Early life
Christopher "Doogie" Dorsey was a normal kid growing up in the 13th Ward of New Orleans which is Uptown. In elementary school, young Dorsey rapped as a hobby. When Dorsey was 12, his father was murdered in a robbery, and young Dorsey drifted into street life. Dorsey began selling marijuana, cocaine, and eventually heroin β to which he later became addicted.
This time, local independent rap label Cash Money Records was looking for new talent, and Dorsey was recommended to the label by his barber, who also happened to cut the hair of the Cash Money CEO brothers Brian "Baby" Williams and Ronald "Slim" Williams. After an impromptu audition, Dorsey was signed to the budding label. His first effort was True Story, album as a part of The B.G.'z, group whom he formed with another preteen rapper, Baby D (who will later become Lil Wayne). Originally his moniker was "Doogie" or "Gangsta D", but since "True Story" was considered his solo CD, pseudonym B.G. stuck to him.
Music career
The second youngest artist signed to Cash Money Records, Dorsey, given the stage name "B.G." ("Baby Gangsta"), released his debut LP, True Story, in 1992 at the young age of 12. (Lil Wayne signed at 11) As the only Cash Money artist to survive several roster purges, B.G. was instrumental in helping carry Cash Money to regional fame. Multi-millionaire label head Brian Williams, who also became an artist for the label under the name "Baby", allowed B.G. to catapult to success.
His 1996 release Chopper City is considered a southern classic and sold 147,000 copies independently. He was only 15 years old when he recorded the album. The next year, he released the albums It's All on U, Vol. 1 and It's All on U, Vol. 2 when Cash Money signed a $30 million deal with Universal in 1997, B.G. went to work on his seminal Chopper City in the Ghetto LP. The album spawned the massive hit "Bling Bling", which, along with Juvenile's "Back That Azz Up", made Cash Money a nation wide success. "Bling Bling" also became a popular hip-hop slang term for any sort of expensive jewelry, automobiles, or other forms of opulence, which were featured heavily in Cash Money videos and on Cash Money album covers, as well as in B.G.'s life. He began wearing multiple Rolex watches and large necklaces while flashing his solid gold teeth in celebration of his success and extreme wealth.
B.G. remained with Cash Money for the rest of the 1990s, and was a member of the Hot Boys with Juvenile, Lil' Wayne, and Turk. He left the label in early 2001 after disputes with Brian "Baby" Williams over personal issues (B.G. recently claimed that Williams used his heroin addiction to control him and cheat him out of royalties, for which he is now suing), and later signed an independent deal for his Chopper City Records label with Koch Records. In 2001, he attended a drug treatment program in Minnesota for his heroin addiction. In 2003, the Hot Boys came off a 4-year hiatus and released Let 'Em Burn. Later in 2003, B.G. left Cash Money again, this time on bad terms with his boss Baby and longtime friend Lil' Wayne. He went on to release his first offering on the Koch label entitled Living Legend, which was sold as a 2-disc set. In 2004, he released Life After Cash Money. In 2005, he released The Heart of Tha Streetz Vol. 1. He also helped record "Y'all Heard of Me" with C-Murder.
B.G. currently lives in Detroit, Michigan, running his Chopper City Records label as the C.E.O. He's a veteran in the hip-hop industry at only the age of 25 and he says he's not going to stop rapping anytime soon. He recently released his latest LP, The Heart Of Tha Streetz, Vol. 2, and his new single "Move Around" featuring Mannie Fresh. It marks the first time B.G. has worked with Mannie Fresh since they were labelmates at Cash Money Records years ago, and may well mean a boost to B.G.'s career commercially.
B.G. is one of four superstar members who left Cash Money after 2003 along with Juvenile, Mannie Fresh, and Turk. Although they have all gone their separate ways, all four remain good friends and still keep in touch. There are rumors of a Hot Boyz reunion in the future, minus Lil' Wayne and Baby. Juveniles top song, "Whats happenin'" has a Mannie Fresh remix which includes Juvenile, B.G., and Mannie. This may be the closest to a "Hot Boys" reunion.
B.G. has recently inked a deal with Atlantic Records and T.I. has been appointed executive producer of B.G.'s new album which is scheduled for a fall release. After spending time there on and off, B.G. permanently relocated to Detroit in 2005 as a result of Hurricane Katrina.
