As of fall 2006, Ben Folds has released five solo LPs. His first album, Fear of Pop: Volume 1, an album of spoken word and instrumental compositions, was recorded and released while Ben Folds Five was still together. Since it was an uncharacteristic release, and officially released under the moniker of 'Fear of Pop', it is widely considered that his first "proper" solo album was Rockin' the Suburbs (2001), on which he played all the instruments by himself. A year later, in 2002, he released Ben Folds Live, a collection of live solo recordings. In late 2003, two solo EPs, Speed Graphic and Sunny 16, were released, with a third entitled Super D released in mid-2004. In 2005, Folds released a second studio album called Songs for Silverman. Most recently Folds has released the album "Supersunnyspeedgraphic, the lp" a compliation of his EPs, a The Bens track called "Bruised," "Still" from the motion picture of 2006 "Over the Hedge" for which Folds wrote all the songs, his cover of the Dr. Dre song "Bitches Ain't Shit", and, with the kind permission of his good friend Neil Hannon, a cover of The Divine Comedy song "Songs of Love". "Supersunnyspeedgraphic, the lp" otherwise includes remastered takes from the three internet EPs from 2002-2004. Ben claims that he wanted to have the CD in hard format so he could "put it past him."
Ben resides in Nashville. He often tours the United States, the United Kingdom, other countries in Europe, Japan, and Australia.
Folds' tours are famous for his solo act as "Ben Folds and a piano", often having the audience become involved by "playing" the accompanying instruments (such as the trumpet and saxophone harmonies in "Army") and singing choir-like backing vocals on "Not the Same". His concerts are charismatic, yet calm - an enjoyable experience for most. And although Folds is constantly putting out new songs, his concerts rarely omit classic fan favorites such as "Philosophy," "One Angry Dwarf and 200 Solemn Faces," and "Army." Also, a seemingly fan favorite that started in Chicago, IL was "Rock this Bitch," a song where Folds has to come up an impromptu new tune with the words "Rock this Bitch" in it; though the song seems to be phasing out, it still makes appearances on tours, such as the November 2006 tour and the Spring US College tour of 2007 and 2008.
Folds also produced and arranged the William Shatner album, Has Been (2004); he previously worked with Shatner on the songs "In Love" and "Still in Love" for Fear of Pop.
Folds described his former band, Ben Folds Five, as "punk rock for sissies," and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. Folds also provided a number of songs for film soundtracks. Some of these include "Lonely Christmas Eve" for the Jim Carrey film How the Grinch Stole Christmas! (2000), and a rendition of the Beatles' "Golden Slumbers" for the film I Am Sam (2001). He (as The Bens) has also done charity compilations, from singing "Wicked Little Town" (from film and stage show Hedwig and the Angry Inch) on the benefit album "Wig in a Box" (2003) to appearing on No Boundaries, a benefit album for Kosovo refugees, with the song "Leather Jacket." (written by Darren Jessee)
On a planned tour of Australia, Folds teamed up with solo artists Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record a four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His second solo studio album, entitled Songs for Silverman, was released in the U.S. on April 26, 2005, featuring Jared Reynolds on bass, and Lindsay Jamieson on the drums, thus returning to the trio format, which had been so successful earlier, in earnest. This album includes the track "Late," a tribute to the late singer-songwriter Elliott Smith, and also features backing vocals from "Weird Al" Yankovic on "Time." (Folds had played piano for Yankovic's song "Why Does This Always Happen to Me?" and "Weird Al" directed Folds' music video for Rockin' the Suburbs). In January of 2007 Lindsay Jamieson left the band and was replaced by Sam Smith, of The Comfies on drums.
Folds performed with Rufus Wainwright and Ben Lee in the summer of 2005 as part of the "Odd Men Out" tour. In addition, Folds has performed with many other famous musical names, including Weezer. Folds has also shown the complexity behind his authentic sound by performing with the West Australian Symphony Orchestra, in March 2005, and the Baltimore Symphony Orchestra, in November 2005. A DVD recording of Folds playing with the West Australian Symphony Orchestra was released in December, 2005.
Folds was the first artist to do a "Live at Myspace" concert, held on October 24, 2006 in his recording studio in Nashville, the show was an hour long and had requests from the internet submitted via Myspace's Messenger. It also entailed several stunts, including a suicide attempt, and a falling audience member during "Jesusland". The DVD of the broadcast (almost whole) was released in February of 2007.
Folds supports the independent music scene, creating his own record label (Attacked By Plastic) and doing promotional work for independent record stores across the country.
In 2008, September 16 marked the release of Amanda Palmer's solo album which was produced by Folds. Two days following that release, Ben Folds Five had a one-time reunion concert held in Chapel Hill, North Carolina, the same place the band was formed. Weeks later, he released his third solo album entitled Way To Normal, released on September 30. Folds also recorded a fake album that was leaked intentionally during the summer to please fans and in an attempt to stop the real album from leaking. The fake tracks were recorded and mixed over a period of only several days. The leak contained 6 fake songs with names similar to the real songs or the album, and three songs from the actual release (except the song Cologne, which was an orchestral version of a song by the same name on the final album).
