The Gibb brothers were born on the Isle of Man, UK to English parents in 1946 (Barry Alan Crompton Gibb, September 1) and 1949 ( twins Robin Hugh Gibb and Maurice (pronounced "Morris") Ernest Gibb, December 22). The family returned to father Hugh Gibb's home town of Chorlton-cum-Hardy, Manchester, England in the early 1950s where the boys began to sing in harmony, debuting in public on one memorable occasion at a local cinema. The boys were going to lip sync to a record, which other children had done at the cinema in previous weeks. However, on the way to the cinema, the record was dropped and broken. As a result, the brothers got on stage and sang themselves. They got a very good response from the crowd, which convinced them that singing was what they wanted to do with their lives.
In 1958, the Gibb family, including infant brother Andy (born March 5, 1958 in Manchester), emigrated to Redcliffe, Queensland, Australia, and and went to Humpybong State School. The still very young brothers began performing where they could to raise pocket change. First called the Rattlesnakes, later Wee Johnny Hayes & the Bluecats, and even Les Tosseurs, they were introduced to radio DJ Bill Gates (not to be confused with the founder of Microsoft) by racetrack promoter Bill Goode (who saw them perform at Brisbane's Speedway Circus). Gates renamed them after his and Goode's initials – thus the name was not simply a reference to the brothers Gibb.
By 1960, the Bee Gees were featured on television shows, and in the next few years began working regularly at resorts on the Queensland coast. Barry drew the attention of Australian star Col Joye for his songwriting, and Joye helped the boys get a record deal with Festival Records in 1963 under the name "Bee Gees." The three released two or three singles a year, while Barry supplied additional songs to other Australian artists.
A minor hit in 1965, "Wine and Women," led to the group's first LP Barry Gibb and the Bee Gees Sing and Play 14 Barry Gibb Songs. By late 1966, the family decided to return to England, and seek their musical fortunes there. Whilst at sea in January, 1967, they heard that "Spicks and Specks", a song they had recorded in 1966, had gone to #1 in Australia.
1960s in England
The act's arrival in England in January 1967 was not immediately propitious, as they were advised "Groups are out." However, the Bee Gees were signed soon after their arrival by Robert Stigwood, and added Australian musicians Vince Melouney (guitar) and former child actor Colin Petersen (drums). Their first single recorded in England was "New York Mining Disaster 1941" (1967), a surreal, haunting and macabre composition that made the Top 20 on both sides of the Atlantic. Robert Stigwood boldly claimed that the Bee Gees were "the most significant new musical talent of 1967". Their album Bee Gees' 1st scored well with critics and the public, offering an innovative blend of rock and orchestral ballads such as the charting "To Love Somebody" and the well-regarded "I Can't See Nobody."
The next big single was "Massachusetts," which launched the trio into stardom, followed shortly by the followup "Words". 1968 saw the release of two albums, "Horizontal" and "Idea." The latter contained two more hits, "I've Gotta Get a Message to You" and "I Started a Joke." To some critics and fans, these tracks represent the band's golden years, well before any of their ubiquitous disco hits.
The Bee Gees' next release was Odessa (1969), a dense and complex prog rock album with orchestral accompaniment. By this time, Barry and Robin were increasingly at odds about the creative direction of the group. Once Robert Stigwood made clear that he preferred to promote Barry as the act's leader, Robin left. Barry and Maurice released an LP as a duo, Cucumber Castle (the soundtrack to a television special), which contained the #2 UK hit "Don't Forget to Remember." Meanwhile, Robin released a solo album, Robin's Reign, which included his #2 UK hit "Saved by the Bell."
Early 1970s
The three brothers reunited in the later part of 1970, their feelings about the split evident in many songs about heartache and loneliness. Although they had lost traction on the British charts, the Bee Gees hit #3 in America with "Lonely Days" (from the reunion LP 2 Years On) and had their first U.S. #1 with "How Can You Mend a Broken Heart?" (from Trafalgar). In 1972, they hit #16 with "Run to Me" from the LP To Whom It May Concern; the single also returned them to the British top ten for the first time in three years.
By 1973, however, the Bee Gees were in a rut. The album, Life in a Tin Can, and its lead-off single, "Saw a New Morning," sold poorly with the single peaking at #94. This was followed by an unreleased album (known as A Kick in the Head Is Worth Eight in the Pants).
