Black Eyed Peas went to centenary state high school and got their start in 1988 when will.i.am (born 1975 William James Adams Jr.) and apl.de.ap (born 1974 Allan Pineda) began rapping and performing together around Los Angeles. The pair signed to Ruthless Records (run by Eazy-E) after catching the attention of the nephew of Jerry Heller (Eazy-E's manager). Along with Mookie Mook (Burning Star), Dante Santiago & DJ Motiv8, they called their group A.T.B.A.N. Klann. Their debut album, 'Grass Roots', was not released originally because Ruthless did not consider the social themes reflected in the group's music to be marketable to their audience. A single "Puddles of H2O" was released in 1994 but no album was released (until it leaked onto the Internet in the mid 2000s).
After Eazy-E died of an AIDS related illness in 1995, they changed their name to Black Eyed Peas; will.i.am explained on the front cover of the Monkey Business album that "Black Eyed Peas are food for the soul", hence the name. will.i.am has cited the Red Hot Chili Peppers as an influence and said he named his band after a food, like them. They replaced their original third member Mookie, with Dante Santiago the Peas original singer. Then Taboo (born Jaime Gomez) joined the group. Dante Santiago took on a role as a guest vocalist in the band and featured frequently on various tracks for their first four albums.
In 1996, they produced and appeared on a song entitled "That's Right" for Brian Austin Green's hip-hop album One Stop Carnival. Later, they began using Kim Hill as a steady background singer. Unlike many hip-hop acts, they chose to perform with a live band and adopted a musical and clothing style that differed wildly from the "gangsta rap" sounds of other Los Angeles-based hip-hop acts at the time. Through the mid-'90s, they performed in the local club circuit alongside fellow acts such as Ozomatli and Jurassic 5.
The group were signed to Interscope Records and released their debut, "Behind the Front", in 1998. The album won the group (and their accompanying live band, the Bucky Jonsons) critical acclaim. The album featured the single "Joints & Jams", which was included on the Bulworth soundtrack. Their second album, "Bridging the Gap", was released in 2000; it featured the single "Request + Line" featuring Macy Gray.
After replacing their female background singer with Fergie, the group released their breakout album, "Elephunk", and their 2005 album, "Monkey Business", which featured the hit singles "Pump It", "Don't Phunk With My Heart", "Don't Lie" and "My Humps".
"The E.N.D. (The Energy Never Dies)", their fifth album, was released worldwide in June 2009 and has managed to sell 5 million copies in 8 months (Elephunk: 7 million, Monkey Business: 10 million). It already spawned 2 of the most downloaded singles of all time: "Boom Boom Pow" and "I Gotta Feeling", both were downloaded 5 million times only in the USA. The 3rd single "Meet Me Halfway" was downloaded 2 million times and the 4th "Imma Be", which was just released, already sold 1 million. "Rock That Body" is the 5th single.
http://www.blackeyedpeas.com
what it is
Black Eyed Peas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah, yeah, yeah, yeah, yeah, yeah
A freaky-dicky yo (All the time baby)
A freaky-dicky yo (All the time baby)
A freaky-dicky yo (All the time baby)
A freaky-dicky yo (All the time baby)
Uh, how you feelin' y'all (I'm feelin' fine)
Uh, how you feelin' y'all (I'm feelin' fine)
Uh, how you feelin' y'all (I'm feelin' fine)
A freaky-dicky yo (All the time baby)
A freaky-dicky yo (All the time baby)
Uh, how you feelin' y'all (I'm feelin' fine)
Uh, how you feelin' y'all (I'm feelin' fine)
Yo, this is the way it's goin' down
We come in compound releasin' double-rounds in hound
Like Keith Senses you defend techniques and on match
When I begin to draw back, cover up your cardiac
Cause I'm a rush ya, when I penetrate feel the pressure
The critical perfectionist, rhythmic expressionist
We comin' deadly y'all ever in
And you'll be scared to pick the mic up again
Lyrically you on the level of Green, Eggs and Ham
Your best bet is fold 'cause I gots a bigger hand
Plus I'm steppin' like a monster so go-go and scram
You ain't experienced, you lucky if you ride the ambulance
Cause when you dealin' with fool Will is quite fatal
Shape-shiftin' rubbers like Play Dough
Your rhymes are anal and we ain't got no time to play
No games, put the mic down, boy, try not to say no
