KISSING MY LOVE
Bill Withers Lyrics
Whoa now
When I'm kissing my love
Yeah thump a thumping in my head
Whoa now
When I'm kissing my love
I close my eyes and see a pretty city
With a million flowers babe
Now I can hear the angels sing
She's such a pretty thing
That I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
Whoa now
When I'm kissing my love
Feel the blood a pumping in my veins
Whoa now
When I'm kissing my love
She's such a tender sender
With her sweet young friends
She's so good at what she does
All she wants to do is kiss and hug
She's got me in love
And I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
[Repeat x8]
Put your foot on the rock and pat your foot,
Don't stop, put your foot on the rock
Whoa now
When I'm kissing my love
Feel the blood a pumping in my veins
Whoa now
When I'm kissing my love
She's such a tender sender
With her sweet young friends
Whoa now
She's so good at what she does
All she wants to do is kiss and hug
She's got me in love
And I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
Lyrics © Universal Music Publishing Group
Written by: BILL WITHERS
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
William Harrison "Bill" Withers Jr. (July 4, 1938 – March 30, 2020) was an American singer-songwriter and musician. He had several hits over a relatively short career of fifteen years, including "Ain't No Sunshine" (1971), "Grandma's Hands" (1971), "Use Me" (1972), "Lean on Me" (1972), "Lovely Day" (1977), and "Just the Two of Us" (1981). Withers won three Grammy Awards and was nominated for six more. His life was the subject of the 2009 documentary film Still Bill. Read Full BioWilliam Harrison "Bill" Withers Jr. (July 4, 1938 – March 30, 2020) was an American singer-songwriter and musician. He had several hits over a relatively short career of fifteen years, including "Ain't No Sunshine" (1971), "Grandma's Hands" (1971), "Use Me" (1972), "Lean on Me" (1972), "Lovely Day" (1977), and "Just the Two of Us" (1981). Withers won three Grammy Awards and was nominated for six more. His life was the subject of the 2009 documentary film Still Bill. Withers was inducted into the Songwriters Hall of Fame in 2005 and Rock and Roll Hall of Fame in 2015. Two of his songs were inducted into the Grammy Hall of Fame.
Withers, the youngest of six children, was born in the small coal-mining town of Slab Fork, West Virginia, on July 4, 1938. He was the son of Mattie (Galloway), a maid, and William Withers, a miner. He was born with a stutter and later said he had a hard time fitting in. His parents divorced when he was three, and he was raised by his mother's family in nearby Beckley, West Virginia. He was 13 years old when his father died. Withers enlisted in the United States Navy at the age of 17, and served for nine years, during which time he became interested in singing and writing songs.
He left the Navy in 1965, relocating to Los Angeles in 1967 to start a music career. His debut release was "Three Nights and a Morning" in 1967. Arranged by Mort Garson, the song went unnoticed at the time but was later reworked by Withers as the track "Harlem".
Withers worked as an assembler for several different companies, including Douglas Aircraft Corporation, IBM and Ford, while recording demo tapes with his own money, shopping them around and performing in clubs at night. When he returned with the song "Ain't No Sunshine" in 1971, he refused to resign from his job because he believed the music business was a fickle industry. In early 1970, Withers's demonstration tape was auditioned favorably by Clarence Avant, owner of Sussex Records. Avant signed Withers to a record deal and assigned former Stax Records stalwart Booker T. Jones to produce Withers' first album. Four three-hour recording sessions were planned for the album, but funding caused the album to be recorded in three sessions with a six-month break between the second and final sessions. Just as I Am was released in 1971 with the tracks, "Ain't No Sunshine" and "Grandma's Hands" as singles. The album features Stephen Stills playing lead guitar. On the cover of the album, Withers is pictured at his job at Weber Aircraft in Burbank, California, holding his lunch box.
Withers was known for his "smooth" baritone vocals and "sumptuous" soul arrangements. He wrote some of the most covered songs of the 1970s, including "Lean on Me" and "Ain't No Sunshine". The former entered the Hot 100 chart through multiple versions, including Club Nouveau's 1987 cover, which made the composition one of nine songs to have led the chart via different acts. With "Lovely Day", he set the record for the longest sustained note on a chart hit on American charts, holding a high E for 18 seconds. Editors from The Guardian considered that Withers' songs are "some of the most beloved in the American songbook," citing, "'Ain't No Sunshine' is regarded as one of the all-time great breakup tracks, while 'Lean on Me', an ode to the supportive power of friendship ..." For the same newspaper, Alex Petridis noticed "[he] laid pain and paranoia under his deceptively gentle songs, and retired early having conquered gospel, funk, blues, disco and more." In Rolling Stone, writer Andy Greene noted that several of his songs "are embedded in the culture and have been covered countless times."
