Snake
Big Tigger Lyrics

I want to see you move your body like a snake yeah
R. Kelly wants to see women dance sensually and fluidly.

Eh yo can y'all hear me out there alright, now this is what I want to see
R. Kelly addresses the audience and reiterates his desire to see women dance.

I want to see all of the ladies line up right here now
R. Kelly requests that all the women form a line.

Move your body like a snake ma, like that,
The chorus instructs women to dance like a snake, with smooth and flowing movements.

Shake it 'til it want to break ma , like that,
The chorus urges women to dance until they are tired and feel the urge to stop.

Don't hold back let it go na' , like that,
The chorus tells women to let loose and express themselves freely in their dance.

Let your money make a jump na', like that,
The chorus suggests that women dancing in a provocative way can make them more profitable.

Let me see ya go aron' na, like that,
The chorus requests the continuation of the seductive dance.

Bring it up and let it roll na' like that,
The chorus advises women to accentuate certain parts of their body and continue dancing.

I love the way you work your chocha, like that,
The chorus compliments the way women move their bodies sensually.

You make me want to get to know ya, like that.
The chorus implies that the seductive dance and movement of women can be enticing.

Lovin' the way you move so sexy
The artist is entranced by the way women move.

Mama you're bringin' me to my knees
The artist is overwhelmed by women's seduction and sensuality.

Hands in the air like you came to party
The artist observes the dancers raising their hands in a celebratory manner.

Shakin' that ass makin' the whole club freeze
The artist describes the seductive movements of women that stop the attention of everyone around them.

Get down
The artist requests the women to continue dancing.

Girl I want to dance with you baby no doubt
The artist expresses his desire to dance with one of the women.

Baby we can get together turn this party out.
The artist suggests that he can dance and have a good time with the woman he requests.

Poppin' it like a string on a guitar
The artist compares the women's movements to an instrument being played.

Superstar you know who you are
The artist compliments the women dancing, acknowledging their star power.

Body smokin' like a Cuban cigar
The artist describes the women dancing as hot and attractive.

Girl you're the mama and I'm the dada
The artist uses parental terminology to suggest ownership and control in the relationship.

The way you're freakin' it it so ya ya
The artist describes the women's movements as freaky and exciting.

Wil'in out in the back 'o my car
The artist recalls an experience where he was with one of the women in the back of a car.

Girl you got me screamin' fiesta
The artist is excited and feels a celebration with the woman.

Body language sayin' whatevah
The artist describes the woman's body language as free and unencumbered.

Love the way you put that thing on me no doubt
The artist is elated by the woman's dancing and wants her to continue.

Baby we can get together turn this party out.
The artist suggests that he can have a good time with the woman.

3 o'clock we in the hotel lobby
The artist is in the hotel with the women he was dancing with.

After party in my penthouse suite
The artist plans to have an after-party in his penthouse suite.

Lookin' for a fly shorty to meet
The artist is searching for an attractive woman.

Girl like a, let me see ya freak
The artist wants the woman to impress him with her dancing and sensuality.

Only one night in town so are you comin'cause baby I got plans
The artist only has one night in town and proposes to spend it with the woman.

Big tigger doing big things tonight with Ardah? and Rotlan?
Big Tigger mentions names of other people he will be spending time with in addition to the woman.

y'all ain't gotta go home but ya gotta get the hell up outta here
The chorus threatens to remove people who do not want to leave the club at closing time.