Billy Fury from Liverpool, England began music lessons, on the piano, at age 11. He got his first guitar at age 14. By 1955, the skiffle music boom had begun in England and Fury was leading his own local group, while still working on a tugboat and/or as a stevedore. By 1958, he had won a talent competition and had begun to write his own songs.
In a story which was legend among the British youth of the period, Fury was discovered by impressario Larry Parnes on October 1, 1958. That night, Fury attended a performance of The Larry Parnes Extravaganza, hoping to offer his songs to Marty Wilde, one of the featured performers and a well-known rock-&-roll star because of his appearances on the television series, "Oh Boy!" Fury did get backstage, and was seen by Parnes while performing one of his own songs for Wilde. Parnes booked Fury to appear on the Extravaganze that same night and the rest, as they say, is history - the applause which Fury received earned him a permanent spot on the tour and Parnes as his agent. Parnes' established proceedure was to give his singers stage names representing emotions and attributes: Marty Wilde, Johnny Gentle, Vince Eager. Thus, Ronald Wycherley became Billy Fury.
By the British standards of the day, Fury's early performances were so suggestive that a curtain was brought down on one of his shows. This forced Fury to restrain himself from his more overtly sexual stage moves. Fury's recording career began in early, 1959, with "Maybe Tomorrow," a song which he had written and which charted soon after its release. Fury's television debut came soon after in "Strictly For Sparrows." After that, Fury became a fixture on musical showcases such as "Oh Boy!"
After a string of hit singles, Fury cut his debut album, "The Sound of Fury," in 1960. Fury's back-up players included Joe Brown, one of England's few serious rockabilly players at that time, and drummer Andy White, who later played on the original release version of The Beatles' debut single "Love Me Do." The album sold well and has been re-released a half-dozen times since, including a CD version in the early 1990s. In an interview during the '70s, Keith Richards declared "The Sound of Fury" one of the greatest rock 'n roll albums of its era.
In 1960, DECCA Records decided to soften Fury's sound, at least on his singles, and Fury's early 60's recordings took on a more sophisticated air. "Talkin' In My Sleep" and "Don't Worry," backed by The Four Kestrels, were two results of this change. "Halfway to Paradise," in 1961, began Fury's brief assault on the top of the charts. The orchestrated "Halfway to Paradise" hit #3. A few months later, "Jealousy" reached #2; "I'd Never Find Another You" reached #5. By 1962, Fury was England's top rock-n-roll attraction, backed by the legendary Tornadoes of "Telstar" fame, appearing regularly on television. During this time, he also ventured to America where he got to meet Elvis Presley on the set of "Girls, Girls, Girls." (Many considered Fury to be the closest that England came to producing its own Elvis Presley, capable of dark, brooding, sexual performances, as well as gentle, vulnerable ballads.)
It was the arrival of another group from Liverpool, The Beatles, which ended Fury's dominance of the British teen music scene. (Interesting aside - The Beatles had tried, and failed, to become Fury's back-up during one of his tours.) Nonetheless, Fury continued to chart records into 1964. During that summer, he starred in a semi-autobiographical movie, "I've Got a Horse." Later the same year, he got his own television show. By 1965, however, Fury's health had begun to deteriorate and his records seldom charted better than the mid-20s.
Fury left DECCA Records in 1966 and signed a five-year contract with EMI's Parlophone Records. During those five years, Fury saw some very modest success but nothing like the frenzied stardom of his first seven years in music.
Fury underwent heart surgery in 1970 and in 1971, but resumed performing in 1972. England's rock-n-roll revival during the mid-70s saw the re-release of "The Sound of Fury," as well as other parts of Fury's catalog. During those years, Fury toured England with his one-time idol Marty Wilde. When he wasn't performing, Fury looked after his other interests, including wildlife preservation.
Another heart operation, in 1976, essentially ended Fury's musical career although there were still occasional recordings and television appearances. In 1978, Fury re-recorded his classic songs for K-Tel; in the early '80s he recut his old hits yet again for Polydor, which, by that time, owned DECCA Records. In 1981, a single, "Be Mine Tonight," just missed the British charts.
On March 4, 1982, Fury collapsed and nearly died while working on his farm. Nonetheless, that summer, he again went back on tour and placed the singles "Love Or Money" and "Devil Or Angel" on the English charts. Plans were made for a new album and a national tour, but Fury was found unconscious in his home on January 28, 1983. He died that same day in hospital.
A posthumous single, "Forget Him," charted in England later that same year. Numerous re-issues, as well as releases of previously unreleased material, have continued to appear in the compact disc era, most recently the "40th Anniversary Anthology," a double CD set and Beat Goes On's two-on-one CD of "We Want Billy" and "Billy."
On 10 April 1983, a tribute concert for Billy was held at the Beck Theatre in Hayes, Middlesex. All the artists performed for free and the money raised was donated to the Billy Fury memorial fund for research into heart disease. On the bill were such names as Marty Wilde with his daughter Kim Wilde, Joe Brown, Alvin Stardust, Dave Berry, Helen Shapiro, and John Miles.[citation needed]
In 1999 a TV documentary about Billy called Halfway to Paradise was broadcast on the BBC channel. It was narrated by Ian Dury.
