In 1998, Paul Durham and his rock band, Black Lab, released their Geffen Records debut Your Body Above Me to critical acclaim. The album yielded the top 10 rock and alternative single "Wash it Away," and the top 40 ac and pop track "Time Ago."
Paul Durham grew up in Twin Falls, Idaho before moving to San Francisco to pursue his passion for musical invention. He recorded and toured with a group of friends under the moniker “Durham,” and made an acoustic-based singer/songwriter record with celebrated jazz producer Lee Townsend. (now available at blacklabworld.com under the title Ten Million Years: songs from the nineteen nineties).
“Durham” split, but a deal with Geffen Records followed, a new band was built, and Black Lab's debut was tagged as "one of this year's breakout records" (Billboard). Hollywood called, and the band contributed songs to the soundtracks for Can't Hardly Wait, Varsity Blues, Permanent Midnight, and Buffy the Vampire Slayer. After a year of touring, Black Lab was poised to fulfill their destiny as "the American U2" (San Francisco Chronicle) when their record label was quickly shuttered. Over the next two years, Durham left his band, fired his manager and moved to LA. "In the end, all I had were my guitars and the songs I was writing." Durham wanted to control the sound around his voice, so he bought a computer and learned to use it. "I had to get back to how it was in high school -- just me and my four-track."
The resulting demos got Durham a new deal with Epic Records. "The first thing I did was buy a giant ProTools system." The only problem was, he didn't know how to install the software. On advice from a friend, Durham hired Andy Ellis to set up his studio. "So, we're sitting around waiting for the computer to reboot," remembers Durham, "And this guy picks up my guitar, without asking. I was cringing inside, afraid of what he would play. But he was great. I wanted to sing over the top of everything he played. Pretty soon, we were writing together."
At 23, Ellis was already an accomplished guitarist, keyboard player and programmer. He had been working as an assistant to some of the best engineers in the business and knew how to twiddle some serious knobs. Durham had found the missing link between what he heard in his head and what came out of the speakers. "Working with Andy is the first time collaboration has ever been easy," says Durham. "Instead of the whole hell-is-other-people thing, we have a blast just making sounds.
See the Sun has a depth and emotional range that broadens with each listen. Much of the album was mixed by Tom Lord-Alge (Live, Blink 182, Avril Lavigne). What shines brightest is the band's pop sensibility – the liquid swirl of "Remember," the epic sweep of "See the Sun," the raging loss of "Without You," and the open-armed surrender of "Lonely Boy."
“Learn to Crawl” was tapped as the fourth track on the platinum Spider-Man soundtrack. Produced by Durham and veteran mixer/producer Tom Lord-Alge, the song wraps an aggressive guitar riff around what Rolling Stone calls "Black Lab's tightly spun, highly melodic rock."
The title of "Ecstasy," a pulsing shadow that wakes to full rock glory, was inspired by Durham's experience recording: "The freedom to do what I wanted – in the studio across the hall from my bedroom – was amazing. I would get up late, go to the beach, then work until four or five in the morning. I got to record this album the same way I wrote it."
While See the Sun represents a zenith in Black Lab’s songwriting and production, the band continues to push and expand its sound into uncharted territory, contributing a vicious techno track called “This Blood” to the worldwide hit movie Blade : Trinity. Black Lab also continues to produce music for television (MTV’s Real World, “What I Like About You,” “The Days”) as well as the upcoming film Lovewrecked.
The third Black Lab album, entitled "Passion Leaves A Trace" was released on January 16th, 2007. Highlights include the majestic "Mine Again", the jet-black remorse of "This Night" (featured in the trailer for The Shield Season 6, and on the episode "Out of the Chute" of House), the hook-laden driving force that is "The Real You", and the achingly beautiful "Ghost In Your Mind".
All things Black Lab, including streaming and free downloads from the new and past albums, can be found at blacklabworld.com.
All The Money In The World
Black Lab Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Watch the women scream.
Listen to the big machine.
Let's have a party,
Let's get some fireworks
Lets get some firewoks
Let's see how long we forget how the game goes
Listen to the big machine.
All the money
All the money in the world
All the money
All the money can't burn your big machine.
We wave our hands in bright white shades
We wave our flags, our billy clubs & spades
Help us now, this is our hour of need
Listen to the big machine.
All the money
All the money can't burn your big machine.
"Switch the children, watch the women scream" is a powerful opening line, and it can be interpreted in a few ways. One interpretation could be that the singer is calling for the audience to switch their understanding of who is harmed in power struggles. In these scenarios, the vulnerable are often discarded and the powerful do not take responsibility for their actions. "Listen to the big machine" is repeated throughout the song and can be interpreted as the system in place that encourages destructive behavior.
Line by Line Meaning
Switch the children
Change the focus from innocence to chaos.
Watch the women scream.
Observe the distress and terror that women go through.
Listen to the big machine.
Pay attention to the system that controls everything.
Let's have a party,
Let's all be distracted by superficial pleasures.
Let's get some fireworks
Let's create a spectacle to divert attention.
Let's see how long we forget how the game goes
Let's pretend like we don't know that the system is rigged.
Marigolds gone to soldiers, gone to seed.
The things that once brought beauty have been destroyed.
All the money
No matter how much wealth one has
All the money in the world
No matter how much wealth is amassed through exploitation.
All the money
Even a vast accumulation of financial resources,
All the money can't burn your big machine.
Will not bring down the corrupt system at play.
We wave our hands in bright white shades
We attempt to hide our true selves with pure appearances.
We wave our flags, our billy clubs & spades
We use authoritative symbols and violence to maintain power.
Help us now, this is our hour of need
We plead for assistance when we face the consequences of our actions.
Listen to the big machine.
Submit to the dominating forces that dictate our world.
All the money
Even an obscene amount of wealth,
All the money can't burn your big machine.
Will not overthrow the oppressive structure in place.
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind