BUCK-TICK is a Japanese rock band, originally formed by Imai Hisashi in 198… Read Full Bio ↴BUCK-TICK is a Japanese rock band, originally formed by Imai Hisashi in 1983 in Gunma, Japan, with its current line-up lasting since 1985. They are commonly credited as one of the founders of the visual kei movement. As of yet, they have released twenty-three original studio albums and one of self-covers, nearly all reaching the top ten on the charts. Their most recent album, "異空 -IZORA-", was released on 12th April 2023.

The band members are 櫻井敦司 (Sakurai Atsushi) (vocals), 今井寿 (Imai Hisashi) (guitars, noises, electronics, vocals), 星野英彦 (Hoshino Hidehiko) (guitars, chorus), 桶口豊 (Higuchi Yutaka) (bass) and ヤガミ・トール (Yagami Toll) (drums).

BUCK-TICK's music has changed and evolved hugely over the course of their career. Their early work is what the Japanese call "positive punk". It used simple rhythms and chords, with the songs mostly in major keys and using some English words in the lyrics. Starting with 1989's TABOO, they experimented with a darker sound, which grew more mature with 狂った太陽 in 1991. darker than darkness style 93 delved into a harsher industrial rock sound which continued all the way up through Mona Lisa OVERDRIVE in 2003. With 2005's 十三階は月光, they deliberately adopted a "goth" concept, which they combined with a retro straight rock sound for the albums 天使のリボルバー (2007) and Memento Mori (2009). Their next album, 2010's RAZZLE DAZZLE, then incorporated many instances of dance-rock.

Some elements that persist throughout their music are resounding, jangling guitar chords, throbbing, prominent bass lines, harsh roars of electronically distorted noise, and ambivalent melodies that wander between major and minor keys, as well as Sakurai's distinctive rich baritone voice. Jrockrevolution described the band's style as having gone "from the bubbly sounds of pop to the buzz of electronic cyberpunk to lustful velvety goth to the smooth style of hard rock and back again". Sakurai, who is the main lyricist of the band, is famous for the erotic decadence of his lyrics, but he also often addresses existential psychological themes. His lyrics is also described as "dance in a daydream about reality". Imai, the main composer, has written many songs that read like science fiction stories, involving genetic engineering and computer hackers, but more recently has branched out into love songs.

As Josephine Yun describes them, in 'A Concise Report on 40 of the Biggest Rock Acts in Japan', "BUCK-TICK's music is smashed-together nuances of everything from Depeche Mode and New Order to U2 and The Knack. While wry, it can float and be nebulously melodic. [...] Masked in eye makeup, Atsushi looks and sounds possessed. BUCK-TICK was (and continues to be) and anomaly in the Japanese music scene, a tangle of goth rock diluted with synth and electronica. It's unhappy, dirty music, the musical equivalent of exploded soot and smoke."

BUCK-TICK and their members have performed with, for example, KMFDM, Soft Ballet, Luna Sea, Sheena Ringo, and The Yellow Monkey. The band members have also participated in different side-projects, such as Schaft, Schwein (Sakurai and Imai with Raymond Watts (PIG) and Sascha Konietzko (KMFDM)), and The Mortal.

スズメバチ
BUCK-TICK Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

ミリオンナイト　大衆の夜
カサノヴァ　女王蜂　Hip Hip Shake
アレは　オマエのための行為
オレタチは　ソレのタダのドレイ

逃げられない　ほら　やめられない
オレの体中　支配する
手玉だぜ　Baby　真っ昼間

オレの耳　かすめる　スズメバチ

シメつける　ネジり込む　愛のジョイントは
だらしなく　ゆるんでる　軋む腰の継ぎ目さ

- Hip Shake Boom Boom Boom　ハチガトブ -
尖らせて　ねえ　もっと　もっと　Baby
- Hip Shake Boom Boom Boom　ハチガトブ -
突き刺して　ねえ　もっと　もっと Baby

ミリオンナイト　大衆の夜
カサノヴァ　女王蜂　Hip Hip Shake
アレは　オマエのための行為
オレタチは　ソレのタダのドレイ

シメつける　ネジり込む　愛のジョイントは
だらしなく　ゆるんでる　軋む腰の継ぎ目さ
ヤルことは　同じだな　愛の巣の底は
絡み　突く　指に付く　熱く　甘く　ベタつく

- Hip Shake Boom Boom Boom　ハチガトブ -
尖らせて　ねえ　もっと　もっと　Baby
- Hip Shake Boom Boom Boom　ハチガトブ -
突き刺して　ねえ　もっと　もっと　Baby
- Hip Shake Boom Boom Boom　ハチガトブ -
尖らせて　ねえ　もっと　もっと　Baby
- Hip Shake Boom Boom Boom　ハチガトブ -
突き刺して　ねえ　もっと　もっと　Baby

- Hip Shake Boom Boom Boom　ハチガトブ -
突き刺して　ねえ　もっと　もっと　Baby

Overall Meaning

The lyrics of BUCK-TICK's song "スズメバチ" ("Suzumebachi" or "Hornet") are quite intense and could be interpreted as a song about sexual domination and obsession. The first verse describes a wild night in which the singer and his lover engage in sexual acts, with the singer taking control and describing his lover as a queen bee, while acknowledging that he's merely her toy. The chorus consists of the repeated phrase "Hip Shake Boom Boom Boom" and "Hachi gatobu," which roughly translate to "sting me more" or "jab me more" in a sexual or aggressive sense. The second verse describes the joint between the two lovers as loose and creaking, possibly suggesting that their relationship is tumultuous or even violent. The end of the song repeats the chorus with the same intensity, leaving the impression that the sexual desire and domination are ongoing and insatiable.

Line by Line Meaning

ミリオンナイト　大衆の夜
A million nights, the night of the masses

カサノヴァ　女王蜂　Hip Hip Shake
Casanova, queen bee, hip hip shake

アレは　オマエのための行為
That is an act for you

オレタチは　ソレのタダのドレイ
We are just her toys

逃げられない　ほら　やめられない
Can't escape, can't stop

オレの体中　支配する
Dominate my whole body

手玉だぜ　Baby　真っ昼間
Playing with me, baby, in broad daylight

オレの耳　かすめる　スズメバチ
A hornet grazes my ear

シメつける　ネジり込む　愛のジョイントは
The joint of love that screws tight and pierces

だらしなく　ゆるんでる　軋む腰の継ぎ目さ
A creaking joint that is sloppy and loose on my hips