Bill Wyman (born William George Perks; 24 October 1936) is an English music… Read Full Bio ↴Bill Wyman (born William George Perks; 24 October 1936) is an English musician best known as the bassist for the English rock and roll band The Rolling Stones from 1962 until 1993. Since 1997, he has recorded and toured with his own band, Bill Wyman's Rhythm Kings. He has worked producing both records and film, and has scored music for film in movies and television.
Wyman has kept a journal since he was a child after World War II. It has been useful as an inspiration to him, as an author who has written seven books, which have sold two million copies. Wyman's love of art has additionally led to his proficiency in photography and his photographs have hung in galleries around the world. Wyman's lack of funds in his early years led him to create and build his own fretless bass guitar. He became an amateur archaeologist and enjoys relic hunting; The Times published a letter about his hobby. He designed and marketed a patented "Bill Wyman signature metal detector", which he has used to find relics in the English countryside dating back to the era of the Roman Empire. As a businessman he owns several establishments, including the famous Sticky Fingers Café, a rock-and-roll-themed bistro serving American cuisine, first opened in 1989 in the Kensington area of London, and, later, in two additional locations in Cambridge (now closed) and Manchester.
Bill Wyman was born in Lewisham Hospital in Lewisham, South London, the son of William Perks, a bricklayer, and his wife, Molly. One of five children, Wyman spent most of his early life living in a terraced house in one of the roughest streets in Sydenham, southeast London. He describes his childhood as "scarred by poverty".
He attended Beckenham and Penge Grammar School (Langley Park School For Boys) from 1947 to Easter 1953, leaving before the GCE exams after his father found him a job working for a bookmaker and insisted that he take it.
Wyman took piano lessons from age 10 to 13. A year after his marriage on 24 October 1959 to Diane Cory, an 18-year-old bank clerk, he bought a Burns electric guitar for £52 on hire-purchase, but was not satisfied by his progress. After hearing a bass guitar at a Barron Knights concert, he fell in love with the sound of it and decided this was his instrument. He created the first fretless electric bass by removing the frets from a cheap Japanese bass guitar he was reworking and played this in a south London band, the Cliftons, in 1961. He used the stage name Lee (later Bill) Wyman, taking the surname of a friend with whom he had done national service in the Royal Air Force from 1955 to 1957.
When drummer Tony Chapman told him that a rhythm and blues band called the Rolling Stones needed a bass player, he auditioned and was hired on 7 December 1962 as a successor to Dick Taylor. The band was impressed by his instrument and amplifiers (one of which Wyman built himself), but because he was married, employed, and older, Wyman remained an outsider.
In addition to playing bass, Wyman frequently provided backing vocals on early records and through 1967 in concert as well. He sang lead on the track "In Another Land", on the Their Satanic Majesties Request album and a single. The song is one of two Wyman compositions released by the Rolling Stones; the second is "Downtown Suzie" (sung by Mick Jagger), on Metamorphosis, a collection of Rolling Stones outtakes. The title "Downtown Suzie" was chosen by their erstwhile manager Allen Klein without consulting Wyman or the band. The original title was "Sweet Lisle Lucy", named after Lisle Street, a street in the red light district in Soho, London.
Wyman kept a journal throughout his life, beginning when he was a child, and used it in writing his 1990 autobiography Stone Alone and his 2002 book Rolling with the Stones. In Stone Alone, Wyman claims to have composed the riff of "Jumpin' Jack Flash" with Brian Jones and drummer Charlie Watts. Wyman mentions that "(I Can't Get No) Satisfaction" was released as a single only after a 3-2 vote within the band: Wyman, Watts and Jones voted for, Jagger and Richards against, feeling it not sufficiently commercial. By the 1970s, Wyman, tired of the monopolisation of songwriting and production by Jagger and Richards,[citation needed] began solo projects. In the 1970s and early 1980s he made three solo albums, none commercially very successful but all well received by critics. In July 1981 his "(Si, Si) Je suis un rock star" became a top-20 hit in many countries.
