Possessing both the introspective nature of Tracy Chapman and the unbridled spunk of Chrissie Hynde, Myers excels at weaving poetic narratives around starkly honest portraits of her life experiences “reassuringly long on singer-songwriting talent” (The London times).
The story of Myers’ discovery by record producer Peter Q. Harris (Will Smith) has become one of legend in the music industry. “I was dancing around being goofy, and Pete came up and said, “If you sing as good as you dance, we should work on some songs together.” Myers’ giggles, “It’s kind of an embarrassing story. Everybody thinks it happened at a strip joint or something, which of course it didn’t!”. Soon after, Myers entered the studio with world-famed record producer Desmond Child (Aerosmith, Ricky Martin, Cher, Robbie Williams). While working on some tracks in 1997, Doug Morris, president of Universal Music, dropped by to visit his pal Child. After hearing Myers, he quickly offered the flabbergasted singer a recording deal. “I was simply lucky enough to be in the right place at the right time” says Myers.
Her debut album “Growing, pains” spawned the infectious, hit single, “Kiss The Rain.” Carving out a spectacular niche on airwaves around the globe, “Kiss The Rain” stayed on Billboard’s Top 100 for over six months, reached the top ten internationally and the dance remix became a club-land classic. “Growing, pains” was certified gold in both the US and Canada.
The success of “Kiss The Rain” set off a lengthy period of worldwide touring. Driven by a need to entertain, not only perform, Myers astounded crowds with high energy, emotionally driven performances described as “electrifying” by Rolling Stone Magazin and support slots on tours with Bob Dylan and Savage Garden.
Myers made waves with performances at Lilith Fair, for which she handpicked by organzer and fellow musician, Sarah McLachlan. Her videos for "Tell Me" and "Kiss the Rain" had frequent rotation on VH1 and The Box.
Along the way Myers appeared on numerous television shows including: “The Tonight Show,” “The Rosie O’Donnell Show,” “Good Morning America,” “VH-1’s Crossroads”, “The List”, and the “How To...” special. It wasn’t long after, that requests for Myers’ vocals came pouring in eventually landing her on several TV soundtracks including: “Dawson’s Creek,” “Melrose Place,” “The Real World” as well as numerous European programs.
Über -songwriter/producer Diane Warren asked Myers to lend vocals to her latest gem. The song, “It All Comes Down to You” was featured on the soundtrack and in the movie of the same name. Myers got a taste of Hollywood while shooting the video with the stars of the movie, Freddie Prinze Jr. and Julia Styles. Myers clearly enjoyed her time during the shoot because it wasn’t long before she was acting herself and featured on “Wasteland” and “Purpose.”
“Vertigo,” her highly anticipated sophomore release yielded across the board critical praise. Vibe heralded the album stating, “… She has developed an ear for consistently potent, often provocative lyrics. It’s apparent she’s weighed every word carefully and the lyrics fuel her performance… leaving you hungry for more.” Co-produced by David Tyson (Tina Arena, Amanda Marshall, and Alannah Myles), “Vertigo” tackled issues that were even more personal to Myers this time around such as racism, sexism and religious dogmatism. “Am I Here Yet,” reflected Myers’ uncertainty that sudden success brought to the singer. Fans reacted strongly, as did legendary producer/DJ Junior Vasquez who remixed the single into a dance floor anthem and once again Myers found herself at the top the Billboard Dance Charts.
After a four -year break, Myers returned with a pulsating and provocative new record, ”Just sex”. Exploring sexuality with her renowned, often-controversial directness, Billboard magazine declared “Its delicious verses gambol across a melodic carnival imprint topped only by a chorus so intuitive that one would swear this is a remake of a song heard a thousand times before.” Remixed by Eddie Baez, “Just Sex” became an instant #10 smash on the Billboard Dance Club Play chart which brought Myers back on stage, where as always, she both stunned and delighted audiences in venues across the U.S. and abroad.
