Blind Lemon Jefferson (Lemon Henry Jefferson, Coutchman, Texas, September 2… Read Full Bio ↴Blind Lemon Jefferson (Lemon Henry Jefferson, Coutchman, Texas, September 24, 1893 – December 19, 1929) was an influential blues singer and guitarist from Texas. He was one of the most popular blues singers of the 1920s.
His musical style was individualistic, and Jefferson's singing and self-accompaniment were distinctive as a result of his high-pitched voice and originality on the guitar. He has been titled "Father of the Texas Blues."
He was not influential on some younger blues singers of his generation, as they did not seek to imitate him as they did other commercially successful artists. However, later blues and rock and roll musicians attempted to imitate both his songs and his musical style.
Jefferson was born blind near Coutchman, Texas in Freestone County, near present-day Wortham, Texas. Jefferson began playing the guitar in his early teens, and soon after he began performing at picnics and parties. He also became a street musician, playing in East Texas towns in front of barbershops and on corners. According to his cousin, Alec Jefferson, quoted in the notes for Blind Lemon Jefferson, Classic Sides:"They was rough. Men was hustling women and selling bootleg and Lemon was singing for them all night... he'd start singing about eight and go on until four in the morning... mostly it would be just him sitting there and playing and singing all night."
By the early 1910s, Jefferson began traveling frequently to Dallas, where he met and played with fellow blues musician Leadbelly. In Dallas, Jefferson was one of the earliest and most prominent figures in the blues movement developing in Dallas' Deep Ellum area. Jefferson likely moved to Deep Ellum in a more permanent fashion by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker. Jefferson taught Walker the basics of blues guitar, in exchange for Walker's occasional services as a guide. Also, by the early 1920s, Jefferson was earning enough money for his musical performances to support a wife, and possibly a child. However, firm evidence for both his marriage and any offspring is unavailable.
The beginning of the recording career
Unlike many artists who were "discovered" and recorded in their normal venues, in December 1925 or January 1926, he was taken to Chicago, Illinois, to record his first tracks. Uncharacteristically, Jefferson's first two recordings from this session were gospel songs ("I Want to be like Jesus in my Heart" and "All I Want is that Pure Religion"), released under the name Deacon L. J. Bates. This led to a second recording session in March 1926. His first releases under his own name, "Booster Blues" and "Dry Southern Blues," were hits; this led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues," which became a runaway success, with sales in six figures. He recorded about 100 tracks between 1926 and 1929; 43 records were issued, all but one for Paramount Records. Unfortunately, Paramount Records' studio techniques and quality were infamously bad, and the resulting recordings sound no better than if they had been recorded in a hotel room. In fact, in May 1926, Paramount had Jefferson re-record his hits "Got the Blues" and "Long Lonesome Blues" in the superior facilities at Marsh Laboratories, and subsequent releases used that version. Both versions appear on compilation albums and may be compared.
Success with Paramount Records
It was largely due to the popularity of artists such as Blind Lemon Jefferson and contemporaries such as Blind Blake and Ma Rainey that Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (although there is debate over the reliability of this as well); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a frequently seen compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of pigeonholing his music into one regional category. He sticks to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee during the early 1920s at which time Davis and fellow entertainer Clarence Greene learned the art of blues guitar.
Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to OKeh Records, he took Jefferson with him, and OKeh quickly recorded and released Jefferson's "Matchbox Blues" backed with "Black Snake Moan," which was to be his only OKeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than on his Paramount records at the time. When he had returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, under producer Arthur Laibly.
In 1927, Jefferson recorded another of his now classic songs, the haunting "See That My Grave Is Kept Clean" (once again using the pseudonym Deacon L. J. Bates) along with two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be." Of the three, "See That My Grave Is Kept Clean" became such a big hit that it was re-recorded and re-released in 1928.
