Barış Manço (also spelt Baris Mancho or Baris Manco in some European album … Read Full Bio ↴Barış Manço (also spelt Baris Mancho or Baris Manco in some European album releases) (1943 -1999) was a Turkish singer, composer, and television producer.
Manço was born on 2nd January 1943 in Istanbul. His mother, Rikkat Uyanık, had been a famous singer in the early 1940s. His older brother, who was born during World War II, was named Savaş ("war" in Turkish) while he was named Barış ("peace" in Turkish) by his parents to celebrate the end of the war.
While at secondary school at the Galatasaray Lisesi (and later at Şişli Terakki High School) he formed his first band, Kafadarlar ("The Buddies"), all students of a nearby highschool. Asaf Savaş Akat, who became a famous economist, played saxophone, and guitarist Ender Enön made his own guitar because it was difficult to find a real one on the market at that time. In 1962 and 1963, with his next band, Harmoniler ("The Harmonies"), he recorded cover versions of some popular American twist songs and rearrangements of Turkish folk songs in rock-and-roll form, marking the beginning of the Anatolian rock movement, a synthesis of Turkish folk music and rock. In this period, his key visual and musical influence was Elvis Presley.
After leaving school in 1963 he won a scholarship to the Belgian Royal Academy, and went to Belgium to study graphics and art. He toured with his band Les Mistigris (not related to Mistigris) in Germany, Belgium, France, and Turkey until 1967, when he was in a serious car accident, after which he started to grow his signature mustache to disguise his scar.
Frustrated by the difficulties of working with musicians from different nationalities, he formed Kaygısızlar (The Carefrees), featuring Mazhar Alanson and Fuat Güner, future members of the band MFÖ. He recorded several singles and toured with the band, both domestically and internationally, until the band members revealed that they did not want to live abroad. In 1970, he formed Barış Manço ve... ("Barış Manço and ..."), again with foreign musicians, to record his first hit single, both in Turkey and in Belgium, "Dağlar Dağlar" (Mountains, Mountains!), selling over 700,000 copies.
After the success of "Dağlar Dağlar", Manço recorded a couple of singles with Moğollar (The Mongols), another influential Turkish Anatolian rock band. He then decided to return to Turkey where he recorded with the reformed Kaygısızlar for a short period. In 1971, his early works were compiled under his first full length album Dünden Bugüne, today commonly referred to as "Dağlar Dağlar".
In 1972, he formed Kurtalan Ekspres, the band that would accompany him until his death. He continued to release singles until 1975, when he released his first non-compilation album, 2023, a concept album that included many instrumental pieces.
As a last attempt to reach international success, he released the album Baris Mancho (1976), mostly with the George Hayes Orchestra, in Europe and South Africa. Although the album did not bring the fame he was expecting, it did reach the top of the charts in Romania and Morocco. The following year the album was released in Turkey under the title Nick the Chopper.
From 1977 to 1980,he released three more albums in Turkey, partly consisting of compilations of older singles: Sakla Samanı Gelir Zamanı (1977), Yeni Bir Gün (1979), and 20. Sanat Yılı Disko Manço (1980), all with a similar sound to his earlier album 2023. All these albums are now rarity items, but most of the material from the era is available in the later compilations Ben Bilirim and Sarı Çizmeli Mehmet Ağa.
In 1981 Manço released Sözüm Meclisten Dışarı with Kurtalan Ekspres, containing many hit songs including "Alla Beni Pulla Beni", "Arkadaşım Eşşek", "Gülpembe", "Halhal", and "Dönence". The album remains one of their most popular works, and boosted Manço's popularity in the 1980s. "Arkadaşım Eşşek" ("My Friend Donkey"), quickly grew very popular among children (the song is about rural nostalgia ,and was not initially intended as a children's song). Throughout his career he went on to write many other songs primarily for children. On the other hand "Gülpembe", composed by Kurtalan Ekspres bassist Ahmet Güvenç, a requiem for Manço's grandmother, caught the attention of older audiences, and is probably the artist's most popular song, competing only with "Dağlar Dağlar".
