In 1977, Bragg formed the punk rock/pub rock band Riff Raff, and toured London's pubs and clubs. The band released a series of singles, which did not receive wide exposure. He also worked in Guy Norris Records in Barking. Bragg became disillusioned with his music career, and in May 1981 joined the British Army as a recruit destined for the Queen's Royal Irish Hussars of the Royal Armoured Corps. After three months, he bought his way out of the army for £175 and returned home, having attended basic training but having never served in a regiment as a soldier.
Bragg began performing frequent concerts and busking around London, playing solo with an electric guitar. His roadie at the time was Andy Kershaw, who became a BBC DJ (Bragg and Kershaw later, in 1989, appeared in an episode of the BBC TV programme, Great Journeys, in which they travelled the Silver Road from Potosí, Bolivia, to the Pacific coast at Arica, Chile). Bragg performing at South by Southwest in 2008.
Bragg's demo tape initially got no response from the record industry, but by pretending to be a television repair man, he got into the office of Charisma Records' A&R man Peter Jenner. Jenner liked the tape, but the company was near bankruptcy and had no budget to sign new artists. Bragg got an offer to record more demos for a music publisher, so Jenner agreed to release them as a record. Life's a Riot with Spy Vs. Spy was released in July 1983 by Charisma's new imprint, Utility. Hearing DJ John Peel mention on-air that he was hungry, Bragg rushed to the BBC with a mushroom biryani, so Peel played a song from Life's a Riot with Spy Vs. Spy although at the wrong speed (since the 12" LP was, unconventionally, cut to play at 45rpm). Peel insisted he would have played the song even without the biryani and later played it at the correct speed.
Within months, Charisma had been taken over by Virgin Records and Jenner, who had been laid off, became Bragg's manager. Stiff Records' press officer Andy Macdonald – who was setting up his own record label, Go! Discs – received a copy of Life's a Riot with Spy Vs. Spy. He made Virgin an offer and the album was re-released on Go! Discs in November 1983.[citation needed] In 1984, he released Brewing Up with Billy Bragg, a mixture of political songs (e.g., "It Says Here") and songs of unrequited love (e.g., "The Saturday Boy"). The following year he released Between the Wars, an EP of political songs that included a cover version of Leon Rosselson's "The World Turned Upside Down" – the EP made the top 20 of the UK Singles Chart and earned Bragg an appearance on Top of the Pops. Bragg later collaborated with Rosselson on the song, "Ballad of the Spycatcher". In 1985, his song "A New England", with an additional verse, became a Top 10 hit in the UK for Kirsty MacColl. After MacColl's early death, Bragg always sang the extra verse in her honour. In 1984–1985 he toured North America.
In 1986, Bragg released Talking with the Taxman about Poetry, which became his first Top 10 album. Its title is taken from a poem by Vladimir Mayakovsky and a translated version of the poem was printed on the record's inner sleeve. Back to Basics is a 1987 collection of his first three releases: Life's A Riot With Spy Vs. Spy, Brewing Up with Billy Bragg, and the Between The Wars EP. Bragg released his fourth album, Workers Playtime, in September 1988. With this album, Bragg added a backing band and accompaniment.
In May 1990, Bragg released the political mini-LP, The Internationale. The songs were, in part, a return to his solo guitar style, but some songs featured more complicated arrangements and included a brass band. The album paid tribute to one of Bragg's influences with the song, "I Dreamed I Saw Phil Ochs Last Night", which is an adapted version of Earl Robinson's song, "I Dreamed I Saw Joe Hill Last Night", itself an adaptation of a poem by Alfred Hayes.
The album Don't Try This at Home was released in September 1991, and included the song, "Sexuality", which reached the UK Singles Chart. Bragg had been persuaded by Go! Discs' Andy and Juliet Macdonald to sign a four-album deal with a million pound advance, and a promise to promote the album with singles and videos.[citation needed] This gamble was not rewarded with extra sales, and the situation put the company in financial difficulty. In exchange for ending the contract early and repaying a large amount of the advance, Bragg regained all rights to his back catalogue.[citation needed] Bragg continued to promote the album with his backing band, The Red Stars, which included his Riff Raff colleague and long-time roadie, Wiggy.