Since December 2008, Folds has been collaborating with English novelist Nick Hornby, writing the music while Hornby writes the lyrics. This album was originally planned to be recorded over a course of 3 days, the same amount of time in which the fake album was recorded, but Folds has since been recording the album in a more standard format, albeit attempting to retain the live recording format. He has also played several songs from the upcoming album at live shows since mid-2009, and the album is slated to be released on September 27th of 2010.
From December 14 through 21, 2009, Folds was featured as a judge on NBC's a cappella competition The Sing Off alongside Nicole Scherzinger and Shawn Stockman and offered insightful, constructive comments and criticisms to the contestants. On the final show, in a departure from his a cappella purism, showcased his talents and played the roaring, riffing piano background on "Why Can't We Be Friends?" sung by the two finalist groups, Tufts Beelzebubs from Tufts University near Boston and Nota, from San Juan, Puerto Rico. He again returned for the show's second season, and has been confirmed to return for the third season in September 2011 alongside Stockman and new judge Sara Bareilles.
Recently Ben Folds was assumed to be the anonymous pianist playing songs to random ChatRoulette users, named "Merton." Although Ben Folds has admitted to NOT being Merton, he paid tribute to the YouTube star at a concert in Charlotte in "Ode To Merton."
Ben Folds recently released his first album since So There, What Matters Most in June of 2023 after a 12 year hiatus.
Get Your Hands Off My Woman
Ben Folds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In Latino lover mode
We all know what's on your agenda
You have broken the code
Oh, I've got no right to lay claim to her fame
She's not my possession
Get your hands off of my woman, motherfucker
Octoped, you've got six heads too many
And you can't keep them to yourself
You're too fat and old to marry
So they left you on the shelf
Oh, I've got no right to lay claim to her fame
But you soiled my obsession
Get your hands off of my woman, motherfucker
Get your hands off of my woman, motherfucker
Get your hands off of my woman, motherfucker
Get your hands off of my woman, motherfucker
Ow!
Get your hands off of my woman, motherfucker
Get your hands off of my woman, motherfucker
Get your hands
Get your hands
Get your hands
Get your hands
Motherfucker
Get your hands
Get your hands
Get your hands
Motherfucker
In Ben Folds's song Get Your Hands Off My Woman, the singer addresses someone who is trying to make a move on his woman. He describes this person as drunk, surly, and in "Latino lover mode," implying that he is trying to use some sort of pickup artist technique. The singer then claims that this person has "broken the code," suggesting that he has violated some sort of unspoken rule about hitting on someone else's partner. The singer recognizes that he has no right to lay claim to his woman's fame or possession, but he still feels possessive and protective of her. He insults the person, calling them an "octoped" with "six heads too many," implying that they are grotesque and undesirable. The singer also suggests that this person is too old and overweight to be desirable to anyone, which is why they are trying to steal his woman.
Overall, the song is a humorous and raunchy take on the jealousy and possessiveness that can arise in romantic relationships. The lyrics are full of insults and profanity, but they are also clever and playful. The singer recognizes that he has no real claim over his woman, but he also can't help feeling angry and protective when someone else tries to hit on her. The song is a tongue-in-cheek exploration of these conflicting emotions.
Line by Line Meaning
You were drunk and you were surly
You were intoxicated and ill-tempered
In Latino lover mode
Trying to seduce women with Latino charm
We all know what's on your agenda
It is obvious what your intentions are
You have broken the code
You have crossed the line
Oh, I've got no right to lay claim to her fame
I have no ownership over her image or reputation
She's not my possession
She is not an object that belongs to me
Get your hands off of my woman, motherfucker
Stop touching my girlfriend
Octoped, you've got six heads too many
You have way too many thoughts going on
And you can't keep them to yourself
You are not able to control your urges
You're too fat and old to marry
You are not in good physical shape or young enough to be a desirable partner
So they left you on the shelf
You are now single and unwanted
But you soiled my obsession
You ruined my infatuation with her
Ow!
Exclamation of pain or frustration
Motherfucker
Insulting term directed towards the person who crossed the line
Get your hands
Stop touching her
Get your hands
Don't touch her again
Get your hands
Keep your hands to yourself
Get your hands
I mean it
Motherfucker
Seriously, back off
Get your hands
I am not playing around
Get your hands
One final warning
Get your hands
Last chance, don't touch her
Motherfucker
You asked for it
Lyrics © BMG Rights Management, Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: DANIEL FRANCIS HAWKINS, EDWIN JAMES GRAHAM, FRANCIS GILLES POULLAIN-PATTERSON, JUSTIN DAVID HAWKINS
Lyrics Licensed & Provided by LyricFind