Elizabeth Santos Leal de Carvalho (May 5, 1946, Rio de Janeiro, Brazil — Ap… Read Full Bio ↴Elizabeth Santos Leal de Carvalho (May 5, 1946, Rio de Janeiro, Brazil — April 30, 2019, Rio de Janeiro, Brazil), best known as Beth Carvalho, was a Brazilian singer, musician and songwriter, being regarded as one of the biggest interpreters of samba and pagode music, receiving the title of "Madrinha do Samba" (Godmother of Samba).

Carvalho was raised in a middle-class family in Rio de Janeiro's South Zone. Her father, João Francisco Leal de Carvalho, was a lawyer. She grew up influenced by different types of music. Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina. She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19. Her first record was 1968's "Andança", carrying the song of the same name to victory in a larger festival, which brought her to prominence. Although she started her career with Bossa Nova, that was an ephemeral phase which lasted less than one year. Beth started dedicating herself entirely to samba just as her fame began, working with legendary composers such as Nelson Sargento.

Carvalho is a very important artist in the history of samba, as she has celebrated and brought the spotlight to the work of legendary composers such as Cartola, Nelson Cavaquinho & Guilherme de Brito when they weren't receiving the attention they deserved. Almost all of her records have songs by these composers, among other legendary sambistas such as Nelson Sargento and the Old Guard of Portela. Her samba school is Mangueira, but that didn't stop her from recording dozens of songs from composers of Portela, the other great traditional samba school in Rio.

Later, in the late 1970s and early 80's, Beth helped bring to the public the work of other rising pagode artists from Cacique de Ramos, such as Almir Guineto, Jorge Aragão and the Fundo de Quintal group. Then, in 1983, she introduced Zeca Pagodinho who would become the major samba name of the 90's. Carvalho always tried to bring underrated composers the recognition they deserve, and she is regarded as madrinha do samba (the godmother of samba). She was a driving force in the modernization of samba in the 80s, and at the same time rejected commercial pop trends in samba arrangements, preserving tradition.

In the 1990s, Beth's popularity wasn't the strongest, but she was always popular. She recorded an album dedicated to the samba from São Paulo, rejecting the famous axiom that São Paulo is the grave of samba. In 1998 she recorded an album dedicated entirely to the pagode classics, Pérolas do Pagode (Pagode Pearls).

In the new millennium, Beth working more than ever, released CDs and DVDs. With a career that spans 40 years, she is a historical figure in Brazilian culture, and recognized as the female sambista with the most substantial opus in Brazil, without diminishing other, younger stars such as Clara Nunes and Daniela Mercury.

Trivia
Beth is a known supporter of both the Botafogo and Clube Atlético Mineiro football teams
Beth is one of the main personalities of the samba school Mangueira
Beth had a variety of hits in the 1970s, with her 1979 song Coisinha Do Pai being one of her biggest hits. The song was inserted into the Mars Pathfinder.
Her social music often concerns the poor and the Indigenous peoples in Brazil.

Onde o Brasil aprendeu a liberdade
Beth Carvalho Lyrics

Aprendeu-se a liberdade
Combatendo em Guararapes
Entre flechas e tacapes
Facas, fuzis e canhões

Brasileiros irmanados
Sem senhores, sem senzala
E a Senhora dos Prazeres
Transformando pedra em bala

Bom Nassau já foi embora
Fez-se a revolução
E a festa da Pitomba
É a reconstituição

Jangadas ao mar
Pra buscar lagosta
Pra levar pra festa
Em Jaboatão

Vamos preparar
Lindos mamulengos
Pra comemorar
A libertação

(Jangadas ao mar) Jangadas ao mar
Pra buscar lagosta
Pra levar pra festa
Em Jaboatão

Vamos preparar
Lindos mamulengos
Pra comemorar
A libertação

E lá vem maracatu,
Bumba-meu-boi, vaquejada
Cantorias e fandangos
Maculelê, marujada

Cirandeiro, cirandeiro
Sua hora é chegada
Vem cantar esta ciranda
Pois a roda está formada

(Ô cirandeiro) Cirandeiro
Cirandeiro, Ó
A pedra do seu anel
Brilha mais do que o sol

(Ô cirandeiro) Cirandeiro
Cirandeiro, Ó
A pedra do seu anel
Brilha mais do que o sol

Sonhei
Que estava sonhando um sonho sonhado
O sonho de um sonho magnetizado
As mentes abertas sem bicos calados
Juventude alerta os seres alados

Sonho meu eu sonhava que sonhava
Sonho meu eu sonhava que sonhava

Sonhei
Que eu era o rei que reinava como um ser comum
Era um por milhares, milhares por um
Como livres raios riscando os espaços
Transando o universo limpando os mormaços

Ai de mim, ai de mim que mal sonhava
Ai de mim, ai de mim que mal sonhava

Na limpidez do espelho só vi coisas limpas
Como uma lua redonda brilhando nas grimpas
Um sorriso sem fúria, entre réu e juiz
A clemência e a ternura por amor da clausura
A prisão sem tortura, inocência feliz

Ai meu Deus falso sonho que eu sonhava
Ai de mim eu sonhei que não sonhava
Mas sonhei
Sonhei, sonhei, sonhei

Lyrics © Universal Music Publishing Group

Written by: Jose Ferreira

Lyrics Licensed & Provided by LyricFind

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