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Barem
Mauricio Barembuem (a.k.a. Barem) perfectly personifies the new breed of electronic musician who has grown up in the digital age, using intuitive software programs like Reason and Ableton to spontaneously express ideas and emotions. On-line distribution has also made it possible for them to reach out and connect with audiences across the globe, no matter where they are - Buenos Aires for example, where Barem grew up amid the hustle and bustle of a city on the edge.
His teenage years were spent playing blues and rock guitar in bands but this always meant compromise. He longed for a purer form of self expression and eventually found it through electronic music, fascinated in particular by the way some DJs could impose their own personal vision onto the music they played, elevating it to an art form. It was exactly the inspiration he needed and Barem was soon experimenting with sampled loops and buying records (7th City, Spectral, Perlon and of course Minus). However, becoming a techno producer/DJ in Buenos Aires was easier said than done with gigs were few and far between. He was close to quitting a few times but found the right people at the right time and the solid advice they gave kept him motivated and focussed on his goal.
It was to be a defining moment and from that point on his induction into the scene was fast and frenetic. He released the Kleine EP on the free net label Unfoundsound in July 2005 with the track Suki grabbing the attention of many prominent DJs, before graduating to Foundsound with his first vinyl EP - Campo Madness in May 2006. Meanwhile, his relationship with Minus was already taking root. Richie Hawtin encouraged him to submit some demos after hooking up in Buenos Aires, one of which – Opal, appeared on the Min2Max LP which kick-started a period of non-stop touring across the US and Europe as demand for his live performances grew. Two Minus releases then followed in quick succession. 2007 saw the release of his Never Better Than Late EP before 2008’s superb Kolimar EP signalled a distinctive evolution of his sound, adding organic, house inflected grooves to his repertoire. Listening to both EPs, it’s clear Barem concentrates most energy into creating the powerful bass lines that underpin his work. His expansive use of reverb and delay create space for subtle percussive elements to skip and snake while distant, sometimes eerie melodies occur on random, secondary levels as a result of these interacting elements.
Some tracks just sound right from the first moment you experience them to the point where it’s often hard to appreciate the intricacies that lie within. Whether on outstanding remixes like Fuse’s Substance Abuse from last year’s Plus8100 retrospective or his recent outing on Foundsound with the epic Heyday, it’s all about keeping things simple and staying true to the old school, minimalist approach that first got him hooked, his definition of which is both insightful and considered:
‘’...Minimal is not really a sound... it's just a way of making music. It represents good taste, stylish sounds, the underground, afterhours... Whatever native roots you have, whatever music you like or liked in the past, it all fits in there and it's not dying in my opinion. It's just arrived at the point where we’ve rediscovered how free and amazing the concept and the reasons behind it are...’’
Which goes some way to explain his decision in 2008 to step back from performing live to once again concentrate on DJing, infusing his sets with warm, Latin rhythms as he blends his favourite tunes from a cross section of electronic genres past and present. His sets have graced some of the biggest events around – the Detroit Music Festival, Timewarp, Miami, Ibiza, ADE...not to mention 2009’s Contakt special at Brixton Academy and the Minus North American bus tour.
Looking ahead, expect a lot more touring and even more production from Barem. More information at http:.//www.m-nus.com
Barem
Mauricio Barembuem (a.k.a. Barem) perfectly personifies the new breed of electronic musician who has grown up in the digital age, using intuitive software programs like Reason and Ableton to spontaneously express ideas and emotions. On-line distribution has also made it possible for them to reach out and connect with audiences across the globe, no matter where they are - Buenos Aires for example, where Barem grew up amid the hustle and bustle of a city on the edge.
His teenage years were spent playing blues and rock guitar in bands but this always meant compromise. He longed for a purer form of self expression and eventually found it through electronic music, fascinated in particular by the way some DJs could impose their own personal vision onto the music they played, elevating it to an art form. It was exactly the inspiration he needed and Barem was soon experimenting with sampled loops and buying records (7th City, Spectral, Perlon and of course Minus). However, becoming a techno producer/DJ in Buenos Aires was easier said than done with gigs were few and far between. He was close to quitting a few times but found the right people at the right time and the solid advice they gave kept him motivated and focussed on his goal.
It was to be a defining moment and from that point on his induction into the scene was fast and frenetic. He released the Kleine EP on the free net label Unfoundsound in July 2005 with the track Suki grabbing the attention of many prominent DJs, before graduating to Foundsound with his first vinyl EP - Campo Madness in May 2006. Meanwhile, his relationship with Minus was already taking root. Richie Hawtin encouraged him to submit some demos after hooking up in Buenos Aires, one of which – Opal, appeared on the Min2Max LP which kick-started a period of non-stop touring across the US and Europe as demand for his live performances grew. Two Minus releases then followed in quick succession. 2007 saw the release of his Never Better Than Late EP before 2008’s superb Kolimar EP signalled a distinctive evolution of his sound, adding organic, house inflected grooves to his repertoire. Listening to both EPs, it’s clear Barem concentrates most energy into creating the powerful bass lines that underpin his work. His expansive use of reverb and delay create space for subtle percussive elements to skip and snake while distant, sometimes eerie melodies occur on random, secondary levels as a result of these interacting elements.
