
The next time he'd better leave some ice
And I want you to tell the postman
He'd better ring more than twice
And when I come home from work in the morning
Better still be some groceries on the shelf
I want to tell that slick insurance man
That he'd better write some insurance on his self
Yes, I think you've been cheating on me
I think you're running out on me
I believe to my soul baby, that you've given me some help, some help
Some help, I don't really need
In "I Got Some Help I Don't Need," B.B. King sings about a failing relationship and the suspicion that his partner has been cheating on him. He laments the loss of her affection and the growing coldness in her love towards him. He then tells a story about coming home from work and seeing a new Cadillac parked in front of his house, leading him to believe that his partner has been spending their money on things for someone else. He also notes that the iceman and postman have been neglecting their duties and suspects it's because his partner has been entertaining other men. King then sends a message to his partner, telling her to shape up and make sure there are groceries in the house and that the insurance man should insure himself. He concludes by saying that he believes his partner has been giving him some "outside help" that he doesn't think he really needs.
King's lyrics deal with emotions that many people have experienced in relationships, such as suspicion, jealousy, and heartbreak. He paints a vivid picture of someone who is feeling neglected and used by a partner who may be cheating on them. He uses vivid imagery to show how their relationship has deteriorated, and how he feels he is being taken advantage of. The use of repetition, such as in the chorus and with the line "I think you've been cheating on me," reinforces the singer's frustration and despair.
Line by Line Meaning
All of your affection is gone baby and your love is growing cold
I'm aware that your love and affection for me is fading away
Hey, I've got a new story to tell you this evening, baby
One that ain't never been told
I have something new to share with you tonight, a story that I have never shared before
I went to work the other day
But I thought that I would double back
And that car I saw sitting in front of my door
Looked like a brand new, a brand new Cadillac, yeah!
I left for work, but decided to go back, and when I got home, I saw a new Cadillac parked in front of my house
I ain't got none now baby
I think you've been cheating on me
I believe to my soul baby, that you've given me some outside help
That I don't think I really need
I suspect that you have been unfaithful to me, and I don't need any help or assistance from you
The iceman came by this morning
And you know he didn't leave no ice
The postman came by later baby
And he didn't even ring twice
The iceman and postman visited my house, but neither of them did what they were supposed to do
Now, I want you to tell the iceman
The next time he'd better leave some ice
And I want you to tell the postman
He'd better ring more than twice
From now on, I expect the iceman to leave ice and the postman to ring the doorbell more than twice
And when I come home from work in the morning
Better still be some groceries on the shelf
I want to tell that slick insurance man
That he'd better write some insurance on his self
I expect to find some groceries at home when I return from work, and the insurance man should be careful when making deals with me
Yes, I think you've been cheating on me
I think you're running out on me
I believe to my soul baby, that you've given me some help, some help
Some help, I don't really need
I strongly suspect that you have been disloyal to me, and I don't want your help if you're going to be like this
Lyrics © Universal Music Publishing Group
Written by: B.B. KING
Lyrics Licensed & Provided by LyricFind
Alejandro Ribeiro
All of your affection is gone baby and your love is growing cold
I said, all of your affection is gone baby and your love is growing cold
Hey and I've got a new story to tell you this evening, baby
One that ain't never been told
I went to work the other day
But I thought that I'd double back
And that car I saw sitting in front of my door
Looked like a brand new, a brand new Cadillac
Yes, I ain't got none now, baby
I think you've been cheating on me
I believe to my soul baby, you've given me some outside help
That I don't think I really need
The iceman came by this morning
And you know, he didn't leave no ice
Postman came by later baby
And he didn't even ring twice
Yes, I think you've been cheating on me
I think you're running out on me
I believe to my soul baby that you've given me some outside help
That I don't think I really need
Now, I want you to tell the iceman
The next time he'd better leave some ice
And I want you to tell the postman
He'd better ring more than twice
And when I come home from work in the morning
Better still be some groceries on the shelf
And I want you to tell that slick insurance man
That he'd better write some insurance on his self
Yes, I think you've been cheating on me
I think you're running out on me
I believe to my soul baby, that you've given me some help, some help
Some help, I don't really need
Tulio de menezes Arrial
Um dos maiores artistas que tive a oportunidade de ver. Sempre acompanhado dos melhores músicos, a empatia com a platéia era indescritível. Ele fazia você sentir que o show era para você, enquanto você via sua vida passar na sua frente através do sentimento que ele colocava em sua música. Que Deus abençoe o rei do blues...R.I.P BB King
Dan Diego
I've enjoyed this tune--one of my favorite BB King songs--for so many years now. You're missed.
Ray Hudson
What a tune this is and my favourite recording of it too. Like you guys this is my all time favourite BB song and it will always change my mood for the better. RIP BB King! There'll never be another like you......
Plume D'Argent
Dig this tune a lot, always have, we're gonna miss you BB.
RIP
Dan Grove
The best guitar that I have ever heard is the beginning of this song. So pure, so soulful
Frozen Hero
One of the great things I enjoy when listening to B. B. King is how very slowly and deliberately he plays his solos. No need to shred a la Joe Bonamassa.
Mike Austin
This is from a live album that B.B. released ~ 1974. A college roommate of mine had it. If anyone knows which one it is, please post it. IIRC, it opened the record. I've searched on Amazon and couldn't find it.
This is one of the best blues guitar solos ever. Nobody could build up a blues solo like B.B. and his singing is amazing.
Neil Elsmore
Mike Austin. The recording is from the album entitled the Blues a real summit meeting. Live at Newport, NY.
Recorded in 1973.
Mike Austin
Thanks, Neil! Sorry it took so long to reply....
Golactico 1
If someone asked me; "What's The Blues?". I'd play them this.