Wyman also played on The London Howlin' Wolf Sessions, released 1971, with Howlin' Wolf, Eric Clapton, Charlie Watts and Stevie Winwood, and on the album Jamming with Edward, released in 1972, with Ry Cooder, Nicky Hopkins, Jagger and Watts.
Wyman composed the score of the 1981 Ryan O'Neal-Omar Sharif film Green Ice; and in the mid-1980s, he composed music for two films by Italian director Dario Argento: Phenomena (1985) and Terror at the Opera (1987).
In 1985, he was approached by producers working on a movie based on the Vietnam War, who asked him to provide the theme tune. He completed a demo cover version of the 1969 song Spirit in the Sky and sent it off to them for review. The producers' feedback was highly positive, but they soon ran out of money and had to scrap the project. The demo tape was apparently lost, but on an audio CD included with Bill Wyman's Scrapbook in 2013, he says that "somebody out there must have heard it because four months later - in the June of that year - Doctor and the Medics appeared with the release of their version of that song which eventually went to number one for three weeks. A coincidence perhaps? Still, such is life."
He made a cameo appearance in the 1987 film Eat the Rich. He produced and managed the group Tucky Buzzard.
Wyman was close to Brian Jones; he and Jones usually shared rooms together while they were on tour and often went to clubs together. He and Jones hung out together even when Jones was distancing himself from the band. Wyman was distraught when he heard the news of Jones' death. He and Watts were the only Rolling Stones members at Jones' funeral in July 1969. Wyman was also friends with guitarist Mick Taylor. Like the other Rolling Stones, he has worked with Taylor since Taylor's departure from the band in 1974.
After the Rolling Stones' 1989-90 Steel Wheels/Urban Jungle tours, Wyman left the group; his decision was announced in January 1994. The Rolling Stones have continued to record and tour with Darryl Jones on bass.
On 24 October 2012, the Stones announced that Wyman and Mick Taylor were expected to join them on stage at the upcoming shows in London (25 and 29 November) and Newark (13 and 15 December). Richards went on to say that the pair would strictly be guests, and Darryl Jones would continue to supply the bass for the majority of the show. He said, "Darryl doesn't get enough recognition. He and Bill can talk about songs they want to step in and out of." At the first London show on 25 November, Wyman played on two back-to-back tracks: "It's Only Rock 'n Roll (But I Like It)" and "Honky Tonk Women". He later stated that he was not interested in joining the band for further tour dates in 2013.
Wyman continues to tour with the Rhythm Kings, which has featured such musicians as Martin Taylor, Albert Lee, Gary Brooker, Terry Taylor (formerly with Tucky Buzzard), Mike Sanchez and Georgie Fame. Following his 70th birthday in October 2006, Wyman undertook another British tour.
On 10 December 2007, Wyman and his band appeared alongside a reunited Led Zeppelin at the Ahmet Ertegun Tribute Concert at the O2 in London.
Wyman was a judge for the 5th annual Independent Music Awards to support independent artists' careers.
In 2009, ex-Rolling Stones guitarist Mick Taylor was invited as a guest performer with Wyman's Rhythm Kings.
On 25 October 2009, Wyman performed a reunion show with Faces, filling in for the late Ronnie Lane as he had previously done in 1986 and 1993.
On 19 April 2011, pianist Ben Waters released an Ian Stewart tribute album titled Boogie 4 Stu. Wyman played on two tracks: "Rooming House Boogie" and "Watchin' the River Flow", the latter recorded with the Rolling Stones.
Wyman, on bass during the Rolling Stones' tour in 1975. Holding his bass guitar vertically in the position as an Upright bass has been his trademark.