On the advice of Ahmet Ertegun of their U.S. label Atlantic Records, Stigwood arranged for the group to record with famed soul music producer Arif Mardin. The resulting LP, Mr. Natural, included few ballads and foreshadowed the R&B direction of the rest of their career. But when it too failed to attract much interest, Mardin encouraged them to work with the soul music style.
The brothers attempted to assemble a live stage band that could replicate their studio sound. Lead guitarist Alan Kendall had come on board in 1971, but didn't have much to do until Mr Natural. For that album, they added drummer Dennis Bryon, and they later added ex-Strawbs keyboard player Blue Weaver, completing the late 1970s "Bee Gees band". Maurice, who'd previously performed on piano, guitar, organ, mellotron, and bass guitar, as well as exotica like mandolin and Moog, now confined himself to bass.
At Eric Clapton's suggestion, the brothers relocated to Miami, Florida early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood and crafted more rhythmic songs like "Jive Talkin'" and "Nights on Broadway." The latter featured Barry Gibb's first attempts at singing falsetto, in the backing vocals toward the end. The band liked the resulting new sound, and this time the public agreed, sending the LP Main Course (album) up the charts. Barry Gibb's falsetto would become a staple of subsequent recordings. Mardin was unable to work with the group afterwards, but the Bee Gees enlisted Albhy Galuten and Karl Richardson who'd worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.
The next album, Children of the World, was drenched in Barry's new-found falsetto and Blue's synthesizer dance licks. Led off by the single "You Should Be Dancing," it pushed the Bee Gees to a level of stardom they had not previously achieved in the USA, though the new disco sound was not as popular with some diehard fans from the 1960s. The stereotype of disco was canned, fabricated music, but the Bee Gees' band was closer to a rock act, with rhythm guitar and real drums behind the falsetto.
Late 1970s: Saturday Night Fever
"Saturday Night Fever", became the number one best-selling soundtrack of all time, selling over 40 million of copies.
Following a successful live album, Here at Last...The Bee Gees...Live, The Bee Gees agreed to participate in the creation of the Saturday Night Fever soundtrack. It was the turning point of their career. The cultural impact of both the film and the soundtrack was tremendous not only in the United States but in the world, bringing the nascent disco scene into the mainstream.
Three Bee Gees singles ("How Deep Is Your Love", "Stayin' Alive", and "Night Fever") reached #1 in the United States and in most countries around the world, launching the most popular period of the disco era. They also penned the song "If I Can't Have You" which became a #1 hit for Yvonne Elliman. Such was the popularity of Saturday Night Fever that two different versions of the song "More Than a Woman" received airplay, one by The Bee Gees, which was the B-side of "Stayin' Alive," and another by Tavares, which was the hit. The Gibb' sound was inescapable. During an eight-month period beginning in the Christmas season of 1977, the brothers wrote six songs that held the #1 position on the U.S. charts for 25 of 32 consecutive weeks-- three under their own name, two for brother Andy Gibb, and the Yvonne Elliman single.
Fueled by the movie's success, the album broke multiple records, becoming the highest-selling album in recording history to that point. Saturday Night Fever has since sold circa 40 million copies worldwide [1], making it the best selling soundtrack album of all time.
During this era, Barry and Robin wrote "Emotion" for Samantha Sang, who made it a Top Ten hit (the Bee Gees sang back-up vocals). A year later, Barry wrote the title song to the movie version of the Broadway musical Grease for Frankie Valli to perform, which went to #1. At one time, five songs written by the brothers Gibb were in the U.S. top ten at the same time. It was the first time this kind of chart dominance had been seen ever.
The three Bee Gees also co-starred with Peter Frampton in the movie Sgt. Pepper's Lonely Hearts Club Band loosely inspired by the classic Beatles album released in 1967. The film had been heavily promoted prior to release, and was expected to enjoy great commercial success. However, the disjointed film was savaged by the movie critics, and ignored by the public, while the accompanying soundtrack was the biggest flop of that year, with hundreds of thousands of records being returned by retailers for credit.
During this period, the Bee Gees' younger brother Andy followed his older siblings into a music career, and enjoyed considerable success. Produced by Barry, Andy Gibb's first three singles all topped the U.S. charts.