Myers' third studio album, “Tea & sympathy”, includes collaborations with such highly acclaimed songwriters as Peter Vale, (Lemar, Beverly Knight) Marcella Detroit, (Shakespeare’s Sister, Eric Clapton) and Kristen Hall, (Sugarland). While staying true to the expressive vocals and incisive lyrics that have earned her a loyal fan base and ongoing critical acclaim, Myers has broken new ground musically. Working with UK producer Dee Adam, Myers has fashioned a unique collage of sound that intertwines electronica, trip-hop beats, and bluesy guitars around her live acoustic/rock roots. “I have to confess,” says Myers “Dee pushed me creatively, to experiment beyond my usual comfort level, but hopefully the end result speaks for itself”
While staying true to the expressive vocals and incisive lyrics that have earned her a loyal fan base and ongoing critical acclaim, Myers has broken new ground musically. Working with UK producer Dee Adam, she has fashioned a collage of sound that intertwines electronica, trip-hop beats, and bluesy guitars around her live acoustic/rock roots.
Honest to the point of painful, Myers pulls no punches as she lays bare, bruising portrayals of her struggles with self worth (“Anonymous”), midnight losses of faith (“Send Me An Angel ...Is God Dead?”), infidelity (“You Send Me Flying”), and defeated Hollywood dreams (“Lady Jane”).
The first single, “I Hope You’re Happy Now” is a cathartic ode to an ex- lover. Hitting you where it hurts, lines such as “Another lover in my bed, wishing you were here instead” express the lonely frustration of an unwanted break- up. Luring the listener with its infectious hook and melancholy melody, its universal relatability ensures the listener feels that they are part of a highly intimate conversation.
Ever self- deprecating, Myers says “there’s even one moment of misguided optimistic romanticism (“Wonderful”) where I wonder what a lover, so seemingly perfect, sees in me but don’t be fooled - on “Not Another Love Song” (written about the same person), the answer becomes clear, NOT A LOT!”.
Roll Over Beethoven
Billie Myers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Better than what, hey I should go ask Oprah
Bullet proof, 100, your favorite alcohol
She said "Too much of a good thing it will kill you"
You're cheaper than a rack of stolen jackets
A parody of someone else you'd like to be
You speak of Deepak Chopra and of course world peace
Its not the way you look so vain
Or the way you misspell IE my name
Hypothetically speaking
Roll over roll over Beethoven
Tell me what did I do to deserve you
What did I do?
Tell me why I like to hate you
'Cause I do hell, oh yes I do
Cats and dogs may sleep together
Doesn't mean they like each other
You get me to stand and deliver, karma boomerang
Tell me why I like to hate you 'cause I do hell, oh yes I do
You look great when my eyes are not open
Dependables, predicables so turn the light on
You're so clever when you're silent a real thespian
Too much of a good thing it will kill you
Its not the way you're such a know it all
Your god-like outlook only 5 foot small
Hypothetically speaking
Roll over, roll over Beethoven
Tell me what did I do to deserve you
What did I do?
Tell me why I like to hate you
'Cause I do hell, oh yes I do
Cats and dogs may sleep together
Doesn't mean they like each other
You get me to stand and deliver, karma boomerang
Tell me why I like to hate you 'cause I do hell, oh yes I do
So Oprah said that "I could do much better"
Better than what, hey you know hey whatever
Big said "Throw me I'm a loser, I guess that must be true"
Why else would I be here with you?
Roll over roll over roll over Beethoven
Roll over roll over roll over Beethoven
Roll over
Tell me what did I do to deserve you
What did I do?
Tell me why I like to hate you
'Cause I do hell, oh yes I do
Cats and dogs may sleep together
Doesn't mean they like each other
You get me to stand and deliver, karma boomerang
Tell me why I like to hate you 'cause I do hell, oh yes I do
Crash bang boomerang,Karma karma boomerang
Crash bang boomerang, Karma karma boomerang
Crash bang boomerang, Karma karma boomerang
...
