Big Heavy Stuff received a Best Alternative Release nomination at the 15th Annual ARIA Awards for their album Size of the Ocean.
Big Heavy Stuff is a four-piece band, featuring Greg Atkinson (Vocals, Guitars), Carolyn Polley (Guitars, Vocals), Eliot Fish (Bass, Vocals) and Nick Kennedy (Drums). The band was established in 1990 and is with the recording label Redline Records (Australia). Greg Atkinson had previously fronted the band Ups and Downs, Eliot Fish and Nick Kennedy were in The Templebears and Carolyn Polley was singer/guitarist for Dutiful Daughters.
Big Heavy Stuff were at the forefront of Australian independent guitar rock throughout the '90s. The band was formed out of the remains of Brisbane band, Ups and Downs by Greg Atkinson. Quickly signed to an indie imprint of a major label, Big Heavy Stuff was recognized as one of Australia's leading indie rock acts, alongside bands such as Crow, Something for Kate and Jebediah. Although never achieving substantial commercial success, the band was widely respected and critically acclaimed.
The band is not currently active however the members all continue to live in the Sydney area. Drummer Nick Kennedy and bassist Eliot Fish are members of other Sydney bands. Greg Atkinson has gone on to form the Worker Bees with brother (and ex-Ups and Downs bandmate) Darren, and more recently, indie chamber pop band Theories of Everything.
As of January 2006, there is a rumour circulating that the band have parted ways. This was announced on FBi Radio after close to a year of no activity and a long delay in a website update, the last of which was shortly before their last performance at the Come Together Music Festival at Luna Park Sydney.
Big Heavy Stuff played a reunion show in Sydney on April 18, 2009 at the Factory Theatre in Marrickville. The gig were filmed for the That Then This Now documentary.
www.bigheavystuff.net
Homesick
Big Heavy Stuff Lyrics
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For a year I can wait
I could sit here for days, and/or weeks
Every breath that I take, takes me
I forget all your names
They were there last night late
I'm on a need-to-know basis, it seems
Away from here, I just keep getting homesick
Does that make any sense?
Away from here, I just keep getting homesick
Does that make any sense?
All the while I'm away
It's just here where I ache
I'm only here for a change of scenery
Every breath that I take, takes me
Away from here, I just keep getting homesick
Does that make any sense?
Away from here, I just keep getting homesick
Does that make any sense?
Now we get exposure for a while every day
Now if we keel over, follow my face
Now are we getting closer for a while every day?
Now if we keel over, follow my face
The song "Homesick" by Australian band Big Heavy Stuff is a poignant reflection on the complexities of leaving home, while simultaneously feeling disconnected from the places or people we encounter when we're away. The first verse begins with a yearning for normalcy, illustrated by the singer's longing for birthday cake. But as the song progresses, we see that this desire for normalcy is quickly stifled by the overwhelming sense of disorientation that comes from being away. The repeated mantra of "Every breath that I take, takes me" underscores the paradox of feeling homesick while traveling. The singer can't escape their own thoughts, their own memories, and their own nostalgia, even as they move further and further away from the place they call home.
The second verse reinforces this sense of isolation and disconnection. The singer admits to forgetting people's names, suggesting that their social circles are constantly shifting and changing. They mention being on a need-to-know basis, as if they're constantly guarding themselves against forming attachments that will only lead to more heartache when they inevitably have to say goodbye. The line "It's just here where I ache" is particularly poignant, as it highlights the fact that homesickness is not just a physical longing for a place or a person, but an emotional ache that can't be shaken off.
The chorus is a repeated mantra of "Away from here, I just keep getting homesick. Does that make any sense?" This seems like a rhetorical question - of course it makes sense - but it's a question we've all asked ourselves at some point. Why do we feel such a strong pull to a place or a person that we've left behind? Why do we feel so disconnected from the people and places we encounter in our travels? The song doesn't provide any easy answers, but it does capture the complex emotions that come with leaving home.
Line by Line Meaning
No more birthday cake
I won't be celebrating any birthdays for a year
For a year I can wait
I am willing to wait for a year before celebrating any birthdays again
I could sit here for days, and/or weeks
I could stay in this place for an extended period of time
Every breath that I take, takes me
Every breath I take moves me further away from this place
I forget all your names
I have forgotten the names of the people I met last night
They were there last night late
The people I met were there till late last night
I'm on a need-to-know basis, it seems
I only remember the names of the people I need to know
Away from here, I just keep getting homesick
Whenever I am away from this place, I feel a longing to be back there
Does that make any sense?
Am I making any sense?
All the while I'm away
As long as I am away from this place
It's just here where I ache
I only feel pain when I am away from this place
I'm only here for a change of scenery
I am only here to break the monotony
Now we get exposure for a while every day
We are getting some media attention every day
Now if we keel over, follow my face
If we collapse, look at my face to determine if I need help
Now are we getting closer for a while every day?
Are we making progress every day?
Now if we keel over, follow my face
If we collapse, look at my face to determine if I need help
Contributed by Ian L. Suggest a correction in the comments below.