Wyman's bass sound came not only from his home-made fretless bass, but the "walking bass" style he adopted, inspired by Willie Dixon and Ricky Fenson.[citation needed] Wyman has played a number of basses, including a Framus Star bass and a number of other Framus basses, a Vox Teardrop bass (issued as a Bill Wyman signature model), a Fender Mustang Bass, two Ampeg Dan Armstrong basses, a Gibson EB-3, and a Travis Bean bass. The bass he has been playing mostly since the late 80s is a Steinberger bass. Wyman's amplifiers over the years have included a Vox T-60, a piggyback Fender Bassman, a Hiwatt bass stack, and an Ampeg SVT. Wyman, especially in the early Stones' years, had a distinctive way of holding his bass – almost vertically. He stated that the reason he held a bass in that position was simply because his hands were small.
Wyman, although moderate in his use of alcohol and drugs, has stated that he became "girl mad" as a psychological crutch. Maxim magazine ranked Wyman at number 10 on its "Living Sex Legends" list, as he is reputed to have had sex with over 1,000 women.
Wyman married his first wife Diane in 1959 and their son Stephen Paul Wyman was born on 29 March 1962. They separated in 1967 and divorced in 1969.
From 1967 to 1983 Wyman was romantically linked to Astrid Lundström.
On 2 June 1989, aged 52, Wyman married 18-year-old Mandy Smith whom he had been dating since she was 13 and he was 47 years old. According to Smith, their relationship was sexually consummated when she was 14 years old. Their relationship was the subject of considerable media attention. The marriage ended in spring 1991, although the divorce was not finalised until 1993. In 1993, while Wyman was still married to Smith, Stephen, his son from his first marriage, became engaged to Smith's mother.
In April 1993 he married Suzanne Accosta. The couple have three daughters, Katherine Noelle (September 1994), Jessica Rose (November 1995) and Matilda Mae (April 1998).
Wyman lives in a country house in Suffolk and in St. Paul de Vence in the South of France; in St. Paul de Vence his friends include numerous artists. He is a cricket supporter (as is Mick Jagger) and played in a celebrity match at the Oval against a former England XI taking a hat-trick.
Wyman started selling metal detectors in 2007. Treasure detecting adventures in the British Isles are detailed in his 2005 illustrated book Treasure Islands co-written with Richard Havers.
Wyman is a keen photographer. He has taken photographs throughout his career and in June 2010 launched a retrospective of his work in an exhibition in St. Paul de Vence. The exhibition included images of his music acquaintances as well as famous artists from the South of France including Marc Chagall.
Wyman is also a supporter of British professional football team, Port Vale.
Politically, Wyman has supported Britain's Conservative Party.
In 2009, he quit smoking after 55 years.
Wyman has kept a journal since he was a child after World War II. It has been useful as an inspiration to him, as an author who has written seven books, which have sold two million copies. Wyman's love of art has additionally led to his proficiency in photography and his photographs have hung in galleries around the world. Wyman's lack of funds in his early years led him to create and build his own fretless bass guitar. He became an amateur archaeologist and enjoys relic hunting; The Times published a letter about his hobby. He designed and marketed a patented "Bill Wyman signature metal detector", which he has used to find relics in the English countryside dating back to the era of the Roman Empire. As a businessman he owns several establishments, including the famous Sticky Fingers Café, a rock-and-roll-themed bistro serving American cuisine, first opened in 1989 in the Kensington area of London, and, later, in two additional locations in Cambridge (now closed) and Manchester.
Bill Wyman was born in Lewisham Hospital in Lewisham, South London, the son of William Perks, a bricklayer, and his wife, Molly. One of five children, Wyman spent most of his early life living in a terraced house in one of the roughest streets in Sydenham, southeast London. He describes his childhood as "scarred by poverty".
He attended Beckenham and Penge Grammar School (Langley Park School For Boys) from 1947 to Easter 1953, leaving before the GCE exams after his father found him a job working for a bookmaker and insisted that he take it.
Wyman took piano lessons from age 10 to 13. A year after his marriage on 24 October 1959 to Diane Cory, an 18-year-old bank clerk, he bought a Burns electric guitar for £52 on hire-purchase, but was not satisfied by his progress. After hearing a bass guitar at a Barron Knights concert, he fell in love with the sound of it and decided this was his instrument. He created the first fretless electric bass by removing the frets from a cheap Japanese bass guitar he was reworking and played this in a south London band, the Cliftons, in 1961. He used the stage name Lee (later Bill) Wyman, taking the surname of a friend with whom he had done national service in the Royal Air Force from 1955 to 1957.