The Bee Gees' follow-up to Saturday Night Fever was the Spirits Having Flown album. It yielded three more #1 hits: "Too Much Heaven", "Tragedy", and "Love You Inside Out." This gave the act six consecutive #1 singles in America within a year and a half (a record only surpassed by Whitney Houston). "Too Much Heaven" ended up as the Bee Gees' musical contribution to the Music for UNICEF Concert at the United Nations General Assembly in January 1979, a benefit organized by the Bee Gees, Robert Stigwood, and David Frostfor UNICEF that was broadcast worldwide. The brothers donated the royalties from the song to the charity.
The Bee Gees' overwhelming success rose and sank with the disco bubble. By the end of 1979, disco was rapidly declining in popularity, and the backlash against disco put the Bee Gees' American career in a tailspin. Following their remarkable run from 1975-79, the act would only have one more top ten single in the U.S., and not until 1989. The Bee Gees' international popularity sustained somewhat less damage.
1980s and 1990s
In 1981, The Bee Gees released the album Living Eyes, but with the disco backlash still running strong, the album failed to make the US top 40. In 1983, The Bee Gees had greater success with the soundtrack to Staying Alive, the sequel to Saturday Night Fever. The soundtrack was certified platinum in the US, but didn't contain a big hit single from the brothers.
Robin and Barry Gibb released various solo albums in the 1980s, but only with sporadic and moderate chart success. However, the brothers had continuing success behind the scenes, writing and producing for artists such as Barbra Streisand, Dionne Warwick, Diana Ross and Kenny Rogers, including Rogers' multi-million seller and U.S. #1 hit with Dolly Parton, "Islands in the Stream".
The Bee Gees released the album E.S.P. in 1987, which sold over 3 million copies. The single "You Win Again" went to #1 in numerous countries, including Britain, but only reached #75 in the US.
On March 10, 1988, the fourth brother, Andy, died at age 30 from myocarditis, an inflammation of the heart muscle due to a recent viral infection. His brothers acknowledge that Andy's past drug and alcohol use probably made his heart more susceptible to the ailment. The Bee Gees' following album, One (1989), featured a song dedicated to Andy, "Wish You Were Here." The album also contained their first U.S. top ten hit (#7) in a decade, "One." After the album's release, they embarked on their first world tour in ten years.
Following their next album, High Civilization, which contained the UK top five hit "Secret Love," The Bee Gees went on a European tour. After the tour, Barry Gibb began to battle a serious back problem, which required surgery. In the early 1990s, Barry Gibb was not the only Bee Gee living in serious pain. Maurice had a serious drinking problem, which he had battled for many years, but finally conquered with the help of Alcoholics Anonymous.
In 1993, they released the album Size Isn't Everything, which contained the UK top five hit "For Whom the Bell Tolls." Four years later, they released the album Still Waters, which sold over four million copies, and debuted at #11 in the US. The album's first single, "Alone," gave them another UK Top 5 hit and a top 30 hit in the US.
In late 1997, The Bee Gees performed a live concert in Las Vegas called One Night Only. The CD of the performance sold over 5 million copies. This led to a world tour of "One Night Only" concerts. The tour included playing to 56,000 people at London's Wembley Stadium on September 5, 1998, and concluded in the newly-built Olympic Stadium in Sydney, Australia. The Bee Gees closed the decade with what turned out to be their last full-sized concert, known as "BG2K," on December 31, 1999.
Later years
In 2001, they released what turned out to be their final album of new material as a group, This Is Where I Came In. The album gave each member a chance to write in their own way, as well as composing songs together. For example, Maurice's compositions and leads are the "Man in the Middle" and "Walking on Air," while Robin contributed "Déjà Vu," "Promise the Earth," and "Embrace," and Barry contributed "Loose Talk Costs Lives," "Technicolour Dreams", and "Voice in the Wilderness". The other songs are collaborative in writing and vocals. The Bee Gees' last public live show together was Live by Request, a special shown on A&E.
Maurice, who had been the musical director of the Bee Gees during their final years as a group, died suddenly on January 12, 2003 from complications of a twisted intestine. Initially, his surviving brothers announced that they intended to carry on the name "Bee Gees" in his memory. But as time passed they decided to retire the group name, leaving it to represent the three brothers together. The same week Maurice died, Robin's solo album Magnet was released.
Although there was talk of a memorial concert featuring both brothers and invited guests, nothing materialized. Since then Barry and Robin have continued to work independently and have both released recordings with other artists. In late 2004, Robin embarked on a solo tour of Germany, Russia and Asia.