In 2006, Trina release a mixtape diss in which she humiliated B.G. along with Gillie da Kid and southern rapping rival Khia. The mixtape was recorded in response to a statement made by B.G. where he claimed Trina had a sexual relationship with both Baby and Lil' Wayne, whom are both rappers. Trina is currently involved with Lil' Wayne. Trina referred to B.G. as a "Cash Money reject" and a "street n*g*a beefin' with a chick." B.G. responded (along with VL Mike) with a mixtape track "Just A Warning 'Till My Album Drop" (set to the beat of DJ Drama's "Cannon Remix", which Lil' Wayne collaborated on.)
I Want It
B.G. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Your number one original hot boy a heard
And I got collipark music they got me bouncin' wit dis one here
You could bounce wit it you could buck wit it
And you could roll wit it ya heard me
My dawg smurf I'm tellin' you did this here
This that life after cash money world
I want it, you got it, don't make me have to go in your pocket
I want it, you got it, don't make me have to go in your pocket
This is for my hot boys and my hot girls, ride wit me
I'ma bring you up in my world this is for my hot boys
And my hot girls, ride wit me, I'ma bring you up in my world
My ghetto pass go state to state
I could go in any hood 'cuz I ain't fake
I'll bob my head, I'll stomp my feet
For Soulja Slim, won't you do that Nolia Clap with me
Say Hot Girl, don't play with me
Like Ying Yang, let me see you salt shake for me
I'm on the move, No stoppin' this
Cash money move over I gots this
I'm 'bout to fuck the game up, just watch this
When it's over I bet I see a profit
I'm a CEO, I'm a artist too
I'm a hustler, I can get work from Florida too
Don't fuck with me, I'll stump you
If you score the right amount, I'll front you
I talk this shit 'cuz I'm 'bout this shit
Ain't no way I could run a way out this shit
I want it, you got it, don't make me have to go in your pocket
I want it, you got it, don't make me have to go in your pocket
This is for my hot boys and my hot girls, ride wit me
I'ma bring you up in my world this is for my hot boys
And my hot girls, ride wit me, I'ma bring you up in my world
I got 4-0 dawgs that's goin' to jail
I'm takin Keddy baby momma that ain't got no bail
I keeps it real, if you real you know
I'm in the game, so I gotta play the game how it go
See where I'm from they got hoes that grind
On the block all day gotta respect they mind
They'll cut you up, they'll mace you too
And they got a baby nine they'll spray at you
It's eye-for-eye I go pound-for-pound
I'm New Orleans, only hopin' I'ma hold it down
Either roll with me, when I'm rolling through
Or I guarantee I'ma roll over you
I'm a fool wit it
Give me that work, I show you what to do wit it
My cousin in seventh grade sittin' in the school wit it
By seventh period, he through wit it, it's Chopper City
I want it, you got it, don't make me have to go in your pocket
I want it, you got it, don't make me have to go in your pocket
This is for my hot boys and my hot girls, ride wit me
I'ma bring you up in my world this is for my hot boys
And my hot girls, ride wit me, I'ma bring you up in my world
I represent my dawg Soulja
That's why you can catch me in that Nolia
I'm a gangsta, the streets backin' me
I ain't goin' back to baby, stop askin' me
It's C H O double P E R C I T Y
Nigga, till the day I die
I'm from the hood, I'm down to earth
When I'm in the streets I be out there head first
I'm on the creep, with no sleep
I ain't trynna rest till the enemy six feet
It's game time and I'm ready to play
Gimme my remote and my remote is my K
I spray with it, I'm from uptown
I gotta stay wit it
When we murder, we know how to get away wit it
We do our slick, one shot to the head is how we slank a bitch
I want it, you got it, don't make me have to go in your pocket
I want it, you got it, don't make me have to go in your pocket
This is for my hot boys and my hot girls, ride wit me
I'ma bring you up in my world this is for my hot boys
And my hot girls, ride wit me, I'ma bring you up in my world
B.G.'s song "I Want It" is a rap about the rapper's desire for success and his willingness to work hard to achieve it. The lyrics indicate that he is determined to put in the necessary effort to take his music to the next level. The song begins with B.G. introducing himself and expressing his gratitude for his fans' support. He then proceeds to describe his journey as a musician and emphasizes that he is still going strong.
