Emirates
Biggie Babylon Lyrics
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Yeah
Yeah
Yeah
Ugh, big body coupe
Come down from the roof, yeah, parachute
They can't tell I'm a living truthThey can't tell I'm the living truth
Ha, big body coupe
Come down from the roof like a parachute
They can't tell I'm a living truth
They cant tell I'm the living truth
Hah, yeah, big body coupe
Swerving Abu Dhabi, swerving Maserati
Coming through your city, swerving in Ferarri
Your numbers is too high, I'm on Palm's and I'm sorry
Yeah, Biggie coming through
On Burj Khalifa look up top look at my view
Gold Air Forces, size fifteen, look at my shoe
I'm in United Emirates, you sick you caught the flu
I'm on the road to the gold, you ain't got no clue
Picked up in Range Rovers all day, ain't nothing new
Switched over to that Bentley Mulsane, yeah just me and my crew
I just put the pedal to the metal then I flew
Ugh, big body coupe
Come down from the roof, yeah, parachute
They can't tell I'm a living truth
They can't tell I'm the living truth
Ha, big body coupe
Come down from the roof like a parachute
They can't tell I'm a living truthThey cant tell I'm the living truth
I was at the little party acting naughty
I was on the big boat this not little yachty
Hitting wheelies in the sand this not Ducati
I was at the clearport French Montana dodging paparazzi
I'm coming through, yeah, yeah, just not anybody
Meet me at the Goversnor House, meet me at the, uhh, lobby
Smoking sheesha, Ukranian chicks
Your dollars ain't making no sense
In the club we making them tense
Spending cash ain't touching no prince
Ugh, big body coupe
Come down from the roof, yeah, parachute
They can't tell I'm a living truth
They can't tell I'm the living truth
Ha, big body coupe
Come down from the roof like a parachute
They can't tell I'm a living truth
They cant tell I'm the living truth
Biggie Babylon’s song "Emirates" encapsulates a lavish lifestyle infused with a blend of confidence, luxury, and cultural references. From the outset, the repeated phrase "big body coupe" serves as a metaphor for both physical presence and status. By likening his arrival to a "parachute," he suggests an almost grand entrance that grabs attention. The repeated insistence that "they can't tell I'm a living truth" underscores a theme of authenticity; despite the trappings of fame and wealth, he emphasizes that his experiences and essence are genuine and unfiltered. The repeated chorus indicates an assertion of his identity, rejecting superficial judgments made by outsiders who may not understand the depth of his character.
As the narrative unfolds, Babylon continues to paint a vivid picture of his high-flying lifestyle, explicitly referencing luxury cars like Lamborghini, Maserati, and Ferrari which are emblematic of wealth and success. His playful swerving around Abu Dhabi and Palm, two pivotal locations in the Middle East known for their opulence, further emphasizes his freedom and dominance within such environments. The mention of Burj Khalifa, one of the tallest buildings in the world, symbolizes not only physical height but also his aspirations and achievements within a broader social context. Each reference serves to elevate his narrative, creating a world where he is unapologetically at the pinnacle of his game—a space where he feels empowered and untouchable.
In the third verse, the tone transitions into a depiction of carefree revelry punctuated by casual references to nightlife personas, including a nod to French Montana, enhancing his street credibility. The imagery of partying on a big yacht stands in stark contrast to 'little Yachty,' suggesting a distinction not just in lifestyle but also in seriousness. By showcasing activities like "hitting wheelies in the sand," he encapsulates the thrill and adrenaline of his life, merging it with intimate social interactions through his anecdotal references. The playful concept of choosing vibrant social spots like the "Goversnor House" and smoking nonchalantly among friends helps to ground his wealth in a relatable reality, steering clear of an abstract pedestal.
Finally, the incorporation of a diverse cultural milieu, particularly through the mention of "Ukrainian chicks" and "smoking sheesha," suggests a celebration of multiculturalism and the intersectionality of his surroundings. Babylon's lyrics allude to financial prowess yet serve as a critique by implying that dollars spent in grandiose styles don't inherently grant him respect, especially among royalty (“spending cash ain't touching no prince”). Ultimately, "Emirates" is a multifaceted representation of contemporary luxury, evoking themes of authenticity, cultural exploration, and the nuanced perceptions of wealth, all underpinned by confidence and a flair for the extraordinary.