When drummer Tony Chapman told him that a rhythm and blues band called the Rolling Stones needed a bass player, he auditioned and was hired on 7 December 1962 as a successor to Dick Taylor. The band was impressed by his instrument and amplifiers (one of which Wyman built himself), but because he was married, employed, and older, Wyman remained an outsider.
In addition to playing bass, Wyman frequently provided backing vocals on early records and through 1967 in concert as well. He sang lead on the track "In Another Land", on the Their Satanic Majesties Request album and a single. The song is one of two Wyman compositions released by the Rolling Stones; the second is "Downtown Suzie" (sung by Mick Jagger), on Metamorphosis, a collection of Rolling Stones outtakes. The title "Downtown Suzie" was chosen by their erstwhile manager Allen Klein without consulting Wyman or the band. The original title was "Sweet Lisle Lucy", named after Lisle Street, a street in the red light district in Soho, London.
Wyman kept a journal throughout his life, beginning when he was a child, and used it in writing his 1990 autobiography Stone Alone and his 2002 book Rolling with the Stones. In Stone Alone, Wyman claims to have composed the riff of "Jumpin' Jack Flash" with Brian Jones and drummer Charlie Watts. Wyman mentions that "(I Can't Get No) Satisfaction" was released as a single only after a 3-2 vote within the band: Wyman, Watts and Jones voted for, Jagger and Richards against, feeling it not sufficiently commercial. By the 1970s, Wyman, tired of the monopolisation of songwriting and production by Jagger and Richards,[citation needed] began solo projects. In the 1970s and early 1980s he made three solo albums, none commercially very successful but all well received by critics. In July 1981 his "(Si, Si) Je suis un rock star" became a top-20 hit in many countries.
Wyman also played on The London Howlin' Wolf Sessions, released 1971, with Howlin' Wolf, Eric Clapton, Charlie Watts and Stevie Winwood, and on the album Jamming with Edward, released in 1972, with Ry Cooder, Nicky Hopkins, Jagger and Watts.
Wyman composed the score of the 1981 Ryan O'Neal-Omar Sharif film Green Ice; and in the mid-1980s, he composed music for two films by Italian director Dario Argento: Phenomena (1985) and Terror at the Opera (1987).
In 1985, he was approached by producers working on a movie based on the Vietnam War, who asked him to provide the theme tune. He completed a demo cover version of the 1969 song Spirit in the Sky and sent it off to them for review. The producers' feedback was highly positive, but they soon ran out of money and had to scrap the project. The demo tape was apparently lost, but on an audio CD included with Bill Wyman's Scrapbook in 2013, he says that "somebody out there must have heard it because four months later - in the June of that year - Doctor and the Medics appeared with the release of their version of that song which eventually went to number one for three weeks. A coincidence perhaps? Still, such is life."
He made a cameo appearance in the 1987 film Eat the Rich. He produced and managed the group Tucky Buzzard.
Wyman was close to Brian Jones; he and Jones usually shared rooms together while they were on tour and often went to clubs together. He and Jones hung out together even when Jones was distancing himself from the band. Wyman was distraught when he heard the news of Jones' death. He and Watts were the only Rolling Stones members at Jones' funeral in July 1969. Wyman was also friends with guitarist Mick Taylor. Like the other Rolling Stones, he has worked with Taylor since Taylor's departure from the band in 1974.
After the Rolling Stones' 1989-90 Steel Wheels/Urban Jungle tours, Wyman left the group; his decision was announced in January 1994. The Rolling Stones have continued to record and tour with Darryl Jones on bass.