In 1983, Estağfurullah, Ne Haddimize was released. It contained the hit songs "Halil İbrahim Sofrası" and "Kol Düğmeleri", a new version of the artist's very first song. "Halil İbrahim Sofrası" exemplified Manço's signature moral-themed lyrics, a rare feature in Turkish pop music. In 1985, 24 Ayar Manço which included "Gibi Gibi" and a long conceptual song "Lahburger", was released. It marked the beginning of the shift in Manço's sound characterised by the heavy use of synthesisers and drum machine, in contrast with his older works consisting of a rock-based sound. Manço went on to release Değmesin Yağlı Boya (1986), Sahibinden İhtiyaçtan (1988), and Darısı Başınıza (1989), each containing a couple of hit songs and demonstrating his new sound.
In 1988 7'den 77'ye (From age 7 to 77), a television series directed and presented by Manço, began to run on TRT 1, the national TV channel of Turkey. It was a combined music, talk show, and documentary programme which was a major hit during the eight years it stayed on the air. Manço travelled to nearly 150 countries for the series. "Adam Olacak Çocuk" , a part of the show, strengthened Manço's acceptance among children
Although his popularity continued mostly due to this series, his musical work in 1990s wasn't so well received. The albums Mega Manço (1992) and Müsadenizle Çocuklar (1995) were considered the weakest of his career, despite the limited success of the 1992 children's hit "Ayı" (The Bear). On the other hand, in 1995 he toured in Japan with Kurtalan Ekspres, leading to Live in Japan (1996), his first and only live album. He released two albums in that country with some recognition as "the man who writes songs about vegetables", referring to "Domates, Biber, Patlıcan" ("Tomato, Pepper, Aubergine") and "Nane, Limon Kabuğu" (Mint, Lemon Rind), two of his hit songs from the 1980s.
Manço died on 31st January 1999 of a sudden heart attack, just before the release of his newly finished album Mançoloji (Mançology) (1999), a double album containing new recordings of his hit songs along with an unfinished instrumental song "40. Yıl" ("The 40th Anniversary"), celebrating his fortieth year in music. Over his career he had composed about 200 songs, some of which were translated into a variety of languages including Greek, Bulgarian, Romanian, Persian, Japanese, and Arabic.
Manço was born on 2nd January 1943 in Istanbul. His mother, Rikkat Uyanık, had been a famous singer in the early 1940s. His older brother, who was born during World War II, was named Savaş ("war" in Turkish) while he was named Barış ("peace" in Turkish) by his parents to celebrate the end of the war.
While at secondary school at the Galatasaray Lisesi (and later at Şişli Terakki High School) he formed his first band, Kafadarlar ("The Buddies"), all students of a nearby highschool. Asaf Savaş Akat, who became a famous economist, played saxophone, and guitarist Ender Enön made his own guitar because it was difficult to find a real one on the market at that time. In 1962 and 1963, with his next band, Harmoniler ("The Harmonies"), he recorded cover versions of some popular American twist songs and rearrangements of Turkish folk songs in rock-and-roll form, marking the beginning of the Anatolian rock movement, a synthesis of Turkish folk music and rock. In this period, his key visual and musical influence was Elvis Presley.
After leaving school in 1963 he won a scholarship to the Belgian Royal Academy, and went to Belgium to study graphics and art. He toured with his band Les Mistigris (not related to Mistigris) in Germany, Belgium, France, and Turkey until 1967, when he was in a serious car accident, after which he started to grow his signature mustache to disguise his scar.
Frustrated by the difficulties of working with musicians from different nationalities, he formed Kaygısızlar (The Carefrees), featuring Mazhar Alanson and Fuat Güner, future members of the band MFÖ. He recorded several singles and toured with the band, both domestically and internationally, until the band members revealed that they did not want to live abroad. In 1970, he formed Barış Manço ve... ("Barış Manço and ..."), again with foreign musicians, to record his first hit single, both in Turkey and in Belgium, "Dağlar Dağlar" (Mountains, Mountains!), selling over 700,000 copies.
After the success of "Dağlar Dağlar", Manço recorded a couple of singles with Moğollar (The Mongols), another influential Turkish Anatolian rock band. He then decided to return to Turkey where he recorded with the reformed Kaygısızlar for a short period. In 1971, his early works were compiled under his first full length album Dünden Bugüne, today commonly referred to as "Dağlar Dağlar".
In 1972, he formed Kurtalan Ekspres, the band that would accompany him until his death. He continued to release singles until 1975, when he released his first non-compilation album, 2023, a concept album that included many instrumental pieces.
As a last attempt to reach international success, he released the album Baris Mancho (1976), mostly with the George Hayes Orchestra, in Europe and South Africa. Although the album did not bring the fame he was expecting, it did reach the top of the charts in Romania and Morocco. The following year the album was released in Turkey under the title Nick the Chopper.
