‘Everything you do in life affects your music if you do music with passion.… Read Full Bio ↴‘Everything you do in life affects your music if you do music with passion. It's YOU in there, with everything good or bad inside’.
Barem
Mauricio Barembuem (a.k.a. Barem) perfectly personifies the new breed of electronic musician who has grown up in the digital age, using intuitive software programs like Reason and Ableton to spontaneously express ideas and emotions. On-line distribution has also made it possible for them to reach out and connect with audiences across the globe, no matter where they are - Buenos Aires for example, where Barem grew up amid the hustle and bustle of a city on the edge.
His teenage years were spent playing blues and rock guitar in bands but this always meant compromise. He longed for a purer form of self expression and eventually found it through electronic music, fascinated in particular by the way some DJs could impose their own personal vision onto the music they played, elevating it to an art form. It was exactly the inspiration he needed and Barem was soon experimenting with sampled loops and buying records (7th City, Spectral, Perlon and of course Minus). However, becoming a techno producer/DJ in Buenos Aires was easier said than done with gigs were few and far between. He was close to quitting a few times but found the right people at the right time and the solid advice they gave kept him motivated and focussed on his goal.
It was to be a defining moment and from that point on his induction into the scene was fast and frenetic. He released the Kleine EP on the free net label Unfoundsound in July 2005 with the track Suki grabbing the attention of many prominent DJs, before graduating to Foundsound with his first vinyl EP - Campo Madness in May 2006. Meanwhile, his relationship with Minus was already taking root. Richie Hawtin encouraged him to submit some demos after hooking up in Buenos Aires, one of which – Opal, appeared on the Min2Max LP which kick-started a period of non-stop touring across the US and Europe as demand for his live performances grew. Two Minus releases then followed in quick succession. 2007 saw the release of his Never Better Than Late EP before 2008’s superb Kolimar EP signalled a distinctive evolution of his sound, adding organic, house inflected grooves to his repertoire. Listening to both EPs, it’s clear Barem concentrates most energy into creating the powerful bass lines that underpin his work. His expansive use of reverb and delay create space for subtle percussive elements to skip and snake while distant, sometimes eerie melodies occur on random, secondary levels as a result of these interacting elements.
Some tracks just sound right from the first moment you experience them to the point where it’s often hard to appreciate the intricacies that lie within. Whether on outstanding remixes like Fuse’s Substance Abuse from last year’s Plus8100 retrospective or his recent outing on Foundsound with the epic Heyday, it’s all about keeping things simple and staying true to the old school, minimalist approach that first got him hooked, his definition of which is both insightful and considered:
‘’...Minimal is not really a sound... it's just a way of making music. It represents good taste, stylish sounds, the underground, afterhours... Whatever native roots you have, whatever music you like or liked in the past, it all fits in there and it's not dying in my opinion. It's just arrived at the point where we’ve rediscovered how free and amazing the concept and the reasons behind it are...’’
Which goes some way to explain his decision in 2008 to step back from performing live to once again concentrate on DJing, infusing his sets with warm, Latin rhythms as he blends his favourite tunes from a cross section of electronic genres past and present. His sets have graced some of the biggest events around – the Detroit Music Festival, Timewarp, Miami, Ibiza, ADE...not to mention 2009’s Contakt special at Brixton Academy and the Minus North American bus tour.
Looking ahead, expect a lot more touring and even more production from Barem. More information at http:.//www.m-nus.com
Barem
Mauricio Barembuem (a.k.a. Barem) perfectly personifies the new breed of electronic musician who has grown up in the digital age, using intuitive software programs like Reason and Ableton to spontaneously express ideas and emotions. On-line distribution has also made it possible for them to reach out and connect with audiences across the globe, no matter where they are - Buenos Aires for example, where Barem grew up amid the hustle and bustle of a city on the edge.
His teenage years were spent playing blues and rock guitar in bands but this always meant compromise. He longed for a purer form of self expression and eventually found it through electronic music, fascinated in particular by the way some DJs could impose their own personal vision onto the music they played, elevating it to an art form. It was exactly the inspiration he needed and Barem was soon experimenting with sampled loops and buying records (7th City, Spectral, Perlon and of course Minus). However, becoming a techno producer/DJ in Buenos Aires was easier said than done with gigs were few and far between. He was close to quitting a few times but found the right people at the right time and the solid advice they gave kept him motivated and focussed on his goal.
