He was born in Hamburg, Germany, and studied at the School of Music there. A multi-instrumentalist, he was hired by Hans Busch to play with his orchestra before serving as a bandsman in the German Navy during World War II. He later formed his own big band, toured with them, then worked as an arranger and producer, making hit records with Freddy Quinn and Ivo Robic. In 1961, he hired The Beatles to back Tony Sheridan on "My Bonnie (Lies Over the Ocean)," "When the Saints Go Marching In," "Ain't She Sweet" and "Cry for a Shadow," in a session for Polydor. These turned out to be the Beatles' first commercial recordings. When Beatles manager Brian Epstein asked Kaempfert about further promoting The Beatles, Kaempfert informed Epstein that the company was only interested in The Beatles as Tony Sheridan's backup group. (It also turned out British Decca executive Dick Rowe turned them down in favor of local beat combo Brian Poole and the Tremeloes.) He then released The Beatles from their contract with Polydor.
Party-Song
Bert Kaempfert Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the starlit waters linger in our eyes
Native hills are calling, to them we belong
And we'll cheer each other with the Pagan love song
Come with me where moonbeams light Tahitian skies
And the starlit waters linger in our eyes
Native hills are calling, to them we belongAnd we'll cheer each other with the Pagan love song
Bert Kaempfert's "Party-Song" encapsulates a romantic and idyllic scene that transports listeners to a tropical paradise, specifically Tahiti. The opening lines, "Come with me where moonbeams light Tahitian skies," invite not just a physical journey but also an emotional and imaginative escape. The moonlight reflects a sense of serenity and enchantment, setting the stage for a gathering that transcends the mundane. The mention of "Tahitian skies" evokes imagery of a tranquil, exotic location that embodies both beauty and a sense of belonging. This choice of words conjures not just an ideal landscape but a metaphorical space where love and joy flourish under the celestial elegance of the night.
The second line, "And the starlit waters linger in our eyes," expands on the theme of intimacy and connection. The idea that the "starlit waters" linger in their eyes suggests a shared experience that is deeply moving and visually captivating, enhancing the emotional weight of the encounter. It symbolizes a bond that is nourished by nature's beauty, implying that the external environment echoes the depth of their feelings for one another. The stars and waters together create a vivid sensory experience, underscoring the idea that love can be reflected in the smallest details of life, further strengthening the sense of romantic allure and nostalgia.
Additionally, "Native hills are calling, to them we belong," introduces a sense of cultural identity and attachment to the land. The phrase implies a spiritual connection to the natural landscape, as well as a sense of unity with the environment. The "native hills" symbolize roots and heritage, suggesting that love isn't just temporary but is tied to a deeper sense of community and belonging. It invokes images of simplicity and tradition, reinforcing the idea that love is intertwined with a shared sense of home. This connection to the land also enhances the sense of celebration and festivity described in the song; it becomes a joyous gathering not just of individual people but of collective identity, steeped in history and love.
Finally, the refrain, "And we'll cheer each other with the Pagan love song," adds an engaging contrast and depth to the ethereal imagery of the earlier verses. The term "Pagan" here might reference ancient traditions that celebrate love and nature, evoking primal, instinctual feelings that connect lovers not just to each other but also to the earth itself. By using the word "cheer," Kaempfert emphasizes living in the moment, shared joy, and the communal aspects of love, painting a picture of camaraderie and celebration that is enriched by cultural traditions. The "love song" serves as both a literal and metaphorical expression of devotion, artfully tying together the themes of romance, belonging, and the joyous spirit of connection that defines the song’s overall message. Through this celebration, the lyrics invite listeners to immerse themselves in the enchanting atmosphere of Tahiti, while also embracing the depths of human emotions and cultural ties that unite us all.
Line by Line Meaning
Come with me where moonbeams light Tahitian skies
Join me in a magical place where the gentle glow of the moon illuminates the enchanting skies of Tahiti.
And the starlit waters linger in our eyes
As we gaze into the shimmering waters under the stars, the beauty captures our vision and sense of wonder.
Native hills are calling, to them we belong
The majestic hills, rich with culture and history, beckon to us, reminding us of our deep connection to this land.
And we'll cheer each other with the Pagan love song
We will uplift and celebrate one another through a timeless melody that expresses our passionate and free-spirited love.
Come with me where moonbeams light Tahitian skies
Join me in a magical place where the gentle glow of the moon illuminates the enchanting skies of Tahiti.
And the starlit waters linger in our eyes
As we gaze into the shimmering waters under the stars, the beauty captures our vision and sense of wonder.
Native hills are calling, to them we belong
The majestic hills, rich with culture and history, beckon to us, reminding us of our deep connection to this land.
And we'll cheer each other with the Pagan love song
We will uplift and celebrate one another through a timeless melody that expresses our passionate and free-spirited love.
Lyrics © O/B/O APRA AMCOS
Written by: ARTHUR FREED, HARRY WARREN
Lyrics Licensed & Provided by LyricFind
@TammycHoggan-
OMG...this song brings back so many memories
@Tangopix
So nice memories, indeed !!! 😍
@bentleyafokwalam7960
OMG...how did you know what's on my mind!
@Tangopix
@@bentleyafokwalam7960Because it's in mine too !
@sadvery8105
@@Tangopix Me too, time has passed so quickly.
@Tangopix
@sadvery8105 time's flying... **
@mariaangelicacastillopena7915
Homenaje póstumo al gran Director alemán Bert Kaempfert. Linda música. Nunca pasará de moda.
@Tangopix
Nunca !
@ronalddressel6434
62years and still great
@bthvnyt
The most beautiful satisfying tune I ever heard and the dancing top notch.