From 1977 to 1980,he released three more albums in Turkey, partly consisting of compilations of older singles: Sakla Samanı Gelir Zamanı (1977), Yeni Bir Gün (1979), and 20. Sanat Yılı Disko Manço (1980), all with a similar sound to his earlier album 2023. All these albums are now rarity items, but most of the material from the era is available in the later compilations Ben Bilirim and Sarı Çizmeli Mehmet Ağa.
In 1981 Manço released Sözüm Meclisten Dışarı with Kurtalan Ekspres, containing many hit songs including "Alla Beni Pulla Beni", "Arkadaşım Eşşek", "Gülpembe", "Halhal", and "Dönence". The album remains one of their most popular works, and boosted Manço's popularity in the 1980s. "Arkadaşım Eşşek" ("My Friend Donkey"), quickly grew very popular among children (the song is about rural nostalgia ,and was not initially intended as a children's song). Throughout his career he went on to write many other songs primarily for children. On the other hand "Gülpembe", composed by Kurtalan Ekspres bassist Ahmet Güvenç, a requiem for Manço's grandmother, caught the attention of older audiences, and is probably the artist's most popular song, competing only with "Dağlar Dağlar".
In 1983, Estağfurullah, Ne Haddimize was released. It contained the hit songs "Halil İbrahim Sofrası" and "Kol Düğmeleri", a new version of the artist's very first song. "Halil İbrahim Sofrası" exemplified Manço's signature moral-themed lyrics, a rare feature in Turkish pop music. In 1985, 24 Ayar Manço which included "Gibi Gibi" and a long conceptual song "Lahburger", was released. It marked the beginning of the shift in Manço's sound characterised by the heavy use of synthesisers and drum machine, in contrast with his older works consisting of a rock-based sound. Manço went on to release Değmesin Yağlı Boya (1986), Sahibinden İhtiyaçtan (1988), and Darısı Başınıza (1989), each containing a couple of hit songs and demonstrating his new sound.
In 1988 7'den 77'ye (From age 7 to 77), a television series directed and presented by Manço, began to run on TRT 1, the national TV channel of Turkey. It was a combined music, talk show, and documentary programme which was a major hit during the eight years it stayed on the air. Manço travelled to nearly 150 countries for the series. "Adam Olacak Çocuk" , a part of the show, strengthened Manço's acceptance among children
Although his popularity continued mostly due to this series, his musical work in 1990s wasn't so well received. The albums Mega Manço (1992) and Müsadenizle Çocuklar (1995) were considered the weakest of his career, despite the limited success of the 1992 children's hit "Ayı" (The Bear). On the other hand, in 1995 he toured in Japan with Kurtalan Ekspres, leading to Live in Japan (1996), his first and only live album. He released two albums in that country with some recognition as "the man who writes songs about vegetables", referring to "Domates, Biber, Patlıcan" ("Tomato, Pepper, Aubergine") and "Nane, Limon Kabuğu" (Mint, Lemon Rind), two of his hit songs from the 1980s.
Manço died on 31st January 1999 of a sudden heart attack, just before the release of his newly finished album Mançoloji (Mançology) (1999), a double album containing new recordings of his hit songs along with an unfinished instrumental song "40. Yıl" ("The 40th Anniversary"), celebrating his fortieth year in music. Over his career he had composed about 200 songs, some of which were translated into a variety of languages including Greek, Bulgarian, Romanian, Persian, Japanese, and Arabic.
Dağlar Dağlar
Barış Manço Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ellerimle büyüttüğüm solarken dirilttiğim
Çiçeğimi kopardın sen ellere verdin
Çiçeğimi kopardın sen ellere verdin
Dağlar dağlar
Kurban olam yol ver geçem
sevdiğimi son bir olsun yakından görem
Dağlar dağlar
Kurban olam yol ver geçem
sevdiğimi son bir olsun yakından görem
Kuşlar ötmez güller soldu yüce dağlar duman oldu
Belli ki gittiğin yerden kara haber var
Belli ki gittiğin yerden kara haber var
Çiçeğimi kopardın sen ellere verdin
Çiçeğimi kopardın sen ellere verdin
Dağlar dağlar
Kurban olam yol ver geçem
sevdiğimi son bir olsun yakından görem
Dağlar dağlar
sevdiğimi son bir olsun yakından görem
Kuşlar ötmez güller soldu yüce dağlar duman oldu
Belli ki gittiğin yerden kara haber var
Belli ki gittiğin yerden kara haber var
The lyrics of Barış Manço's "Dağlar Dağlar" tell a story of heartbreak and loss. The singer mourns the loss of a beloved flower that he had lovingly grown and cared for with his own hands, only to have it plucked and given away. This serves as a metaphor for the loss of a lover that he had cherished and nurtured, only to have them taken from him and given to someone else.
