In 1977, Bragg formed the punk rock/pub rock band Riff Raff, and toured London's pubs and clubs. The band released a series of singles, which did not receive wide exposure. He also worked in Guy Norris Records in Barking. Bragg became disillusioned with his music career, and in May 1981 joined the British Army as a recruit destined for the Queen's Royal Irish Hussars of the Royal Armoured Corps. After three months, he bought his way out of the army for £175 and returned home, having attended basic training but having never served in a regiment as a soldier.
Bragg began performing frequent concerts and busking around London, playing solo with an electric guitar. His roadie at the time was Andy Kershaw, who became a BBC DJ (Bragg and Kershaw later, in 1989, appeared in an episode of the BBC TV programme, Great Journeys, in which they travelled the Silver Road from Potosí, Bolivia, to the Pacific coast at Arica, Chile). Bragg performing at South by Southwest in 2008.
Bragg's demo tape initially got no response from the record industry, but by pretending to be a television repair man, he got into the office of Charisma Records' A&R man Peter Jenner. Jenner liked the tape, but the company was near bankruptcy and had no budget to sign new artists. Bragg got an offer to record more demos for a music publisher, so Jenner agreed to release them as a record. Life's a Riot with Spy Vs. Spy was released in July 1983 by Charisma's new imprint, Utility. Hearing DJ John Peel mention on-air that he was hungry, Bragg rushed to the BBC with a mushroom biryani, so Peel played a song from Life's a Riot with Spy Vs. Spy although at the wrong speed (since the 12" LP was, unconventionally, cut to play at 45rpm). Peel insisted he would have played the song even without the biryani and later played it at the correct speed.
Within months, Charisma had been taken over by Virgin Records and Jenner, who had been laid off, became Bragg's manager. Stiff Records' press officer Andy Macdonald – who was setting up his own record label, Go! Discs – received a copy of Life's a Riot with Spy Vs. Spy. He made Virgin an offer and the album was re-released on Go! Discs in November 1983.[citation needed] In 1984, he released Brewing Up with Billy Bragg, a mixture of political songs (e.g., "It Says Here") and songs of unrequited love (e.g., "The Saturday Boy"). The following year he released Between the Wars, an EP of political songs that included a cover version of Leon Rosselson's "The World Turned Upside Down" – the EP made the top 20 of the UK Singles Chart and earned Bragg an appearance on Top of the Pops. Bragg later collaborated with Rosselson on the song, "Ballad of the Spycatcher". In 1985, his song "A New England", with an additional verse, became a Top 10 hit in the UK for Kirsty MacColl. After MacColl's early death, Bragg always sang the extra verse in her honour. In 1984–1985 he toured North America.
In 1986, Bragg released Talking with the Taxman about Poetry, which became his first Top 10 album. Its title is taken from a poem by Vladimir Mayakovsky and a translated version of the poem was printed on the record's inner sleeve. Back to Basics is a 1987 collection of his first three releases: Life's A Riot With Spy Vs. Spy, Brewing Up with Billy Bragg, and the Between The Wars EP. Bragg released his fourth album, Workers Playtime, in September 1988. With this album, Bragg added a backing band and accompaniment.
In May 1990, Bragg released the political mini-LP, The Internationale. The songs were, in part, a return to his solo guitar style, but some songs featured more complicated arrangements and included a brass band. The album paid tribute to one of Bragg's influences with the song, "I Dreamed I Saw Phil Ochs Last Night", which is an adapted version of Earl Robinson's song, "I Dreamed I Saw Joe Hill Last Night", itself an adaptation of a poem by Alfred Hayes.
The album Don't Try This at Home was released in September 1991, and included the song, "Sexuality", which reached the UK Singles Chart. Bragg had been persuaded by Go! Discs' Andy and Juliet Macdonald to sign a four-album deal with a million pound advance, and a promise to promote the album with singles and videos.[citation needed] This gamble was not rewarded with extra sales, and the situation put the company in financial difficulty. In exchange for ending the contract early and repaying a large amount of the advance, Bragg regained all rights to his back catalogue.[citation needed] Bragg continued to promote the album with his backing band, The Red Stars, which included his Riff Raff colleague and long-time roadie, Wiggy.
