Variations on a Theme by Erik Satie (1st and 2nd Movements, Adapted From "Trois Gymnopedies")
Blood, Sweat & Tears is a Canadian-American jazz-rock music group originall… Read Full Bio ↴Blood, Sweat & Tears is a Canadian-American jazz-rock music group originally formed in 1967 in New York City by Al Kooper, Jim Fielder, Fred Lipsius, Randy Brecker, Jerry Weiss, Dick Halligan, Steve Katz and Bobby Colomby.
Founder Al Kooper conceived Blood, Sweat and Tears as an experiment in expanding the size and scope of the rock band with touches of jazz , blues , classical , and folk music. When Kooper was forced out of the band soon after its eclectic debut, Child Is Father to the Man, BS&T became increasingly identified as a "jazz-rock" group, although its music was essentially easy-listening rhythm and blues or rock with the addition of brass.
Kooper formed BS&T after leaving the Blues Project in 1967. The nucleus of the original band was Steve Katz, also of the Blues Project; Jim Fielder, who had played with the Mothers of Invention and Buffalo Springfield; and Bobby Colomby, who had drummed behind folksingers Odetta and Eric Andersen. The horn players were recruited from New York jazz and studio bands. Child Is Father featured songs by Harry Nilsson, Tim Buckley, Randy Newman, Gerry Goffin, and Carole King, along with Kooper originals and arrangements by Fred Lipsius for brass, strings, and studio effects. The band nearly broke up when Kooper, Randy Brecker, and Jerry Weiss left (Brecker to join The Thad Jones/Mel Lewis Orchestra). Regrouping under Katz and Colomby, and fronted by David Clayton-Thomas (who had sung with a Canadian blues band, The Bossmen), BS&T entered a period of immense popularity. Blood, Sweat & Tears featured arrangements of music by French composer Erik Satie and jazz singer Billie Holiday, as well as by Laura Nyro, Steve Winwood, and others. It was the #1 album for seven weeks in 1969, sold over 3 million copies, and spawned three gold singles: “You’ve Made Me So Very Happy,” “Spinning Wheel,” and “And When I Die,” each of which hit #2.
In 1970 the U.S. State Department sent the band on a goodwill tour of Yugoslavia, Romania, and Poland. Blood, Sweat & Tears 3 duplicated the Blood, Sweat & Tears mix of styles and was almost as popular. The album went to #1, and two singles, “Hi-De-Ho” and “Lucretia MacEvil,” hit the Top 30. But interest in the group began to wane, and 4, which contained almost all original material, barely made the Top 10. In 1971 “Go Down Gamblin’” was its last hit. By the time Clayton-Thomas left for a solo career in 1972, BS&T’s place on the charts had been filled by similarly styled bands such as Chicago, Chase, and Ides of March. Katz left the next year, first to join the short-lived American Flyer and then to an A&R position at Mercury Records.
BS&T became regulars in Las Vegas, with ever-changing personnel recruited largely from big bands like Maynard Ferguson’s, Woody Herman’s, and Doc Severinsen’s. Vocalist Jerry LaCroix appeared between his tenures with Edgar Winter’s White Trash and Rare Earth, while guitarist Mike Stern later played with Miles Davis’ early-’80s band. Clayton-Thomas’ return in 1974 briefly boosted BS&T’s popularity, but Columbia dropped the group, and Colomby, the last original member, left in 1976. He continued to influence BS&T as producer of Brand New Day and, with Clayton-Thomas, as co-owner of the band’s name and catalogue. He then moved on to a career in A&R for several labels, as well as TV reporting. Since 1975 the live act has been billed as Blood, Sweat and Tears Featuring David Clayton-Thomas. [from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)
http://www.rollingstone.com/artists/bloodsweatandtears/biography
In late 2005, the band returned to touring. The year 2007 witnessed the band's first world tour in a decade. From 2008 through 2010, Steve Katz returned to appear at BS&T's shows as a special guest.
From 2013 till 2018, Blood Sweat and Tears was fronted by Bo Bice, who was the runner-up against Carrie Underwood in the fourth season of American Idol.
In 2018, the group decided to replace Bice with former Tower of Power singer Tom Bowes, who had previously done a brief stint with BS&T back in July through November 2012.
In 2019 Keith Paluso, from the reality TV show The Voice, was chosen as BS&T's new singer.
Founder Al Kooper conceived Blood, Sweat and Tears as an experiment in expanding the size and scope of the rock band with touches of jazz , blues , classical , and folk music. When Kooper was forced out of the band soon after its eclectic debut, Child Is Father to the Man, BS&T became increasingly identified as a "jazz-rock" group, although its music was essentially easy-listening rhythm and blues or rock with the addition of brass.
