Baby Rasta y Gringo (born July 3, 1978 Wilmer Alicea and Samuel Gerena, res… Read Full Bio ↴Baby Rasta y Gringo (born July 3, 1978 Wilmer Alicea and Samuel Gerena, respectively) are a Reggaeton duo from Puerto Rico, famous for their track El Carnaval (The Carnival). They were originally called "Eazy Boyz". After changing their names they released three albums, New Prophecy in 1998, Fire Live in 2003 and Sentenciados in 2004. Sentenciados came out in both parental advisory and edited versions, and a "platinum version", including a bonus DVD, was released in 2005. Even though their first album came out in 1998, they started recording together in an album produced by DJ Negro, The Noise.
Musical careers
At the age of 10 they started their career in 1988, and along with DJ Playero and Vico C, were one of the first reggaeton artists. Even so, they failed to get much recognition. By the age of 14 (1992) reggaeton was extremely popular among the underground scene. Due to its obscene and vulgar lyrics, the Puerto Rican government tried to eliminate it completely. Baby Rasta y Gringo, along with Tempo, responded by producing songs aimed at the government.
In 1998 they released their first album, titled New Prophecy. With the arrival of Héctor y Tito, who were quickly becoming reggaeton's greatest talent, were one of among others their biggest competition.
After only appearing on several compilation albums, they released their second album, Fire Live in 2003. It sold better than their previous album. Baby Rasta y Gringo were quickly garnering enemies, due to many of their songs being aimed at other artists, because other artists were dissing them in songs, namely Lito y Polaco and Pina Records. Even after all this, they were the most popular underground duo, with sold-out concerts in dance halls and such. They were also getting individual attention, with Baby Rasta being noted for his skills at writing romantic lyrics and Gringo for his rapping abilities.
With reggaeton finally getting worldwide recognition, and other duo's (H&T, Karel y Voltio, among others) on the verge of separating, they decided to try once more, and released Sentenciados in 2004. This was the break they had been waiting for for so long. Sentenciados was, and still is, regarded as one of the greatest reggaeton albums of all time. Featuring many hits, it included El Carnaval, the duo's biggest hit, and one of the most popular dancehall songs in Puerto Rico. They also made big hits with Cheka. Making songs together became a hit for Baby Rasta and Gringo.
[edit] Separation and solo careers
They separated in December, 2004 because of problems with their record producer, who Gringo says paid more attention to Baby Rasta alone, instead of to them both as a group. It has been alleged that they have an ongoing beef, with people alleging that Baby Rasta has dissed his former partner in live shows.
Baby Rasta has achieved success and fame, mostly due to his appearing on many artist's albums and landing a hit with his only Billboard Top 100 hit so far, Hay De Mi, with producer Noriega.
Gringo's solo album El Independiente was released in March of 2007. Gringo also released Reggaeton Con Navidad on December 13, 2005. It featured Bebe, Machito, Klasico, and many others.
In 2006 Baby Rasta released his first solo album "La Ultima Risa", which due to poor promotion did not reach incredible heights in terms of sales. However, many underground fans, most who bootlegged the album, labeled it as the best reggaeton album of the year. Later in 2006, Baby Rasta released his single "Toma Nena". Gringo released his solo album "El Independiente" in 2007. Baby Rasta has a new record of his own called Illegal Life Records
[edit] Reunited
In late 2007, Baby Rasta & Gringo have reunited for the first time in 3 years because Baby Rasta has said in previous interviews that he cant live without his babyboo Gringo. Baby Rasta is to come out with his new CD late 2007 or 2008. It's called 'Hip Hop Reality'
Musical careers
At the age of 10 they started their career in 1988, and along with DJ Playero and Vico C, were one of the first reggaeton artists. Even so, they failed to get much recognition. By the age of 14 (1992) reggaeton was extremely popular among the underground scene. Due to its obscene and vulgar lyrics, the Puerto Rican government tried to eliminate it completely. Baby Rasta y Gringo, along with Tempo, responded by producing songs aimed at the government.
In 1998 they released their first album, titled New Prophecy. With the arrival of Héctor y Tito, who were quickly becoming reggaeton's greatest talent, were one of among others their biggest competition.
After only appearing on several compilation albums, they released their second album, Fire Live in 2003. It sold better than their previous album. Baby Rasta y Gringo were quickly garnering enemies, due to many of their songs being aimed at other artists, because other artists were dissing them in songs, namely Lito y Polaco and Pina Records. Even after all this, they were the most popular underground duo, with sold-out concerts in dance halls and such. They were also getting individual attention, with Baby Rasta being noted for his skills at writing romantic lyrics and Gringo for his rapping abilities.