Current news
During January 2005, Barry, Robin and several legendary rock artists recorded "Grief Never Grows Old," the official Tsunami relief record for the Disasters Emergency Committee. Later that year, Barry reunited with Barbra Streisand for her top-selling album Guilty Pleasures, released as Guilty Too in the UK as a sequel album to the previous Guilty. Robin continued touring in Europe.
In February 2006 Barry and Robin reunited on stage for a Miami charity concert to benefit the Diabetes Research Institute. It was their first public performance since the death of brother Maurice. Barry and Robin played at the 30th annual Prince's Trust Concert in the UK on May 20, 2006.
Arrow Through the Heart
Bee Gees Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Love became your problem
Hearts that should not cry
No words are missing but it's not understood
It's time to take me back to school
So fine just as you are
I could be the life you save
I'll be there when you need your
World of girls and boys think about the kill
Before you draw the bowand cut me low
Like an arrow through the heart
Arrow through the heart, oh
Arrow the heart
Arrow through the heartbreak and the pain
Never smile out in the rain
Never to be seen again
Nothing makes you die like an
Arrow through the heart
High flying bird you can never love nobody
But I will not loose my dream
Birds of feather, they are never out flown
Against the sky it's beautiful
But an arrow through the heart
Arrow through the heart
Oh arrow through the heart
Arrow through the heart break over you
Steady hand your aim is true
Bring me to my knees again
I'm too young to die i'm too young to die
My silver moon my golden sun
All those girls and boys think about the kill
Before you draw the bowand cut me low
Like an arrow through the heart
Arrow through the heart
0h arrow through the heart
Arrow through the heart
"Arrow Through the Heart" by the Bee Gees is a song that delves into the complexities of love and the pain it can bring. The lyrics seem to center around a relationship in which love has become a problem for the singer. They express confusion about how love, which should bring joy, has instead caused heartbreak and made hearts cry. The line "No words are missing but it's not understood" suggests a lack of communication and an inability to fully comprehend what went wrong.
The singer yearns for a return to a simpler time, possibly indicating a desire to go back to the beginning of the relationship when things were better. They express their admiration for their partner, stating that they could be the one to bring them happiness and be there when they are needed. However, their partner seems to be focused on the "kill" or the act of ending the relationship, represented metaphorically as drawing the bow and cutting low. The repeated mention of an arrow through the heart symbolizes the pain and devastation caused by their actions.
The song also touches on the idea of unrequited love, with the line "High flying bird you can never love nobody." Despite this, the singer refuses to give up on their dream and remains steadfast. The phrase "Birds of feather, they are never out flown" suggests that the singer and their partner share similarities and could potentially be a good match, but their partner's actions have hindered the relationship. Ultimately, the singer pleads for their partner not to bring them to their knees and to remember that they are too young to die emotionally.
Overall, "Arrow Through the Heart" explores the pain, confusion, and longing that can arise within a troubled relationship, emphasizing the destructive power of unrequited love.
Line by Line Meaning
I just don't understand how
I am unable to comprehend the reasons or motives behind
Love became your problem
Love has somehow become a source of trouble or difficulty for you
Hearts that should not cry
Emotionally sensitive hearts that are not supposed to shed tears
No words are missing but it's not understood
All the necessary words are present, yet the intended meaning remains uncomprehended
It's time to take me back to school
There is a need for me to be educated or taught once again, to gain a deeper understanding
So fine just as you are
You are already perfect and admirable just the way you are
I could be the life you save
I have the potential to bring vitality and save you from despair
I'll be there when you need your
I will always be present and available in your times of need
World of girls and boys think about the kill
In a world filled with young individuals, their harsh thoughts revolve around causing harm or destruction
Before you draw the bowand cut me low
Before you fully execute your plan to harm me, to strike me down mercilessly
Like an arrow through the heart
Similar to how an arrow pierces and deeply wounds the heart
Arrow through the heart, oh
An arrow that penetrates and causes pain in the heart
Arrow the heart
The heart being targeted and struck by an arrow
Arrow through the heartbreak and the pain
An arrow that exacerbates and intensifies heartbreak and emotional suffering
