Born as Riley B. King, he began broadcasting his music live on a Memphis radio station called WDIA. At first, he used the name The Peptikon Boy on air, which later was changed to The Beale Street Blues Boy, and then further shortened to just Blues Boy or B.B.
King's first hit on the R&B charts was "Three o'Clock in the Morning" in 1951. He first found success outside the blues market with the 1968 remake of the Roy Hawkins tune, "The Thrill Is Gone", which became a hit on both pop and R&B charts, a rare feat. King's mainstream success continued throughout the 1970s with songs like "To Know You Is to Love You" and "I Like to Live the Love". From 1951 to 1985, King appeared on Billboard's R&B charts seventy-four times.
King continued to record until his 80's, compilations of classic songs with other top artists, and new collaborative material with artists like Eric Clapton.
Further facts:
Early life
King was born in a cabin on a cotton plantation outside of Berclair, Mississippi, to Albert King and Nora Ella Farr on September 16, 1925. In 1930, his father left the family, and his mother married another man. King was raised by his maternal grandmother Elnora Farr in Kilmichael, Mississippi.[8]
As a kid, King sang in the gospel choir at Elkhorn Baptist Church in Kilmichael. It seems that at the age of 12, he purchased his first guitar for $15.00,[8] although another source indicates he was given his first guitar by Bukka White, his mother's first cousin (King's grandmother and White's mother were sisters).[9] In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John's Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.
In 1946, King followed Bukka White to Memphis, Tennessee. White took him in for the next ten months. However, King shortly returned to Mississippi, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948. He performed on Sonny Boy Williamson's radio program on KWEM in West Memphis, where he began to develop an audience. King's appearances led to steady engagements at the Sixteenth Avenue Grill in West Memphis and later to a ten-minute spot on the Memphis radio station WDIA. King's Spot became so popular, it was expanded and became the Sepia Swing Club.
Initially he worked at WDIA as a singer and disc jockey, gaining the nickname Beale Street Blues Boy, which was later shortened to Blues Boy and finally to B.B. It was there that he first met T-Bone Walker. "Once I'd heard him for the first time, I knew I'd have to have [an electric guitar] myself. 'Had' to have one, short of stealing!", he said.
Career
1949–2005
In 1949, King began recording songs under contract with Los Angeles-based RPM Records. Many of King's early recordings were produced by Sam Phillips, who later founded Sun Records. Before his RPM contract, King had debuted on Bullet Records by issuing the single "Miss Martha King" (1949), which did not chart well. "My very first recordings [in 1949] were for a company out of Nashville called Bullet, the Bullet Record Transcription company," King recalls. "I had horns that very first session. I had Phineas Newborn on piano; his father played drums, and his brother, Calvin, played guitar with me. I had Tuff Green on bass, Ben Branch on tenor sax, his brother, Thomas Branch, on trumpet, and a lady trombone player. The Newborn family were the house band at the famous Plantation Inn in West Memphis.
Performing with his famous guitar, Lucille
King assembled his own band; the B.B. King Review, under the leadership of Millard Lee. The band initially consisted of Calvin Owens and Kenneth Sands (trumpet), Lawrence Burdin (alto saxophone), George Coleman (tenor saxophone),[17] Floyd Newman (baritone saxophone), Millard Lee (piano), George Joyner (bass) and Earl Forest and Ted Curry (drums). Onzie Horne was a trained musician elicited as an arranger to assist King with his compositions. By his own admission, he cannot play chords well[18] and always relies on improvisation. This was followed by tours across the USA with performances in major theaters in cities such as Washington, D.C., Chicago, Los Angeles, Detroit and St. Louis, as well as numerous gigs in small clubs and juke joints of the southern US states.
In the winter of 1949, King played at a dance hall in Twist, Arkansas. In order to heat the hall, a barrel half-filled with kerosene was lit, a fairly common practice at the time. During a performance, two men began to fight, knocking over the burning barrel and sending burning fuel across the floor. The hall burst into flames, which triggered an evacuation. Once outside, King realized that he had left his guitar inside the burning building. He entered the blaze to retrieve his beloved instrument, a Gibson hollow electric. The next day, King learned that the two men were fighting over a woman named Lucille. King named that first guitar Lucille, as well as every one he owned since that experience, as a reminder never again to do something as stupid as run into a burning building for a replaceable guitar.
