Condon recorded before Beirut was established: when he was fifteen and under the name of Realpeople, he made an electronic record, fashioned after his love for The Magnetic Fields. Condon was a straight-A student until he dropped out at the age of 17 to travel Europe with his cousin in a drunken haze, cavorting and partying with the locals wherever he ended up. It was during one of these evenings that he was first exposed to Balkan music (notably including the Boban Marković Orkestar and Goran Bregović), blasting from the upstairs apartment. Condon ended up with the Serbian artists all night, going through albums country by country, note for note.
The first album under the Beirut moniker, Gulag Orkestar (2006), was the direct result of what he learned that night. While it may sound like an entire Balkan orchestra playing modern songs as mournful ballads and upbeat marches, the album was performed and recorded almost entirely by Condon alone. He did so on Pro Tools while skipping school in Albuquerque and at Sea Side Studios in Park Slope, Brooklyn. Jeremy Barnes added percussion and some violin overlays.
After recording, Condon formed a full band which at times varies in the number of members, from six to ten. Live he is accompanied by Perrin Cloutier (cello/accordion), Jason Poranski (guitar/mandolin/ukulele), Nick Petree (drums), Kristin Ferebee (violin), Paul Collins (organ/keys/tambourine/ukulele), Jon Natchez (baritone sax/mandolin/glockenspiel), and Kelly Pratt (trumpet/euphonium).
In November 2006 Condon was "briefly hospitalized for extreme exhaustion", the band's website said, and as a consequence the band cancelled the rest of the tour. They resumed performing in March 2007 and released their second album, The Flying Club Cup the same year on October 9th. Parts of the album were performed and recorded by Condon in his bedroom again, but others were recorded with the live band, which resulted in a more organic, live sound. While writing, Condon said he was inspired by French music, like Jacques Brel (whose song Le Moribond he covered on his Elephant Gun EP), and he moved to Paris for a while. During the extensive tour in support of The Flying Club Cup, Condon and the band more or less fell apart from exhaustion once again and disappeared from the radar in April 2008.
Condon took a long break and returned in 2009 with a double EP, March of the Zapotec & Realpeople: Holland. The first was partly recorded in Mexico with the Mexican Band Jimenez and had a more South-American flavour to it than Condon's previous efforts. The second EP 'Holland' was credited to Condon's old name Realpeople and consisted of five electrotracks, once more in the vein of The Magnetic Fields.
The band's album "The Rip Tide" was released in 2011.
Albums
* Gulag Orkestar (May 9, 2006)
* The Flying Club Cup (October 9, 2007)
* The Rip Tide (August 2, 2011)
* No No No (September 11, 2015)
* Gallipoli (February 1, 2019)
* Artifacts (January 28, 2022)
EPs
* Lon Gisland EP (January 30, 2007)
* Pompeii (February 28, 2007)
* Elephant Gun (June 25, 2007)
* March of the Zapotec & Realpeople: Holland (February 17, 2009)
* East Harlem (June 7, 2011)
* The Berlin-Albuquerque Sessions (November 22, 2022)
Official website: www.beirutband.com
The Gulag Orkestar
Beirut Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
they call it night
and I know it well.
x2
The lyrics of Beirut's song The Gulag Orkestar are simple yet enigmatic. The repeated phrase "they call it night" seems to be the central focus of the song. One possible interpretation is that the line represents a metaphor for the darkness and uncertainty of life. The singer acknowledges that they "know it well," which suggests that they have experienced the emotional and psychological turmoil associated with difficult times.
The repeated phrase "they call it night" could also reference the sense of isolation and desperation experienced by the prisoners in the Soviet gulags. These labor camps were notorious for their harsh conditions and the torture endured by its inmates. The use of an "orkestar," or orchestra, in the title of the song is likely a nod to the musical ensembles that were sometimes used to entertain the prisoners or to accompany the forced labor. The somber tone of the song, along with the lyrics that evoke themes of despair and hardship, creates a haunting atmosphere that lingers long after the song has ended.
Line by Line Meaning
They call it night
The darkness that engulfs the streets during the nighttime is referred to as night.
they call it night
The darkness of night is not just limited to one place or person, and it is a common term used globally.
and I know it well
The singer has experienced and become familiar with the darkness referred to as night.
x2
This line is not a part of the lyrics and therefore holds no meaning to the song.
Lyrics © O/B/O APRA AMCOS
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