It was to be a defining moment and from that point on his induction into the scene was fast and frenetic. He released the Kleine EP on the free net label Unfoundsound in July 2005 with the track Suki grabbing the attention of many prominent DJs, before graduating to Foundsound with his first vinyl EP - Campo Madness in May 2006. Meanwhile, his relationship with Minus was already taking root. Richie Hawtin encouraged him to submit some demos after hooking up in Buenos Aires, one of which – Opal, appeared on the Min2Max LP which kick-started a period of non-stop touring across the US and Europe as demand for his live performances grew. Two Minus releases then followed in quick succession. 2007 saw the release of his Never Better Than Late EP before 2008’s superb Kolimar EP signalled a distinctive evolution of his sound, adding organic, house inflected grooves to his repertoire. Listening to both EPs, it’s clear Barem concentrates most energy into creating the powerful bass lines that underpin his work. His expansive use of reverb and delay create space for subtle percussive elements to skip and snake while distant, sometimes eerie melodies occur on random, secondary levels as a result of these interacting elements.
Some tracks just sound right from the first moment you experience them to the point where it’s often hard to appreciate the intricacies that lie within. Whether on outstanding remixes like Fuse’s Substance Abuse from last year’s Plus8100 retrospective or his recent outing on Foundsound with the epic Heyday, it’s all about keeping things simple and staying true to the old school, minimalist approach that first got him hooked, his definition of which is both insightful and considered:
‘’...Minimal is not really a sound... it's just a way of making music. It represents good taste, stylish sounds, the underground, afterhours... Whatever native roots you have, whatever music you like or liked in the past, it all fits in there and it's not dying in my opinion. It's just arrived at the point where we’ve rediscovered how free and amazing the concept and the reasons behind it are...’’
Which goes some way to explain his decision in 2008 to step back from performing live to once again concentrate on DJing, infusing his sets with warm, Latin rhythms as he blends his favourite tunes from a cross section of electronic genres past and present. His sets have graced some of the biggest events around – the Detroit Music Festival, Timewarp, Miami, Ibiza, ADE...not to mention 2009’s Contakt special at Brixton Academy and the Minus North American bus tour.
Looking ahead, expect a lot more touring and even more production from Barem. More information at http:.//www.m-nus.com
Link
Barem Lyrics
We have lyrics for 'Link' by these artists:
(The Triple Album Special Edition (V.I.P. Lounge)) Mauro Picotto And if we ever link up I need that one on…
A.B.C. She's got me up all night Thinking about her smile last…
Aimi chikai no ha furuu setsuna kanshoku soshite mata kizutsuite …
Alycia Bella You know I can't keep you Or get you out my…
An Yuki The music stays But my name will change Got a whole new…
atsuko chiba So here’s a thought There’s something more I’d like to say C…
B.C. She's got me up all night Thinking about her smile last…
Bananarama Ah, oh yeah, ah Gonna make you feel alright Ah, oh yeah,…
Black Market Radio Thinking back, circa nineteen-ninety-something, I got jacke…
Cary T. Brown Marcus Brown, It's goin' down, On Autotunes Fresh up out the…
Collective Soul I'm sleeping to encompass myself I wake up then distribute…
DIMWORK Link I'm roaming around somewhere. roll a dice and back to …
Dizzi Mystica feat. YUKI The music stays But my name will change Got a whole new…
Era vs Mass-Hole Link! It's time for your awakening Can't you hear the goddes…
Famous Dex So we made our dream a reality, we appreciate all…