Stories
As his fame grew, so did the tales regarding his life, often personally involving the teller. T-Bone Walker states that as a boy, he was employed by Jefferson to lead him around the streets of Dallas; he would have been of the appropriate age at the time. A Paramount employee told biographer Orrin Keepnews that Jefferson was a womanizing sloppy drunk; on the other hand, Jefferson's neighbor in Chicago, Romeo Nelson, reports him as being "warm and cordial," and singer Rube Lacy states that Jefferson always refused to play on a Sunday, "even if you give me two hundred." He is claimed to have earned money wrestling before his musical success, which is further claimed as proof that he was not blind at the time (something of a non sequitur). Victoria Spivey elliptically credits Jefferson as someone who "could sure feel his way around."
Death and grave
Jefferson died in Chicago in December 1929. The cause of death is unknown, and though rumors swirled that a jealous lover poisoned his coffee, a more likely scenario is that he died due to a heart attack after being disoriented during a snowstorm (another scenario is that he froze to death). The book "Tolbert's Texas" claims that he was killed while being robbed of a large royalty cash payment by a guide taking him to Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by pianist Will Ezell. Jefferson was buried at Wortham Negro Cemetery (now Wortham Black Cemetery). Far from his grave being kept clean, it was unmarked until 1967, when a Texas Historical Marker was erected in the general area of his plot, the precise location being unknown. By 1996, the cemetery and marker were in poor condition, but a new granite headstone was erected in 1997. In 2007 the cemetery's name was changed to Blind Lemon Memorial Cemetery and keeping his wishes his gravesite is being kept clean by a cemetery committee in Wortham Texas.
Musical influence
Jefferson had an intricate and fast style of guitar playing and a particularly high-pitched voice. He was a founder of the Texas blues sound and an important influence on other blues singers and guitarists, including Lead Belly and Lightnin' Hopkins. The white North Carolina performer Arthel "Doc" Watson credited listening to Jefferson's recordings as his first exposure to the blues, which would powerfully influence his own style.
He was the author of many tunes covered by later musicians, including the classic "See That My Grave Is Kept Clean." Another of his tunes, "Matchbox Blues," was recorded more than 30 years later by the Beatles, albeit in a rockabilly version credited to Carl Perkins, who himself did not credit Jefferson on his 1955 recording. Given this influence, it is unfortunate that many of the details of his life remain shrouded in mystery, perhaps forever; even the only known picture of him, shown here, is heavily retouched, with a fake tie painted in by hand. However, at the time, "race music" and its white cousin, "hillbilly music," were not considered to be worthy of consideration as art, rather as a low-cost product to be sold and soon forgotten.
Blind Lemon Jefferson is the featured musician on a State of Texas license plate.
B. B. King has always maintained that Jefferson was a huge influence on his singing and guitar playing.
The Rock and Roll Hall of Fame listed one song by Blind Lemon Jefferson of the 500 songs that shaped rock and roll: 1927 Matchbox Blues
Jefferson was among the inaugural class of blues musicians inducted into the Blues Hall of Fame.
Covers of Blind Lemon Jefferson
The White Stripes's "De Ballot of De Boll Weevil" is a cover version of "Boll Weevil Blues."
Bob Dylan's "See That My Grave Is Kept Clean" on Bob Dylan.
The Beatles's and Carl Perkins' "Match Box" was a cover version of "Matchbox Blues."
B. B. King's "See That My Grave Is Kept Clean" on One Kind Favor
References to Blind Lemon Jefferson
King Solomon Hill recorded the song "My Buddy Blind Papa Lemon" as a tribute to Jefferson in 1932.
Van Morrison refers to Jefferson in the song "Cleaning Windows" on the 1982 album Beautiful Vision.
Francis Cabrel refers to Jefferson in the song "Cent Ans de Plus" on the 1999 album Hors-Saison.
Geoff Muldaur refers to Jefferson with the song "Got To Find Blind Lemon" on the album The Secret Handshake
Nick Cave and the Bad Seeds recorded the song "Blind Lemon Jefferson" on the album The Firstborn Is Dead.
