BUCK-TICK is a Japanese rock band, originally formed by Imai Hisashi in 198… Read Full Bio ↴BUCK-TICK is a Japanese rock band, originally formed by Imai Hisashi in 1983 in Gunma, Japan, with its current line-up lasting since 1985. They are commonly credited as one of the founders of the visual kei movement. As of yet, they have released twenty-three original studio albums and one of self-covers, nearly all reaching the top ten on the charts. Their most recent album, "異空 -IZORA-", was released on 12th April 2023.
The band members are 櫻井敦司 (Sakurai Atsushi) (vocals), 今井寿 (Imai Hisashi) (guitars, noises, electronics, vocals), 星野英彦 (Hoshino Hidehiko) (guitars, chorus), 桶口豊 (Higuchi Yutaka) (bass) and ヤガミ・トール (Yagami Toll) (drums).
BUCK-TICK's music has changed and evolved hugely over the course of their career. Their early work is what the Japanese call "positive punk". It used simple rhythms and chords, with the songs mostly in major keys and using some English words in the lyrics. Starting with 1989's TABOO, they experimented with a darker sound, which grew more mature with 狂った太陽 in 1991. darker than darkness style 93 delved into a harsher industrial rock sound which continued all the way up through Mona Lisa OVERDRIVE in 2003. With 2005's 十三階は月光, they deliberately adopted a "goth" concept, which they combined with a retro straight rock sound for the albums 天使のリボルバー (2007) and Memento Mori (2009). Their next album, 2010's RAZZLE DAZZLE, then incorporated many instances of dance-rock.
Some elements that persist throughout their music are resounding, jangling guitar chords, throbbing, prominent bass lines, harsh roars of electronically distorted noise, and ambivalent melodies that wander between major and minor keys, as well as Sakurai's distinctive rich baritone voice. Jrockrevolution described the band's style as having gone "from the bubbly sounds of pop to the buzz of electronic cyberpunk to lustful velvety goth to the smooth style of hard rock and back again". Sakurai, who is the main lyricist of the band, is famous for the erotic decadence of his lyrics, but he also often addresses existential psychological themes. His lyrics is also described as "dance in a daydream about reality". Imai, the main composer, has written many songs that read like science fiction stories, involving genetic engineering and computer hackers, but more recently has branched out into love songs.
As Josephine Yun describes them, in 'A Concise Report on 40 of the Biggest Rock Acts in Japan', "BUCK-TICK's music is smashed-together nuances of everything from Depeche Mode and New Order to U2 and The Knack. While wry, it can float and be nebulously melodic. [...] Masked in eye makeup, Atsushi looks and sounds possessed. BUCK-TICK was (and continues to be) and anomaly in the Japanese music scene, a tangle of goth rock diluted with synth and electronica. It's unhappy, dirty music, the musical equivalent of exploded soot and smoke."
BUCK-TICK and their members have performed with, for example, KMFDM, Soft Ballet, Luna Sea, Sheena Ringo, and The Yellow Monkey. The band members have also participated in different side-projects, such as Schaft, Schwein (Sakurai and Imai with Raymond Watts (PIG) and Sascha Konietzko (KMFDM)), and The Mortal.
The band members are 櫻井敦司 (Sakurai Atsushi) (vocals), 今井寿 (Imai Hisashi) (guitars, noises, electronics, vocals), 星野英彦 (Hoshino Hidehiko) (guitars, chorus), 桶口豊 (Higuchi Yutaka) (bass) and ヤガミ・トール (Yagami Toll) (drums).
BUCK-TICK's music has changed and evolved hugely over the course of their career. Their early work is what the Japanese call "positive punk". It used simple rhythms and chords, with the songs mostly in major keys and using some English words in the lyrics. Starting with 1989's TABOO, they experimented with a darker sound, which grew more mature with 狂った太陽 in 1991. darker than darkness style 93 delved into a harsher industrial rock sound which continued all the way up through Mona Lisa OVERDRIVE in 2003. With 2005's 十三階は月光, they deliberately adopted a "goth" concept, which they combined with a retro straight rock sound for the albums 天使のリボルバー (2007) and Memento Mori (2009). Their next album, 2010's RAZZLE DAZZLE, then incorporated many instances of dance-rock.