B.G. also acknowledges that he has been through tough times and has made some questionable decisions, but he is not one to dwell on the past. Instead, he intends to keep pushing forward and striving for greatness. In the chorus, he makes it clear that he is not going to let anyone stand in his way, and he is willing to do whatever it takes to get what he wants. The verses are filled with clever wordplay and rap bravado, showing B.G.'s confidence in his abilities and his commitment to being the best.
Line by Line Meaning
What's happenin main? This B Gizzle
Introducing himself as B.G. and greeting the listener.
Your number one original hot boy a heard
Identifying himself as the top authentic 'Hot Boy.'
And I got collipark music they got me bouncin' wit dis one here
Explaining that the song's beat (produced by Collipark) has him nodding his head and moving his body to the rhythm.
You could bounce wit it you could buck wit it
Encouraging listeners to dance along to the track's rhythm either by bouncing or bucking.
And you could roll wit it ya heard me
Furthering the last line's meaning by instructing listeners to roll with the beat as well.
My dawg smurf I'm tellin' you did this here
Acknowledging a friend named 'Smurf' for crafting the song's beat.
This that life after cash money world
Clarifying that this is his first album since leaving Cash Money Records.
And I'm gonna bring 'em in my world
Promising to bring his listeners into his new musical and social world.
I want it, you got it, don't make me have to go in your pocket
Asserting his desire to acquire more money or possessions and warning people not to make him take it by force.
This is for my hot boys and my hot girls, ride wit me
Addressing his target audience (young men and women from his hometown) and inviting them on a musical journey with him.
I'ma bring you up in my world this is for my hot boys
Reiterating his desire to involve listeners in his new musical sphere.
And my hot girls, ride wit me, I'ma bring you up in my world
Expanding on the previous line, promising to lift up his female fans as well as his male ones.
My ghetto pass go state to state
Claiming a certain level of legitimacy and respect in many different regions/cities of the United States.
I could go in any hood 'cuz I ain't fake
Asserting that he has the ability and authenticity to go anywhere he wants, so he doesn't have to pretend to be someone he's not.
I'll bob my head, I'll stomp my feet
Describing his behavior when listening to music with enthusiasm and energy.
For Soulja Slim, won't you do that Nolia Clap with me
Paying tribute to a recently deceased colleague named Soulja Slim by asking fans to join him in a dance/celebration called the 'Nolia Clap.'
Say Hot Girl, don't play with me
Addressing female fans specifically and asking them to trust him.
Like Ying Yang, let me see you salt shake for me
Making a reference to a popular dance craze at the time and asking female listeners to perform it for him.
I'm on the move, No stoppin' this
Confirming his ambition and determination to continue making music and achieving success moving forward.
Cash money move over I gots this
Disassociating himself from Cash Money Records while boasting his own musical prowess.
I'm 'bout to fuck the game up, just watch this
Promising to make a big impact and shake up the music industry with his new music and approach.
When it's over I bet I see a profit
Asserting that when his musical endeavors are finished, he will have made a substantial amount of money.
I'm a CEO, I'm a artist too
Stating that he is a boss of his own record label and a performer in his own right.
I'm a hustler, I can get work from Florida too
Describing himself as a savvy businessman who is capable of finding work wherever he goes.
Don't fuck with me, I'll stump you
Warning people not to mess with him, as he has the ability to decisively defeat his enemies.
If you score the right amount, I'll front you
Offering to extend credit to those who can prove that they can pay him back in the future.
I talk this shit 'cuz I'm 'bout this shit
Explaining that his tough talk is backed up by his real-life experiences and abilities.
Ain't no way I could run a way out this shit
Implying that he is fully committed to the street life and won't abandon it anytime soon.
I got 4-0 dawgs that's goin' to jail
Admitting to having friends and acquaintances who are currently serving jail time.
I'm takin Keddy baby momma that ain't got no bail
Boasting about his ability to support the loved ones of his incarcerated friends by bailing them out of jail.
I keeps it real, if you real you know
Promising to behave authentically and honestly, and leaving it up to others to determine whether or not he is telling the truth.
I'm in the game, so I gotta play the game how it go
Acknowledging the nature of the music industry and the fact that he has to play along with certain rules and practices in order to succeed.
See where I'm from they got hoes that grind
Describing the rough living conditions in his hometown, where people have to sell their bodies or perform other illegal acts to make money.
On the block all day gotta respect they mind
Recognizing the mental toughness and resilience required to survive in these conditions.