Between 1999 and 2000 the song "Wondrous Place", a favourite of Fury's (he re-recorded it at least three times during his career), later received wide airplay on British television when it was used as the theme for a Toyota Yaris car advertisement.
On 19 April 2003 a bronze statue of Fury was unveiled by Jack Good at the National Museum of Liverpool Life. The sculpture, by Tom Murphy, a Liverpool sculptor, was donated by 'The Sound of Fury' fan club after the money was raised by fans.
In 2005 Spencer Leigh from BBC Radio Merseyside published a biography book about Billy Fury called Wondrous Face – The Billy Fury Story.
In 2008 a biographical documentary film Billy Fury His Wondrous Story was released on DVD.
Eight of his EMI recordings remained unreleased on mainstream CD until June 2010, when they appeared on a 29-track issue, The Complete Parlophone Singles, released by Peaksoft (PEA009). The singer's estate licensed the tracks to benefit his memorial fund, which finances equipment purchases for hospital heart units.
In November 2011, further co-operation between the estate and Peaksoft resulted in the issuing of a second CD, The Lost Album (PEA014), which attempted to construct the format of an album recorded by Fury in 1967–71, but which was never released.
In 2010 Camden Council, London, named a small formerly nameless road Billy Fury Way in his honour. It starts just off Finchley Road near Finchley & Frognal station and runs to West Hampstead Station. He had recorded at the nearby Decca Studios. The alleyway was decorated with a large mural of his face (at the West Hampstead end), which was unveiled and blessed on Friday 29 July 2011.
Play It Cool was released for the first time on DVD on 10 February 2014.
Alright Goodbye
Billy Fury Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I told a lie
And now you're leaving me
So, wait, goodbye
Well, alright
So now, we part
But now you're leaving me
A broken heart
Well, where does a broken heart go
When it dies of pain
Will it live, will it last
Will it love again?
Well, alright
I told a lie
How I cry
Because you're leaving me,
So wait, goodbye
(so wait, goodbye)
So wait, goodbye,
(doob du wah)
I told a lie,
Alright, goodbye
(Alright, goodbye)
The lyrics of Billy Fury's song, Alright Goodbye, tell the story of a person who has told a lie to their partner and as a result, they are leaving them with a broken heart. The opening line, "Well, alright, I told a lie", demonstrates the singer's admission of guilt and the result is the partner deciding to leave. The lyric "So wait, goodbye" is a last plea to prevent them from leaving, but it is ultimately unsuccessful. As the song unfolds, the singer questions where a broken heart goes when it dies of pain and wonders if it will love again.
The emotions and tragedy of heartbreak are clearly conveyed in the song with Billy Fury's soulful voice and the melancholic guitar chords that accompany the lyrics. The theme of heartbreak resonates with many listeners, and the lyrics have the ability to stir up feelings of sadness and loss in those who have experienced similar situations. The song is a poignant reminder of the pain caused by deception, and serves as a cautionary tale about the consequences of lying in a relationship.
Line by Line Meaning
Well, alright
The singer is accepting the situation he's in.
I told a lie
The singer has been dishonest towards his partner.
And now you're leaving me
As a result of his dishonesty, the partner is leaving the singer.
So, wait, goodbye
The singer is asking for a moment to say goodbye.
Well, alright
The situation has been accepted by the singer.
So now, we part
The singer's relationship has come to an end.
But now you're leaving me
The relationship ended because of the singer's dishonesty.
A broken heart
The singer is experiencing emotional pain due to the situation.
Well, where does a broken heart go
The singer is asking a rhetorical question about how to deal with a broken heart.
When it dies of pain
The singer is suggesting that a broken heart can be lethal.
Will it live, will it last
The singer is uncertain about the future of his heart.
Will it love again?
The singer is questioning if his heart can love again.
Well, alright
The singer is again accepting his situation.
I told a lie
The singer realizes that his dishonesty was the cause of the breakup.
How I cry
The singer expresses his emotional pain due to the breakup.
Because you're leaving me
The singer's partner is the reason for his emotional pain.
So wait, goodbye
The singer is again asking for a moment to say goodbye.
(so wait, goodbye)
Repetition of the previous line.
So wait, goodbye,
Repetition of the previous line.
(doob du wah)
Non-semantic vocalization.
I told a lie,
Reiteration of the cause of the breakup.
Alright, goodbye
The singer accepts the finality of the breakup and says goodbye.
(Alright, goodbye)
Repetition of the previous line.
Contributed by Colin F. Suggest a correction in the comments below.
tracey hayward
Fury an absolute rockin legend . Still so sadly missed by so many . ❤️❤️❤️
ANGELA SHARPE
Another beautiful song from our Lovely Billy
walter geldof
What a Great Song by Billy ❤❤❤
the bobbs
This self-penned Fury track would have been a worthy a side in its own right. To be coupled with the brilliant, iconic Wondrous Place made this 45 single a true classic, and one of the best UK discs of the pre-Beatles era.
Pat Doyle
💙❤💛💜💚super fab 🌟🌟🌟🌟🌟