1) Black Moon (Brot… Read Full Bio ↴There are four bands by the name of Black Moon:
1) Black Moon (Brothers who Lyrically Act and Combine Kickin Music Out On Nations) is a Hip Hop group from Brooklyn, New York which debuted in 1992, with the release of the single "Who Got Da Props?". The song became something of an underground phenomenon, and charted on the Billboard Hot 100. With the help of DJ Chuck Chillout, the group landed a record deal with Nervous Records for the release of their debut album Enta Da Stage, released in late 1993. The album included "Who Got Da Props?", as well as the singles "How Many MC's...", "Buck Em Down", and another Hot 100 hit, "I Got Cha Opin (Remix)". The album went on to sell over 350,000 copies in the U.S., and is now regarded as an underground hip hop classic. Following the album's release, the group temporarily broke up.
During the group's hiatus, DJ Evil Dee continued his production career with his crew Da Beatminerz, and lead MC Buckshot headed out and formed his own supergroup called the Boot Camp Clik, featuring fellow Brooklyn locals Smif-N-Wessun, Heltah Skeltah and O.G.C.. Following the releases of the debuts from Smif-N-Wessun (Dah Shinin'), Heltah Skeltah (Nocturnal), and O.G.C. (Da Storm), Black Moon reformed on Buckshot's label Duck Down Records. In late 1996, Nervous Records released a Black Moon compilation album titled Diggin' in Dah Vaults, which featured a number of remixes and B-Side tracks. After the group's split with Nervous Records, Black Moon became entangled in a legal battle over the licensing rights of their group name, which lasted for a number of years. The case was finally settled in 1998, and they were able to license the name through Nervous.
In 1999, they released their long awaited second album War Zone. The album saw a change in the group's musical style, with a more mature Buckshot showing off a calmer, more serious lyrical delivery, and also featured a new lo-fi production sound from Da Beatminerz. The album's singles "Two Turntables and a Mic" and "This is What it Sounds Like (Worldwind)" made small impact, and the group wasn't able to properly capitalize on their hype. Despite the somewhat disappointing sales, the album received good reviews. 1999 also saw the solo debut album from Buckshot, titled The BDI Thug, which was seen as a major disappointment. The album was met with very mediocre reviews and little sales. Black Moon and the Boot Camp Clik were largely missing from the hip hop scene between 2000 and 2001.
The Camp returned in 2002 for their second group album, The Chosen Few. Black Moon returned in 2003 for the release of their third album Total Eclipse. The album featured the underground hit "Stay Real", as well as two music videos, shot for the singles "Stay Real" and "This Goes Out to You". The album, like their previous efforts, received good reviews, but wasn't able to reach outside the underground hip hop audience. The three were planning on another group release, but backup MC 5ft was sentenced to four-to-nine years in prison on March 6, 2004 for sale of an illegal substance. DJ Evil Dee has continued production work with Da Beatminerz, and Buckshot has continued work with the Boot Camp Clik. In 2005, Buck released a collaboration album with producer 9th Wonder titled Chemistry. In 2006, DJ Evil Dee and his brother Mr. Walt released a mixtape titled Alter the Chemistry, which paired Buckshot's vocals from the Chemistry album with classic Black Moon beats.
2) Black Moon was also a punk/metal band from Mohrsville, Pennsylvania.
Band MySpace: http://www.myspace.com/blackmoonmusic
3) Black Moon is an underground black metal band from Chile, featured on the "Call From The Grave" split in 2005 with Maledictum.
4) Black Moon competed in Danish MGP 2014 with their song Fun in the Summer. The band consists of singers Alma and Mia, guitarist Noa Sophie, bassist Frieda, pianist Esther and drummer Lauritz. They are all born in 2001 and live in Copenhagen, Denmark (with exception of Lauritz who live in Frederiksberg, Denmark).
Slave
Black Moon Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Weak shit that I hear no lyrical styles come near
To the one who boasts like Buck
On the mic truck, cuz I never gave a fuck
I hate the weak shit, man it be fuckin with my soul
I peeped how radio be trying to take control
Tellin me to get a little lighter on my lyrics
But if it ain't real on the mic I can't feel it
Nevertheless, hold it in your chest like stress
Rhythm and blues style is not in my environment
And when I "slowww dowwwn" it's time to take a hit
But until I fall off, call off your set
And if you never knew me, then you never knew wreck
Look inside of the mind and see
Cause you might be trapped with a nigga like me
I feel like I'm trapped in the motherfuckin cave
To the rhythm I'm a slave, lookin in my grave
Jugular vein bustin out my neck, you see the rage
I move when I groove cuz I'm into, the stage
Of the Buckshot, black, I'm bringin it back
To the roots, like Timberland boots, home on my rack
And I don't give a FUCK what you say
Commercial rap, get the gun clap, day after day
Niggas don't play on the d low, kid you know my steelo
I roll on more niggas than cee-lo
We might just bumrush your set
Me AND my niggas on the real mic check
Like my nigga Smif gettin swift on the gift
Then I toss another lesson to my nigga Wessun
And my nigga Five from the tribe of Moon
Pass the Crooked I, bitch yo pass the boom
Whenever you're ready I'mma take you into the stage
Deep in the mind of a slave
In Black Moon's song "Slave," the artist speaks to the frustration he feels with the music industry and its influence on the artistry of hip hop. In the opening lines, he mentions hearing weak lyrics that pale in comparison to his own style. He is proud of his ability to flow and never give in to what the radio stations demand. He refuses to compromise his craft and water down his lyrics for the sake of public appeal. He is not influenced by the rhythm and blues style that is prevalent in the industry and instead is true to himself and his unique approach to hip hop. He is confident in his abilities and knows that fans who appreciate real lyrics are with him for the long haul. The title "Slave" suggests that he feels trapped and controlled by the industry's expectations but also implies that he will never give in to its demands.
