Barbra Streisand has recorded more than 60 albums, almost all with Columbia Records. Her early works in the 1960s (her debut The Barbra Streisand Album which won two Grammy Awards in 1963, followed by The Second Barbra Streisand Album, The Third Album, My Name Is Barbra, etc.) are considered classic renditions of theater and nightclub standards, including her version of Happy Days Are Here Again. Beginning with My Name Is Barbra, her albums were often medley-filled keepsakes of her television specials.
Starting in 1969, Streisand tackled contemporary songwriters; like many talented singers of the day, she found herself a fish out of water in attempts to tackle rock, but her vocal talents prevailed and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album Stoney End in 1971. The title track, written by Laura Nyro, was a big hit for Streisand.
Streisand's 1980 album, Guilty featured the songwriting, production and vocal talents of Barry Gibb and was the best-selling album of her recording career. During the 1970s, she was also highly prominent in the pop charts, with number-one records like The Way We Were, Evergreen, No More Tears (Enough Is Enough) (her duet with Donna Summer), and Woman In Love; some of these came from soundtracks of her films. She recently took part in supporting Haiti in singing "We are the World 25th anniversary.
When the 1970s ended, Streisand was named the most successful female singer in the U.S. - only Elvis Presley and The Beatles having sold more albums. [1]
[1] In 1982, New York Times music critic Stephen Holden wrote that Streisand was "the most influential mainstream American pop singer since Frank Sinatra."
Come Back To Me
Barbra Streisand Lyrics
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Take a train, steal a car
Hop a freight, grab a star, come back to me
Catch a plane, catch a breeze
On your hands, on your knees
Swim or fly, only please, come back to me
On a mule, in a jet
With your hair in a net
I don't care, this is where you should be
From the hills, from the shore
Ride the wind to my door
Turn the high with the dust
Break the law if you must
Move the world, only just come back to me
Blast you high, hear me call
Must i fight city hall
Here and now, damn it all, come back to me
What on earth must i do
Scream and yell till i'm blue
Curse your soul when will you come back to me?
Have you gone to the moon or the corner saloon
At your rack, at your room
Mademoiselle, where in hell can you be?
Leave a sign on your door
Out to lunch ever more
In a royce or a van, wrapped in mink coats or rain
Anyway that you can, come back to me
Hear my voice through the dim
Feel the waves on your skin
Like a call from within, come back to me
Leave behind all your own
Tell your flowers you will phone
Let your dog walk alone, come back to me
Let your tub overflow
If a date waits below
Let him wait for godot
By the rail,
Come by mail, cod
Par avion, par bateau
Dans une vielle, deux chevaux
Come by steam, come by gas
Call for free on a pass
On the drags and the glass, come back to me
Leave your bills all unpaid
Let your bed go unmade
Your souffle unsouffled, come back to me
Come by sail, come by freight
In a box or a tray, keep your head on the plate
I don't care this is where you should be
Come in pain or in joy
As a girl, as a boy
In a bag or a trunk (shut up!)
On a horse or a drunk
In the flora or faun, come back to me
Come back to me, come back...
"daisy"
"will you stop bothering me?"
"why, daisy, you're a bloody miracle!"
The song "Come Back to Me" by Barbra Streisand speaks to the desire and longing for someone to return to the singer. The first stanza offers various suggestions of how the person could come back - take a train, steal a car, hop a freight, grab a star, catch a plane, catch a breeze, swim or fly - all of which emphasize the importance of the person's return. It doesn't matter if they are travelling on a mule or on a jet, with their hair in a net or in a towel when they are wet, they just need to come back to where they should be - with the singer.
The second stanza pleads with the person to come back. The singer would do anything for their return, even if they have to break the law or move the world just a little bit. The lyrics reference the possibility of the person being off doing something fun or mundane - on the moon or at the corner saloon, at their rack or at their room - and the singer doesn't care as long as they eventually come back. The song ends with the singer begging the person to come back in any form - in pain or in joy, as a girl or as a boy, in a bag or a trunk, on a horse or on a drunk - just as long as they come back.
Overall, the lyrics of "Come Back to Me" showcase the desperation of a person who wants someone back in their life, using a variety of different scenarios to paint a vivid image of the lengths they would go to have them return.
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Warner/Chappell Music, Inc.
Lyrics Licensed & Provided by LyricFind
Robo
on Evergreen (Love Theme from A Star Is Born)
I love Melinda Vesterfelt