Bragg released the album William Bloke in 1996 after taking time off to help raise his son. Around that time, Nora Guthrie (daughter of American folk artist Woody Guthrie) asked Bragg to set some of her father's unrecorded lyrics to music. The result was a collaboration with the band Wilco and Natalie Merchant (with whom Bragg had worked previously). They released the album Mermaid Avenue in 1998, and Mermaid Avenue Vol. II in 2000. A rift with Wilco over mixing and sequencing the album led to Bragg recruiting his own band, The Blokes, to promote the album. The Blokes included keyboardist Ian McLagan, who had been a member of Bragg's boyhood heroes The Faces. The documentary film Man in the Sand depicts the roles of Nora Guthrie, Bragg, and Wilco in the creation of the Mermaid Avenue albums.
In 2004, Bragg joined Florida ska-punk band Less Than Jake to perform a version of 'The Brightest Bulb Has Burned Out' for the Rock Against Bush compilation.
At the 2005 Beautiful Days Festival in Devon, Bragg teamed up with the Levellers to perform a short set of songs by or associated with The Clash in celebration of Joe Strummer's birthday. Bragg performed guitar and lead vocals on "Police and Thieves", and performed guitar and backing vocals on "English Civil War", and "Police on my Back".
In 2007, Bragg moved closer to his English folk music roots by joining the WOMAD-inspired collective The Imagined Village, who recorded an album of updated versions of traditional English songs and dances and toured through that autumn. Bragg released his album Mr. Love & Justice in March 2008. This was the second Bragg album to be named after a book by Colin MacInnes. In 2008, during the NME Awards ceremony, Bragg sang a duet with British solo act Kate Nash. They mixed up their two greatest hits, Nash playing "Foundations", and Bragg redoing his "A New England". Bragg also collaborated with the poet and playwright, Patrick Jones, who supported Bragg's Tour.
In 2008, Bragg played a small role in Stuart Bamforth's film "A13: Road Movie". Bragg is featured alongside union reps, vicars, burger van chefs and Members of Parliament in a film that explored "the overlooked, the hidden and the disregarded."
He was involved in the play Pressure Drop at the Wellcome Collection in London in April and May 2010. The production, written by Mick Gorden, and billed as "part play, part gig, part installation", featured new songs by Bragg. He performed during the play with his band, and acted as compere.
Bragg curated the Leftfield stage at Glastonbury Festival 2010.
He took part in the Bush Theatre's 2011 project Sixty Six where he has written a piece based upon a chapter of the King James Bible.
Bragg performed a set of the Guthrie songs that he had set to music for Mermaid Avenue during the Hay Literary Festival in June 2012. Mermaid Avenue Vol. III and Mermaid Avenue: The Complete Sessions were also released in early 2012.
On 18 March 2013, Bragg released his latest studio album, five years since Mr. Love & Justice, titled Tooth And Nail. It featured 11 original songs, including one written for the Bush Theatre, and a Woody Guthrie cover. Stylistically, it continues to explore genres of Americana (music) and Alternative country, both of which he has said he has been playing and writing regularly since Mermaid Avenue (1998).
In November 2017, he released all six tracks from the mini-album Bridges Not Walls as downloads and CD through the Billy Bragg website and other sellers, followed by the single Full English Brexit through Cooking Vinyl.
Price I Pay
Billy Bragg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I was probably better off without you
She said to face up to the fact that you weren't coming back
And she could make me happy like you used to
But I'm sorry to say I turned her away
Knowing everything she said was true
And that's the price I pay for loving you the way that I do
To visit the places we used to go together
Not a day goes by that I don't sit and wonder why
Your feelings for me didn't last forever
Girl I love you so much that sometimes it's such
I'd walk a mile with a stone in my shoe
And that's the price I pay for loving you the way that I do
That's the price I pay for loving you the way that I do
So keep that phone out of my way for the things I must say
Are empty if you don't believe they're true
And that's the price I pay for loving you the way that I do
That's the price I pay for loving you the way that I do
I love you so much that baby it's such
I'd walk a mile with a stone in my shoe
And that's the price I pay for loving you the way that I do
In Billy Bragg's song "The Price I Pay," the singer laments the end of a relationship with somebody he deeply loved. It is a common theme in countless songs, but Bragg manages to evoke genuine emotion and vulnerability through his lyrics. The song begins with the singer's friend telling him that his former lover will not be returning and that he should move on. However, he knows that he cannot let go of his feelings so easily, even if it causes him pain. He sees the places they used to go together, and wonders why she did not feel the same way about him. He loves her so much that he would do anything to be with her, but he is resigned to the fact that he cannot make her return his feelings. The chorus repeats the phrase "That's the price I pay for loving you the way that I do," emphasizing the idea that genuine love often comes at a cost.
