1991 - 2000
Brian, Paul, Dom and Damien Rice form Juniper, having met in school. They go to college, play some weddings, 21st's and Bar Mitzvahs... and for a while have a Sunday night residency in the Kildrought Lounge and Bar, Celbridge. They meet Dave, who weans them off the Neil Diamond and Roxette covers. Band move into house in country, release EP, Manna, and two singles in Ireland. Damien leaves band, the others read about Chuck Yeager and his Right Stuff. They call the new band Bell X1. Bell X1 support Elliott Smith and Bon Jovi in the same 1 week period, leading to severe identity crisis, making small music with big hair. They make their first album, Neither Am I, in the summer/autumn of 1999 with Nick Seymour of Crowded House and release it in Ireland a year later, after much touring and a couple of old singles.
2001
Band take some time to indulge musical differences. Paul records and tours as drummer with Tipperary siren Gemma Hayes, Brian's away with Offaly hearthrob Mundy, and Dave and Dom join Richie Mullen of Lino Richie Carpets, Finglas, in touring cabaret show. Bell X1 regroup in late summer and write songs for what would become Music in Mouth in a house by the sea in Wexford.
2002
Second album recording starts in Ridge Farm studios in Surrey, with producer Jamie Cullum. After 4 weeks they move to the Fallout Shelter, London. The studio has no teapot!! Some moaning. The band take turns to make dinner. Some of it is shit. The world Cup happens. Mixing finishes in July and everyone goes away for a while. Come back and mix it all again. Borrow a friend's house in Kilkenny, record some more songs, play hurling, are laughed at by locals. Music in Mouth finally finished in December, a few days after the birth of Jamie's daughter Ellie, who was both conceived and born during the making of the record.
2003, 2004
The album Music in Mouth is released on July 21st 2003, to tremendous applause, and the band play with all sorts to try to flog it. Tom McRae, Keane, Starsailor, Aqualung and Snow Patrol show them the highways and byways of the UK and continental Europe. Songs from the record appear in many TV series, from Teachers to The OC, and at home the album goes double platinum, with four top 40 singles. In July 2004, the band gather in yet another house in Wexford to write a new record.
2005
Flock is recorded in Dublin and mixed in London, with Roger Becherian producing and Phil Hayes knob twiddling. A shrine to Daniel O' Donnell (Irish singing deity, ref Cliff Richard without ever having had a brush with cool) is created in the green room, Dave creates Pistachio Nut Shell Installation and mustaches are grown. The band take a break from recording and sell out a mini tour in the USA, where they record a live session for Nic Harcourt’s essential show on KCRW in L.A.
Flock is released in Ireland and hits the heights of #1 in the album charts. The band leaves Island Records and sets up its own record label called BellyUp records. A live album called Tour De Flock is released - it is a 2-disc compilation featuring 16 tracks from their sold-out gig at The Point Theatre, Dublin on December 1, 2006.
In 2008, Flock is released in the USA and the band appears on the St. Patrick's Day edition of the Late Show with David Letterman.
On 2nd October, Brian Crosby quits saying "It's been an extraordinary privilege to be in a band with your mates for more than 15 years. I'm really grateful for everything I got to do with Bell X1, for all the adventures we had and for the great support of our fans. It's been particularly wonderful to have connected with so many people and to have got to meet people all over the world doing what I love. I look forward to continue making those connections. At the same time I'll be applauding the boys continued success."
As well as promoting Flock in the USA, the band gets busy recording a new album Blue Lights On The Runway. It finally sees the light of day in 2009, with lead single The Great Defector becoming their biggest hit to date (no. 3 in the Irish charts).
2011
The band will release its newest album Bloodless Coup in stores and online on April 1 in Ireland, April 4 in the UK, April 8 in Germany and Benelux, April 12 in the USA and Canada, and April 26 in France. The album's lead single is “Velcro,” which the band performed on The Rachael Ray Show on St. Patrick's Day.
