Beck was born in Los Angeles, California, to David Campbell (a musician and son of a Presbyterian minister) and Bibbe Hansen (a former dancer for The Velvet Underground, founding member of the satirical band Black Fag, and visual artist). When his parents separated, Beck stayed with his mother and brother in Los Angeles, where he was influenced by that city's diverse musical offerings—everything from hip-hop to latin music—and his mother's art scene – all of which would later reappear in his recorded and published work.
Although Beck's work defies easy description, his eclecticism and genre experiments have sparked comparisons with Prince, though Beck was undoubtedly a less prolific artist, and drew on an absurdist, free-flowing lyrical style totally original when first exposed to mainstream audiences (indeed, some critics labeled him and his breakthrough single Loser as novelties - see below). Despite this individualism, Beck's music was very much a product of the 90s and the media age in general, with hip hop, indie/underground rock, electronic music and genre-benders like the Beastie Boys as notable touchstones; in addition, some critics could not resist likening his head-spinning lyrical aesthetic to a post-modern Bob Dylan sensibility.
After dropping out of high school in the mid-1980s, Beck educated himself and traveled widely. In Germany, he spent time with his grandfather, fluxus artist Al Hansen. His artistic relationship with his grandfather may have influenced both his album art and sense of musical collage. He began the musical activity in 1988. The late-80's found him in New York City as part of the punk-influenced anti-folk music movement.
Beck returned to Los Angeles at the turn of the decade, destitute but motivated. During this time, Beck sought out (or snuck onto) stages at venues all over Los Angeles, from punk clubs to coffee shops. Some of his earliest and most thought-provoking recordings were achieved by working with Tom Grimley at Poop Alley Studios, a part of WIN Records.
In this atmosphere of heady creativity the founders of Bong Load Custom Records discovered Beck. Their 1993 12" vinyl Loser, from an initial run of 530 copies, created a sensation on college and alternative radio that led to a furious bidding war between labels to sign Beck. Eventually, he chose Geffen Records, who offered him terms that included an allowance for the release of independent albums while under contract (he may have owed Bong Load another album or two).
In 1994, Geffen's official debut release of Mellow Gold made Beck a mainstream smash success; it also led to his iconic status as the "slacker" representative of the alternative rock scene, although the title of the song had been ironic.
At the same time, he released Stereopathetic Soulmanure on Flipside Records and One Foot in the Grave on independent K Records. Beck took his act on the road with the 1995 Lollapalooza tour. Still, some critics panned him as a one-hit wonder. Audiences' (especially at Lollapalooza) familiarity with Loser only, and their general disinterest in his other work only reinforced his image as a one-hit wonder. It's been said said that Beck released Stereopathetic Soulmanure and One Foot in the Grave to shake the Gen X-ers that associated themselves with him and made "Loser" their slacker anthem.
The one-hit wonder label was put to rest with the release of 1996's Odelay, a collaborative effort with The Dust Brothers, producers of Paul's Boutique. The lead single, "Where It's At", received heavy airplay and its video was in constant rotation on MTV. Within the year, Odelay had received perfect reviews in Rolling Stone and Spin magazines, having been listed on countless "Best of" lists (it topped the Pazz & Jop Critics Poll for 'Album of the Year'), receiving double-platinum status, and earning an impressive number of industry awards, including two Grammys.
Odelay was followed in 1998 by Mutations. Produced by Nigel Godrich of Radiohead fame, it was intended as a stopgap measure before the next album proper. Recorded over two weeks, during which Beck recorded one song a day, the sessions produced 14 songs. Mutations was a departure from the electronic density of Odelay, and was filled with folk and blues influences. Songs on the album consisted of older tracks, some even dating back as far as 1994.
In 1999, Geffen released the much-anticipated Midnite Vultures, an orgy of sexual and culinary innuendo supported by a world tour. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza.
After Midnite Vultures came Sea Change in 2002, another airy and emotional album with producer Nigel Godrich, which became Beck's first U.S. Top 10 album, reaching # 8. Sea Change was conceptualized as an album with one unifying theme—the stages following the end of a relationship. The album also featured string arrangements by Beck's father and a sonically dense mix reminiscient of Mutations. The Sea Change tour featured The Flaming Lips as Beck's opening and backing band.
In September 2003, Beck returned to the studio to work on his sixth major-label album. Guero was produced by the Dust Brothers and Tony Hoffer and features a collaboration with Jack White of The White Stripes; it marked a return to Odelay-era sound. The album was released in March of 2005 and despite critical acclaim, the album received a more lackluster response from Beck's indie-oriented fanbase.
Beck married Marissa Ribisi in April 2004, shortly before the birth of their son, Cosimo Henri Hansen. 2004 also saw the release of "10 Years of Mellow Gold," a short documentary about Beck's first album.