King meanwhile toured the entire "Chitlin' circuit" and 1956 became a record-breaking year, with 342 concerts booked. The same year he founded his own record label, Blues Boys Kingdom, with headquarters at Beale Street in Memphis. There, among other projects, he produced artists such as Millard Lee and Levi Seabury.
In the 1950s, B.B. King became one of the most important names in R&B music, amassing an impressive list of hits including "3 O'Clock Blues",[14] "You Know I Love You," "Woke Up This Morning," "Please Love Me," "When My Heart Beats like a Hammer," "Whole Lotta Love," "You Upset Me Baby," "Every Day I Have the Blues", "Sneakin' Around," "Ten Long Years," "Bad Luck," "Sweet Little Angel", "On My Word of Honor," and "Please Accept My Love." King was extremely busy during this period and made 342 appearances and 3 recording sessions in 1956 alone. In 1962, King signed to ABC-Paramount Records, which was later absorbed into MCA Records, and this hence into his current label, Geffen Records. In November 1964, King recorded the Live at the Regal album at the Regal Theater in Chicago, Illinois.
King won a 1970 Grammy Award for the song "The Thrill Is Gone"; his version became a hit on both the pop and R&B charts, which was rare during that time for an R&B artist. It also gained the number 183 spot in Rolling Stone magazine's 500 Greatest Songs of All Time. He gained further visibility among rock audiences as an opening act on The Rolling Stones' 1969 American Tour. King's mainstream success continued throughout the 1970s with songs like "To Know You is to Love You" and "I Like to Live the Love".
King was inducted into the Blues Hall of Fame in 1980, and into the Rock and Roll Hall of Fame in 1987. In 2004 he was awarded the international Polar Music Prize, given to artists "in recognition of exceptional achievements in the creation and advancement of music."
B.B. King in concert in France 1989
From the 1980s onward he has continued to maintain a highly visible and active career, appearing on numerous television shows and performing 300 nights a year. In 1988, King reached a new generation of fans with the single "When Love Comes to Town", a collaborative effort between King and the Irish band U2 on their Rattle and Hum album. Also that year King played for the 1988 Republican National Convention at the behest of the notorious Republican operative Lee Atwater. King has remained friendly with the Bush Family ever since and in 1990 was awarded the Presidential Medal of the Arts by George H.W. Bush and the Medal of Freedom by George W. Bush in 2008. In 2000, King teamed up with guitarist Eric Clapton to record Riding With the King. In 1998, King appeared in The Blues Brothers 2000, playing the part of the lead singer of the Louisiana Gator Boys, along with Clapton, Dr. John, Koko Taylor and Bo Diddley.
2006–present: farewell tour and later activities[edit]
On 2006, King went on a "farewell" world tour, although he has been active ever since it ended. partly supported by Northern Irish guitarist Gary Moore, with whom King had previously toured and recorded, including the song "Since I Met You Baby". It started in the UK, and continued with performances in the Montreux Jazz Festival and in Zürich at the Blues at Sunset. During his show in Montreux at the Stravinski Hall he jammed with Joe Sample, Randy Crawford, David Sanborn, Gladys Knight, Lella James, Andre Beeka, Earl Thomas, Stanley Clarke, John McLaughlin, Barbara Hendricks and George Duke. The European leg of the Farewell Tour ended in Luxembourg on September 19, 2006, at the D'Coque Arena (support act: Todd Sharpville). In November and December, King played six times in Brazil.
In June 2006, King was present at a memorial of his first radio broadcast at the Three Deuces Building in Greenwood, Mississippi, where an official marker of the Mississippi Blues Trail was erected. The same month, a groundbreaking was held for a new museum, dedicated to King.[21] in Indianola, Mississippi.[22] The B.B. King Museum and Delta Interpretive Center opened on September 13, 2008. In late October 2006, he recorded a concert CD and DVD entitled B.B. King: Live at his B.B. King Blues Clubs in Nashville and Memphis. The four-night production featured his regular B.B. King Blues Band and captured his show as he performs it nightly around the world. It was his first live performance recording in 14 years.