With reggaeton finally getting worldwide recognition, and other duo's (H&T, Karel y Voltio, among others) on the verge of separating, they decided to try once more, and released Sentenciados in 2004. This was the break they had been waiting for for so long. Sentenciados was, and still is, regarded as one of the greatest reggaeton albums of all time. Featuring many hits, it included El Carnaval, the duo's biggest hit, and one of the most popular dancehall songs in Puerto Rico. They also made big hits with Cheka. Making songs together became a hit for Baby Rasta and Gringo.
[edit] Separation and solo careers
They separated in December, 2004 because of problems with their record producer, who Gringo says paid more attention to Baby Rasta alone, instead of to them both as a group. It has been alleged that they have an ongoing beef, with people alleging that Baby Rasta has dissed his former partner in live shows.
Baby Rasta has achieved success and fame, mostly due to his appearing on many artist's albums and landing a hit with his only Billboard Top 100 hit so far, Hay De Mi, with producer Noriega.
Gringo's solo album El Independiente was released in March of 2007. Gringo also released Reggaeton Con Navidad on December 13, 2005. It featured Bebe, Machito, Klasico, and many others.
In 2006 Baby Rasta released his first solo album "La Ultima Risa", which due to poor promotion did not reach incredible heights in terms of sales. However, many underground fans, most who bootlegged the album, labeled it as the best reggaeton album of the year. Later in 2006, Baby Rasta released his single "Toma Nena". Gringo released his solo album "El Independiente" in 2007. Baby Rasta has a new record of his own called Illegal Life Records
[edit] Reunited
In late 2007, Baby Rasta & Gringo have reunited for the first time in 3 years because Baby Rasta has said in previous interviews that he cant live without his babyboo Gringo. Baby Rasta is to come out with his new CD late 2007 or 2008. It's called 'Hip Hop Reality'
Me Mata
Baby Rasta Lyrics
¿Qué debo hacer para volverte a ver?
¿Qué debo, qué debo?
Tú tiene' to' lo que me mata a mí
¿Qué debo hacer para volverte a ver?
Tú tiene' to' lo que me mata a mí
Sencilla y rica como el Bacardí
Yo no me olvido cuando te probé
¿Qué debo hacer para volverte a ver?
Y me mata, me mata tu cuerpo y tu carita
Yo sé que tu cama me necesita
Pa' repetir lo de la otra ve'
¿Y qué tal si nos vemo'
En una cena donde nos comemos?
Tú solo dime, que llego y te freno
Tú pone' la hora y el lugar
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime que llego y te freno
Tú pone' la hora y yo el lugar
Tú pone' la hora y yo el lugar
Baby, dime dónde te busco
Pa' que sea' mi plato personal
Esto no es personal, pero que se mantenga oculto
Y así nunca nos podrán ubicar
Yo no paro de pensar en cómo tú te mueve'
Baby, háblame claro, dime si quiere' o no quieres'
Me tiene' pensando en esto de vierne' a jueves'
Sé que estás igual que yo y de ganas te muere'
Por la forma en que tú me miras'
Sé que quiere' que lo hagamo' de nuevo
Yo sé que estas gana' no expiran
Pero, baby, no pichee'
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime, que llego y te freno
Tú pone' la hora y yo el lugar
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime que llego y te freno
Tú pone' la hora y yo el lugar
Tú pone' la hora y yo el lugar
Tú pone' la hora, pero yo quiero olvidar el tiempo
Yo pongo el lugar y la posición en que quiero tu cuerpo
Pero, baby, dime cuándo y volvemo' y lo hacemo'
Nos encontramo' y del mundo nos perdemo'
Y amo chingarte y no nos queremos
En la cama amante', en la calle no nos conocemos
Tu cuerpo es una movie, quiero repetir la escena
Vamo' a comerno' 'e desayuno almuerzo y cena
La bellaquera a 180 y la baby no frena
Salgo a cazarte como el lobo en luna llena
La noche huele a travesura'
Ese booty es una ricura
Se me trepa encima, yo la llevo al climax
Soy fanático 'e su cintura
La noche huele a travesura'
Ese booty es una ricura
Se me trepa encima, yo la llevo al climax
Soy fanático 'e su cintura, ah (tú tiene' to' lo que me mata a mí)
Tú tiene' to' lo que me mata a mí
Sencilla y rica como el Bacardí
Yo no me olvido cuando te probé
¿Qué debo hacer para volverte a ver?
Y me mata, me mata tu cuerpo y tu carita
Yo sé que tu cama me necesita
Pa' repetir lo de la otra ve'
¿Y qué tal si nos vemo'
En una cena donde nos comemos?
Tú solo dime, que llego y te freno
Tú pone' la hora y el lugar
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime que llego y te freno
Tú pone' la hora y yo el lugar
Tú pone' la hora y yo el lugar
¿Qué debo hacer para volverte a ver?