More than rhymes 'cause you duplicate like Kinkos
You're a carbon copy with the wrinkles
You actin' like a nigga that be rhymin' in a Pringle commercial
But you can wear it in rehearsal
[Chorus:]
No need to front, that's what it is
I gotta get into you
Oh, I'm gonna show you what it is
I wanna get into you
Strong communicator called the Black Eyed Peas
Hard illustrator co-coordinate with ease
And duplicator crew, we put 'em all on freeze
Lock 'em in the cell, then throw away the keys
Another lost identity in disease
Entity with a so-called MC enemies
Will decrease when I step into your sceneries
Of course now you off course lost up in the source
I'm running out of time, this no time for no scrimmage
Aristorate the diamonds and replace it with the real image
Picture that, I know where I'm at
I know where I'm going and I'll be back
With a stronger impact lyrics be intact
Get you intoxicated when black attack
With the full-force pressure, hard to measure
On a rated scale whack MC's won't prevail
On a dream of makin' dream braggin' about infrared beams
But it seems all they really pullin' is pullin' them schemes
I take it back to the essence of hip-hop
Never will I stop with my beat-box
Can you feel it
Hmm, I gotta get into you
Oh, I'm gonna show you what it is
I wanna get into you
[Chorus: Repeat x2]
The lyrics to "What It Is" by Black Eyed Peas describe the group's confidence and skill as they come together to produce music. The song starts with a catchy and repetitious phrase "A freaky-dicky yo" that establishes the musical mood of the song. The lyrics then move on to a discussion about how the group is different from other rappers and how they elevate the art of making music. They boast about their skills that leave the audience speechless and how they bring a fresh and dynamic element to the scene. With each line, the lyrics complicate to emphasize their swift and unchallenged mastery of hip hop.
Furthermore, the song highlights their respect for the essence of the hip hop genre with beatbox being a critical aspect of the song. The lyrics suggest that the love for beatboxing extends beyond the art itself, representing the heart and soul of everything that the group stands for as they defy standards and expectations. The song ultimately celebrates the vitality of music as an art form and attests to the unambiguous creativity, confidence and mastery that the Black Eyed Peas possess.
Line by Line Meaning
Yeah, yeah, yeah, yeah
Expressing approval or excitement
A freaky-dicky yo (All the time baby)
Sexually suggestive phrase, implying constant arousal
Uh, how you feelin' y'all (I'm feelin' fine)
Asking about one's well-being and receiving a positive response
Yo, this is the way it's goin' down
Asserting dominance and control over the situation
We come in compound releasin' double-rounds in hound
Entering aggressively and with force, ready to perform
Like Keith Senses you defend techniques and on match
Comparing oneself to a skilled defender in a battle or competition
When I begin to draw back, cover up your cardiac
Warning the opponent to brace for an attack and protect their heart
Cause I'm a rush ya, when I penetrate feel the pressure
Intending to quickly overpower and overwhelm the opponent
The critical perfectionist, rhythmic expressionist
Describing oneself as a skilled and precise artist
We comin' deadly y'all ever in
Promising a powerful and lethal performance
And you'll be scared to pick the mic up again
Implying that the opponent will be intimidated and hesitant to perform again
Lyrically you on the level of Green, Eggs and Ham
Insulting the opponent's level of skill and creativity
Your best bet is fold 'cause I gots a bigger hand
Suggesting that the opponent should give up because they cannot compete
Plus I'm steppin' like a monster so go-go and scram
Using aggressive and intimidating language to assert dominance
You ain't experienced, you lucky if you ride the ambulance
Belittling the opponent's experience and suggesting they will get hurt
Cause when you dealin' with fool Will is quite fatal
Referring to oneself by name and implying that the opponent will lose
Shape-shiftin' rubbers like Play Dough
Making a sexual reference and boasting about one's flexibility
Your rhymes are anal and we ain't got no time to play
Criticizing the opponent's rhymes and emphasizing the need to be serious
No games, put the mic down, boy, try not to say no
Demanding that the opponent quit and not argue