Bragg released the album William Bloke in 1996 after taking time off to help raise his son. Around that time, Nora Guthrie (daughter of American folk artist Woody Guthrie) asked Bragg to set some of her father's unrecorded lyrics to music. The result was a collaboration with the band Wilco and Natalie Merchant (with whom Bragg had worked previously). They released the album Mermaid Avenue in 1998, and Mermaid Avenue Vol. II in 2000. A rift with Wilco over mixing and sequencing the album led to Bragg recruiting his own band, The Blokes, to promote the album. The Blokes included keyboardist Ian McLagan, who had been a member of Bragg's boyhood heroes The Faces. The documentary film Man in the Sand depicts the roles of Nora Guthrie, Bragg, and Wilco in the creation of the Mermaid Avenue albums.
In 2004, Bragg joined Florida ska-punk band Less Than Jake to perform a version of 'The Brightest Bulb Has Burned Out' for the Rock Against Bush compilation.
At the 2005 Beautiful Days Festival in Devon, Bragg teamed up with the Levellers to perform a short set of songs by or associated with The Clash in celebration of Joe Strummer's birthday. Bragg performed guitar and lead vocals on "Police and Thieves", and performed guitar and backing vocals on "English Civil War", and "Police on my Back".
In 2007, Bragg moved closer to his English folk music roots by joining the WOMAD-inspired collective The Imagined Village, who recorded an album of updated versions of traditional English songs and dances and toured through that autumn. Bragg released his album Mr. Love & Justice in March 2008. This was the second Bragg album to be named after a book by Colin MacInnes. In 2008, during the NME Awards ceremony, Bragg sang a duet with British solo act Kate Nash. They mixed up their two greatest hits, Nash playing "Foundations", and Bragg redoing his "A New England". Bragg also collaborated with the poet and playwright, Patrick Jones, who supported Bragg's Tour.
In 2008, Bragg played a small role in Stuart Bamforth's film "A13: Road Movie". Bragg is featured alongside union reps, vicars, burger van chefs and Members of Parliament in a film that explored "the overlooked, the hidden and the disregarded."
He was involved in the play Pressure Drop at the Wellcome Collection in London in April and May 2010. The production, written by Mick Gorden, and billed as "part play, part gig, part installation", featured new songs by Bragg. He performed during the play with his band, and acted as compere.
Bragg curated the Leftfield stage at Glastonbury Festival 2010.
He took part in the Bush Theatre's 2011 project Sixty Six where he has written a piece based upon a chapter of the King James Bible.
Bragg performed a set of the Guthrie songs that he had set to music for Mermaid Avenue during the Hay Literary Festival in June 2012. Mermaid Avenue Vol. III and Mermaid Avenue: The Complete Sessions were also released in early 2012.
On 18 March 2013, Bragg released his latest studio album, five years since Mr. Love & Justice, titled Tooth And Nail. It featured 11 original songs, including one written for the Bush Theatre, and a Woody Guthrie cover. Stylistically, it continues to explore genres of Americana (music) and Alternative country, both of which he has said he has been playing and writing regularly since Mermaid Avenue (1998).
In November 2017, he released all six tracks from the mini-album Bridges Not Walls as downloads and CD through the Billy Bragg website and other sellers, followed by the single Full English Brexit through Cooking Vinyl.
St Swithin's Day
Billy Bragg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I suppose you were just stating your views
What was it all for
For the weather or the Battle of Agincourt
And the times that we all hoped would last
Like a train they have gone by so fast
And though we stood together
At the edge of the platform
With my own hands
When I make love to your memory
It's not the same
I miss the thunder
I miss the rain
And the fact that you don't understand
Casts a shadow over this land
But the sun still shines from behind it.