Some tracks just sound right from the first moment you experience them to the point where it’s often hard to appreciate the intricacies that lie within. Whether on outstanding remixes like Fuse’s Substance Abuse from last year’s Plus8100 retrospective or his recent outing on Foundsound with the epic Heyday, it’s all about keeping things simple and staying true to the old school, minimalist approach that first got him hooked, his definition of which is both insightful and considered:
‘’...Minimal is not really a sound... it's just a way of making music. It represents good taste, stylish sounds, the underground, afterhours... Whatever native roots you have, whatever music you like or liked in the past, it all fits in there and it's not dying in my opinion. It's just arrived at the point where we’ve rediscovered how free and amazing the concept and the reasons behind it are...’’
Which goes some way to explain his decision in 2008 to step back from performing live to once again concentrate on DJing, infusing his sets with warm, Latin rhythms as he blends his favourite tunes from a cross section of electronic genres past and present. His sets have graced some of the biggest events around – the Detroit Music Festival, Timewarp, Miami, Ibiza, ADE...not to mention 2009’s Contakt special at Brixton Academy and the Minus North American bus tour.
Looking ahead, expect a lot more touring and even more production from Barem. More information at http:.//www.m-nus.com
Suki
Barem Lyrics
We have lyrics for 'Suki' by these artists:
Alvaro Diaz Me dijo "Hoy salgo tarde, espérame" Suscrito a toa' sus pági…
Enth あ 誰かのうそ どうでもいいね 三国無双 みたいなオケ みんなかわいいね みんなかわいいね みんなかわいいね LOVE …
Eric Reprid うさぎ うさぎ 何見て はねる That chink a lame, that chink a bitch,…
Futami Ami & Mami 風が優しく 涙をさらってゆくよ 見上げれば果てなく澄み渡る空 ただの友達 そんなふうにごまかして 瞳はあなただけ追いかけ…
Kana Nishino 君にも見せたい キレイな景色見つけたから 聴いてほしいあの歌は 最近気になるから 髪型を少し変えた時 一番に君に 見せ…
Kaori Kouzai 見慣れた街角にも 季節はめぐるのに 心は今も あの時のまま 身動き出来ないのよ 逢いたい気持ちだけで かけだしたけれど …
Midori 好き、好き。 あなたが、とても、好き。 好き、好き。 心、うばわれてしまったの。 世界で2人きりの2人。…
Misato Watanabe (渡辺美里) 線路ぞい 真夏の日ざしあびて ひまわりが風にゆれている 次の汽車できみは帰ってくるよ 新しい靴が少し痛い 消し忘れたま…
Rie fu 雨の日がすきって思ってみたい 悲しみもバシって割り切りたい don't you think? 浅はかなものは何もいらな…
Stoja REF. Daj suki daj suki suki suki daj Daj mi pola sveta, Daj…
Tomoko Tane 「会いたくて電話をしたんだ」 それはドーモ恐れいります 言い訳の途中で気づいた そうね 今日は彼女の残業日 あなたにとっ…
Unrest kicking kicking kicking kicking kicking me kicking me kic…
キマグレン ハンバーグは大好きだけど たまにはカレーも 食べたくなるでしょ? 心移りとか そんなんじゃないけど こういう気持ち分かる…
タンポポ いつもの事だとばっかり 思っていたけれど 今度は少し違うね 本気みたいなのね あなたのママ スキだった お姉さんみたい …
ミドリ (Midori) 好き、好き。 あなたが、とても、好き。 好き、好き。 心、うばわれてしまったの。 世界で2人きりの2人。…
渡辺美里 線路ぞい 真夏の日ざしあびて ひまわりが風にゆれている 次の汽車できみは帰ってくるよ 新しい靴が少し痛い 消し忘れたま…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@aciduss
I have never been high while listening this song and i can tell u it is great, little effects are very well selected and that is what makes such a great track.
@xinogatorp
yeah babeeeee!
@augustopoggi6117
IIIIUUJUUU !! ESPECTACULAR!
@DepartmentMinimalLabelMusicDM
great track...... greetz D.M.
@pdog305301
Great tune.
@multimarie64
yesssssss;)
@rbertoful
genious!!
@matibarcelona
Muy bueno loco!
@gorilafrommanila
amazing bassline for a good headphones and a good hight.. *sniff*sniff*
@Mannaio7
es la ostia...dale cana!