The 2007 film Black Snake Moan refers to the title of Jefferson's song "Black Snake Moan"
In the 2003 movie Masked and Anonymous, Bobby Cupid (Luke Wilson) gives his friend Jack Fate (Bob Dylan) Blind Lemon's original guitar, on which he claims Matchbox Blues was first recorded.
Patrick Sky parodied Jefferson as "Blind Funk Earwax" playing "Child Molesting Blues" on his 1973 album Songs That Made America Famous
Cheech and Chong parodied Jefferson as "Blind Melon Chitlin'" on their self-titled 1971 album Cheech and Chong (album), their 1985 album Get Out of My Room, and in a stage routine that can be seen in their 1983 movie Still Smokin'.
A bar called Blind Lemon appears in the Philip K. Dick novel The Game-Players of Titan.
An episode of Sanford and Son titled "The Blind Mellow Jelly Collection" refers to Jefferson's name.
Michael Martin Murphy refers to Jefferson in the song "Rolling Hills' on his 1973 album Cosmic Cowboy Souvenir.
Lead Belly refers to Jefferson in his song "My Friend Blind Lemon."
On VeggieTales, Larry tries to sing the blues with the help of Blind Lemon Lincoln.
Blind Melon may be a reference to his name and/or style.
His musical style was individualistic, and Jefferson's singing and self-accompaniment were distinctive as a result of his high-pitched voice and originality on the guitar. He has been titled "Father of the Texas Blues."
He was not influential on some younger blues singers of his generation, as they did not seek to imitate him as they did other commercially successful artists. However, later blues and rock and roll musicians attempted to imitate both his songs and his musical style.
Jefferson was born blind near Coutchman, Texas in Freestone County, near present-day Wortham, Texas. Jefferson began playing the guitar in his early teens, and soon after he began performing at picnics and parties. He also became a street musician, playing in East Texas towns in front of barbershops and on corners. According to his cousin, Alec Jefferson, quoted in the notes for Blind Lemon Jefferson, Classic Sides:"They was rough. Men was hustling women and selling bootleg and Lemon was singing for them all night... he'd start singing about eight and go on until four in the morning... mostly it would be just him sitting there and playing and singing all night."
By the early 1910s, Jefferson began traveling frequently to Dallas, where he met and played with fellow blues musician Leadbelly. In Dallas, Jefferson was one of the earliest and most prominent figures in the blues movement developing in Dallas' Deep Ellum area. Jefferson likely moved to Deep Ellum in a more permanent fashion by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker. Jefferson taught Walker the basics of blues guitar, in exchange for Walker's occasional services as a guide. Also, by the early 1920s, Jefferson was earning enough money for his musical performances to support a wife, and possibly a child. However, firm evidence for both his marriage and any offspring is unavailable.
The beginning of the recording career
Unlike many artists who were "discovered" and recorded in their normal venues, in December 1925 or January 1926, he was taken to Chicago, Illinois, to record his first tracks. Uncharacteristically, Jefferson's first two recordings from this session were gospel songs ("I Want to be like Jesus in my Heart" and "All I Want is that Pure Religion"), released under the name Deacon L. J. Bates. This led to a second recording session in March 1926. His first releases under his own name, "Booster Blues" and "Dry Southern Blues," were hits; this led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues," which became a runaway success, with sales in six figures. He recorded about 100 tracks between 1926 and 1929; 43 records were issued, all but one for Paramount Records. Unfortunately, Paramount Records' studio techniques and quality were infamously bad, and the resulting recordings sound no better than if they had been recorded in a hotel room. In fact, in May 1926, Paramount had Jefferson re-record his hits "Got the Blues" and "Long Lonesome Blues" in the superior facilities at Marsh Laboratories, and subsequent releases used that version. Both versions appear on compilation albums and may be compared.