Beck's next album, The Information was released on October 3, 2006. It is a largely electronic and ambient, filled with blips and beeps. It was produced by Nigel Godrich, who worked on "Sea Change" and a longtime Radiohead and Thom Yorke producer. The first single was Nausea, an acoustic rock hip hop song. The next single was Cellphone's Dead, and the third single was Think I'm In Love.
His next single, Timebomb, was released on iTunes on August 21, 2007, and the limited edition vinyl 12" was released on November 2, 2007, with an instrumental version of the song on the B-side. In December, 2007, it was announced that Timebomb had been nominated for a Grammy in the category of Best Solo Rock Vocal Performance.
Modern Guilt was the eighth studio album by Beck. It was released on July 8, 2008. The album fulfilled Beck's recording contract with Interscope Records. Outside of North America, the record was released by XL Recordings. Its three singles were Chemtrails, Gamma Ray, and Youthless.
Modern Guilt features two contributions by Cat Power and was produced by Beck and Danger Mouse.
The album entered both the Billboard 200 and the Canadian Albums Chart at number four, and gave Beck his first ever Top 10 placing on the UK Albums Chart, peaking at number nine. The album has also been Beck's best charting album in Australia, reaching 13. It sold 84,000 copies in its first week. Although successful, this does not match the first week sales of The Information, which were 99,000. In December 2008, Modern Guilt was nominated for Best Alternative Album at the 51st Grammy Awards.
Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions. The idea of Song Reader came about nearly fifteen years prior, shortly after the release of Odelay. When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound. He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook. In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions.
In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a "proper follow-up" to Modern Guilt. Beck expects to release both albums independently. He released two standalone singles over the course of the summer: the electro ballad Defriended and the chorus-heavy I Won't Be Long. A third single, Gimme, appeared on September 17.
In October 2013, it was announced that Beck signed to Capitol Records. Beck released his twelfth studio album entitled Morning Phase on 21 February 2014. For the recording of Morning Phase, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change. On January 20, 2014, the album's first single Blue Moon was released. Beck released the second single, Waking Light, on February 4, 2014.
4 years later, on October 13th, 2017, Beck released the second album that was supposed to come out alongside Morning Phase. This album was called Colors. Colors is very different from Beck's previous albums, in which he takes a stab at pop music. Beck's expertise, mixing genres, works in this album when he mixes Alternative Rock, hip hop, and a lot of Pop. The album's earliest single, "Dreams", was released in June 2015, and three more ("Wow", "Dear Life", "Up All Night") were released between June 2016 and September 2017. The title track was released as a single in April 2018. The album won the Best Alternative Music Album and Best Engineered Album (Non-Classic) at the 61st Annual Grammy Awards.
After a short wait, Beck released Hyperspace on November 22, 2019. There was little marketing for this album. The whole album is a collaboration with Pharrell Williams, as he produced almost every song on the album. The album's first single was "Saw Lightning" released on April 15, 2019, and had a folk-pop sound to it. It doesn't fit with the rest of the album's synth lo-fi sound. Other singles were "Hyperlife" and "Uneventful Days" on October 17, 2019, and "Dark Places" on November 7, 2019.
2) BECK can refer to a fictional rock band from the Japanese Anime series BECK: Mongolian Chop Squad. The fictional BECK's songs feature in the BECK Original Sound Track. BECK's style and members are highly influenced by various different artists. From vocals in the style of Zack De La Rocha from Rage Against the Machine, guitar influenced by Tom Morello of the same band, the band is highly influenced by rap-rock.
As the series develops, other influence appear, including guitar in the style of Led Zeppelin's Jimmy Page, and Red Hot Chili Peppers John Frusciante. During the series, the band covers a famous The Beatles song, 'I've got a Feeling'. The name BECK could have possibly been influenced by the first artist Beck, mentioned above. Harold Sakushi, the original author of the series, has confirmed that BECK is generally based around the Red Hot Chili Peppers, being his favourite band.
01 E-Pro
Beck Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Straight down out of the world with my fingers
Holding onto the devil I know
All my troubles'll hang on your trigger
Take your eyes and your mind from the road
Shoot your mouth off but look where you're aiming
Don't forget to pick up what you sow
Talking trash to the garbage around you
Na na na na na na na na
Na na na na na na na na
Na na na na na na na na
Na na na na na na na na
See me kickin the door with my boots
Broke down out in a ditch of old rubbish
Snakes and bones in the back of your room
Handing out a confection of venom
Heaven's drunk from the poison you use
Charm the wolves with the eyes of a gambler
Now I see it's a comfort to you
Hammer my bones on the anvil of daylight
Na na na na na na na na
Na na na na na na na na
Na na na na na na na na
Na na na na na na na na
I won't give up that ghost
It's sick the way these tongues are twisted
The good in us is all we know
There's too much left to taste that's bitter
I won't give up that ghost
It's sick the way these tongues are twisted
The good in us is all we know
There's too much left to taste that's bitter
Na na na na na na na na
Na na na na na na na na
Na na na na na na na na
Na na na na na na na na
The lyrics of Beck/Homelife's song E-Pro are cryptic and open to interpretation, but they often allude to a sense of rebellion, danger, and the ambiguity that comes with it. The first verse introduces the singer, a person who has just arrived in town but who doesn't seem to belong there. They carry their soul with them, suggesting that they may be on a journey of self-discovery or self-destruction. The finger, holding onto the devil, may be a metaphor for the singer's inner demons or struggles. The line, "All my troubles'll hang on your trigger," implies that the singer may be a danger to others but also to themselves, as they may be driven towards self-destruction.