Some elements that persist throughout their music are resounding, jangling guitar chords, throbbing, prominent bass lines, harsh roars of electronically distorted noise, and ambivalent melodies that wander between major and minor keys, as well as Sakurai's distinctive rich baritone voice. Jrockrevolution described the band's style as having gone "from the bubbly sounds of pop to the buzz of electronic cyberpunk to lustful velvety goth to the smooth style of hard rock and back again". Sakurai, who is the main lyricist of the band, is famous for the erotic decadence of his lyrics, but he also often addresses existential psychological themes. His lyrics is also described as "dance in a daydream about reality". Imai, the main composer, has written many songs that read like science fiction stories, involving genetic engineering and computer hackers, but more recently has branched out into love songs.
As Josephine Yun describes them, in 'A Concise Report on 40 of the Biggest Rock Acts in Japan', "BUCK-TICK's music is smashed-together nuances of everything from Depeche Mode and New Order to U2 and The Knack. While wry, it can float and be nebulously melodic. [...] Masked in eye makeup, Atsushi looks and sounds possessed. BUCK-TICK was (and continues to be) and anomaly in the Japanese music scene, a tangle of goth rock diluted with synth and electronica. It's unhappy, dirty music, the musical equivalent of exploded soot and smoke."
BUCK-TICK and their members have performed with, for example, KMFDM, Soft Ballet, Luna Sea, Sheena Ringo, and The Yellow Monkey. The band members have also participated in different side-projects, such as Schaft, Schwein (Sakurai and Imai with Raymond Watts (PIG) and Sascha Konietzko (KMFDM)), and The Mortal.
エンジェル フィッシュ
BUCK-TICK Lyrics
ちょっと抱いて 哀れな人だね
逃げ出す前に泳ぎ疲れて
そっと噛んで 醜い僕だよ
囁きは嘘 知っているだろう
That Truelove 頬をすり寄せ
胸に滑らせる その前に
ちょっと抱いて 話すことがない
重なるだけで 割れた唇
そっと噛んで 奇麗な月だね
抱き締めたけど 水に漂う
That Truelove この世の罪
どうぞ この胸切り裂いて
もう一度だけ 僕をイカせておくれ
ああ ちょっと噛んで
夢を見たのさ とても素敵な夢を
ああ そっと抱いて
<間奏中>
That Truelove 溺れてゆく
今は 流れに身を委ね
That Truelove 息ができない
やがて 何もかも沈むでしょう
もう一度だけ 僕をイカせておくれ
ああ ちょっと噛んで
夢を見たのさ とても素敵な夢を
ああ そっと抱いて
逃げ出す前に泳ぎ疲れて
そっと噛んで 醜い僕だよ
囁きは嘘 知っているだろう
That Truelove 頬をすり寄せ
胸に滑らせる その前に
ちょっと抱いて 話すことがない
重なるだけで 割れた唇
そっと噛んで 奇麗な月だね
抱き締めたけど 水に漂う
どうぞ この胸切り裂いて
もう一度だけ 僕をイカせておくれ
ああ ちょっと噛んで
夢を見たのさ とても素敵な夢を
ああ そっと抱いて
<間奏中>
That Truelove 溺れてゆく
今は 流れに身を委ね
That Truelove 息ができない
やがて 何もかも沈むでしょう
もう一度だけ 僕をイカせておくれ
ああ ちょっと噛んで
夢を見たのさ とても素敵な夢を
ああ そっと抱いて
Lyrics © O/B/O APRA AMCOS
Written by: 敦司 桜井
Lyrics Licensed & Provided by LyricFind
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