Never smile out in the rain
Never express joy or happiness while experiencing sadness or adversity
Never to be seen again
Never to be witnessed or encountered in the future
Nothing makes you die like an
Nothing causes emotional devastation and anguish like
Arrow through the heart
An arrow that pierces and inflicts pain upon the heart
High flying bird you can never love nobody
As a bird soaring high in the sky, you are incapable of truly loving anyone
But I will not loose my dream
I will not give up or abandon my aspirations and desires
Birds of feather, they are never out flown
Birds with similar characteristics will always stay together, never being surpassed in flight
Against the sky it's beautiful
When positioned in contrast against the sky, the sight is enchanting and visually appealing
But an arrow through the heart
However, when confronted with an arrow through the heart, the beauty is replaced with pain
Arrow through the heart
An arrow that targets and pierces the heart
Oh arrow through the heart
Oh, the anguish caused by an arrow striking the heart
Arrow through the heart break over you
An arrow that shatters and worsens the heartbreak you are experiencing
Steady hand your aim is true
With a steady and unwavering hand, your aim is accurate and precise
Bring me to my knees again
Cause me to once again be in a vulnerable and submissive position, filled with despair
I'm too young to die i'm too young to die
I am too inexperienced or unprepared to face death, to succumb to its grasp
My silver moon my golden sun
Referring to a cherished individual as a silver moon and a golden sun, symbolizing their importance and radiance
All those girls and boys think about the kill
The thoughts of all those young individuals are consumed by the desire to cause harm or destruction
Before you draw the bowand cut me low
Prior to executing their malicious plan to harm me and bring me down
Like an arrow through the heart
Similar to the pain caused by an arrow piercing the heart
Arrow through the heart
An arrow that strikes and wounds the heart
0h arrow through the heart
Oh, the agony inflicted by an arrow striking the heart
Arrow through the heart
An arrow penetrating and inflicting pain upon the heart
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: ANDY GIBB, MAURICE ERNEST GIBB, BARRY ALAN GIBB
Lyrics Licensed & Provided by LyricFind
Daniel Varga
I just don't understand
How love became your problem
Hearts that should not cry
No words are missing, but it's not understood
It's time to take me back to school
Someone just as you are
I could be the life you save
I'll be there when you need your
World of girls and boys
Think about the kill before you draw the bow
And cut me low
Like an Arrow through the heart,
Arrow through the heart,
oh arrow through the heart.
Arrow through the heartbreak and the pain
Never smiling in the rain
Never to be seen again, nothing makes you die;
Like an arrow through the heart.
High flying bird, you can never love nobody
But I will not lose my dream
Birds of a feather, they are never outflown
I guess the sky is beautiful.
But an arrow through the heart,
arrow through the heart,
oh arrow through the heart,
Arrow through the heart break over you,
steady hand your aim is true
Bring me to my knees again
I'm too young to die!
I'm too young to die!
My silver moon!
My golden sun!
World of girls and boys
Think about the kill before you draw the bow
And cut me low
Like an arrow through the heart, arrow through the heart, oh,
Arrow through the heart, arrow through the heart...
Ryan Hunter
Best of the Brothers Gibb 80's
1. Arrow Through the Heart
2. ESP
3. These Walls Have Eyes4. Toys
5. You Win Again
6. She Says
7. Overnight
8. One
9. Flesh and Blood10. Ordinary Lives11. I am your Driver12. Breakout12. Wing and a Prayer
Pamela brown
I disagree with those of you that said his life was a waste .. this man left us all with unforgettable music ... and memories of his gentle soul ... I for one feel blessed that he was here ... if only for a little while ... God bless you Andy ... Rest in peace
geri
Well said ❣️
Hilary Bell
You can really connect with Andy through this song. I was born in 1977 and my parents raised me on the Bee Gee's but there was something special about Andy. He is amazing RIP Andy.
Alastair Kirkpatrick
I also grew up with the Bee Gees music playing through the house. Andy was an exceptional talent. Pity fame killed him
Absent SNZ
Wish this was on Spotify I love all his songs so much
Karis H.
I know! I wish it was on Apple Music!
Esper Hickman
Wow! This song was released 22 years after Andy Gibb's death in 1988?
He was a wonderful singer/artist. Loved Andy Gibb.
KB7887
Beautiful song from a beautifully troubled man. All these years later his death still hurts.
Celia De Oliveira
Voz maravilhosa!!! Aliás, os irmãos Gibbs foram abençoados com vozes que valorizavam cada canção....sou apaixonada por eles e não me canso de ouvir as canções que fazem sucesso até hoje
indigo2go
I've posted about this song before but now I will say this...this song is eerie but beautiful in a strange way..💯