Writing for The New York Times, Giovanni Russonello considered Withers "[a] soulful singer with a gift for writing understated classics", adding, "the ultimate homespun hitmaker, he had an innate sense of what might make a song memorable, and little interest in excess attitude or accoutrements. Ultimately Withers reminded us that it’s the everyday that is the most meaningful: work, family, love, loss." A Billboard article considered that Withers "stands as one of R&B/soul music's most revered singer-songwriters." In the same magazine, writer Gail Mitchell acknowledged "Withers' legacy has flourished in the decades since, thanks to a cross-section of artists who have covered/sampled his songs or cited him as a major influence." Musician and music journalist Questlove referred to Withers' post-breakup 1974 album +'Justments as "a diary [...] [it] was a pre-reality-show look at his life. Keep in mind this was years before Marvin Gaye did it with Here, My Dear." The Beach Boys' Brian Wilson deemed him "a songwriter's songwriter". Musicians Sade, D'Angelo, Justin Timberlake, John Legend and Ed Sheeran have credited Withers as a music inspiration.
Withers died from heart complications in Los Angeles on March 30, 2020, at age 81; his family announced his death four days later. He is interred in the Forest Lawn Memorial Park (Hollywood Hills).
Withers, the youngest of six children, was born in the small coal-mining town of Slab Fork, West Virginia, on July 4, 1938. He was the son of Mattie (Galloway), a maid, and William Withers, a miner. He was born with a stutter and later said he had a hard time fitting in. His parents divorced when he was three, and he was raised by his mother's family in nearby Beckley, West Virginia. He was 13 years old when his father died. Withers enlisted in the United States Navy at the age of 17, and served for nine years, during which time he became interested in singing and writing songs.
He left the Navy in 1965, relocating to Los Angeles in 1967 to start a music career. His debut release was "Three Nights and a Morning" in 1967. Arranged by Mort Garson, the song went unnoticed at the time but was later reworked by Withers as the track "Harlem".
Withers worked as an assembler for several different companies, including Douglas Aircraft Corporation, IBM and Ford, while recording demo tapes with his own money, shopping them around and performing in clubs at night. When he returned with the song "Ain't No Sunshine" in 1971, he refused to resign from his job because he believed the music business was a fickle industry. In early 1970, Withers's demonstration tape was auditioned favorably by Clarence Avant, owner of Sussex Records. Avant signed Withers to a record deal and assigned former Stax Records stalwart Booker T. Jones to produce Withers' first album. Four three-hour recording sessions were planned for the album, but funding caused the album to be recorded in three sessions with a six-month break between the second and final sessions. Just as I Am was released in 1971 with the tracks, "Ain't No Sunshine" and "Grandma's Hands" as singles. The album features Stephen Stills playing lead guitar. On the cover of the album, Withers is pictured at his job at Weber Aircraft in Burbank, California, holding his lunch box.
Withers was known for his "smooth" baritone vocals and "sumptuous" soul arrangements. He wrote some of the most covered songs of the 1970s, including "Lean on Me" and "Ain't No Sunshine". The former entered the Hot 100 chart through multiple versions, including Club Nouveau's 1987 cover, which made the composition one of nine songs to have led the chart via different acts. With "Lovely Day", he set the record for the longest sustained note on a chart hit on American charts, holding a high E for 18 seconds. Editors from The Guardian considered that Withers' songs are "some of the most beloved in the American songbook," citing, "'Ain't No Sunshine' is regarded as one of the all-time great breakup tracks, while 'Lean on Me', an ode to the supportive power of friendship ..." For the same newspaper, Alex Petridis noticed "[he] laid pain and paranoia under his deceptively gentle songs, and retired early having conquered gospel, funk, blues, disco and more." In Rolling Stone, writer Andy Greene noted that several of his songs "are embedded in the culture and have been covered countless times."