The chorus of the song is a plea to the mountains, asking them to allow the singer to pass through and catch one last glimpse of his beloved. The imagery of the mountains as a barrier that needs to be overcome is a powerful symbol for the emotional struggles of the singer in trying to come to terms with his loss.
The final verse of the song speaks of the desolation and emptiness that the singer feels, with the absence of any signs of life around him except for the smoke rising from the distant mountains. This serves as a visual representation of the emotional barrenness that he experiences, with his heart consumed by the grief and sorrow of his loss.
Overall, the lyrics of "Dağlar Dağlar" are a poignant and moving portrayal of heartbreak and loss, with the metaphor of the beloved flower serving as a potent symbol for the singer's emotional pain.
Line by Line Meaning
Ellerimle büyüttüğüm solarken dirilttiğim
The flower that I nurtured and brought back to life with my own hands
Çiçeğimi kopardın sen ellere verdin
You plucked my flower and gave it away to others
Dağlar dağlar, kurban olam yol ver geçem
Oh mountains, I am willing to sacrifice myself, please let me pass
Sevdiğimi son bir olsun yakından görem
Let me see my beloved up close for one last time
Kuşlar ötmez güller soldu yüce dağlar duman oldu
The birds stopped singing, the flowers withered, and the majestic mountains were covered in smoke
Belli ki gittiğin yerden kara haber var
It's clear that there is bad news coming from the place you went to
Contributed by Joshua D. Suggest a correction in the comments below.
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@denizberk2064
Ellerimle büyüttüğüm solarken dirilttiğim
Çiçeğimi kopardın sen ellere verdin
Çiçeğimi kopardın sen ellere verdin
Dağlar dağlar
Kurban olam yol ver geçem
sevdiğimi son bir olsun yakından görem
sevdiğimi son bir olsun yakından görem
Kuşlar uçmaz güller soldu yüce dağlar duman oldu
Belli ki gittiğin yerden kara haber var
Belli ki gittiğin yerden kara haber var
@melihtamer7951
Gençliğimde dağlar yol ver gecem
Sevdiğimi son bir olsun yakından görem sözleri bana bu şarkıyı sevdirmisti
Bugün yaşlı halimde bu şarkıyı şu sözlerden hatırladım
Çiçeğimi kopardın sen
Şarkı 2 generationa hitab edebiliyor
Yorum aratır cinsten yani Eser bu olsa gerek
Allah CC taksiratini affetsin inşallah
Elfatiha
selamünaleyküm
@Mr_OSYM
Ellerimle büyüttüğüm
Solar iken dirilttiğim
Çiçeğimi kopardın sen, ellere verdin
Çiçeğimi kopardın sen, ellere verdin
Dağlar dağlar
Kurban olam, yol ver geçem
Sevdiğimi son bir olsun yakından görem x2
Kuşlar ötmez, güller soldu
Yüce dağlar duman oldu
Belli ki gittiğin yerden kara haber var
Belli ki gittiğin yerden kara haber var
Dağlar dağlar
Kurban olam, yol ver geçem
Sevdiğimi son bir olsun yakından görem x2
@zihnitarhan7413
Bir yerlerde BARIŞ MANÇO dinleyen güzel gençler var, onlara selam olsun
@blainerawlings4462
Aleykümselam
@eliftas143
:)
@xezertahirov5089
Ve Aleykumselam kardeşim
@bunyaminseymen4727
Her zaman olacağız 👋❤️
@urasyilmaz5061
Ve aleyküm selam abim 13 yaşındayım severek dinliyorum
@hasanhuseyinsolak3334
saçma sapan şarkıları milyonlar dinliyo böyle güzelim şarkılar 300 bin 500 bin!! Mekanın cennet olsun büyük usta...
@turkoyuncu5443
Hasan Hüseyin Solak Amin
@selim_x_o2669
amin
@bakteriyelkonjugasyonizm7392
Hasan Hüseyin Solak yeni jenerasyonizm hic anlamaz boyle sarkilardan onlarin isleri gucleri ismail yk