The lyrics convey a deep sense of loss and regret, but also a sense of acceptance. The singer acknowledges that he can't force someone to love him and that he has to face the reality of the situation. He tries to communicate with his former lover, but he knows that it may be futile. Despite the pain, he knows that he will continue to love her the same way he always has. It's a bittersweet song, with a sense of longing and heartache, but also an underlying current of hope and determination.
Line by Line Meaning
My friend said she could see no way ahead
My friend advised me that there is no possible way to move on with you.
And I was probably better off without you
My friend recommended that it would be more beneficial for me to let go of you.
She said to face up to the fact that you weren't coming back
My friend suggested that I accept the reality that you will not return.
And she could make me happy like you used to
My friend expressed that she could make me feel ecstatic, just like you always did.
But I'm sorry to say I turned her away
To my regret, I declined my friend's offer.
Knowing everything she said was true
Despite my refusal, I admit that my friend's advice was accurate.
And that's the price I pay for loving you the way that I do
The cost I bear for cherishing you as much as I do.
There's something inside that hurts my foolish pride
My vain self-esteem is wounded by an inner voice.
To visit the places we used to go together
Going to our favorite spots together brings back painful memories.
Not a day goes by that I don't sit and wonder why
I consistently ponder on the reason why your feelings for me ceased to exist.
Your feelings for me didn't last forever
I comprehend that your emotions for me were not eternal.
Girl I love you so much that sometimes it's such
My feelings towards you are so intense that it can be troublesome at times.
I'd walk a mile with a stone in my shoe
I am willing to endure physical discomfort for the sake of being with you.
And that's the price I pay for loving you the way that I do
The cost I bear for loving you with such intensity.
So keep that phone out of my way for the things I must say
Please refrain from communication as I have important words to express.
Are empty if you don't believe they're true
My words hold no value if you do not trust their sincerity.
And that's the price I pay for loving you the way that I do
The cost I pay for loving you fiercely and wholeheartedly.
Lyrics © O/B/O APRA AMCOS
Written by: BILLY BRAGG
Lyrics Licensed & Provided by LyricFind
dadon
My friend said she could see no way ahead
And I was probably better off without you
She said to face up to the fact that you weren't coming back
And she could make me happy like you used to
But I'm sorry to say I turned her away
Knowing everything she said was true
And that's the price I pay for loving you the way that I do
There's something inside that hurts my foolish pride
To visit the places we used to go together
Not a day goes by that I don't sit and wonder why
Your feelings for me didn't last forever
Girl I love you so much that sometimes it's such
I'd walk a mile with a stone in my shoe
And that's the price I pay for loving you the way that I do
Yeah, that's the price I pay for loving you the way that I do
So keep that phone out of my way for the things I must say
Are empty if you don't believe they're true
That's the price I pay for loving you the way that I do
Yeah, that's the price I pay for loving you the way that I do
Girl, I love you so much that baby it's such
I'd walk a mile with a stone in my shoe
And that's the price I pay for loving you the way that I do
Yeah, that's the price I pay for loving you the way that I do
Anon Ymous-person
Listening to this every few days is the price I pay for loving those old Ricky Gervais XFM shows the way I do
Barry Gates
Beware the single-sided-analysis, oh wait, that's James Corden, Ricky Gervais is the Batman we need... :) Billy B. & Frank Turner are both the Batmans we need AND the Batmans we get, hurray! Peace and love and happiness, --Barry
ganjaericco
Don't be duped by fascism!
Eoghan O'Sullivan
YESSSSS!! Where are the ones about strikes, etc? 🙃
Dibble FPV
The greatest comment 👏👏
Rd Dvls
RIGHT WING WRONG WING
David Maholchic
Ultimately my favorite Billy Bragg album
Anna Kermode
Mine too.
Dave Shepherd
Superb song...Billy at his best!
that one guy
I'll never forget finding the tape my Mum recorded of the album.
Such a good song.