Kooper formed BS&T after leaving the Blues Project in 1967. The nucleus of the original band was Steve Katz, also of the Blues Project; Jim Fielder, who had played with the Mothers of Invention and Buffalo Springfield; and Bobby Colomby, who had drummed behind folksingers Odetta and Eric Andersen. The horn players were recruited from New York jazz and studio bands. Child Is Father featured songs by Harry Nilsson, Tim Buckley, Randy Newman, Gerry Goffin, and Carole King, along with Kooper originals and arrangements by Fred Lipsius for brass, strings, and studio effects. The band nearly broke up when Kooper, Randy Brecker, and Jerry Weiss left (Brecker to join The Thad Jones/Mel Lewis Orchestra). Regrouping under Katz and Colomby, and fronted by David Clayton-Thomas (who had sung with a Canadian blues band, The Bossmen), BS&T entered a period of immense popularity. Blood, Sweat & Tears featured arrangements of music by French composer Erik Satie and jazz singer Billie Holiday, as well as by Laura Nyro, Steve Winwood, and others. It was the #1 album for seven weeks in 1969, sold over 3 million copies, and spawned three gold singles: “You’ve Made Me So Very Happy,” “Spinning Wheel,” and “And When I Die,” each of which hit #2.
In 1970 the U.S. State Department sent the band on a goodwill tour of Yugoslavia, Romania, and Poland. Blood, Sweat & Tears 3 duplicated the Blood, Sweat & Tears mix of styles and was almost as popular. The album went to #1, and two singles, “Hi-De-Ho” and “Lucretia MacEvil,” hit the Top 30. But interest in the group began to wane, and 4, which contained almost all original material, barely made the Top 10. In 1971 “Go Down Gamblin’” was its last hit. By the time Clayton-Thomas left for a solo career in 1972, BS&T’s place on the charts had been filled by similarly styled bands such as Chicago, Chase, and Ides of March. Katz left the next year, first to join the short-lived American Flyer and then to an A&R position at Mercury Records.
BS&T became regulars in Las Vegas, with ever-changing personnel recruited largely from big bands like Maynard Ferguson’s, Woody Herman’s, and Doc Severinsen’s. Vocalist Jerry LaCroix appeared between his tenures with Edgar Winter’s White Trash and Rare Earth, while guitarist Mike Stern later played with Miles Davis’ early-’80s band. Clayton-Thomas’ return in 1974 briefly boosted BS&T’s popularity, but Columbia dropped the group, and Colomby, the last original member, left in 1976. He continued to influence BS&T as producer of Brand New Day and, with Clayton-Thomas, as co-owner of the band’s name and catalogue. He then moved on to a career in A&R for several labels, as well as TV reporting. Since 1975 the live act has been billed as Blood, Sweat and Tears Featuring David Clayton-Thomas. [from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)
http://www.rollingstone.com/artists/bloodsweatandtears/biography
In late 2005, the band returned to touring. The year 2007 witnessed the band's first world tour in a decade. From 2008 through 2010, Steve Katz returned to appear at BS&T's shows as a special guest.
From 2013 till 2018, Blood Sweat and Tears was fronted by Bo Bice, who was the runner-up against Carrie Underwood in the fourth season of American Idol.
In 2018, the group decided to replace Bice with former Tower of Power singer Tom Bowes, who had previously done a brief stint with BS&T back in July through November 2012.
In 2019 Keith Paluso, from the reality TV show The Voice, was chosen as BS&T's new singer.
Variations on a Theme by Erik Satie
Blood Sweat & Tears Lyrics
Instrumental
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@bipolabeats9753
I know I've heard this in a movie at least once before, like it was a recurring song that I thought of as the main theme to the movie for lack of a better term...
Read that it was in The Royal Tenenbaums (a film I saw more than a decade ago and barely recall at all, so it probably isn't that), and also Man on Fire which I haven't seen at all. Anyone know what I'm thinking of?
Pretty sure it was this version rather than the original, or at least it sounded closer to this than the original by Erik Satie.
Maybe it was the royal tenenbaums and the song just stuck with me more than the movie itself, but I feel like it was something different.
Amazing song either way.
@scotthunt2479
I wore the grooves off of this record as a teenager. Takes me back to a seemingly simpler time. Thanks for posting.
@kirknitz3794
Still have the album but the grooves are still there
@evnpaul
Love the whole album but this piece really did it for me, love it!!! The versatility of this band is incredible.
@rr7firefly
There was a time in popular music history when chart-making performers referenced music from many generations before. Satie is fantastic, his Gymnopédies and Gnossiennes are pieces that everyone should know. Sadly, a lot of music made today does not recognize the value of melody, counterpoint and harmony.
@douglasbutterworth8102
BEAUTIFUL MUSIC
@JanetKaye-zx4ft
I agree. I love this!
@jaredbrown7679
You understand.
@tomcat3360
My 13-year-old self did not have a wide musical knowledge; I will be forever grateful that it was B,S&T who introduced me to Erik Satie.
@lauriewinestock4195
Had this album as a teenager - fell in love with this piece. This is how I discovered Erik Satie! I have been addicted to Satie ever since.
@mysoulsintent3577
This be one of only a handful of cherished albums I have retained over the years...I then like you became so enamored with Eric Satie...in an undergraduate music composition course his music engulfed my entire final thesis project:-))))))))) lol hail Satie!