Thanks all the same,
But I just can't bring myself to answer your letters
It's not your fault
But your honesty touches me like a fire
The Polaroids that hold us together
Will surely fade away
Like the love that we spoke of forever
On St Swithin's Day
The lyrics of Billy Bragg's song St Swithin's Day speak about the passing of time and how things that were once so important to us can fade away so quickly. The first verse touches on the idea of nostalgia and how the times we hope will last, like a train, go by so fast. The line "And the times that we all hoped would last, Like a train they have gone by so fast" highlights this idea of fleeting moments and reflects on missed opportunities. The chorus, "With my own hands, When I make love to your memory, It's not the same, I miss the thunder, I miss the rain" talks about how memories are not as powerful and intense as the real thing, and how the singer misses the energy and passion that was present in their relationship.
The second verse touches on the idea of regret and missed opportunities. The line "And the fact that you don't understand, Casts a shadow over this land, But the sun still shines from behind it" captures the feeling of wanting someone to understand but ultimately feeling like they don't. The ending of the verse brings us back to the idea of time passing and how even memories captured in Polaroids will fade away. The final line, "Like the love that we spoke of forever, On St Swithin's Day" is bittersweet and reflective, and the use of the day St. Swithin's Day (a traditional English holiday associated with folklore) adds another layer to the sense of nostalgia present in the song.
Line by Line Meaning
Thinking back now,
Reflecting on past events
I suppose you were just stating your views
Perhaps you were only expressing your opinion
What was it all for
What was the purpose of it all
For the weather or the Battle of Agincourt
Was it about something trivial or significant
And the times that we all hoped would last
The happy moments that we wished would never end
Like a train they have gone by so fast
They passed by quickly, like a speeding train
And though we stood together
Despite being together
At the edge of the platform
On the brink of something significant
We were not moved by them
We were not affected by those moments as we hoped we would be
With my own hands
By myself
When I make love to your memory
When I think about you and what we had
It's not the same
It's not as fulfilling as the real thing
I miss the thunder
I miss the excitement and passion
I miss the rain
I miss the emotion and intensity
And the fact that you don't understand
The fact that you can't relate
Casts a shadow over this land
Creates a darkness over this situation
But the sun still shines from behind it.
But there is still hope and positivity in the situation
Thanks all the same,
Thank you anyway
But I just can't bring myself to answer your letters
I cannot find it in me to respond to you
It's not your fault
It's not because of you
But your honesty touches me like a fire
Your sincerity affects me strongly
The Polaroids that hold us together
The pictures that represent our connection
Will surely fade away
Will inevitably lose their meaning
Like the love that we spoke of forever
Just like the love we believed would last forever
On St Swithin's Day
On a specific day that holds special meaning to us
Lyrics © Sony/ATV Music Publishing LLC
Written by: BILLY BRAGG
Lyrics Licensed & Provided by LyricFind
@rnm1978
Thinking back now
I suppose you were just stating your views
What was it all for
For the weather, or the Battle of Agincourt
And the times that we all hoped would last
Like a train they have gone by so fast
And though we stood together
At the edge of the platform
We were not moved by them
With my own hands
When I make love to your memory
It's not the same
I miss the thunder
I miss the rain
And the fact that you don't understand
Casts a shadow over this land
But the sun still shines from behind it
Thanks all the same
But I just can't bring myself to answer your letters
It's not your fault
But your honesty touches me like a fire
The Polaroids that hold us together
Will surely fade away
Like the love that we spoke of forever
On St Swithin's Day
@johnbarry1965
The Saturday boy and St Swithin's day are two of the greatest love songs of the 1980's!!
@PaulMcCaffreyfmac
Still makes me cry every time I hear it. Nothing hurts like lost love.
@reddog0820
memories of standing on the platform late at night waiting for the train to take me home after work listening to billy on a walkman cassette player. going home to my girlfriend knowing it was over
@michaelbolding9877
Sad
@TheNick279
I first heard this in the early eighties. It is still one of the most beautiful love songs I have ever heard.
@patkelly3966
Brilliant
@Rustsamurai1
marvellous. me too. 2019.
@obriech
@@Rustsamurai1 Incredible, I used to play it over and over again at the time.
@flip65515
Love this track
@markturpin5667
Puts the "Breaking-up" into Brewing Up. A Beautiful and Enduring Classic.