In the nineties, Vienna became famous for its electronic music scene and Bernhard Fleischmann found its unique place in it. A laptop, sound loops, rhythm patterns. A gig at the legendary picknick@rhiz festival. Indulging melodies, but never sugary, surrounded by tricky rhythm structures. Songs, not just tracks, arranged on an impressing record – “pop loops for breakfast” found the love story between Bernhard Fleischmann and the young label Morr Music in autumn 1998. The “Sidonie EP” followed in 1999. Bernhard Fleischmann became a busy live artist, touring through Austria, Germany, Europe, the USA and nearly the rest of the world. The album “Choir of Empty Beds” was released on Fuzzy Box (2000). Besides, tracks for compilations on Morr Music (“Putting the Morr back into Morrissey“) and other labels – Christof Kurzmann’s Vienna based label Charizma, for instance. Bernhard Fleischmann’s “Nico”-7inch was the opener for the Morr Music-series “a number of small things” (2001).
Later came “Welcome Tourist” (autumn 2001) featuring Christof Kurzmann.
Together with Herbert Weixelbaum Bernhard Fleischmann formed Duo 505, delicate pulsing electronica. Their album “late” was released in autumn 2005 on Morr Music.
Together with Christof Kurzmann, Burkhard Stangl, Martin Siewert and Werner Dafeldecker – those who already have played one song together on “Welcome Tourist” – he founded The Year of, a country-esque chamber orchestra with slide guitars, clarinets, interferences, echo chambers. Songs in cinemascope, electro-acoustic experiences. Their debut “Slow Days” was released in spring 2006 also on Morr Music.
And there is „The Humbucking Coil“ Bernhard Fleischmann’s third solo record released in February 2006 – euphoric pop in slow motion, rustling rhythm patterns, songs that linger and indulge. Vibraphone, piano, electric guitars in a still electronic working process. Pop songs of course.
Bernhard Fleischmann is also the composer for different film scores: Bady Mincks “Am Anfang war der Blick“ (shown in Cannes 2003); Jörg Kalts “Crash Test Dummies” (shown at the berlinale 2005); and Marc Bauders and Dörte Frankes “Jeder schweigt von etwas anderem” (shown at the Berlinale 2006).
www.bfleischmann.com
www.morrmusic.com
Part One
B. Fleischmann Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Baby, you were just sweet sixteen
When iIfirst met you, baby
Baby, you were just sweet sixteen
You just left your home then, woman
Ah, the sweetest thing I'd ever seen
But you wouldn't do nothing, baby
You wouldn't do nothing for me, baby
You wouldn't do anything I asked to
You know you ran away from your home, baby
And now you want to run away from old b. too
You know I loved you, baby
I loved you before I could call your name
You know I loved you, baby
Baby I loved you, I love you before I could call your name
Well, it seems like everything I do now baby
Everything I do is in vain
My brother's in Korea, baby
My sister's down in New Orleans
Brother's in Korea baby
My sister's down in New Orleans
You know I'm having so much trouble woman
Baby, I wonder, what in the world is gonna happen to me
You know I love you
And I'll do anything you tell me to
You know I love you
And I'll do anything you tell me to
Well, there ain't nothing in the world, woman
Babe, it ain't nothing
Nothing in the world I wouldn't do it for you
You can treat me mean, baby
But I'll keep on loving you just the same
You can treat me mean baby
But I'll keep on loving you just the same
But one of these days, baby
You're gonna give a lot of money
To hear someone call my name
Yes, sweet sixteen baby, sweet sixteen,
Yes, the sweetest thing baby
The sweetest thing I ever seen
You know I'm having so much trouble, woman
Baby I wonder
Yes I wonder
Baby I wonder
Oh, I wonder what in the world's gonna happen to me
The lyrics to B. Fleischmann's song "Part One" are about a man's experiences with a sweet sixteen-year-old girl he met when she had just left home. The man expresses his love for her and reminiscences about how she was the sweetest thing he ever saw. However, he also reveals he's had trouble with her, as she wouldn't do anything he asked for, having already run away from home. He also talks about his family situation, with his brother in Korea and his sister in New Orleans, giving the impression of a man with little support. Despite this, the man says he'll do anything for the girl he loves, even if she treats him mean, and that he wonders what will happen to him in the future.