More than rhymes 'cause you duplicate like Kinkos
Insulting the opponent's lack of originality and creativity
You're a carbon copy with the wrinkles
Reinforcing the previous insult and implying the opponent is old and outdated
You actin' like a nigga that be rhymin' in a Pringle commercial
Using racist language and mocking the opponent's behavior
But you can wear it in rehearsal
Suggesting that the opponent's performance is only suitable for practice
No need to front, that's what it is
Encouraging honesty and authenticity
I gotta get into you
Expressing sexual desire or the desire to connect deeply with someone
Oh, I'm gonna show you what it is
Promising to demonstrate one's true self or abilities
Strong communicator called the Black Eyed Peas
Referring to the group as skilled and effective communicators
Hard illustrator co-coordinate with ease
Describing the group's ability to work together and create visuals
And duplicator crew, we put 'em all on freeze
Implying that the group can easily copy and outperform others
Lock 'em in the cell, then throw away the keys
Metaphorically trapping and defeating opponents
Another lost identity in disease
Suggesting that others lack a strong sense of self or purpose
Entity with a so-called MC enemies
Referring to other rappers who may compete with the group
Will decrease when I step into your sceneries
Boasting that the group can easily overcome opponents
Of course now you off course lost up in the source
Immensely confident and suggesting that others are misguided
I'm running out of time, this no time for no scrimmage
Implying that the situation is serious and there is no room for error
Aristorate the diamonds and replace it with the real image
Using complex language to suggest a desire for authenticity and truth
Picture that, I know where I'm at
Asserting that the group is in control and knows its position
I know where I'm going and I'll be back
Suggesting a strong sense of personal direction and purpose
With a stronger impact lyrics be intact
Promising that the group's music will continue to be powerful and successful
Get you intoxicated when black attack
Suggesting that the group's music is addictive and powerful
With the full-force pressure, hard to measure
Boasting about the group's strength and ability to overcome obstacles
On a rated scale whack MC's won't prevail
Implying a high level of skill and ability to defeat weak opponents
On a dream of makin' dream braggin' about infrared beams
Belittling opponents who boast about unrealistic achievements or abilities
But it seems all they really pullin' is pullin' them schemes
Suggesting that these opponents are only trying to deceive others
I take it back to the essence of hip-hop
Harkening back to the roots and true spirit of the genre
Never will I stop with my beat-box
Promising to continue creating and performing music
Can you feel it
Encouraging the listener to connect emotionally with the music
Lyrics © O/B/O APRA AMCOS, Peermusic Publishing, Warner/Chappell Music, Inc., Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: PHARRELL WILLIAMS, CHAD HUGO, TREVOR SMITH, RICKY WALTERS, LEROY JONES, ROGER MCNAIR, WILLIAM LEWIS, RASHIA TASHAN FISHER
Lyrics Licensed & Provided by LyricFind
@whizzardblizzard5696
Who else saw Kim Hill’s New York Times Op-Doc and came here.
@MelaniTSr
whizzard blizzard , that’s what brought me here. She’s very talented!
@veronicapalmadiaz7183
Very few females sell real music instead of body and face
She's very talented
@trapunivers403
that's why im here lol
@khvrnv
Same girl sameee
@d_walsh
I just did. And...
Here I am
@user-hg3wq6fs8q
i don't understand why management ever tried to sexualise kim hill...she had this cool, big sister energy that worked so well with the group
@maddyknauss3657
Q right!! it makes me so mad. if the industry wasn’t so misogynistic back then and didn’t constantly objectify women, she probably would have stayed and it wouldve been super interesting to see what other stuff they could’ve accomplished together.
@Bdhdudnbdjd
It worked with Fergie 🤷
@maddyknauss3657
abc def it worked w fergie because she knew she would be objectified in the business. she was okay with being seen in a sexual way, so she embraced it and expressed herself sexually on her own terms. kim didn’t want to be objectified while singing and wasn’t being respected or listened to by management so she left. i applaud both kim and fergie for doing what they wanted, they’re both amazing.