The second verse adds more context to the narrative, as the singer seems to interact with other characters in the story. They kick the door with their boots, suggesting a lack of respect for authority or rules. The line about being "broke down out in a ditch of old rubbish" hints at a sense of decay or abandonment. The imagery of "snakes and bones in the back of your room" is ominous and unsettling, suggesting that the singer may be involved in some dangerous or illicit activities. "Heaven's drunk from the poison you use" refers to the singer's destructive tendencies, perhaps fueled by their search for a sense of meaning or adventure.
Overall, the lyrics of E-Pro are hard-hitting and provocative, but they also leave room for interpretation. The song seems to be about the journey of a person who is seeking to break free from the constraints of society and explore their own sense of identity and purpose. The lyrics are poetic and cryptic, leaving the listener to fill in the gaps and find meaning in the images presented.
Line by Line Meaning
See me comin to town with my soul
I am arriving in town with nothing to hide, completely open and honest.
Straight down out of the world with my fingers
I have come directly from reality, using my hands to create my art and express myself.
Holding onto the devil I know
I am aware of my weaknesses and faults but choose to embrace them and use them to fuel my art.
All my troubles'll hang on your trigger
I am vulnerable and my art is sensitive. If you criticize it or reject it, it will hurt me deeply.
Take your eyes and your mind from the road
Stop being so goal-oriented and focus on the present moment and the people around you.
Shoot your mouth off but look where you're aiming
Speak your mind, but be mindful about what you say and the people you may offend or hurt.
Don't forget to pick up what you sow
You will reap what you sow, so be sure to put good energy and intentions into everything you do.
Talking trash to the garbage around you
Gossiping and spreading negativity only brings down the people around you and makes you look bad in the process.
See me kickin the door with my boots
I am a rebel and not afraid to break down barriers and defy expectations with my art.
Broke down out in a ditch of old rubbish
My life may be difficult and messy, but I will use these experiences to create art that is raw and honest.
Snakes and bones in the back of your room
There may be dark and hidden things in your life and in your art that you must confront and embrace.
Handing out a confection of venom
I am not afraid to express my pain and anger through my art, even if it may be uncomfortable for my audience to hear.
Heaven's drunk from the poison you use
When you use your art to express negativity and hate, you only bring down yourself and your audience.
Charm the wolves with the eyes of a gambler
Use your wits and instincts to navigate the art world and the people around you, never forgetting your goals and desires.
Now I see it's a comfort to you
People often find comfort in the status quo and are afraid to branch out and take risks in their art or their life.
Hammer my bones on the anvil of daylight
My life and my art are a constant work in progress, and I will use every opportunity to refine and perfect them.
I won't give up that ghost
I refuse to let go of my past experiences, and they will always influence my art in some way.
It's sick the way these tongues are twisted
People often speak in confusing and contradictory ways, which can make it difficult to communicate clearly and effectively.
The good in us is all we know
Our past experiences and upbringing shape who we are, and it is up to us to find the goodness in ourselves and others in order to make a better world.
There's too much left to taste that's bitter
Life can be full of pain and negativity, but there is always hope for happiness and joy if we look for it and create it with our art and our actions.
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Written by: BECK HANSEN, ADAM HOROWITZ, MICHAEL DIAMOND, ADAM YAUCH, JOHN KING, MIKE SIMPSON
Lyrics Licensed & Provided by LyricFind
hi i'm emily
Only Beck could make the lyric "talking trash to the garbage around you" work.
elvis316
He creates genres and then transcends them.
Bowens92
Emily Plays lol na anyone can do that he's not the first person to ever say that lol there's always someone somewhere that said that first lol.
If he were fat with a double chin you'd think he's garbage lol
ricardo
Emily Plays I think "I wanna get with you and your sister" is waaay harder to make work. Then there's Alex Turner, that makes the line "I want you down on all fours" work so there's that.
cody8804
Idk, it's a good lyric I think it'd work for most singers
kaptaintrips
Only Beck can take a goof-ball dancer and make you want to see more Beck. Such a humble genius!
VandergriftMoefies
Why is Beck so fucking awesome and yet, so underrated!!WHYYYYY!!!
Valeria E
I didn’t know this song could slap any harder than it does in the studio version, but somehow it does.
Didnt mean no harm
Editor: What effects do you want?
Beck: All of them!
Pepe Silvia
Never thought I'd see Charlie Kelly and Scott Pilgrim in the same room.