Line by Line Meaning
When I first met you, baby
Upon our initial encounter, my dearest
Baby, you were just sweet sixteen
You had just surpassed adolescence, barely old enough to be considered a grown woman
You just left your home then, woman
At that point in time, you had recently departed from your place of residence, woman
Ah, the sweetest thing I'd ever seen
You were the most delightful individual I had ever laid eyes on, sweetheart
But you wouldn't do nothing, baby
However, you refused adamantly to comply with any of my requests and proposals, beloved
You wouldn't do anything I asked to
Any favors or tasks I implored of you, you promptly declined, sunshine
You know you ran away from your home, baby
You fled from your abode and kin, dear
And now you want to run away from old b. too
Presently, you yearn to abscond from me as well, sweetie
You know I loved you, baby
I had an affectionate regard for you, darling
I loved you before I could call your name
Even before your identity was disclosed to me, I had already established a deep fondness for you, baby
Well, it seems like everything I do now baby
Currently, it appears that all of my efforts and undertakings are fruitless and in vain, my love
My brother's in Korea, baby
My sibling is presently situated in Korea, honey
My sister's down in New Orleans
Equivalently, my sister is located in New Orleans, precious
You know I'm having so much trouble woman
Life is challenging for me, my dear
Baby, I wonder, what in the world is gonna happen to me
I wonder about the future and what it ensues for me, love
And I'll do anything you tell me to
Rest assured that I will comply with any instructions or directives you issue, my precious
Well, there ain't nothing in the world, woman
There isn't a thing in the entire world, dear
Babe, it ain't nothing
Absolutely nothing, babe
Nothing in the world I wouldn't do it for you
I would do anything in my power to appease you, my lover
You can treat me mean, baby
Regardless of how harsh you treat me, darling
But I'll keep on loving you just the same
Nevertheless, I will continue to harbor feelings of affection and devotion towards you, darling
But one of these days, baby
Towards the future, it is inevitable that at some point, my love
You're gonna give a lot of money
You will bestow a considerable sum of money
To hear someone call my name
So that a person can vocalize my identity and capture my attention, beautiful
Yes, sweet sixteen baby, sweet sixteen,
Yes, indeed, you were only sixteen years of age, my dear
Yes, the sweetest thing baby
You remained the most charming individual, my love
Yes I wonder
I find myself wondering, darling
Baby I wonder
My love, I ponder inquisitively
Oh, I wonder what in the world's gonna happen to me
I am curious about what the future has in store for me, honey
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: BILLY IDOL
Lyrics Licensed & Provided by LyricFind
Ryan Hogrefe
one of my favorite artists. thanks Fleischmann. you make life more livable.
dean ye
Awesome 👏🏻
MARTINI ***LIGHTING DIAMOND***
B.Fleischmann
MISTER GRAND MASTER FLASH
from AUSTRIA
IT;S LIKE A...
MARTINI ***LIGHTING DIAMOND***
was für ein INTRO :-)
Matt McNoise
Nice
Philipp Moses
<3
MARTINI ***LIGHTING DIAMOND***
Children...war ja von Robert Miles auch so ne WELTNUMMER :-)
MARTINI ***LIGHTING DIAMOND***
und dann RASTA BEAT,s
in the A TRAIN
MARTINI ***LIGHTING DIAMOND***
erinnert mich auch an FAITHLESS
**INSOMNIA**
MARTINI ***LIGHTING DIAMOND***
und an die psycho killer ,s der 80er...
so ziemlich alles im BEAT
ver EINT
as 1