Amelia
Bell X1 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I wonder did they kick back when they knew the game was up
Static on the radio ain't no soundtrack for this end
Stick on a bit of agner and we'll go down
Let see if we skim
Maybe there's no time, for grand exits and pause
Twistin our propellers, dropping at the froth
And whatever was between them, was heavy in the last word he said
Amelia
Or maybe they went on to grow oranges and pears
On their own island, Amelia and Fred
She'd dance for him in the evenings as the red sun fell
He'd sit there smiling up at her thinking this is just swell
Take me
Some say she resurfaced as a Tokyo rose
Talking on the radio, telling sweet lies
But remember when the farmer asked have you flown far
She just smiled back at him and said
'I've come, from America'
Amelia
Time has cast its shadow, the story lost its legs
Our favorite missing person, still rears her head
Not on the milk cartons, just some bones on a beach
That just might be a tall white girl called Amelia
Just might be a tall white girl called Amelia
Oh Amelia
It's just like flying
It's just like flying
It's just like flying
It's just like flying
The song Amelia by Bell X1 is a tribute to the famous pilot, Amelia Earhart, who disappeared without a trace in 1937 during her attempt to circumnavigate the globe. The lyrics paint a picture of the events surrounding her disappearance, while also exploring the possibility of her survival and subsequent life. The song begins with the acknowledgment that facing death changes the way one looks at life. The idea of a "grand exit" or a "soundtrack" to one's death is dismissed as irrelevant when one is confronted with mortality. The line "Stick on a bit of Agner and we'll go down" is a reference to the composer Igor Stravinsky's piece "The Rite of Spring," which was famously met with protests and riots during its debut.
The lyrics go on to describe the moments leading up to the disappearance of Amelia Earhart and her co-pilot Fred Noonan. The lines "Twistin our propellers, dropping at the froth" create a vivid image of the plane struggling to stay in the air. The fear in Fred's eyes is noted by the singer, and the last words he says to Amelia are left open for interpretation. The singer then speculates about what could have happened to Amelia and Fred, suggesting that they could have survived and started a new life growing fruit on their own island. The final verse suggests that Amelia's fate is still a mystery, with only some bones on a beach as a possible clue to her whereabouts.
Line by Line Meaning
I'd say life's a different story when you're facing certain death
Life seems different when you know you're going to die soon.
I wonder did they kick back when they knew the game was up
Did they relax when they realized they were going to die?
Static on the radio ain't no soundtrack for this end
Hearing static on the radio isn't the kind of music you want to hear when things are ending.
Stick on a bit of agner and we'll go down
Let's play some loud music while we're dying.
Let see if we skim
Let's try to survive by just barely touching the water.
Maybe there's no time, for grand exits and pause
There might not be time for goodbyes or dramatic exits.
Twistin our propellers, dropping at the froth
Our plane is falling apart and we're heading towards the ocean waves.
And as she turned to Fred she saw the fear in his eyes
She noticed that Fred was scared when she looked at him.
And whatever was between them, was heavy in the last word he said
There was a lot of emotion in the last thing Fred said to her.
Or maybe they went on to grow oranges and pears
Perhaps they lived happily ever after, living off the land and growing fruit.
On their own island, Amelia and Fred
They could have lived together on a deserted island.
She'd dance for him in the evenings as the red sun fell
She would dance for him as the sun went down.
He'd sit there smiling up at her thinking this is just swell
He would watch her dance with a smile on his face.
Take me
This might be a plea for salvation or deliverance.
Some say she resurfaced as a Tokyo rose
There is a theory that she was able to survive and ended up broadcasting propaganda for the Japanese government.
Talking on the radio, telling sweet lies
She could have been broadcasting messages of false hope over the radio.
But remember when the farmer asked have you flown far
When asked about her flight, she just smiled and gave a vague answer.
She just smiled back at him and said 'I've come, from America'
She didn't give a direct answer, but hinted that she had come a long way from America.
Time has cast its shadow, the story lost its legs
As time passes, the story becomes less and less believable.
Our favorite missing person, still rears her head
The story of Amelia Earhart is still a popular mystery.
Not on the milk cartons, just some bones on a beach
There have been no recent references to her disappearance, except maybe for bones found on a beach.
That just might be a tall white girl called Amelia
Those bones could belong to a tall, white woman named Amelia.
It's just like flying
This could be a reference to how life is like flying or how life is just as unpredictable and dangerous as flying.
It's just like flying
This line is repeated to emphasize the comparison between flying and life.
It's just like flying
This line is repeated again to drive home the metaphor of flying and how it relates to life.
It's just like flying
The final line is a powerful conclusion to the song and ties all the themes together.
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: DAVE BRIAN GERAGHTY, DOMINIC MICHAEL PHILLIPS, PAUL ANTHONY NOONAN
Lyrics Licensed & Provided by LyricFind
@ChemLabPyro
Thank you for reposting this! I love this song so dearly. <3
@SuperBartles
This one is a beauty. Reminds me of meeting someone totally wonderful a few years ago :)
@gymtrition5946
My favourite Irish song