B.B. King at Roy Thomson Hall, Toronto, Ontario (May 2007)
On 2007, King played at Eric Clapton's second Crossroads Guitar Festival (Parts of this performance were subsequently aired in a PBS broadcast and released on the Crossroads II DVD.), contributed the song "Goin' Home", to Goin' Home: A Tribute to Fats Domino (with Ivan Neville's DumpstaPhunk), and "One Shoe Blues" to Sandra Boynton's children's album Blue Moo, accompanied by a pair of sock puppets in the video.
In the summer of 2008, King played at the Bonnaroo Music and Arts Festival in Manchester, Tennessee, the Chicago Blues Festival, and at the Monterey Blues Festival. On the winter, King was the closing act at the 51st Grammy Nomination Concert, and played at The Kennedy Center Honors Awards Show; his performance was in honor of actor Morgan Freeman. Also in 2008 he was inducted into the Hollywood Bowl Hall of Fame alongside Liza Minnelli and Sir James Galway, and Sirius XM Radio's Bluesville channel was renamed B.B. King's Bluesville.
European Tour 2009, Vienna, July 2009
In Summer 2009, King started a European Tour with concerts in France, Germany, Belgium, Finland and Denmark.
King performed at the Mawazine festival in Rabat, Morocco, on May 27, 2010.[23] In June 2010, King performed at 2010 Crossroads Guitar Festival with The Robert Cray Band, Jimmie Vaughan and Eric Clapton. In March 2010, King contributed to Cyndi Lauper's album Memphis Blues, which was released on June 22, 2010.
On 2011 King played at the Glastonbury Music Festival, and in The Royal Albert Hall, London, supported by Derek Trucks and Susan Tedeschi, Ronnie Wood, Mick Hucknall and Slash.
Barack Obama and B.B. King singing "Sweet Home Chicago" on February 21, 2012
On February 21, 2012, King was among the performers of "In Performance at the White House: Red, White and Blues", during which Obama sang part of "Sweet Home Chicago".[24] King recorded for the debut album of rapper and producer Big K.R.I.T., who also hails from Mississippi.[25] On July 5, 2012, King performed a concert at the Byblos Festival, Lebanon.
On May 26, 2013, King appeared at New Orleans Jazz Festival[26]
Over a period of 64 years, King has played in excess of 15,000 performances.
A feature documentary about B.B. King narrated by Morgan Freeman, and directed by Jon Brewer was released on October 15, 2012.
Equipment
For more information about King's guitar, see Lucille (guitar).
B.B. King uses simple equipment. He played guitars made by different manufacturers early in his career: he played a Fender Telecaster on most of his recordings with RPM Records (USA).[29] However, he is best known for playing variants of the Gibson ES-355. In 1980 Gibson Guitar Corporation launched the B.B. King Lucille model. In 2005 Gibson made a special run of 80 Gibson Lucilles, referred to as the "80th Birthday Lucille", the first prototype of which was given as a birthday gift to King, and which he has been using ever since.
King uses Lab Series L5 2x12" combo amp and has been using this amp for a long time. The amp was made by Norlin Industries for Gibson in the 1970s and '80s. Other popular L5 users are Allan Holdsworth and Ty Tabor of King's X. The L5 has an onboard compressor, parametric EQ, and four inputs. King has also used a Fender Twin Reverb.
He uses his signature model strings "Gibson SEG-BBS B.B. King Signature Electric Guitar Strings" with gauges: 10-13-17p-32w-45w-54w and D'Andrea 351 MD SHL CX (Medium .71mm, Tortoise Shell, Celluloid) Picks.
B.B. King's Blues Club[edit]
Sign outside B.B. King's Blues Club on Beale Street, Memphis
In 1991, B.B. King's Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal City Walk in Los Angeles. A third club in New York City's Times Square opened in June 2000. Two further clubs opened at Foxwoods Casino in Connecticut in January 2002 and another in Nashville in 2003. A club in West Palm Beach opened in the fall of 2009 and an additional one, based in the Mirage Hotel, Las Vegas, opened in the winter of 2009. In 2007, a B.B. King's Blues Club in Orlando opened on International Drive. The Memphis, Nashville, Orlando, West Palm Beach and Las Vegas clubs are all the same company.
Legacy
King is widely regarded as one of the most influential blues guitarists of all time, inspiring countless other electric blues and blues-rock guitarists.