G.E.E.K Deh don't hear! Deh don't hear! Deh playing in there! Ahh! D…
Gojira He who learns must suffer I want to protect myself let…
Gora Gill ਹੋ ਹੁੰਦੇ ਆ Toronto ਤਕ ਕਮ phone ਤੇ ਮਿੰਟਾ ਵਿਚ ਰਖ…
Graffitti 例えば僕は君を抱きしめているのに こんなにも激しく求め合っているのに それでも嘘だの まがいものだのって 手探りを繰り返…
HAYA乐团 Link the rising sun, 冉冉升起的太阳 warm the grass and flowers, t…
Hurt Są chwile gdy nie rozmawiamy Mijamy się tylko monologami Wca…
K. Forest She wanna link, yeah She wanna link She wanna link up She wa…
Kate It's raining What has become of my painting All the colors a…
Keisuke.N (nilooo) (HeyyLotus, won't you hit that pluck) Ja, Ich kämpf…
L"Arc~En~Ciel Do you remember? When we were kids, there was a…
L'Arc-en-Ciel oboeteiru kai? osanai koro kara tsumasakidachi de todokanai …
L'Arc-~en~Ciel Do you remember? When we were kids, there was a…
L'Arc~en~Ciel 覚えているかい? 幼い頃から爪先立ちで 届かない扉が有ったよね 時間を忘れて彷徨い尽くした 迷路の道はいつもそこに行き当…
L'Arc~En~Ciel(라르크 앙 시엘) Do you remember? When we were kids, there was a…
L'Arc~en~Ciel oboeteiru kai? osanai koro kara tsumasakidachi de todokanai …
L'Arc¡«en¡«Ciel Do you remember? When we were kids, there was a…
L'Arc‵en‵Ciel 覚えているかい? 幼い頃から爪先立ちで 届かない扉が有ったよね 時間を忘れて彷徨い尽くした 迷路の道はいつもそこに行き当…
L'Arc。ォen。ォCiel Do you remember? When we were kids, there was a…
La chaîne de P.A.U.L 覚えているかい? 幼い頃から爪先立ちで 届かない扉が有ったよね 時間を忘れて彷徨い尽くした 迷路の道はいつもそこに行き当…
LArc~en~Ciel Do you remember? When we were kids, there was a…
LASTGASP 前向きな言葉なんて言ってらんない日もあって かけられたその「頑張れ」が辛いんだよ 君とした約束が嘘にならないようにね 僕…
Lnf Stacks Yozora Yoshi I pop me a yerky and tell that bitch link Back…
L\'Arc-en-Ciel 覚えているかい? 幼い頃から爪先立ちで 届かない扉が有ったよね 時間を忘れて彷徨い尽くした 迷路の道はいつもそこに行き当…
L\\'Arc-en-Ciel Do you remember? When we were kids, there was a…
L\\Arc-en-Ciel 覚えているかい? 幼い頃から爪先立ちで 届かない扉が有ったよね 時間を忘れて彷徨い尽くした 迷路の道はいつもそこに行き当…
L`Arc¡ãen¡ãCiel Do you remember? When we were kids, there was a…
Madiel Lara Yeah All right, all right Aquí te paso el link Pa' que baje…
Me-Sheen Here's the plan I'll tell you in advance What I really want …
Metroschifter I feel less than natural, a total lack of confidence. Deliv…
Neuraxis Link of innocence... Imagine a link to all humans The one …
NUMBER 201 feat. rhu あの坂を登り終えたらそれぞれの道行こう 空高く舞う鳥見上げて涙隠す 川はやがて海へ帰る そう、僕らの道も同じさ 笑顔…
Oda Nobuna no Yabou - Aimi 誓いの刃 振るう刹那 感触 そしてまた傷ついて 唇を噛みしめながら 何が 正しいのかと問う あなた 守る でもその前に …
Rob Stow I eat my dinner in my bathtub Then I go to…
Submethod Let it go and they'll let you in Let it go,…
sweet ARMS LINK-sweet ARMS L I N K link link 数え切れない星 無数の音 無限の刻の中 願い続ける夢…
The Connells Are you too young to play, too old to let…
Tierra Whack Yeah, you should come and build with me, yeah I think…
Tinker Bell それは幻じゃなく きっと いつもよりも響いた 高く深く広く飲み込んでいく 途切れない夢が見たくて ずっと 不安で溶けない…
UROD404 Лечу из окна, всё из-за тебя Лечу из окна, всё из-за…
Wazir Patar ਪੁੱਤ ਬੀਬੀ ਆਪਣੀ ਨੂੰ ਕਹਿ ਚਾਹ ਦਾ ਪਤੀਲਾ ਧਰ ਦੇ ਬੰਦੇ…
YU-A 心がLINKしていく 無限のパズルのように ハマらないピースはないから 全てを抱きしめて ... 産まれた場所や環境 …
ダルビッシュP & Keisuke.N feat. IA (nilooo) (HeyyLotus, won't you hit that pluck) Ja, Ich kämpf…
ポルノグラフィティ 例えば僕は君を抱きしめているのに こんなにも激しく求め合っているのに それでも嘘だの まがいものだのって 手探りを繰り返…
ラルク・アン・シエル (L'Arc- en -Ciel) 覚えているかい? 幼い頃から爪先立ちで 届かない扉が有ったよね 時間を忘れて彷徨い尽くした 迷路の道はいつもそこに行き当…
愛美 誓いの刃 振るう刹那 感触 そしてまた傷ついて 唇を噛みしめながら 何が 正しいのかと問う あなた 守る でもその前に …
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roskonerock
STILL AWESOME IN 2020!
TruthSeeker
Huge track! Very Very euforic!
hardminimalgroove
I'm not supposed to feel the music in my chest when I'm listening to it through headphones, am I?
Chkhito
Memories and Goosebumps
Nivroth Valachus
i wanted to say exactly this, then i read this so i decided to drop a like :) precisely, bro.
TruthSeeker
Sick sounds, awesome track ! Makes me wanna take coke <3
yankeeoscaruganda Khan
delicious and beautifully effective....a touch of genius
Ηydrochloric Αcid
I feel pain in my brain..!!! I love minimal..!!
unexpected1983
GREAT!!!!!!!!
turboklaus88azshara
nice track