They'll cut you up, they'll mace you too
Enumerating the violent methods that some people use to assert their power or protect their interests.
And they got a baby nine they'll spray at you
Describing the use of firearms, even by relatively young people, to settle disputes or intimidate others.
It's eye-for-eye I go pound-for-pound
Explaining that he believes in retaliating against those who have wronged him just as hard (or harder) than they have wronged him.
I'm New Orleans, only hopin' I'ma hold it down
Identifying himself with his hometown and hoping that he can continue to represent it well and remain committed to it in the future.
Either roll with me, when I'm rolling through
Encouraging people to join him on his journey, wherever it may take him.
Or I guarantee I'ma roll over you
Making it clear that anyone who doesn't cooperate with him or tries to hinder his progress will be dealt with harshly.
I'm a fool wit it
Acknowledging that he can be somewhat impulsive or reckless in his behavior or actions.
Give me that work, I show you what to do wit it
Asking for an opportunity to demonstrate his skills or abilities with whatever task or project he is given.
My cousin in seventh grade sittin' in the school wit it
Mentioning a relative who is already involved in criminal activity at a young age.
By seventh period, he through wit it, it's Chopper City
Indicating that his young cousin has already embraced a life of crime so fully that there's no turning back.
I represent my dawg Soulja
Paying tribute to a deceased friend (Soulja Slim) and continuing to honor his legacy through his music.
That's why you can catch me in that Nolia
Referring to a specific neighborhood of New Orleans (the 17th Ward/ Hollygrove-NOLA) where both he and Soulja Slim grew up and where he currently spends a lot of time.
I'm a gangsta, the streets backin' me
Asserting his own toughness and legitimacy, and implying that the community respects him for these qualities.
I ain't goin' back to baby, stop askin' me
Rejecting the idea of returning to Cash Money Records and insisting that he's moved on from that chapter of his life.
It's C H O double P E R C I T Y
Spelling out the name of his crew and neighborhood.
Nigga, till the day I die
Confirming his loyalty and dedication to his crew and neighborhood, and implying that he is willing to die for them.
I'm from the hood, I'm down to earth
Affirming his roots and connection to his community members.
When I'm in the streets I be out there head first
Acknowledging that he throws himself fully into his street life and social interactions, and doesn't hold back or hide his true self.
I'm on the creep, with no sleep
Admitting that he stays up all night and doesn't rest much in order to achieve his goals or stay alert.
I ain't trynna rest till the enemy six feet
Refusing to take a break or relax until his enemies are defeated or dead.
It's game time and I'm ready to play
Confirming his competitive spirit and readiness to engage with the challenges in front of him.
Gimme my remote and my remote is my K
Making a clever wordplay on the phrase 'playing with the remote' by associating it with holding a gun (K, short for 'killer').
I spray with it, I'm from uptown
Claiming to be an expert marksman and stating that he is from the uptown area of New Orleans (a rougher section of the city).
I gotta stay wit it
Reiterating that he will remain committed to his street life and hustling strategies.
When we murder, we know how to get away wit it
Making a shocking and disturbing statement suggesting that he is involved in planning and executing murders and has thus gained the expertise needed to escape detection and prosecution.
We do our slick, one shot to the head is how we slank a bitch
Expanding on the previous line by describing how he and his associates commit murders in a manner that's efficient and difficult to prove in court (by only firing one shot to the head).
Lyrics Β© Sony/ATV Music Publishing LLC
Written by: CHRISTOPHER DORSEY, MICHAEL ANTOINE CROOMS
Lyrics Licensed & Provided by LyricFind
@InspirationalRottweiler-xe7xu
It's amazing how this mans voice still sound the same since je was 14. This dude is a one in a million talent younginsπ―
@daniellefawn
BG is one of my all time favorite rappers you had to have lived during this era to know how major it was
@MisterUrbanWorld
I'm trying to have you like 1:14 of this video.
@loxofluxe
Yes maβam
@daniellefawn
@@loxofluxe Iβm so glad he just got released from prison π―π―
@alonenomore3346
Damn u said that
@thadumway225
You a real 1 I can see dat β€
@Takebread414
Like this comment if you still listening to this in 2024 .
@LowKeyTooCold
I peep a lot of yall been watching this lately, I been here neva left welcome to the party π₯π―
@boojeezyjackson4612
I Still Listen To B.G.