Philanthropy
In 2001, King signed on as an official supporter of Little Kids Rock, a non-profit organization that provides free musical instruments and instruction to children in underprivileged public schools throughout the US. He sits on LKR's Honorary Board of Directors.
TV appearances
B.B. King has made guest appearances in numerous popular television shows, including The Cosby Show, The Young and the Restless, General Hospital, The Fresh Prince of Bel-Air, Sesame Street, Married... with Children, Sanford and Son, and Touched by an Angel. He has also made a cameo in the movie Spies Like Us. He voiced in the last episode of Cow and Chicken.
Personal life
King has been married twice, to Martha Lee Denton, 1946 to 1952, and to Sue Carol Hall, 1958 to 1966. Both marriages ended because of the heavy demands made on the marriage by King's 250 performances a year.It is reported that he has fathered 15 children and, as of 2004, had 50 grandchildren.He has lived with Type II diabetes for over 20 years and is a high-profile spokesman in the fight against the disease, appearing in advertisements for diabetes-management products along with American Idol season 9 contestant Crystal Bowersox.
King is an FAA licensed Private Pilot and learned to fly in 1963 at Chicago Hammond Airport in Lansing, IL (now Lansing Municipal Airport – KIGQ).He frequently flew to gigs, but under the advice of his insurance company and manager in 1995, King was asked to fly only with another licensed pilot; and as a result, King stopped flying around the age of 70.
External video
Oral History, B.B. King reflects on his greatest musical influences. interview date August 3, 2005, NAMM (National Association of Music Merchants) Oral History Library
His favorite singer is Frank Sinatra. In his autobiography King speaks about how he was, and is, a "Sinatra nut" and how he went to bed every night listening to Sinatra's classic album In the Wee Small Hours. King has credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white-dominated" venues; Sinatra got B.B. King into the main clubs in Las Vegas during the 1960s.
Why I Sing The Blues
B.B. King Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Why I sing the blues
Yes, I say everybody wanna know
Why I sing the blues
Well, I've been around a long time
I really have paid my dues
When I first got the blues
Men were standing over me
And a lot more with the whip
And everybody wanna know
Why I sing the blues
Well, I've been around a long time
Mm, I've really paid my dues
I've laid in a ghetto flat
Cold and numb
I heard the rats tell the bedbugs
To give the roaches some
Everybody wanna know
Why I'm singing the blues
Yes, I've been around a long time
People, I've paid my dues
I stood in line
Down at the County Hall
I heard a man say, "We're gonna build
Some new apartments for y'all"
And everybody wanna know
Yes, they wanna know
Why I'm singing the blues
Yes, I've been around a long, long time
Yes, I've really, really paid my dues
Now I'm gonna play Lucille
My kid's gonna grow up
Gonna grow up to be a fool
'Cause they ain't got no more room
No more room for him in school
And everybody wanna know
Everybody wanna know
Why I'm singing the blues
I say I've been around a long time
Yes, I've really paid some dues
Yeah, you know the company told me
Guess you're born to lose
Everybody around me, people
It seems like everybody got the blues
But I had 'em a long time
I've really, really paid my dues
You know I ain't ashamed of it, people
I just love to sing my blues
I walk through the cities, people
On my bare feet
I had a fill of catfish and chitterlings
Up and down Beal Street
You know I'm singing the blues
Yes, I really
I just have to sing my blues
I've been around a long time
People, I've really, really paid my dues
Now Father time is catching up with me
Gone is my youth
I look in the mirror everyday
And let it tell me the truth
I'm singing the blues
Mm, I just have to sing the blues
I've been around a long time
Yes, yes, I've really paid some dues
Yeah, they told me everything
Would be better out in the country
Everything was fine
I caught me a bus uptown, baby
And every people, all the people
Got the same trouble as mine
I got the blues, huh huh
I say I've been around a long time
I've really paid some dues
One more time, fellows!
Blind man on the corner
Begging for a dime
The rollers come and caught him
And throw him in the jail for a crime
I got the blues
Mm, I'm singing my blues
I've been around a long time
Mm, I've really paid some dues
Can we do just one more?