On 24 October 2012, the Stones announced that Wyman and Mick Taylor were expected to join them on stage at the upcoming shows in London (25 and 29 November) and Newark (13 and 15 December). Richards went on to say that the pair would strictly be guests, and Darryl Jones would continue to supply the bass for the majority of the show. He said, "Darryl doesn't get enough recognition. He and Bill can talk about songs they want to step in and out of." At the first London show on 25 November, Wyman played on two back-to-back tracks: "It's Only Rock 'n Roll (But I Like It)" and "Honky Tonk Women". He later stated that he was not interested in joining the band for further tour dates in 2013.
Wyman continues to tour with the Rhythm Kings, which has featured such musicians as Martin Taylor, Albert Lee, Gary Brooker, Terry Taylor (formerly with Tucky Buzzard), Mike Sanchez and Georgie Fame. Following his 70th birthday in October 2006, Wyman undertook another British tour.
On 10 December 2007, Wyman and his band appeared alongside a reunited Led Zeppelin at the Ahmet Ertegun Tribute Concert at the O2 in London.
Wyman was a judge for the 5th annual Independent Music Awards to support independent artists' careers.
In 2009, ex-Rolling Stones guitarist Mick Taylor was invited as a guest performer with Wyman's Rhythm Kings.
On 25 October 2009, Wyman performed a reunion show with Faces, filling in for the late Ronnie Lane as he had previously done in 1986 and 1993.
On 19 April 2011, pianist Ben Waters released an Ian Stewart tribute album titled Boogie 4 Stu. Wyman played on two tracks: "Rooming House Boogie" and "Watchin' the River Flow", the latter recorded with the Rolling Stones.
Wyman, on bass during the Rolling Stones' tour in 1975. Holding his bass guitar vertically in the position as an Upright bass has been his trademark.
Wyman's bass sound came not only from his home-made fretless bass, but the "walking bass" style he adopted, inspired by Willie Dixon and Ricky Fenson.[citation needed] Wyman has played a number of basses, including a Framus Star bass and a number of other Framus basses, a Vox Teardrop bass (issued as a Bill Wyman signature model), a Fender Mustang Bass, two Ampeg Dan Armstrong basses, a Gibson EB-3, and a Travis Bean bass. The bass he has been playing mostly since the late 80s is a Steinberger bass. Wyman's amplifiers over the years have included a Vox T-60, a piggyback Fender Bassman, a Hiwatt bass stack, and an Ampeg SVT. Wyman, especially in the early Stones' years, had a distinctive way of holding his bass – almost vertically. He stated that the reason he held a bass in that position was simply because his hands were small.
Wyman, although moderate in his use of alcohol and drugs, has stated that he became "girl mad" as a psychological crutch. Maxim magazine ranked Wyman at number 10 on its "Living Sex Legends" list, as he is reputed to have had sex with over 1,000 women.
Wyman married his first wife Diane in 1959 and their son Stephen Paul Wyman was born on 29 March 1962. They separated in 1967 and divorced in 1969.
From 1967 to 1983 Wyman was romantically linked to Astrid Lundström.
On 2 June 1989, aged 52, Wyman married 18-year-old Mandy Smith whom he had been dating since she was 13 and he was 47 years old. According to Smith, their relationship was sexually consummated when she was 14 years old. Their relationship was the subject of considerable media attention. The marriage ended in spring 1991, although the divorce was not finalised until 1993. In 1993, while Wyman was still married to Smith, Stephen, his son from his first marriage, became engaged to Smith's mother.
In April 1993 he married Suzanne Accosta. The couple have three daughters, Katherine Noelle (September 1994), Jessica Rose (November 1995) and Matilda Mae (April 1998).
Wyman lives in a country house in Suffolk and in St. Paul de Vence in the South of France; in St. Paul de Vence his friends include numerous artists. He is a cricket supporter (as is Mick Jagger) and played in a celebrity match at the Oval against a former England XI taking a hat-trick.
Wyman started selling metal detectors in 2007. Treasure detecting adventures in the British Isles are detailed in his 2005 illustrated book Treasure Islands co-written with Richard Havers.