¿Qué debo, qué debo?
Tú tiene' to' lo que me mata a mí
¿Qué debo hacer para volverte a ver?
To' lo que me mata a mí
Para volverte a ver
To' lo que me mata a mí
¿Qué debo, qué debo?
Tú tiene' to' lo que me mata a mí
¿Qué debo hacer para volverte a ver?
Tú tiene' to' lo que me mata a mí
Sencilla y rica como el Bacardí
Yo no me olvido cuando te probé
¿Qué debo hacer para volverte a ver?
Y me mata, me mata tu cuerpo y tu carita
Pa' repetir lo de la otra ve'
¿Y qué tal si nos vemo'
En una cena donde nos comemos?
Tú solo dime, que llego y te freno
Tú pone' la hora y el lugar
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime que llego y te freno
Tú pone' la hora y yo el lugar
Tú pone' la hora y yo el lugar
Baby, dime dónde te busco
Pa' que sea' mi plato personal
Esto no es personal, pero que se mantenga oculto
Y así nunca nos podrán ubicar
Yo no paro de pensar en cómo tú te mueve'
Baby, háblame claro, dime si quiere' o no quieres'
Me tiene' pensando en esto de vierne' a jueves'
Sé que estás igual que yo y de ganas te muere'
Por la forma en que tú me miras'
Sé que quiere' que lo hagamo' de nuevo
Yo sé que estas gana' no expiran
Pero, baby, no pichee'
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime, que llego y te freno
Tú pone' la hora y yo el lugar
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime que llego y te freno
Tú pone' la hora y yo el lugar
Tú pone' la hora y yo el lugar
Tú pone' la hora, pero yo quiero olvidar el tiempo
Yo pongo el lugar y la posición en que quiero tu cuerpo
Pero, baby, dime cuándo y volvemo' y lo hacemo'
Nos encontramo' y del mundo nos perdemo'
Y amo chingarte y no nos queremos
En la cama amante', en la calle no nos conocemos
Tu cuerpo es una movie, quiero repetir la escena
Vamo' a comerno' 'e desayuno almuerzo y cena
La bellaquera a 180 y la baby no frena
Salgo a cazarte como el lobo en luna llena
La noche huele a travesura'
Ese booty es una ricura
Se me trepa encima, yo la llevo al climax
Soy fanático 'e su cintura
La noche huele a travesura'
Ese booty es una ricura
Se me trepa encima, yo la llevo al climax
Soy fanático 'e su cintura, ah (tú tiene' to' lo que me mata a mí)
Tú tiene' to' lo que me mata a mí
Sencilla y rica como el Bacardí
Yo no me olvido cuando te probé
¿Qué debo hacer para volverte a ver?
Y me mata, me mata tu cuerpo y tu carita
Yo sé que tu cama me necesita
Pa' repetir lo de la otra ve'
¿Y qué tal si nos vemo'
En una cena donde nos comemos?
Tú solo dime, que llego y te freno
Tú pone' la hora y el lugar
¿Y qué tal si nos vemo'
En una cena donde nos comemo'?
Tú solo dime que llego y te freno
Tú pone' la hora y yo el lugar
Tú pone' la hora y yo el lugar
¿Qué debo hacer para volverte a ver?
¿Qué debo, qué debo?
Tú tiene' to' lo que me mata a mí
¿Qué debo hacer para volverte a ver?
To' lo que me mata a mí
Para volverte a ver
To' lo que me mata a mí
Lyrics © ONErpm
Written by: Adrian Pimentel, Christian Andres Linares Carrasquillo, Jadiel Jesus Nunes Oliveras, Juan Nunez, Nelson Enrique Alvarado Palomino, Noel Santos Roman, Samuel Gerena, Victor Viera Moore, Wilmer Alicea
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@juansaez6199
Que irónico no? Antes se criticaba este tipo de música y ahora se extraña....
@jhonluiscamelo6110
Yes, tienes razón bro
@exodusarz9004
Realllll acabamos con este tipo de musica sin saberlo 🥺🥺🥺😢
@B4ST1RRI5
la gente nunca sabe lo que quiere....
@arthurr7803
Yo nunca critique este tipo de música, hasta la fecha sigo gozandomela de estos temazos ( agradecido con el de arriba )
@mateocastaneda4015
Desde siempre solo escucho los temas viejos, de los nuevos 2 o casi 3 años para acá no hay ningún CLASICO o HIMNO
@Daniela_2212
Mensaje para futuras generaciones: nunca dejen morir esta joya.
@akkleeo9676
Jamás 🙌💙
@Black_moor999
Nunca estos times buenos 😢😌🔥
@WallieEva-nm3fl
A puesto que la dejan de escuchar porque la letra es muy bulgar para ellos