Oh I thought I'd go down to the welfare
To get myself some grits and stuff
But a lady stand up and she said
"You haven't been around long enough"
That's why I got the blues
Mm, the blues
I say, I've been around a long time
I've really, really paid my dues
Fellows, tell them one more time
That's all right, fellows (yeah!)
The song "Why I Sing the Blues" by B.B. King is a reflection on the trials and tribulations he has faced throughout his life, beginning with his arrival in America as a slave. He describes how he was brought over on a ship and beaten by men with whips. Despite his hardships, King persevered and continued to make music. He sings about living in a ghetto, where he overheard rats and bedbugs talking to roaches. He also mentions standing in line at County Hall, where he was promised new apartments that were never built. King's children, facing a lack of space in schools, are a source of frustration for him as he reflects on his life.
Throughout "Why I Sing the Blues," King emphasizes the fact that he has been paying his dues for a very long time. The chorus returns multiple times throughout the song, highlighting the fact that people are always asking him why he sings the blues. From the perspective of the listener, it becomes clear that his life experiences inspire him to reflect on his struggles in his music.
Overall, King's song is a powerful reflection on the hardships he has faced throughout a life marked by racial discrimination, poverty, and inequality. Through his music and his words, King is able to communicate the depth of his struggles and the power of his resilience.
Line by Line Meaning
Everybody wants to know
People are curious
Why I sing the blues
Why I express my sadness through music
Yes, I say everybody wanna know
I restate people's curiosity
Well, I've been around a long time
I have lived a lot
I really have paid my dues
I have gone through a lot of struggles
When I first got the blues
When I first got sad
They brought me over on a ship
They brought me over from Africa as a slave
Men were standing over me
Slave owners were oppressing me
And a lot more with the whip
Slave owners punished me harshly
I've laid in a ghetto flat
I have lived in poor conditions
Cold and numb
Cold and without feeling
I heard the rats tell the bedbugs
I lived with a lot of vermin
To give the roaches some
Roaches were also present
I stood in line
I waited in line
Down at the County Hall
At the government building
I heard a man say, "We're gonna build
I overhead a government official talking about their plans to help the people
Some new apartments for y'all"
By building new places for people to live
Now I'm gonna play Lucille
Now I'm going to play my guitar
My kid's gonna grow up
My children will grow up
Gonna grow up to be a fool
They are not going to have many opportunities
'Cause they ain't got no more room
They don't have space to learn
No more room for him in school
There isn't any more space for children to learn
Now Father time is catching up with me
Now I am getting old
Gone is my youth
My youth has faded away
I look in the mirror everyday
I assess myself daily
And let it tell me the truth
I am honest with myself
Yeah, they told me everything
People convinced me
Would be better out in the country
Moving to the countryside would bring me a better life
The same trouble as mine
The same problems and sadness that I face
Blind man on the corner
A blind beggar on the street corner
Begging for a dime
Asking for money
The rollers come and caught him
Police arrest him
To get myself some grits and stuff
To receive government food assistance
You haven't been around long enough"
You don't have enough experience
That's all right, fellows (yeah!)
It is alright
Lyrics © Universal Music Publishing Group
Written by: B.B. King, Dave Clark
Lyrics Licensed & Provided by LyricFind
Chama Lama
Everybody wants to know
Why I sing the blues
Yes, I say everybody wanna know
Why I sing the blues
Well, I've been around a long time
I really have paid my dues
When I first got the blues
They brought me over on a ship
Men were standing over me
And a lot more with a whip
And everybody wanna know
Why I sing the blues
Well, I've been around a long time
Mm, I've really paid my dues
I've laid in a ghetto flat
Cold and numb
I heard the rats tell the bedbugs
To give the roaches some
Everybody wanna know
Why I'm singing the blues
Yes, I've been around a long time
People, I've paid my dues
I stood in line
Down at the County Hall
I heard a man say, "We're gonna build
Some new apartments for y'all"
And everybody wanna know
Yes, they wanna know
Why I'm singing the blues
Yes, I've been around a long, long time
Yes, I've really, really paid my dues
Now I'm gonna play Lucille
My kid's gonna grow up
Gonna grow up to be a fool
'Cause they ain't got no more room
No more room for him in school
And everybody wanna know
Everybody wanna know
Why I'm singing the blues
I say I've been around a long time
Yes, I've really paid some dues
Yeah, you know the company told me
Guess you're born to lose
Everybody around me, people
It seems like everybody got the blues
But I had 'em a long time
I've really, really paid my dues
You know I ain't ashamed of it, people
I just love to sing my blues
I walk through the cities, people
On my bare feet
I had a fill of catfish and chitterlings
Up and down Beal Street
You know I'm singing the blues
Yes, I really
I just have to sing my blues
I've been around a long time
People, I've really, really paid my dues
Now Father Time is catching up with me
Gone is my youth
I look in the mirror everyday
And let it tell me the truth
I'm singing the blues
Mm, I just have to sing the blues
I've been around a long time
Yes, yes, I've really paid some dues
Yeah, they told me everything
Would be better out in the country
Everything was fine
I caught me a bus uptown, baby
And every people, all the people
Got the same trouble as mine
I got the blues, huh huh
I say I've been around a long time
I've really paid some dues
One more time, fellows!
