Killamangiro
Babyshambles Lyrics


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Oh-oh, oh, oh, oh-oh
Oh, oh, oh
Why would you pay to see me in a cage?
And why would you pay to see me in a cage?
Some men call the stage

Listen now, I have gone
You will know
I was the only one that gladly died
What was wrong in the eyes of the unwell and unwise

They killed a man for his giro today
Oh, wasn't very gay, I didn't mind
I wasn't money-mad anyway
They killed a man for his giro today

Why, would you pay
Why, would you pay
See me in the cage
Which the whole world calls a stage

And know
When the night has come
You might say
I was not the only the one who would've died
What was wrong in the eyes of the cruel and unwise
And they killed a man for his giro today

On the off chance that you're listening
To the radio
I thought you might like to know you broke my heart

Can only saddle-up or hedge your bets
Or take a chance and never get to you again
All my ties, time and time again
Trying hard not to try too hard
When I forgive, I won't forget
To killing time, so I'm better now
Don't need it anymore
Anything that makes you feel hate
Can do without hate
Now I believe in love

Now I have gone
Oh yeah, I will pay
For everything you've done
What was wrong
In the eyes of the unwell and unwise
They killed a man for his giro today





Oh, oh, oh

Overall Meaning

The lyrics of "Killamangiro" by Babyshambles are a reflection on the commodification of art and the ways in which society pressures individuals, particularly those in the entertainment industry, to conform and perform for the pleasure of others. The repeated question of "why would you pay to see me in a cage" highlights the sense of confinement that comes with being constantly under public scrutiny, while the reference to "some men call the stage" acknowledges the power dynamics that exist within the industry, with artists often at the mercy of those who control their access to audiences.


The second half of the song takes a more political turn, with the lyrics referring to the killing of a man for his "giro" (British slang for a welfare check). This highlights the ways in which poverty and inequality can lead to violence and desperation, and suggests that the societal pressures that artists face are part of a broader pattern of oppression and injustice. The final verse, which includes lines such as "now I believe in love" and "trying hard not to try too hard", speaks to the idea of self-acceptance and the struggle to balance personal authenticity with external pressures and expectations.


Line by Line Meaning

Oh-oh, oh, oh, oh-oh
The song begins with an upbeat and catchy tune


Why would you pay to see me in a cage?
The artist questions why people would want to watch him perform behind bars


And why would you pay to see me in a cage?
He repeats his question, emphasizing the absurdity of the situation


Some men call the stage
He acknowledges that some people refer to the stage as a cage


Listen now, I have gone
The artist declares his absence or departure from the situation


You will know
He asserts that people will realize his importance once he's gone


I was the only one that gladly died
The artist claims that he is willing to make sacrifices for his craft


What was wrong in the eyes of the unwell and unwise
He suggests that those who criticize him are misguided or ignorant


They killed a man for his giro today
The artist alludes to a recent event where someone was killed for their welfare check


Oh, wasn't very gay, I didn't mind
He comments on the seriousness of the situation but admits it didn't affect him personally


I wasn't money-mad anyway
He suggests that he's not obsessed with money, unlike some people who might kill for it


Why, would you pay
He repeats his earlier question, incredulous at the idea of being paid to perform in a 'cage'


See me in the cage
He describes the stage as a trap or prison


Which the whole world calls a stage
He recognizes that the world sees the stage as just that - a performance space


And know
He instructs the listener to understand


When the night has come
He speaks poetically about darkness falling


You might say
He implies that people might have different opinions


I was not the only the one who would've died
He suggests that others are also willing to make sacrifices for their art


What was wrong in the eyes of the cruel and unwise
He repeats his earlier idea that critics are foolish and misguided


And they killed a man for his giro today
He repeats the shocking event of someone's murder for their welfare check


On the off chance that you're listening
He addresses his audience directly, acknowledging that they might not be paying full attention


To the radio
He humorously references the medium through which people might hear his music


I thought you might like to know you broke my heart
He confesses his emotional pain to his listeners


Can only saddle-up or hedge your bets
He begins to explore the idea of taking a risk or playing it safe


Or take a chance and never get to you again
He suggests it's possible to miss an opportunity by playing it safe


All my ties, time and time again
He has repeatedly found himself in situations where he has to choose between taking a risk or playing it safe


Trying hard not to try too hard
He acknowledges the difficulty of finding a balance between caution and impulsiveness


When I forgive, I won't forget
He promises not to hold a grudge but still remembers past slights


To killing time, so I'm better now
He reflects on past mistakes and how they've helped him become a better person


Don't need it anymore
He declares that he's grown beyond certain mistakes or experiences


Anything that makes you feel hate
He speaks generally about negative emotions


Can do without hate
He advocates for positivity and love instead of hate


Now I believe in love
He declares his faith in the power of love


Now I have gone
He repeats his earlier statement about his absence


Oh yeah, I will pay
He claims to be willing to pay the price for his art


For everything you've done
He's addressing someone who has wronged him and suggests they'll pay for it in the end


What was wrong
He repeats his previous idea of unfair criticism


In the eyes of the unwell and unwise
He still believes that his detractors are misguided and foolish


They killed a man for his giro today
He ends the song on this refrain, repeating the shocking event from earlier in the song




Lyrics © Sony/ATV Music Publishing LLC
Written by: Peter Doherty

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@owenbitowski7572

This song captures everything great about that time; romance, pain, hope and urgency….reminds me of many sticky dance floors and many more cans of red stripe.

@Wintis_Swizzle

Red stripe 😅 The Caribbean beer. Good times

@warrendavies3904

A stomping victory of a song easily one of the best songs ever written and performed

@Darvana-

I could NOT AGREE MORE!! - Bud!. Everything about this Song, Has Class Written All Over!!. 🤘🤠😎🤘

@JulieJulieTheRockChickhermiz

This is by far the best performed version of this song here on YouTube. I’ve listened to very many and It’s exactly like the version I purchased from ITunes, absolutely LOVE it and rate it an easy 10/10

@stephanieschmitt6112

So much talent the Babyshambles! And Pete is a fucking genius! Thanks from France

@jasonschaaf9176

If you don't get how incredible this, and Peter are, you have no soul.

@SamuelEMPowell131

I love Babyshambles but I feel like these early recordings were better than what came after, I especially love the man who came to stay. I saw the libertines them live in Hyde Park with my friend when they reunited, it was one of the best shows I've been to in my life, the crowd was amazing, everyone was singing along to every song, they had to stop playing numerous time because of crowd crushing and people climbing on the light towers, my friend and I had to lift people up constantly who were getting knocked down and even lifted a girl over the barriers to security for her safety, I wanna throw my friend some love as we've been through a lot together, he's heavily influenced by The Libertines, try searching Lonely Gimmick - Grumpy Days ,you may be in for a surprise and he would love to hear your opinion

@theworstguy390

third babyshambles album was brilliant

@doctornov7

Peter was untouchable musically in 2004:

- Libertines second album (he wrote most of the songs on it)
- Bayshambles singles
- For Lovers

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