The next verse picks up on the idea of feeling trapped, this time using a metaphor of being trapped in a cave. He feels like he is a slave to the rhythm and the beat, unable to escape the pressure to produce commercial rap. He reiterates his commitment to his craft, refusing to compromise even if listeners do not appreciate his realness. He and his team are ready to take on any challengers, as he boasts that he and his team will "roll on more niggas than cee-lo." The final line is particularly poignant as he invites listeners to join him in his mind and see what it's like to be a slave to the hip hop industry's expectations.
Overall, Black Moon's "Slave" is an empowering song that highlights the importance of staying true to one's craft despite external pressures. The lyrics showcase the artist's unique style and his commitment to providing his fans with real music that speaks to their experiences and struggles.
Line by Line Meaning
I'm gettin the ahh, I'm gettin the ahh from the
I am feeling the motivation to create music
Weak shit that I hear no lyrical styles come near
The music that I listen to is not motivational enough for me
To the one who boasts like Buck
Comparing oneself to Buckshot, a rapper known for his confidence and skill
On the mic truck, cuz I never gave a fuck
I don't care about other people's opinions, I'm doing my own thing
I hate the weak shit, man it be fuckin with my soul
I despise music that lacks passion and feeling
I peeped how radio be trying to take control
I have noticed that radio stations try to manipulate artists' creativity
Tellin me to get a little lighter on my lyrics
Radio stations are pressuring me to make my lyrics more commercial
But if it ain't real on the mic I can't feel it
I cannot create music that does not have personal meaning to me
Straight from my bloodstream, I pump finesse
I put a lot of effort and skill into my music
Nevertheless, hold it in your chest like stress
My music is intense and powerful, like stress held in the chest
Rhythm and blues style is not in my environment
I am not interested in creating music in the rhythm and blues genre
And when I "slowww dowwwn" it's time to take a hit
Taking a break when I am feeling overworked or stressed
But until I fall off, call off your set
I won't stop creating music until I feel like I can no longer do it
And if you never knew me, then you never knew wreck
If you don't know me, you don't know what true artistry is
Look inside of the mind and see
My music comes from my personal experiences and emotions
Cause you might be trapped with a nigga like me
People who listen to my music might be influenced by my intense passion for the art form
I feel like I'm trapped in the motherfuckin cave
I feel stuck and unable to express myself creatively
To the rhythm I'm a slave, lookin in my grave
My passion for music dominates my life and will continue to even after I die
Jugular vein bustin out my neck, you see the rage
I put all of my emotions and energy into my music, which can be seen through my physical reactions
I move when I groove cuz I'm into, the stage
I am at my best when performing music live on stage
Of the Buckshot, black, I'm bringin it back
I am proud to bring back the true essence of hip hop, like Buckshot has always done
To the roots, like Timberland boots, home on my rack
My music is authentic and takes inspiration from the true roots of hip hop
And I don't give a FUCK what you say
I am not influenced by others' opinions on my music
Commercial rap, get the gun clap, day after day
I am opposed to creating music for commercial gain and believe it takes away from the true essence of hip hop
Niggas don't play on the d low, kid you know my steelo
I am serious about my craft and don't engage in unnecessary drama or showboating
I roll on more niggas than cee-lo
I frequently outdo and dominate other artists in the industry
We might just bumrush your set
My crew and I are capable of taking over any performance
Me AND my niggas on the real mic check
My crew and I are talented and dedicated to creating genuine music
Like my nigga Smif gettin swift on the gift
My crew member Smif is incredibly skilled and creative in his music-making
Then I toss another lesson to my nigga Wessun
I am always sharing knowledge and insights with my colleagues
And my nigga Five from the tribe of Moon
One of my crew members, named Five, is from the tribe of Moon
Pass the Crooked I, bitch yo pass the boom
Hand me my drink and turn up the music
Whenever you're ready I'mma take you into the stage
I am always prepared to give an electrifying performance
Deep in the mind of a slave
My passion for music is so strong that it feels as if I am enslaved to it
Lyrics Β© O/B/O APRA AMCOS
Written by: Kenyatta S Blake, Walter V Dewgarde
Lyrics Licensed & Provided by LyricFind
@victorwilde8789
One of the best albums of the nineties , fuck that, all time. Still bumping this
@MarvelousPhilly
This absolute masterpiece of an album is within my top 10 hip hop/rap albums of all time. ππ
@mikawassen6695
Number 1 for me for sure
@dominickfalletta6515
There will b nothing that will ever drop like dis. Straight b.k. 90s. Sound. Yo da best sound. Yo i cant
@bostonceemr6176
This tape blasted in my walkman on sooooo many days going to school. Just cant duplicate this sound of this album. Fya!!
@AllDopedUp13
Word up me too! Thereβll never be anything like this ever again
@nazirpalacios4899
Man who u telling I use to only listen to this album on my Walkman ONLY ( period ) & Iβm still a hip hop junkie
@77Creation
ββ¦commercial rap get the gun clap day after day.β π«‘βπ½π₯πͺπ½
@multiversalsoldier33
This is the best song on this five star album
@megallah5350
One Of Many