In the song "Roll Over Beethoven" by Billie Myers, the lyrics depict a complicated relationship in which the singer expresses criticism and disdain towards their partner. The song begins with the singer questioning why people say that they can do much better, and sarcastically suggests asking Oprah for advice. The partner is described as a cheap imitation of someone else, self-centered and hypocritical, claiming to seek peace and enlightenment but dominating conversations and being know-it-all. The line "Roll over, roll over Beethoven" can be interpreted as a desire to escape from the partner's commanding presence.
The chorus of the song reinforces the ambivalent feelings of the singer, who wonders why they are with this person and yet cannot help but feel attracted to them. Despite feeling that they are not compatible, the chemistry between them is undeniable, and the song seems to suggest that the singer likes the drama and tension of the relationship, even if it's unhealthy.
The song is characterized by its playful and ironic tone, using metaphors such as the boomerang to suggest that the negative energy created by the couple's dynamic will eventually come back to them. The lyrics also take shots at New Age spirituality and pseudo-intellectualism, with references to Deepak Chopra and Sesame Street.
Line by Line Meaning
Everyone says that "I can do much better"
People comment that I deserve someone better and that I have the potential to upgrade.
Better than what, hey I should go ask Oprah
Unclear what the benchmark for my love life is, it is suggested that Oprah can help determine what that would be.
Bullet proof, 100, your favorite alcohol
You feel indomitable, like nothing can bring you down, amidst indulging in your favorite drink.
She said "Too much of a good thing it will kill you"
In contrast to what you think, too much of a pleasant experience or anything favorable can harm you.
You're cheaper than a rack of stolen jackets
You're not valuable, an unworthy investment, like a stolen coat that can be gotten at a cheaper price.
A parody of someone else you'd like to be
Someone who tries to act like someone else, exaggerates their qualities, and appears like a mockery of them.
You speak of Deepak Chopra and of course world peace
A reference to the Indian author and inspired teacher Deepak Chopra and alluding to the concept of Universal harmony.
A guru in the making down at sesame street
Ironically, someone is claiming to be on the path to gain enlightenment or sagacity, an unlikely place to encounter one.
Its not the way you look so vain
Don't be too conceited about your looks.
Or the way you misspell IE my name
Making mistakes in spelling someone else's name is not uncommon.
Hypothetically speaking
Discussing something that may happen or exist, but not necessarily doing so in a practical or literal sense.
Roll over roll over Beethoven
A cheerful directive for the German composer Beethoven to rotate. Playfully urging for a new tune to suit current trends
Tell me what did I do to deserve you, What did I do?
What action or deed did I do in the past to deserve a relationship with you?
Tell me why I like to hate you
Why do I still harbor bitterness and antipathy towards you despite the positive feelings I have?
'Cause I do hell, oh yes I do
I have intense negative feelings towards you, which I can not suppress.
Cats and dogs may sleep together
Animals having different characteristics may come together, but that does not necessarily mean they will get along.
Doesn't mean they like each other
The notion that acting in proximity does not necessarily equate to liking or being friends with someone.
You get me to stand and deliver, karma boomerang
Karma rebounds, and you being responsible for my emotions makes me endure a payback.
So Oprah said that "I could do much better"
A callback to Oprah's advice in a previous line, which echoes the same idea that getting better is possible.
Better than what, hey you know hey whatever
Still, unclear about the standard of choosing a partner, the line ends dismissively, implying that it's not important anymore.
Big said "Throw me I'm a loser, I guess that must be true"
A probable reference to the character "Big" in the series Sex and the City, who declares his unworthiness. The line suggests agreeing with that self-assessment.
Why else would I be here with you?
The line sarcastically implies that if it were not for self-loathing, I wouldn't be in this relationship.
Crash bang boomerang,Karma karma boomerang
The series of lyrics punchily and repetitively highlights the concept of Karma boomerang.
Lyrics © Sony/ATV Music Publishing LLC
Written by: BEVERLEY MYERS, DAVID MICHAEL TYSON
Lyrics Licensed & Provided by LyricFind