Te Amo Disgraça
Baco Exu do Blues Lyrics

(Vai, senta firme)
The artist exhorts the listener to sit tight and brace themselves for what is to come.

(Vai, senta, senta, senta) Eu sou Exú!
The artist asserts his identity as Exú, a deity in Afro-Brazilian religions known for his trickery, sensuality, and unbridled energy.

Facção carinhosa, êh êh
Facção Carinhosa is the name of a musical collective and a nod to their spirit of loving rebellion.

Bebendo vinho, quebrando as taça
The artist and their lover are drinking wine and breaking glasses. This could be interpreted as a nod to a wild and carefree lifestyle, or as a metaphor for the often-destructive nature of love.

Fudendo por toda casa
The artist and their lover are having vigorous sex all over the house. This line invokes an image of passion and lust.

Se eu divido o maço, eu te amo desgraça
If the artist shares their cigarettes with their lover, it's a sign they truly love them. The use of 'desgraça' (disgrace) adds a playful, ironic element to this declaration of love.

Te amo, desgraça
The artist repeats their declaration of love, using the same ironic twist on the word 'desgraça.'

Fudendo no banheiro do bar
The artist and their lover are having sex in the bathroom of a bar, which could be seen as a symbol of their willingness to be impulsive and break societal norms.

Embriagados, gritando que a cidade é nossa
The artist and their lover are drunk and shouting that the city belongs to them, which could be seen as a rebellious and defiant assertion of their freedom.

Nosso ódio pelo mundo é parecido
The artist and their lover share a similar hatred for the world, which could stem from a shared sense of marginalization or disillusionment with society.

Você nua pela casa é tão lindo
The artist finds their lover beautiful when they're naked and walking around the house. This line could represent the intimacy and comfort of a relationship.

Bastou a gente fuder, eu vi, tava fudido
After having sex, the artist realizes they've fallen in love with their partner, suggesting a vulnerability and emotional depth in their physical connection.

Transo contra o tédio de domingo
The artist is having sex to combat the boredom of a Sunday, highlighting the often-taboo but very human desire to use sex as a release or coping mechanism.

Paredão batendo e ela dançando
The 'paredão' is a type of portable sound system popular in Brazil. The artist's lover is dancing to the music, suggesting a sense of joy, freedom, and sexuality.

Os cria passam droga, polícia passando
Drug dealers are passing by while the police are also in the vicinity, representing the tension between freedom and danger in the artist's surroundings.

Não há briga entre nós, mas vivemos brigando
Although the artist and their lover aren't fighting per se, there is a constant sense of tension or conflict in their relationship. This line could also be seen as a nod to the volatile nature of love.

Minha preta é rainha
The artist's lover is their queen, invoking an image of royalty, devotion, and admiration.

Por isso eu não perco o trono
The artist is secure in their position as the lover of the queen, and they won't give up their 'throne' (lover) easily.

Oral na minha mulher é minha oração
The act of performing oral sex on their lover is a sacred ritual for the artist, highlighting the importance of physical intimacy in their relationship.

Quebramos outro colchão
The artist and their lover have broken another mattress, implying a wild and passionate sexual connection.

Foda-se, transa no chão
The artist doesn't care about the mess and discomfort of having sex on the floor, suggesting a willingness to spontaneously and unapologetically indulge in their desires.

Até que a morte nos separe ou então a prisão
The artist is willing to be with their lover until death or until they're separated by prison, emphasizing the strength and depth of their feelings.

Estilo Fagner
Fagner is a Brazilian singer-songwriter known for his romantic, heartfelt ballads. This line could be seen as a nod to that style of music or as a way of comparing the artist's own emotional intensity to Fagner's.

Estilo cachorro
The artist compares their intensity and commitment to their lover to that of a dog, which could represent loyalty, protectiveness, and affection.

Ah, se eu fosse você, eu voltava pra mim de novo
The artist wants their lover to come back to them, suggesting a possible separation or conflict in the relationship.

São várias fãs, mas amor, se acostume (por favor)
The artist has many fans or admirers, but they want their lover to get used to it and accept that they are the only one for them.

Nem a morte me chama mais, pois sabe, você tem ciúmes
The artist's lover is possessive or jealous, to the point where even death no longer has a hold on the artist.

Carnaval carnal entre as esquinas da sua coxa, prazer
The artist uses wordplay to describe the sexual pleasure they experience with their lover, comparing it to the 'carnaval' (carnival) and the 'esquinas da sua coxa' (corners of their lover's thigh).

Mais molhada que Veneza, me afundo em você
The artist's lover is very wet, which could represent their arousal or desire. The artist is 'afund[ing]' (sinking) in their lover, suggesting a powerful connection and attraction.

Me chupa no carro roubado
The artist is receiving oral sex from their lover in a stolen car, which could represent a thrill-seeking or rebellious aspect to their relationship.

99 foda
The number 99 is slang in Brazil for a cheap, small motel where people often go to have sex.

Foda pra caralho
The artist and their lover are having a lot of sex, using a vulgar expression to emphasize their pleasure and intensity.

Relação te cobra igual dinheiro emprestado
The artist is comparing their relationship to a debt that needs to be repaid, suggesting a sense of obligation, responsibility, or stress.

Cerveja quente, outro trago
The artist is drinking warm beer and taking another sip, establishing a casual, nonchalant tone to the rest of the line.

Certo pelo certo (claro)
The artist is saying they are being fair or just, using a colloquial expression to emphasize their point.

Fui objetivo, ela falou: Objeto
The artist has been straightforward or blunt, but their lover responds by calling them an object or implying that they are being objectified.

'Cê faz mais falta que Felipe Melo
Felipe Melo is a Brazilian soccer player. The artist is saying that their lover is more important to them than Felipe Melo, using a humorous and idiosyncratic comparison.

Sou paciente, mas / Tem coisa que eu não espero
The artist is patient, but there are some things they can't tolerate or won't put up with. This line could be seen as a warning or as an affirmation of their standards and boundaries.

Acendeu um cigarro / Nos encharcou de gasolina / E falou: Sou seu amor ou seu Nero?
The artist's lover lights a cigarette and sprays them with gasoline, posing the question of whether they are their lover or their 'Nero.' Nero was a Roman emperor known for his sadism and debauchery, making this a provocative and intense moment in the song.

Eu sou seu amor ou seu Nero?
The repeated question implies a sense of uncertainty, fear, or danger in the relationship, and highlights the complex and sometimes-destructive nature of love.

Te amo desgraça
The artist ends the song by reaffirming their love with the same playful and ironic twist as before, encapsulating the raw, passionate, and unapologetic spirit of the song.

(Vai, senta firme) / (Vai, senta, senta, senta) / (Vai, senta firme) / (Vai, senta, senta, senta) / (Vai, senta firme) / (Vai, senta, senta, senta) / (Vai, senta firme) / (Vai, senta, senta, senta, vai)
The repeated exhortation to 'sit tight' is a way of channeling the song's energy and maintaining its rhythm and flow.