Blind man on the corner
Begging for a dime
The rollers come and caught him
And throw him in the jail for a crime
I got the blues
Mm, I'm singing my blues
I've been around a long time
Mm, I've really paid some dues
Can we do just one more?
Oh I thought I'd go down to the welfare
To get myself some grits and stuff
But a lady stand up and she said
"You haven't been around long enough"
That's why I got the blues
Mm, the blues
I say, I've been around a long time
I've really, really paid my dues
Fellows, tell them one more time
Ha, ha, ha That's all right, fellows
Yeah!
Enrique Aldanondo
Todos quieren saber
¿Por qué canto el blues?
Sí, digo que todos quieren saber
¿Por qué canto el blues?
Bueno, he estado por mucho tiempo
Realmente he pagado mis deudas.
Cuando tuve el blues por primera vez
Me trajeron en un barco
Los hombres estaban parados sobre mi
Y mucho más con un látigo
Y todos quieren saber
¿Por qué canto el blues?
Bueno, he estado por mucho tiempo
Mm, realmente he pagado mis deudas.
Me he acostado en un gueto
Frío y adormecido
Escuché a las ratas decirle a las chinches
Para darles a las cucarachas
Todos quieren saber
¿Por qué estoy cantando el blues?
Sí, he estado por mucho tiempo
Gente, he pagado mis deudas.
Me paré en línea
Abajo en el pasillo del condado
Escuché a un hombre decir:
"Vamos a construir algunos apartamentos nuevos para todos ustedes "
Y todos quieren saber
Si, quieren saber
¿Por qué estoy cantando el blues?
Sí, he estado por mucho, mucho tiempo
Sí, realmente he pagado mis deudas.
Ahora voy a interpretar a Lucille.Guitarra
Mi hijo va a crecer
Voy a crecer para ser un tonto
Porque no tienen más espacio
No más espacio para él en la escuela
Y todos quieren saber
Todos quieren saber
¿Por qué estoy cantando el blues?
Digo que he estado por mucho tiempo
Sí, realmente he pagado algunas deudas.
Sí, sabes que la compañía me dijo
Supongo que naciste para perder
Todos a mi alrededor, personas
Parece que todo el mundo tiene el blues
Pero los tuve mucho tiempo
Realmente, realmente pagué mis deudas
Sabes que no me avergüenzo, gente
Me encanta cantar mi blues.
Camino por las ciudades, gente
En mis pies descalzos
Estaba lleno de bagre y chinchulines
Arriba en la calle Downbill
Sabes que estoy cantando el blues
Si realmente
Solo tengo que cantar mi blues
He estado por mucho tiempo
La gente, realmente, realmente pagué mis deudas.
Ahora el padre tiempo me está alcanzando
Se fue mi juventud
Me miro en el espejo todos los días
Y deja que me diga la verdad
Estoy cantando el blues
Mm, solo tengo que cantar el blues
He estado por mucho tiempo
Sí, sí, realmente he pagado algunas deudas.
Si, me dijeron todo
Estaría mejor en el país
Todo estuvo bien
Me cogí un autobús en el centro, cariño
Y cada gente, toda la gente
Tengo el mismo problema que el mío
Tengo el blues, eh eh
Digo que he estado por mucho tiempo
Realmente he pagado algunas deudas.
¡Una vez más, muchachos! ...