Wyman is a keen photographer. He has taken photographs throughout his career and in June 2010 launched a retrospective of his work in an exhibition in St. Paul de Vence. The exhibition included images of his music acquaintances as well as famous artists from the South of France including Marc Chagall.
Wyman is also a supporter of British professional football team, Port Vale.
Politically, Wyman has supported Britain's Conservative Party.
In 2009, he quit smoking after 55 years.
Seventeen
Bill Wyman Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's just an image
She's not the girl that she used to be
It's just an image
She made a break with reality
Seventeen, movie queen
Silver screen, now she's a has been
It's just an image
High fashion for the fashion queens
It's just an image
To do commercials for a pair of jeans
Seventeen, movie queen
Silver screen and she's a has been
It's just an image
A fashion photo in a magazine
It's just an image
Of all the things that she could have been
Seventeen, seventeen
Seventeen, seventeen
Seventeen, seventeen
Seventeen, seventeen
She's not the girl that she used to be
It's just an image
She made a break with reality
Seventeen, movie queen
Silver screen, now she's a has been
High fashion for the fashion queens
It's just an image
To do commercials for a pair of jeans
Seventeen, movie queen
Silver screen and she's a has been
It's just an image
A fashion photo in a magazine
It's just an image
Of all the things that she could have been
Seventeen, seventeen
Seventeen, seventeen
Seventeen, seventeen
Seventeen, seventeen
The lyrics to Bill Wyman's song "Seventeen" are about the superficiality of the entertainment industry, specifically focusing on the objectification of young women in the pursuit of fame and fortune. The opening lines "It's just an image, she's not the girl that she used to be" emphasize that the girl in question has abandoned her true identity and values for the sake of success. The repetition of "seventeen" throughout the song highlights the notion that these young women are often exploited at a very young age in order to achieve superficial ideals of beauty and glamour that are fleeting.
The second verse of the song emphasizes the idea that this young woman's relevance is tied to her appearance and her ability to sell products. The line "To do commercials for a pair of jeans" implies that her worth is reduced to her ability to look good in denim, and that she has sacrificed her dignity and self-respect to achieve this. The hook of the song, "Seventeen, movie queen, silver screen, now she's a has been" is a harsh indictment of the industry, suggesting that these young women are used up and discarded once they no longer fit the narrow image of beauty and perfection.
Line by Line Meaning
It's just an image
The girl in the song is the product of the system and people's perception of what they should be rather than who they are.
She's not the girl that she used to be
She's changed her personality and appearance to be what people want her to be, rather than who she truly is.
She made a break with reality
By chasing after the image of who she should be instead of embracing her true self, she has lost touch with reality.
Seventeen, movie queen
At the age of seventeen, she was thrust into the role of a film star and had to become someone else to fit the role.
Silver screen, now she's a has been
She was once a big star on the silver screen, but now that she's not on it, she's considered a has-been by society's standards.
High fashion for the fashion queens
She is now trying to stay relevant by conforming to the latest fashion trends set by fashion queens - people who dictate and shape the fashion industry.
To do commercials for a pair of jeans
She has taken on mundane roles such as doing commercials to keep herself in the limelight.
A fashion photo in a magazine
She is now reduced to being just a photo in a magazine, rather than a real person.
Of all the things that she could have been
She could have been so much more if she had stayed true to herself and not let society shape her into what it wanted her to be.
Seventeen, seventeen
Repeating this line emphasizes that the girl in the song is still so young and impressionable, and that it's sad to see her already ruined by society's standards.
Lyrics © BMG Rights Management
Written by: BILL WYMAN
Lyrics Licensed & Provided by LyricFind
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hillelabramov1
Great song of the best album of 2015, no kidding. come on bill give us more of the good stuff.
SketchesInSand
Oooo This is brutal! From the same guy who gave us the little slide into chaos at the end of 19th nervous breakdown.
Tony Brannon
She was just 17 :) love it !
Aluminios Palmagran Tribulex
SAFIC MUSIC
007zz
It lacks Mick Taylor.
No
I’m the third comment-