Success with Paramount Records
It was largely due to the popularity of artists such as Blind Lemon Jefferson and contemporaries such as Blind Blake and Ma Rainey that Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (although there is debate over the reliability of this as well); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a frequently seen compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of pigeonholing his music into one regional category. He sticks to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee during the early 1920s at which time Davis and fellow entertainer Clarence Greene learned the art of blues guitar.
Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to OKeh Records, he took Jefferson with him, and OKeh quickly recorded and released Jefferson's "Matchbox Blues" backed with "Black Snake Moan," which was to be his only OKeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than on his Paramount records at the time. When he had returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, under producer Arthur Laibly.
In 1927, Jefferson recorded another of his now classic songs, the haunting "See That My Grave Is Kept Clean" (once again using the pseudonym Deacon L. J. Bates) along with two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be." Of the three, "See That My Grave Is Kept Clean" became such a big hit that it was re-recorded and re-released in 1928.
Stories
As his fame grew, so did the tales regarding his life, often personally involving the teller. T-Bone Walker states that as a boy, he was employed by Jefferson to lead him around the streets of Dallas; he would have been of the appropriate age at the time. A Paramount employee told biographer Orrin Keepnews that Jefferson was a womanizing sloppy drunk; on the other hand, Jefferson's neighbor in Chicago, Romeo Nelson, reports him as being "warm and cordial," and singer Rube Lacy states that Jefferson always refused to play on a Sunday, "even if you give me two hundred." He is claimed to have earned money wrestling before his musical success, which is further claimed as proof that he was not blind at the time (something of a non sequitur). Victoria Spivey elliptically credits Jefferson as someone who "could sure feel his way around."
Death and grave
Jefferson died in Chicago in December 1929. The cause of death is unknown, and though rumors swirled that a jealous lover poisoned his coffee, a more likely scenario is that he died due to a heart attack after being disoriented during a snowstorm (another scenario is that he froze to death). The book "Tolbert's Texas" claims that he was killed while being robbed of a large royalty cash payment by a guide taking him to Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by pianist Will Ezell. Jefferson was buried at Wortham Negro Cemetery (now Wortham Black Cemetery). Far from his grave being kept clean, it was unmarked until 1967, when a Texas Historical Marker was erected in the general area of his plot, the precise location being unknown. By 1996, the cemetery and marker were in poor condition, but a new granite headstone was erected in 1997. In 2007 the cemetery's name was changed to Blind Lemon Memorial Cemetery and keeping his wishes his gravesite is being kept clean by a cemetery committee in Wortham Texas.
Musical influence
Jefferson had an intricate and fast style of guitar playing and a particularly high-pitched voice. He was a founder of the Texas blues sound and an important influence on other blues singers and guitarists, including Lead Belly and Lightnin' Hopkins. The white North Carolina performer Arthel "Doc" Watson credited listening to Jefferson's recordings as his first exposure to the blues, which would powerfully influence his own style.
He was the author of many tunes covered by later musicians, including the classic "See That My Grave Is Kept Clean." Another of his tunes, "Matchbox Blues," was recorded more than 30 years later by the Beatles, albeit in a rockabilly version credited to Carl Perkins, who himself did not credit Jefferson on his 1955 recording. Given this influence, it is unfortunate that many of the details of his life remain shrouded in mystery, perhaps forever; even the only known picture of him, shown here, is heavily retouched, with a fake tie painted in by hand. However, at the time, "race music" and its white cousin, "hillbilly music," were not considered to be worthy of consideration as art, rather as a low-cost product to be sold and soon forgotten.
Blind Lemon Jefferson is the featured musician on a State of Texas license plate.
B. B. King has always maintained that Jefferson was a huge influence on his singing and guitar playing.
The Rock and Roll Hall of Fame listed one song by Blind Lemon Jefferson of the 500 songs that shaped rock and roll: 1927 Matchbox Blues
Jefferson was among the inaugural class of blues musicians inducted into the Blues Hall of Fame.