Writing for The New York Times, Giovanni Russonello considered Withers "[a] soulful singer with a gift for writing understated classics", adding, "the ultimate homespun hitmaker, he had an innate sense of what might make a song memorable, and little interest in excess attitude or accoutrements. Ultimately Withers reminded us that it’s the everyday that is the most meaningful: work, family, love, loss." A Billboard article considered that Withers "stands as one of R&B/soul music's most revered singer-songwriters." In the same magazine, writer Gail Mitchell acknowledged "Withers' legacy has flourished in the decades since, thanks to a cross-section of artists who have covered/sampled his songs or cited him as a major influence." Musician and music journalist Questlove referred to Withers' post-breakup 1974 album +'Justments as "a diary [...] [it] was a pre-reality-show look at his life. Keep in mind this was years before Marvin Gaye did it with Here, My Dear." The Beach Boys' Brian Wilson deemed him "a songwriter's songwriter". Musicians Sade, D'Angelo, Justin Timberlake, John Legend and Ed Sheeran have credited Withers as a music inspiration.
Withers died from heart complications in Los Angeles on March 30, 2020, at age 81; his family announced his death four days later. He is interred in the Forest Lawn Memorial Park (Hollywood Hills).
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ector araujo
Whoa now
When I'm kissing my love
Yeah thump a thumping in my head
Whoa now
When I'm kissing my love
I close my eyes and see a pretty city
With a million flowers babe
Now I can hear the angels sing
Songs that only angels sing
She's such a pretty thing
That I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
Whoa now
When I'm kissing my love
Feel the blood a pumping in my veins
Whoa now
When I'm kissing my love
She's such a tender sender
With her sweet young friends
She's so good at what she does
All she wants to do is kiss and hug
She's got me in love
And I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
Put your foot on the rock and pat your foot,
Don't stop, put your foot on the rock
(x8)
Whoa now
When I'm kissing my love
Feel the blood a pumping in my veins
Whoa now
When I'm kissing my love
She's such a tender sender
With her sweet young friends
Whoa now
She's so good at what she does
All she wants to do is kiss and hug
She's got me in love
And I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
ector araujo
Whoa now
When I'm kissing my love
Yeah thump a thumping in my head
Whoa now
When I'm kissing my love
I close my eyes and see a pretty city
With a million flowers babe
Now I can hear the angels sing
Songs that only angels sing
She's such a pretty thing
That I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
Whoa now
When I'm kissing my love
Feel the blood a pumping in my veins
Whoa now
When I'm kissing my love
She's such a tender sender
With her sweet young friends
She's so good at what she does
All she wants to do is kiss and hug
She's got me in love
And I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
Put your foot on the rock and pat your foot,
Don't stop, put your foot on the rock
(x8)
Whoa now
When I'm kissing my love
Feel the blood a pumping in my veins
Whoa now
When I'm kissing my love
She's such a tender sender
With her sweet young friends
Whoa now
She's so good at what she does
All she wants to do is kiss and hug
She's got me in love
And I can feel my heart
Just a thumping and a skipping
When I'm kissing my love
James Devine
One of my all time favourite drum grooves. Seems simple on the surface, but dig deeper and you will notice that it exists in this strange but extremely funky purgatory between straight and swung rhythm. It is maintained with impeccable and unwavering consistency throughout, and is so far in the pocket I'm pretty sure it's torn a hole and fallen out of my trouser leg. Despite the relative simplicity and repetition of the overall arrangement, it remains practically inimitable. It compliments the song perfectly and provides a listening experience akin to that of gliding a hot knife through butter, or driving on a perfectly flat road. All of this allows the groove to permanently burn itself into the memory of the listener. Let's give James Gadson the respect and reverence that he deserves!
James Devine
@Moe Elhassan haha thank you very much my friend! Have a good day :))
Moe Elhassan
MATE YOU ARE A CHAMPION YOU PAINTED A PEICE OR ART WITH YOUR REPLY..
RESPECT 😎
Chris Bardolph
James Gadson on drums, I believe. Pocket monster.
The Simply Agape Project
Truly a great groove with the shuffle on top kind of a 12/8 feel.
Ernest Enoch
No beat machine but a drummer putting the whole set in the pocket!!
simes205
James Gadson
Darryl Jenkins
You said something. There is a live video where the drummer rides the intro until the band just fell into the groove.
Patrick Ramey
Pure rhythmic bliss done right.👌
The Franchise
James Gadson! Google him and get your mind blown