Bembaya Jazz National is a Guinean jazz group that gained fame in the 1960s… Read Full Bio ↴Bembaya Jazz National is a Guinean jazz group that gained fame in the 1960s for their infectious Afropop rhythms. They are considered one of the most significant bands in Guinean music. Many of their recordings are based on traditional folk music in the country and have been fused with jazz and Afropop style. Featuring guitarist Sekou 'Diamond Fingers' Diabate, who grew up in a traditional griot musical family, the band won over fans in Conakry, Guinea's capital city, during the heady days of that country's newfound independence. Bembeya Jazz fell onto harder times in the 1980s and disbanded for a number of years, but reformed in the late 1990s and has toured Europe and North America in the early 2000s.
In the aftermath of the Guinean Independence in 1958 and the encouragement of cultural pride, numerous bands sprang up throughout the African country. The first dance bands were state-supported orchestras, and included popular groups like Lanaya Jazz, Keletigui et ses Tambourins and Super Boiro. The most popular was Bembeya Jazz National, formed by vocalist Aboubacar Dembar Camara in 1961. Specializing in modern arrangements of Manding classic tunes, Bembeya Jazz National won the first two national Biennale festivals in 1962 and 1964 and was crowned National Orchestra in 1966.
Initially a seven-piece group, featuring a Latin-flavored horn section of saxophone, trumpet, and clarinet, Bembeya Jazz National reached its apex with the addition of electric guitarist Sekou "Diamond Fingers" Diabate and lead singer Sekouba Mabino Diabate (no relation). Although prohibited from touring outside Guinea until the mid-'80s, Bembeya Jazz National continued to build a cult-like following in its home country.
Bembeya Jazz National's most ambitious album, Regard Sur Le Passe, released in 1968, was a musical tribute to the memory of Samory Toure, who founded the Mande kingdom in 1870. A live album, 10 Ans De Succes, was recorded during a 1971 concert.
A set-back for the band came in 1973 when Camara was killed in an auto accident on his way to a concert in Dakar. Although they remained together for another eight years, Bembeya Jazz National was unable to duplicate the success of their earliest years. The group disbanded in 1991 with Sekou Diabate and Sekouba Bambino Diabate going on to successful solo careers.
However, it reformed in the late 1990s and has toured Europe and North America in the early 2000s.
In the aftermath of the Guinean Independence in 1958 and the encouragement of cultural pride, numerous bands sprang up throughout the African country. The first dance bands were state-supported orchestras, and included popular groups like Lanaya Jazz, Keletigui et ses Tambourins and Super Boiro. The most popular was Bembeya Jazz National, formed by vocalist Aboubacar Dembar Camara in 1961. Specializing in modern arrangements of Manding classic tunes, Bembeya Jazz National won the first two national Biennale festivals in 1962 and 1964 and was crowned National Orchestra in 1966.
Initially a seven-piece group, featuring a Latin-flavored horn section of saxophone, trumpet, and clarinet, Bembeya Jazz National reached its apex with the addition of electric guitarist Sekou "Diamond Fingers" Diabate and lead singer Sekouba Mabino Diabate (no relation). Although prohibited from touring outside Guinea until the mid-'80s, Bembeya Jazz National continued to build a cult-like following in its home country.
Bembeya Jazz National's most ambitious album, Regard Sur Le Passe, released in 1968, was a musical tribute to the memory of Samory Toure, who founded the Mande kingdom in 1870. A live album, 10 Ans De Succes, was recorded during a 1971 concert.
A set-back for the band came in 1973 when Camara was killed in an auto accident on his way to a concert in Dakar. Although they remained together for another eight years, Bembeya Jazz National was unable to duplicate the success of their earliest years. The group disbanded in 1991 with Sekou Diabate and Sekouba Bambino Diabate going on to successful solo careers.
However, it reformed in the late 1990s and has toured Europe and North America in the early 2000s.
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Bembeya Jazz National Lyrics
We have lyrics for these tracks by Bembeya Jazz National:
Beni Barale Alou toro ma lon ba kouma lan ba then thou Mo…
Camara Mousso Ni′ni ni. Ul ni ni les k ni. Ni n'y ni ′l',…
Dagna Dream and live forever immortality, a life devoid of sufferi…
Doni Doni Il n'est jamais trop tard Il n'est jamais trop tard Il n'est…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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SMDL S
@Natty
This band was the favorite for Ahmed Seckou Toure, the revolutionary president of the republic of Guinea a the time. Guinea had just got its indépendance from colonial France Which kept on sabotaging the nascent republic through plots to overthrow Toure. So most Bembeya’s songs were calling for patriotism and resistance . There is another song BENI BARALE where they refer to some Guinean opposition leaders who ran out of the country for fear of being charged of treason.
Listen to me my brothers everyone is better off staying in fatherland and there’s no place like home unless you betrayed your fatherland
Listen to me my brothers everyone is better off staying in fatherland and there’s no place like home unless you betrayed your fatherland
The arrogant will be humbled if only he can look back at how he was created by God, man is indeed insignificant
O Children of Africa dont you ponder on how Lumumba was killed ?
Lumumba was on the right course but you did not heed him until he was dead then ye all regretted him
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Mamadou diouf
Je m' abonne
Missa Traore
Je m'abonne
Rocky Diop
J aime je suis sérère mai les misuk guinée me FO pleure
Rocky Diop
Merci les Musil guinée mefont pleure
Armand Pongault
L'un des meilleurs orchestres africains de tous les temps et je pèse bien mes mots ! Un congolais de Brazzaville.
Laye Ba
Ta raison tu raconte pas de bêtises moi qui suis de la Guinée j'en sais quelque chose 🇬🇳
Majeed
J'aime bcp les paroles c'est tellement bien chanté, c'est réfléchi et c'est assez concis. Hommage au Dragon Camara Demba qui avait la capacité à rendre toutes ses œuvres musicales intemporelle, il avait absolument toutes les qualités requise. The best!
Eugenie Kamano
eux ils travaillaient vraiment mais les jeunes d'aujourdhui ne font que des plagiats. Une honte pour la Guinée.
alla DIOP
Je suis sénégalais mais ces sons de feu Aboubacar Camara et le Bembeya ont bercé mon enfance. Rien de tel ne se fera plus jamais. RIP mon Grand