Covers of Blind Lemon Jefferson
The White Stripes's "De Ballot of De Boll Weevil" is a cover version of "Boll Weevil Blues."
Bob Dylan's "See That My Grave Is Kept Clean" on Bob Dylan.
The Beatles's and Carl Perkins' "Match Box" was a cover version of "Matchbox Blues."
B. B. King's "See That My Grave Is Kept Clean" on One Kind Favor
References to Blind Lemon Jefferson
King Solomon Hill recorded the song "My Buddy Blind Papa Lemon" as a tribute to Jefferson in 1932.
Van Morrison refers to Jefferson in the song "Cleaning Windows" on the 1982 album Beautiful Vision.
Francis Cabrel refers to Jefferson in the song "Cent Ans de Plus" on the 1999 album Hors-Saison.
Geoff Muldaur refers to Jefferson with the song "Got To Find Blind Lemon" on the album The Secret Handshake
Nick Cave and the Bad Seeds recorded the song "Blind Lemon Jefferson" on the album The Firstborn Is Dead.
The 2007 film Black Snake Moan refers to the title of Jefferson's song "Black Snake Moan"
In the 2003 movie Masked and Anonymous, Bobby Cupid (Luke Wilson) gives his friend Jack Fate (Bob Dylan) Blind Lemon's original guitar, on which he claims Matchbox Blues was first recorded.
Patrick Sky parodied Jefferson as "Blind Funk Earwax" playing "Child Molesting Blues" on his 1973 album Songs That Made America Famous
Cheech and Chong parodied Jefferson as "Blind Melon Chitlin'" on their self-titled 1971 album Cheech and Chong (album), their 1985 album Get Out of My Room, and in a stage routine that can be seen in their 1983 movie Still Smokin'.
A bar called Blind Lemon appears in the Philip K. Dick novel The Game-Players of Titan.
An episode of Sanford and Son titled "The Blind Mellow Jelly Collection" refers to Jefferson's name.
Michael Martin Murphy refers to Jefferson in the song "Rolling Hills' on his 1973 album Cosmic Cowboy Souvenir.
Lead Belly refers to Jefferson in his song "My Friend Blind Lemon."
On VeggieTales, Larry tries to sing the blues with the help of Blind Lemon Lincoln.
Blind Melon may be a reference to his name and/or style.
Rabbit Foot Blues
Blind Lemon Jefferson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Blues jumped a rabbit, run him one solid mile
Blues jumped a rabbit, run him one solid mile
That rabbit set down, cried like a natural child
Well it seem like you’re hungry, honey come and lunch with me
Seem like you’re hungry, honey come and lunch with me
I’m gonna stop these nice-lookin’ women from worryin’ me
I have Uneeda biscuits gal and a half a pint o’ gin
Some Uneeda biscuits gal and a half a pint o’ gin
The gin is mighty fine but them biscuits are a little too thin
Baby tell me something ’bout the meatless and wheatless days
I wanna know about the meatless and wheatless days
This not being my home, I don’t think I could stay
Guitar break
That dried corn flour, indeed I declare it was strong
Well that dried corn flour, indeed I declare it was strong
People feedin’ me cornbread, I just can’t stick around long
Got an airplane, baby, now we’re gonna get us a submarine
An airplane, now we’re gonna get us a submarine
Gonna get that Kaiser and we’ll be seldom seen
Mmmm-mmm, hitch me to your buggy, mama, drive me like a mule
Hitch me to your buggy and drive me like a mule
The reason I’m goin’ home with you sugar, I ain’t [much hard to be fooled]
Blues jumped a rabbit, run him one solid mile
That rabbit set down, cried like a natural child
Well it seem like you’re hungry, honey come and lunch with me
Seem like you’re hungry, honey come and lunch with me
I’m gonna stop these nice-lookin’ women from worryin’ me
Some Uneeda biscuits gal and a half a pint o’ gin
The gin is mighty fine but them biscuits are a little too thin
Baby tell me something ’bout the meatless and wheatless days
I wanna know about the meatless and wheatless days
This not being my home, I don’t think I could stay
Guitar break
That dried corn flour, indeed I declare it was strong
Well that dried corn flour, indeed I declare it was strong
People feedin’ me cornbread, I just can’t stick around long
Got an airplane, baby, now we’re gonna get us a submarine