Ciego en la esquina
Pidiendo un centavo
Los rodillos vienen y lo atrapan
Y echarlo a la cárcel por un crimen
Tengo el blues
Estoy cantando mi blues
He estado por mucho tiempo
Mm, realmente he pagado algunas deudas.
¿Podemos hacer uno más?
Oh, pensé que iría al bienestar
Para conseguir algunos granos y esas cosas
Pero una dama se puso de pie y ella dijo
"No has estado el tiempo suficiente"
Es por eso que tengo el blues
Mm, el blues
Digo, he estado por mucho tiempo
Realmente, realmente pagué mis deudas.
Compañeros, díganles una vez más.
Jajaja. Eso está bien, amigos ... ¡Si!
Catherine Oxner
I have listened to this guy since I was a kid, now I am a senior citizen and he still sounds good. This guy has his own style of singing and playing and it is unique, clear and very entertaining. Make room for him in Heaven, he and the angels will keep things moving. I loved you and I miss you B. B. King.
Ryann
Heaven is blessed❤
Kuskule
A masterpiece from the Master. One could learn drumming, guitar playing, bass plаying, singing out of this... What a genius...
Pablo Pérez
Amazing bass, gets hotter and hotter
Mullah Osk
Lucille can still give me goosebumps, even after 35 years of listening to this awesome track.
Barbara
Mullah, Lucille is awesome; But, that Bass is whipping!
Alternativa77 Culture
Vai com Deus velho King. Vc já (é) era um personagem histórico.
Respect From Brazil.
Tomora Wyrick-Small
This is a big big man here. It goes deeper than any note can carry. It was my childhood. Rest in peace and sleep in eternal grace.
Chama Lama
Everybody wants to know
Why I sing the blues
Yes, I say everybody wanna know
Why I sing the blues
Well, I've been around a long time
I really have paid my dues
When I first got the blues
They brought me over on a ship
Men were standing over me
And a lot more with a whip
And everybody wanna know
Why I sing the blues
Well, I've been around a long time
Mm, I've really paid my dues
I've laid in a ghetto flat
Cold and numb
I heard the rats tell the bedbugs
To give the roaches some
Everybody wanna know
Why I'm singing the blues
Yes, I've been around a long time
People, I've paid my dues
I stood in line
Down at the County Hall
I heard a man say, "We're gonna build
Some new apartments for y'all"
And everybody wanna know
Yes, they wanna know
Why I'm singing the blues
Yes, I've been around a long, long time
Yes, I've really, really paid my dues
Now I'm gonna play Lucille
My kid's gonna grow up
Gonna grow up to be a fool
'Cause they ain't got no more room
No more room for him in school
And everybody wanna know
Everybody wanna know
Why I'm singing the blues
I say I've been around a long time
Yes, I've really paid some dues
Yeah, you know the company told me
Guess you're born to lose
Everybody around me, people
It seems like everybody got the blues
But I had 'em a long time
I've really, really paid my dues
You know I ain't ashamed of it, people
I just love to sing my blues
I walk through the cities, people
On my bare feet
I had a fill of catfish and chitterlings
Up and down Beal Street
You know I'm singing the blues
Yes, I really
I just have to sing my blues
I've been around a long time
People, I've really, really paid my dues
Now Father Time is catching up with me
Gone is my youth
I look in the mirror everyday
And let it tell me the truth
I'm singing the blues
Mm, I just have to sing the blues
I've been around a long time
Yes, yes, I've really paid some dues
Yeah, they told me everything
Would be better out in the country
Everything was fine
I caught me a bus uptown, baby
And every people, all the people
Got the same trouble as mine
I got the blues, huh huh
I say I've been around a long time
I've really paid some dues
One more time, fellows!
Blind man on the corner
Begging for a dime
The rollers come and caught him
And throw him in the jail for a crime
I got the blues
Mm, I'm singing my blues
I've been around a long time
Mm, I've really paid some dues
Can we do just one more?
Oh I thought I'd go down to the welfare
To get myself some grits and stuff
But a lady stand up and she said
"You haven't been around long enough"
That's why I got the blues
Mm, the blues
I say, I've been around a long time
I've really, really paid my dues
Fellows, tell them one more time
Ha, ha, ha That's all right, fellows
Yeah!
treponemapalidum
Thanks for the lyrics