Line by Line Meaning
Yeah
Affirmation or expression of confidence.
Yeah
Reinforcing the previous sentiment with enthusiasm.
Yeah
Continuation of excitement or agreement.
Yeah
Building anticipation for what's to follow.
Ugh, big body coupe
Referring to an impressive, luxurious car that commands presence.
Come down from the roof, yeah, parachute
Describing a smooth and dramatic entrance, akin to a parachutist landing.
They can't tell I'm a living truth
People are unaware of the authenticity and reality I represent.
They can't tell I'm the living truth
Reiterating that my genuine nature is unrecognized by others.
Ha, big body coupe
Again emphasizing the grandeur of my luxurious vehicle.
Come down from the roof like a parachute
Continuing the metaphor of a stunning and bold arrival.
They can't tell I'm a living truth
Asserting that my real essence remains unnoticed by onlookers.
They can't tell I'm the living truth
Stress on the idea that my authenticity is overlooked.
Hah, yeah, big body coupe
Expressing confidence and pride in my luxurious vehicle once more.
Swerving Abu Dhabi, swerving Maserati
Navigating effortlessly through the streets of Abu Dhabi in a high-end Maserati.
Coming through your city, swerving in Ferrari
Cruising through urban landscapes in a prestigious Ferrari.
Your numbers is too high, I'm on Palm's and I'm sorry
Highlighting how others’ achievements seem paltry compared to my status while making a cheeky apology.
Yeah, Biggie coming through
Announcing my entrance and presence with undeniable authority.
On Burj Khalifa look up top look at my view
Standing atop a significant architectural marvel, suggesting superiority and a lofty perspective.
Gold Air Forces, size fifteen, look at my shoe
Wearing flashy, luxurious shoes that emphasize my status and size.
I'm in United Emirates, you sick you caught the flu
Making a statement about being in a lavish locale while playfully suggesting that detractors are envious.
I'm on the road to the gold, you ain't got no clue
Pursuing significant success and wealth while indicating others are oblivious to my journey.
Picked up in Range Rovers all day, ain't nothing new
Constantly being chauffeured in high-end luxury vehicles, which has become routine.
Switched over to that Bentley Mulsane, yeah just me and my crew
Transitioning to an even more luxurious car, emphasizing exclusivity with friends.
I just put the pedal to the metal then I flew
Accelerating quickly and embracing a sense of freedom and thrill.
Ugh, big body coupe
Reaffirming the awe and admiration for my lavish automobile.
Come down from the roof, yeah, parachute
Reinforcing the concept of a grand entry akin to a parachute landing.
They can't tell I'm a living truth
Claiming that my genuine persona remains unrecognized.
They can't tell I'm the living truth
Stating once again the unnoticed authenticity of my existence.
I was at the little party acting naughty
Indulging in playful, mischievous behavior at a small gathering.
I was on the big boat this not little yachty
Highlighting being on a luxurious vessel, contrasting it with smaller, less significant experiences.
Hitting wheelies in the sand this not Ducati
Performing thrilling stunts on sand, differentiating from standard motorcycle experiences.
I was at the clearport French Montana dodging paparazzi
Being in an exclusive location, evading the scrutiny of media and fans.
I'm coming through, yeah, yeah, just not anybody
Confidently asserting that my entrance is noteworthy, unlike others.
Meet me at the Goversnor House, meet me at the, uhh, lobby
Requesting a rendezvous at a prestigious location, enhancing my importance.
Smoking sheesha, Ukranian chicks
Enjoying social leisure with exotic company, specifically Ukrainian women.
Your dollars ain't making no sense
Implying that others’ financial efforts seem trivial compared to my wealth.
In the club we making them tense
Creating an energetic and charged atmosphere in a club setting.
Spending cash ain't touching no prince
Emphasizing that despite heavy spending, I am still not reaching the level of royalty.
Ugh, big body coupe
Restating admiration for my impressive and luxurious car.
Come down from the roof, yeah, parachute
Reinforcing the image of a stylish, impactful arrival.
They can't tell I'm a living truth
Reasserting that my real essence is unrecognized.
They can't tell I'm the living truth
Final affirmation of the idea that my authenticity goes unnoticed.
Lyrics © O/B/O DistroKid
Written by: Alvin Shamoun, Thomas Timmons
Lyrics Licensed & Provided by LyricFind