An airplane, now we’re gonna get us a submarine
Gonna get that Kaiser and we’ll be seldom seen
Mmmm-mmm, hitch me to your buggy, mama, drive me like a mule
Hitch me to your buggy and drive me like a mule
The reason I’m goin’ home with you sugar, I ain’t [much hard to be fooled]
In Blind Lemon Jefferson's "Rabbit Foot Blues," the blues are personified as a rabbit that runs for a mile. When the rabbit sits down, it cries "like a natural child," showing that even the blues can feel pain and sadness. The song then transitions to the singer asking a hungry woman to join him for lunch, where he offers her Uneeda biscuits and gin. He then asks her about the "meatless and wheatless days," referencing the food shortages during World War I. The singer expresses his discomfort with his current living situation and suggests leaving on an airplane and submarine to escape. Finally, he asks the woman to take him home, comparing himself to a mule.
The lyrics of "Rabbit Foot Blues" can be interpreted as a reflection of the struggles faced by African Americans in the early 20th century. The blues, which are often sung to express feelings of pain and loss, are portrayed as a natural part of life, much like the rabbit in the song. The mention of the food shortages during World War I highlights the economic struggles faced by many African Americans during this time. The singer's desire to escape and find a better life through an airplane and submarine also speaks to the limited opportunities available to African Americans at the time.
Line by Line Meaning
Blues jumped a rabbit, run him one solid mile
The blues is chasing the rabbit at a high speed and for a long distance.
That rabbit set down, cried like a natural child
The rabbit was extremely tired after running so far, and he looked like a helpless and innocent child that needed protection.
Seem like you’re hungry, honey come and lunch with me
It looks like you haven't had anything to eat, and I want to share my food with you.
I’m gonna stop these nice-lookin’ women from worryin’ me
I want to avoid the attention of these attractive women because I have other priorities.
Some Uneeda biscuits gal and a half a pint o’ gin
I have some thin biscuits and a little gin to share.
The gin is mighty fine but them biscuits are a little too thin
The gin is good, but the biscuits are not very filling and need improvement.
I wanna know about the meatless and wheatless days
I want to learn about the times when people didn't have enough food, especially meat and wheat.
This not being my home, I don’t think I could stay
Since I am not from here, I don't think I could survive under these food conditions.
That dried corn flour, indeed I declare it was strong
The corn flour was of low quality and not very appetizing.
People feedin’ me cornbread, I just can’t stick around long
Since people are only feeding me cornbread, I cannot stay in this place for very long.
An airplane, now we’re gonna get us a submarine
We will go to great lengths to find and defeat the enemy in any way possible.
Gonna get that Kaiser and we’ll be seldom seen
We will eliminate the enemy and become harder to find as a result.
Hitch me to your buggy and drive me like a mule
Take me with you and use me as a helper, just like you would use a mule.
The reason I’m goin’ home with you sugar, I ain’t [much hard to be fooled]
I will go home with you because I am an easygoing person and can easily be convinced to do so.
Contributed by Isaac N. Suggest a correction in the comments below.
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Ronnie Bishop
God bless you seeing in heaven now Lemon.
Ronnie Bishop
God bless you seeing in heaven now Lemon.
Eduardo Carrochio
i can hear that walking bass and guitar style in Leadbelly later on, i see where he got it
Sr Estroncio
I love his accent
Rushlan Murshed
Came to this reading B.B. King's autobiography, Blues All Around Me.
Thanks for the upload.
Rushlan
(from Bangladesh)
Mayhem5150
Thanks Joe Bob Briggs.
Ronnie Bishop
Say Rabbit foot Opal!